Helix Native v1.5.0 AAX VST VST3 x64 WiN CE V.R, x64 windows vst3 plugins vst plugins aax plugins, x64, WiN, VST3, VST, V.R, Native, Helix, CE, AAX

Helix Native v1.5.0 WiN x64

TEAM V.R | 10 February 2018 | 21.8 MB

Win64: AAX VST3 VST

Guitar and effects processor in a plug-in format.

Helix® Native delivers the power and tonal authenticity of award-winning HX Modeling technology in a plug-in. Like the hardware members of the Helix family of guitar processors—Helix Floor, Helix Rack, and Helix LT—the Helix Native plug-in features accurate recreations of vintage and modern amplifiers, speaker cabinets, microphones, and effects, as well as extensive signal-routing capabilities and an intuitive user interface. Not just for guitarists, the Helix Native plug-in is also ideal for producers and engineers, sound designers, film/TV/game composers, electronic musicians, and anyone else seeking to craft new and exciting sounds and special effects. And preset compatibility across the entire Helix family allows Helix hardware users to bring studio-created sounds to the stage by simply transferring their plug-in presets to their Helix Floor, Helix Rack, or Helix LT processors.

DESIGNED TO INSPIRE
The most sought after amps and effects models.
The Helix Native plug-in provides a limitless creative palette for inspiring tone creation, with 60+ amplifiers, 30+ speaker cabinets and a wide range of 100+ effects. The interface provides a fast and intuitive tone editing workflow, so you can instantly access your entire signal chain and quickly tweak your settings. Helix Native also supports 3rd party impulse responses (IRs), offering even greater tonal flexibility.

TAKE YOUR TONES FROM STUDIO TO STAGE
Seamless workflow and broad compatibility.
The Helix Native plug-in features broad compatibility with popular DAWs, offering powerful 64-bit performance on AAX, AU and VST3 platforms. It also tightly integrates with Helix hardware so you can take your presets from studio to the stage—and back again.

 

OS: Windows 7, Windows 8, Windows 10

INFO/DEMO/BUY: https://mage.si/Z353
Helix Native v1.5.0 AAX VST VST3 x64 WiN CE-V.R
http://beelink.in/33790/Helix-Native-v1.5.0-AAX-VST-VST3-x64-WiN-CE-V.R.html

dpMeterXT v1.2.4 AAX VST VST3 STANDALONE x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins software audio aax plugins, x86, x64, WiN, VST3, VST, V.R, Standalone, Meter, dpMeterXT, CE, AAX

dpMeterXT v1.2.4 WiN

TEAM V.R | 06 February 2018 | 4.76 MB

AAX VST VST3 STANDALONE x86 x64

dpMeterXT is a loudness metering plugin and application fully compliant with the EBU R128, ITU-R BS.1770/1771, ATSC A/85 and several other regionspecific loudness standards. dPMeterXT supports multiple channel configurations, from 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities. It features large readouts, meters, graphs, measurement history anddatalogging. With dpMeterXT, you can define the measurement parameters in a very detailed way (i.a. integration time, gating levels, filter).

Features:
– click-free 64-bit internal processing
– multi channel metering: up to 10 channels, multiple channel configurations
– supports all relevant loudness measurement standards
– multiple presets
– integrated, short term, momentary, TP/peak and LRA/PLR
– True Peak measurement based on ITU BS1770
– K/A/B/C/M/user-defined weighting filter
– continuous/synced measurement
– record metering results as automation data
– large and accurate live meters
– loudness history graph
– reports and CSV data export
– scalable GUI
– customizable GUI colors
– adjustable pre-gain
– loudness/peak/True Peak matching

Changelog 1.2.4:
– Sync: back to pre 1.2.3 behavior

 

INFO/DEMO/BUY: https://mage.si/kAh0
dpMeterXT v1.2.4 AAX VST VST3 STANDALONE x86 x64 WiN CE-V.R
http://beelink.in/33680/dpMeterXT-v1.2.4-WiN-CE-V.R.html

FinalLoud v1.0.1 AAX VST VST3 RTAS x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins plugins rtas aax plugins, x86, x64, WiN, VST3, VST, V.R, True Peak, RTAS, FinalLoud, CE, AAX

FinalLoud v1.0.1 WiN

TEAM V.R | 06 February 2018 | 2.81 MB

(Win32/64; AAX*, RTAS, VST3, VST)

FinalLoud, a tool that helps you reach the target volume of any audio material while maintaining given True Peak values. FinalLoud solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.

FinalLoud Features:
•4 measurement methods: EBU IL/SL Max, RMS IL/SL Max.
•Adjustable reference level.
•Adjustable True Peak ceiling level.
•Loudness measurement based on EBU R128-2014.
•True Peak measurement based on ITU BS.1770-4.
•Automatic sync of measurement with DAW start/stop.
•Preset management.
•Many useful presets.
•Large and easy to use GUI.
•64-bit internal processing.4 measurement methods: EBU IL/SL Max, RMS IL/SL Max.
•Adjustable reference level.
•Adjustable True Peak ceiling level.
•Loudness measurement based on EBU R128-2014.
•True Peak measurement based on ITU BS.1770-4.
•Automatic sync of measurement with DAW start/stop.
•Preset management.
•Many useful presets.
•Large and easy to use GUI.
•64-bit internal processing.

