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Winjay VX 1.0.20 WiN

TEAM REPT | 10/02/2014 | 30.06 MB

WinjayVX is the comprehensive automation solution for full digital radio broadcasting: impressive ease of use combined with powerful scheduling and live-assist features guarantee an always high quality and professional on-the-air performance. Versatile, extremely powerful and reliable, Winjay is the right solution to comply with the new demands of full digital broadcasting.

Perfect transactions
The mySQL database engine offers virtually zero-maintenance integrity for your valuable data, high speed, reliable transactions and concurrent queries into a multiuser, multichannel configuration.

Multiformat playout engine
Multi-format, multi-overlap playout engine, supporting virtually any audio format: WAV PCM, ADPCM, mp3 (CBR and VBR), OGG Vorbis, WMA, FLAC, WavPack, MPC MusePack, AC3, AAC, MP4 (iTunes), APE Monkey Audio, OFR OptimFrog, TTA The True Audio, from standard to broadcast grade sound cards.

Multilanguage interface
The WinjayVX user interface is based on language files external to the application. They are user definable files allowing you to edit existing languages or easily add new ones.

Realtime RDS update
RDS doesn’t mean just the station name! WinjayVX turns the RDS into a dynamic feature, since the text can be automatically updated according to user-definable data: title/artist of songs being played, next song queued, date/time, free text (such as station name), based on dedicated RDS-playlists.

SMS box
Advanced SMS receiver based on mobile phones and USB GSM modems, with SMS juke-box allowing listeners to reuqest songs or systems administrators to fire command remotely (loading of playlists, etc.)

Powerful music scheduling
The integrated random music scheduler offers automatic songs rotation based on criteria like style, min/max date, nationality, vote, BPM, or any combination of the above selection criteria. You may decide to select on the fly or preview and manually edit the generated schedule.

and much more …

INFO/DEMO/BUY: http://mage.si/04pP
Winjay VX 1.0.20 WiN-REPT
http://beelink.in/14104/Winjay-VX-1.0.20-WiN-REPT.html

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SongKey MKIII v3.0.2 WiN MAC

THE PiRATE | August 29, 2019 | WiN: 5.28 MB | OSX: 8.73 MB

…::: AAX ,VST 2.4, VST3, x64 :::…

SongKey MK3 is the all-new third version of our key finder plugin, but it doesn’t do simple key recognition, it’s also capable of detecting the chord being played and the song tempo. We thought it was a good idea to also add MIDI input (to be able to detect chords and key of midi tracks) and MIDI output for the recognized chords so you can record them and edit the track for your own needs.  At the core of SongKey we find the “chromagram” (a level representation of the intensity of each note playing in the song) but we spent a lot of time creating a more reliable and cleaner chromagram than the one of the previous version.

The data extracted from the audio is used to feed an artificial intelligence unit that is used to detect each chord, and SongKey MK3’s chord detection extends to sevenths, fifths and suspended chords.

The new key detection engine builds on the chromagram and expands it with another unit based around a statistical chord progression model that analyzing the chord sequence is able to understand the key of the song, this has the great advantage that the key recognition is always realtime so you can change song without the need to reset the plugin, or if the song changes key in some part of it, the plugin will simply be able to detect the new chord sequence and follow the key change.

The all-new GUI is completely vector drawn and resizable, so it’ll look good on any screen and can be made smaller or bigger as needed.

SongKey is very useful in that situation in which you don’t have an instrument at hand to find out the key of a song you are working on or if you are a DJ and want to make a mash-up but you don’t know in which key a song is written. The chord detection feature gives you insights on the chord progression of the song so that you can better design your bass lines and pads.

Features:
– Artificial Intelligence-driven key identification that follows key changes
– Realtime audio and MIDI chord detection
– Confidence display for each found key
– Key and Chord chromagram that shows each note level
– Sample mode for short sounds analysis
– Realtime tempo detection
– MIDI output of detected chords
– Sharp and Flat notation
– Resizable vector GUI
– Mac OS X (>=10.7) and Windows support.
– 64-bit compatibility both on Mac and Windows.
– Audio Units VST2.4, VST3, and AAX format.

INFO/DEMO/BUY: http://mage.si/L8zK
SongKey MKIII v3.0.2 WiN MAC
http://beelink.in/39547/SongKey-MKIII-v3.0.2-WiN-MAC.html

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Serato Studio v1.2.0 WiN x64

Team V.R | 04 September 2019 | 1 GB

The ultimate beat maker. Intuitive beat making software for DJs and producers. Spend less time hitting roadblocks and more time making music with Serato Studio.

Fast, simple workflow.
Get your ideas down quick and stay in the creative flow with time-saving features, including pre-made drum patterns, BPM-sync and one-click key shifting.

DJ-friendly production
Make beats with your DJ hardware and access your entire Serato DJ library. You’ll also get familiar DJ elements like colored waveforms, a mixing channel, and high-quality FX.

Built-in sounds to get started
Start making music right away with built-in drum-kits, instruments, loops and samples from renowned artists and sound designers.

Simple but powerful
Use VST and AU plug-ins, automation, and export stems to customize your sound exactly how you want it.

INFO/DEMO/BUY: http://mage.si/P9K4
Serato Studio v1.2.0 WiN x64 CE-V.R
http://beelink.in/39420/Serato-Studio-v1.2.0-WiN-x64-CE-V.R.html

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Studio One 4 Professional v4.5.x WiN MAC

Team R2R | 04 Sep 2019 | WiN: 105.1 MB | OSX: 99.1 MB

Studio One® 4 was designed with ease of use at its core. It seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can bring musical ideas to sonic reality more quickly than ever before. An efficient, single-screen interface houses an unlimited number of tracks, intuitive editing tools, and advanced virtual instruments. Spend your precious time creating music instead of wondering what to click next. Studio One doesn’t dictate how you work or what you work on. Studio One is your creative companion from start to finish. The Start page provides what you need to kickstart your creative process—open projects, set parameters, and check for updates and tips. From there, the Song page is all about recording, arranging, editing, and mixing your music with a complete set of virtual instruments, effects, and groundbreaking arrangement tools. Then, assemble and master your music in the Project page. Even better, the Project and Song pages are linked so if you need just that one little change in your master or stems, switch to the Song page, tweak, and mix back automatically to the Project. No other program accomplishes such an effortless transition as you move from the initial creative inspiration to the finished, mastered production.

Forget laborious transposition, cutting, pasting, and moving when arranging. With Scratch Pads to test out arrangements, an Arranger track that makes moving sections of songs around as easy as moving parts, and the groundbreaking Harmonic Editing—the most flexible chord track implementation ever—no other program can approach the ease of arranging and songwriting that Studio One 4 delivers.

The new Studio One is all about you.
Studio One 4 is a major update that combines the best of the traditional recording studio model with the modern methods of creating beat- and groove-oriented music. Thanks to flexible tools designed for creative musicians, Studio One 4 doesn’t dictate how you work—you do. You truly can work better, faster.

The new Chord Track with Harmonic Editing makes it easy to prototype songs, thanks to flexible transposition, key modulation, and chord substitution for note data and audio. The Impact drum module has been reborn as Impact XT, where you can create complete arrangements in a highly developed, sophisticated production environment. Patterns bring the concept of step sequencing into the 21st century with the fastest way yet to come up with drum and percussion parts. Sample One XT turns Sample One into not just a true sampler that can record data from anywhere within the program, but a powerhouse for slicing, dicing, and rearranging loops and beats.

With Studio One 4, you create music on your terms: Create without boundaries, produce without limits.

Contents:
– Studio One 4 Reference Manual English v4.5.0.3-R2R
– Studio One 4 Professional v4.5.1 WiN MAC-R2R
– Presence XT Editor WiN for Studio One 4

Version 4.5.3 Release Notes (September 3, 2019): 
● https://paste2.org/0FkkdFK6


INFO/DEMO/BUY: http://mage.si/48SS
Studio One 4 Professional v4.5.x WiN MAC-R2R
http://beelink.in/36611/Studio-One-4-Professional-v4.5.x-WiN-MAC-R2R.html

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ANA v2.0.92 WiN MAC

Team R2R | 04 Sep 2019 | WiN: 223.8 MB | OSX: 222.6 MB

AAX* AU VSTi x86 x64

Our highly anticipated launch is finally here! We have spent many thousands of hours rebuilding and redesigning every nook and cranny of ANA to create a beautifully elegant and powerful synth. One that is super simple to use but with an extensive toolset to allow you to create complex and exciting sounds. Over 3 YEARS in the making, our baby is finally ready and we can’t wait for you all to try it out.

So Fresh & So Clean
We have completely redesigned the interface, with a brand new HD Retina ready GUI with both classic white and a new black skin to choose from. With all of the new features we have crammed into ANA 2 it was a challenge to present it all on screen without it getting cluttered, we have managed to accomplish this simple and familiar layout that made ANA 1 so famous, whilst also giving you the full flexibility of what ANA 2 has to offer

Morph your sound with 3D Wavetables
With our 3D Oscillator, expansive complex sounds is just a knob turn away.
Combine up to 3 wavetable oscillators with our other sound sculpting features, and you will understand just how beautifully complex sounds can become in ANA 2. Click on the waveform to open the waveform browser panel and populate all three oscillators with only a few clicks, then assign your G-ENV to the morph knob to create evolving pads, dirty wubs or epic atmospheres.

+ Import your own Wavetables
We will let you into a little secret; you can import your own custom wavetables into ANA 2, it even reads wavetables!

Big Screen Graphical Envelopes
Want to make the ultimate envelope for that perfect sound, well how about doing it in big screen awesomeness. ANA 2 has three graphical envelopes or “G-ENVs”. Each with virtually unlimited nodes to create your own shapes, quickly and easily. The new G-Env includes custom grid sizing, snapping, a step mode and new curved lines giving you total control over modulation shapes with ease.

Import your own samples
You can now import your own custom samples into one of the 3 sampler Oscillators in ANA 2, or choose from the included library of sounds to make your presets standout. Just Drag and drop files from your DAW or file system then modify your samples into something entirely new and unique with looping, crossfade, pitch and reverse.

24 Built-In FX Units
ANA 2 comes with 24 built-in world-class effects that can be used in 5 insert slots, or in the two send and return slots. Each effect has full control over input, output and dry/wet – as well as every effect parameter being available as a modulation destination or macro control to get some insane effects going with the turn of one knob. You are only limited by your imagination.

Drag & Drop FX Reordering
The 5 insert slots can be re-ordered by simply grabbing and moving the tabs, to quickly check out different effect combos.

Polyphonic Step Arpeggiator
The advanced 64 note polyphonic step arpeggiator in ANA 2 breaks new ground for a built-in synth arp. Helping you create beautiful and inspiring arpeggios in an elegant and beautiful work area. We believe, with its array of controls, and massive 64 steps, you can creating mind-blowing arps right from the get-go. Reorder notes, add swing and gates or just open one of the factory presets to get started straight away. The 64 note step sequencer not only controls velocity but has two ‘modulation’ sources which can be assigned to any modulation destination.

Instant Chord Progressions with CMD
This is where ANA 2 goes epic! Assign any chord to any key to create world-class chord progressions. Work CMD and ANA 2’s arp together, for an incredibly powerful tool creating complex chords progression, insane arps with beautiful chord changes or the darkest of techno stabs with huge six note extended chords from the preset list. We think there is nothing out there in a synth to match the CMD / Arp combo and the world of possibilities it brings to the producer.

Modulation Matrix
Working fast is essential in today studio environment, and with ANA 2’s mod matrix you can see, edit and control multiple modulations at a glance. Nearly every parameter on ANA 2 can be used as a target using one or all of the many sources. These can quickly be assigned, set up and controlled using right click assignments or via the mod matrix panel.

Macro Controls
The modulation in ANA 2 is comprehensive and will become an extremely powerful tool when designing sounds. It is further enhanced when used in combination with the macro controls. Here you can assign several modulation targets to one knob, available on the front panel or assigned to a controller. Add custom names to the controls for that personal touch.

Over 500 Presets Included
Bundled with ANA 2 are hundreds of presets to get you started. ANA 2comes bundled with over 500 unique presets to get you going right out of the box. With a super easy to use preset browser, you can find the preset you want quicker. You can filter by categories and genre type or even create your own custom tags for presets.

46 High Quality Filters
The key to great sounding productions is a great sounding synth and the key to a great sounding synth is great sounding filters. We have 46 filter types in ANA 2, from classic ANA 1 filters to exhaustive emulations of some of the synths worlds most iconic filters. We are really proud of ANA 2s filters.

* – modified AAX work only @ AudioUTOPiA release ProTools 12.5.0

 

INFO/DEMO/BUY: http://mage.si/Rx1A
ANA v2.0.92 AAX AU VSTi x86 x64 WiN MAC-R2R
http://beelink.in/34866/ANA-v2.0.92-AAX-AU-VSTi-x86-x64-WiN-MAC-R2R.html

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Sasquatch v2.0.5 WiN MAC

Team R2R | 04 Sep 2019 | WiN: 4.3 MB | OSX: 15.0 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX | MAC – AU/VST/VST3/RTAS/AAX

…..::::: Kick Machine :::::…..

Sasquatch 2 is a CPU-friendly kick drum enhancement plug-in that enables you to custom-tailor the sound of any kick drum, acoustic or electronic, with exhaustive creative possibilities, ranging from subtle to extreme and beyond.

Sasquatch 2—Nature of The Beast:
– Craft your kick drum from subtle enhancement to downright musical mutation
– CPU-friendly with straightforward, easy-to-use graphic interface
– Individually tweak and blend “Oomph” (body), “Click” (attack) and “Dry” sound
– Easily create and customize “drops”
– Fine-tuning controls offer a unique set of creative tools for Oomph, Click, and Dry parameters
– Instantaneous triggering; no phase or flam issues
– Selectable trigger modes
– High-pass and low-pass filters with selectable sidechain modes
– A/B comparison plus four levels of “lock” mode lets you experiment and return to original settings
– Icon-based interface for easy visual identification

INFO/DEMO/BUY: http://mage.si/vyLM
Sasquatch v2.0.5 WiN MAC-R2R
http://beelink.in/10079/Sasquatch-v2.0.5-WiN-MAC-R2R.html

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Pan Knob v1.0.2 WiN MAC

Team R2R | 04 Sep 2019 | WIN: 4.8 MB | OSX: 11.1 MB

WiN32/64 – VST/VST3/RTAS/AAX | MacOSX – AU/VST/VST3/RTAS/AAX

Traditional pan knobs are outdated. Simply put, Pan Knob is a better sounding way to pan, to make your mixes translate well on all playback systems. Why do I need a plugin for a tool that every daw has? Yes, this plugin is a pan knob in plugin format. But the truth is, the way traditional pan knobs work kind of sucks for headphone listeners, and according to polls, about 87% of people listen to their music on headphones. Have you ever listened to a mix that had one instrument panned hard to one side? It sounds ok on monitors, but sounds awful on headphones. That’s because traditional panning don’t take headphone listeners into consideration. Have you ever heard a mix where you have two distinct guitar tones panned to opposite sides, but one dominates the low end and makes the entire mix feel lopsided? That’s because traditional panning treats all frequencies equally, even though our ears don’t.

Pan Knob overcomes this by having a smarter panning algorithm. One that keeps your low frequencies unpanned so that it sounds natural in headphones. It doesn’t do any room simulation, so it isn’t going to mess up your mono mixdown.

Convenient options
Aside from just sounding better, it has a few options to make it more convenient to use. It has a quick “Pan Swap” that will give you the opposite panning position with the click of a button. It has quick one button settings for the most used pan positions. You can choose which pan law is used, and choose between Balance and Pan for your stereo tracks.

Beyond 100%
Sometimes you need to pan a little wider than 100% to either side. Pan Knob lets you go to 120%, to give extra width when you need it.

More Panning Opportunities
When panning with Pan Knob, a whole new world of panning is opened up to you as a mixer. Because it sounds natural wherever you pan your tracks, you aren’t limited by the traditional panning rules that have become standard. You can pan any tracks wherever you want while keeping it sounding good and natural.

INFO/DEMO/BUY: http://mage.si/bVp5
Pan Knob v1.0.2 WiN MAC-R2R
http://beelink.in/37692/Pan-Knob-v1.0.2-WiN-MAC-R2R.html

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PlexiTape v1.0.1 WiN MAC

Team R2R | 04 Sep 2019 | WiN: 48.3 MB | OSX: 46.8 MB

PLATFORMS: WiN64 – VST/VST3/AAX(MODiFiED) | MAC – AU/VST/VST3

PlexiTape is a faithful analog modeled simulation of the *Maestro® Echoplex® EP-3™ vintage tape echo that made THE SOUND of the ’70s for its tone and reliability. We put special care on modelling this unit on every aspect: motor, tape, FET preamplifier, heads and even the infamous “Sound On Sound”. SOS allows you to use bypass the echo and therefore use the tape as a looping recorder. Furthermore, we expanded it with new features including a full stereo double delay line, tempo sync and more.

PlexiTape Specifications:
– Analog Modeled Vintage Solid State Tape Echo
– Auxiliary Echo with Echo Pan for full stereo effects
– 3 Echo Modes: Echo, Off (Preamp + Tape colour only) and Sound On Sound
– 2 FET Preamp models: Early and Late
– 2 Playback Modes: Regular (with Varispeed) and Sync
– Varispeed from 3 to 15 IPS
– Echo Tone equalizer
– Internal hum noise (fully adjustable, for increased realism and self oscillation)
– Resizable interface

INFO/DEMO/BUY: http://mage.si/34kx
PlexiTape v1.0.1 WiN MAC-R2R
http://beelink.in/39515/PlexiTape-v1.0.1-WiN-MAC-R2R.html

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GS-201 Mk2 v1.0.0 WiN MAC

Team R2R | 04 Sep 2019 | WiN: 6.3 MB | 10.4 MB

WiN64 – VST/STANDALONE/VST3 | MAC – AU/VST/STANDALONE/VST3

There was a time when the echo effect was made using magnetic tapes, and among the many units that the industry brought to the market, one model shone above all: the Space Echo RE-201. This was by far one of the most used and still today is one of the most sought after tape echo units ever made. The new GS-201 Mark II is the evolution of a project we started back in 2008 with the release of the old version of GS-201. The purpose is to capture the magic of the Space Echo and make it available to all, right there, into the computer. Not an easy task, but the experience we gained during the last 10 years in audio DSP development has helped us reach a result that sometimes can fool even ourselves.

Main features:
– Adjustable tape length from 1 meter to 4 meters
– Adjustable quality for all heads, including erase and write heads
– Adjustable Azimuth alignment for all heads
– Host Tempo synchronization with 16 divisions
– Stereo option with adjustable width (delay between channels)
– Adjustable noises (hiss & hum)
– Adjustable motor lag time
– Adjustable tape quality and loop junction
– RE-501 BBD Chorus
– RE-501 Sound-on-sound pickup head (4th head)
– Authentic “Folded Line” Spring Reverb emulation
– Built-in programmer with 128 Programs
– Import/export of Programs and Banks
– Built-in MIDI Learn function with import/export of custom Midi maps
– Adjustable output level
– Integrated help with tool-tips and readout displays

SYSTEM REQUIREMENTS:
GS-201 Mark II is available in the following formats:
– for Windows: VST2 x64, VST3 x64, Standalone x64
– for OSX: VST2 x64, VST3 x64, Audio Unit x64, Standalone x64

INFO/DEMO/BUY: http://mage.si/v3fD
GS-201 Mk2 v1.0.0 WiN MAC-R2R
http://beelink.in/39514/GS-201-Mk2-v1.0.0-WiN-MAC-R2R.html

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TH-U Complete v1.0.20 WiN MAC

Team R2R | 04 Sep 2019 | WiN: 257.2 MB | OSX: 375.5 MB

PLATFORMS: WiN32/64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

TH-U is a software suite for guitarists and bass players who like to do everything in the DAW. The previous version was TH-3 version, and the new TH-U brings more of everything: 15 new amps (94 in total), 14 new speakers (52 in total), 2 new effects (77 in total), a redesigned Cabinet IR module and a search function for presets.

239 models, the world’s largest collection into a single software, including:
– 89 guitar amplifiers and 4 bass amplifiers
– 50 guitar cabinets and 2 bass cabinets
– 77 pedal and rack effects
– 18 microphone models, with up to four mics on each cabinet
– More than 1000 presets covering all musical styles
– Randall®, DVmark®, Brunetti® and THD® authorized models approved by the original manufacturers
– Amp Tweak technology, allows you to mod the amplifiers by changing the preamp and poweramp tube models, as well as simulating the action of a variac
– Rig Player (with 20 factory rigs), allows you to reproduce rig models created by sampling real setups
– One entire preset bank dedicated to bass.
– 4th generation analog emulation technology, with proprietary nonlinear processing algorithm
– 3D, gap-less positioning of microphones and room simulation
– Advanced cabinet emulations with ReSPiRe 2 technology
– Built-in convolver to load external guitar cab IRs
– Flexible sound chain with split point for parallel processing
– Fully customizable MIDI control for live usage
– BREVERB and SpringAge based reverb effects
– Full compatibility with TH3 user presets

What’s new:
In addition to the features available in the TH3 Full version, TH-U Full includes:
– 15 new amplifiers, including the Superlead and Superbass models, Polytone jazz amplifiers and DVmark Triple 6 head
– 14 new cabinets
– Rig Player (with 20 factory rigs), reproduces models captured from real rigs with the R2M (Rig To Model) technology
– Amp Tweak: mod amplifiers by customizing pre and power tubes
– A Shimmer Reverb and a Shimmer Delay
– An improved and redesigned Cabinet IR module
– A new multitrack looper
– Search function on the preset and bank lists

INFO/DEMO/BUY: http://mage.si/YCeT
TH-U Complete v1.0.20 WiN MAC-R2R
http://beelink.in/38859/TH-U-Complete-v1.0.20-WiN-MAC-R2R.html

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