Changelog 1.0.1:
– New: Mono processing
– New: In place render support (Match mode relative/absolute)
– VST3: Support WaveLab offline render

INFO/DEMO/BUY: https://mage.si/UUAe
FinalLoud v1.0.1 AAX VST VST3 RTAS x86 x64 WiN CE-V.R
http://beelink.in/35387/FinalLoud-v1.0.1-WiN-CE-V.R.html

VStomp Amp v1.0.2 x86 x64 WiN V.R, x86 x64 windows vst3 plugins vst plugins software audio aax plugins, x86, x64, WiN, VStomp, VST3, VST, V.R, Standalone, Amp, AAX

VStomp Amp v1.0.2 WiN

TEAM V.R | 06 February 2018 | 101.02 MB

Win32/64; AAX*, VST3, VST, STANDALONE

Heart Pounding Amplifiers

VStomp Amp is a new breakthrough in virtual amp software. Following the development powerful and versatile XTOMP pedal and based on our proprietary CDCM system, VStomp Amp delivers organic, studio-grade sound quality and the exact character of legendary amplifiers.

PLAY REAL – POWERED BY CDCM SYSTEM
Unlike mainstream modeling methods based on the characteristics of a certain “state” of the circuitry, which just “comes close” to the modeled sound, VStomp Amp employs a complex system based on dynamic feature modeling. In this matrix, every single circuit component is ALIVE and performs like its original. The realness of the amp and effects tones has amazed XTOMP users worldwide, and now you can experience it on your computer!

Behind VStomp Amp is Hotone’s CDCM (Comprehensive Dynamic Circuit Modeling) system. CDCM is built on an extremely complex dynamic variation matrix, able to realistically express every detailed change that occurs during the operational process of actual circuitry. This matrix will adjust its own modeling parameters and even framework based on the instrument input signal range, signal frequency, knob position, the instrument’s own impedance, and other variable parameters, all to achieve the closest possible characteristics of actual modeled circuitry.

LEGENDS PAST AND PRESENT
Open the VStomp Amp package and you’ll find the whole spectrum of rock’n’roll legends. The flavor, the feel, the character, the response — all the real sounds of rock heroes past and present.
– Growing amp/cab library with vintage and modern classics
– 23 CDCM powered legendary amplifier models
– 20 CDCM powered cabinet models

THE ESSENTIALS
No complex signal chain. No confusing customization or combinations.
You pick an amp model, then pick a cab model — it’s that simple!
The less you tweak, the more you enjoy: just pick out your rig and ROCK!

PERPETUAL MOTION
Creative people are never satisfied with limits. Hotone is always challenging limits, and we’re set to share our newest innovations in VStomp Amp updates. That means you get an expanding library with FREE new amp and cab models!

BUILT-IN TRICKS
The VStomp Amp comes with some extra trick features: an impulse response (IR) loader and a noise gate. With the IR loader, you can load your favorite cab “images” for further tone shaping. The noise gate helps you keep your sound pristine, which makes it great for studio production.

INFO/DEMO/BUY: https://mage.si/z6Go
VStomp Amp v1.0.2 x86 x64 WiN-V.R
http://beelink.in/35281/VStomp-Amp-v1.0.2-x86-x64-WiN-V.R.html

MixControl Pro AU VST VST3 x86 x64 v1.5r6 WiN v1.5r5 MAC ASSiGN, x86 x64 windows vst3 plugins vst plugins teamdnr vst3 teamdnr vst plugins macos plugins au for mac, x86, x64, WiN, VST3, VST, TeamDNR, MixControl Pro, MixControl, MAC, DNR, AU, ASSiGN

MixControl Pro v1.5rx WiN MAC

TEAM ASSiGN | 29.10.2011 | WiN: 12 MB | OSX: 48.96 MB

AU VST VST3 x86 x64

MixControl is a flexible channel-strip package consisting of two high quality mixing plug-ins: MixControl Large is intended as an all-in-one solution for more complex mixing needs, while MixControl Small has a reduced feature set and smaller interface for more general mixing tasks.

MixControl Large Features:

  • 2 Compressor Modes (transparent/colored).
  • 3 level detection modes for gate/comp modules.
  • Ultra-responsive gate.
  • Internal gate/comp sidechain modules with various filters.
  • Input/Output FFT view with peak hold viewable on EQ display.
  • 6 band precision EQ utilizing filter curve measurement.
  • 13 EQ filter types:
  • Low Cut 12dB/24dB/36dB/48dB.
  • High Cut 12dB/24dB/36dB/48dB.
  • Low Shelf.
  • High Shelf.
  • Bell (Peak).
  • Band Pass.
  • Band Stop.
  • Brickwall limiter with release control.
  • 3 band stereo enhancer with auto makeup and band solo.
  • Dynamics->EQ or EQ->Dynamics processing.
  • Dynamics metering (envelope follower/peak).
  • Sub-preset loading and saving.
  • Background skinning.
  • 19,200 sample adjustable delay.
  • Phase Invert switch.
  • Input/Output gain control.
  • 64-bit internal processing.
  • Extremely low CPU usage.

INFO/DEMO/BUY: DiSCONTiNUED
MixControl Pro AU VST VST3 x86 x64 v1.5r6 WiN v1.5r5 MAC-ASSiGN
http://beelink.in/30887/-MixControl-Pro-v1.5r6-WiN-v1.5r5-MAC.html

VStomp Amp v1.0.0 x86 x64 WiN V.R, x86 x64 windows vst3 plugins vst plugins software audio aax plugins, x86, x64, WiN, VStomp, VST3, VST, V.R, Standalone, Amp, AAX

VStomp Amp v1.0.0 WiN

Team V.R | 27 Jan 2018 | 99.5 MB

Win32/64; AAX*, VST3, VST, STANDALONE

Heart Pounding Amplifiers

VStomp Amp is a new breakthrough in virtual amp software. Following the development powerful and versatile XTOMP pedal and based on our proprietary CDCM system, VStomp Amp delivers organic, studio-grade sound quality and the exact character of legendary amplifiers.

PLAY REAL – POWERED BY CDCM SYSTEM
Unlike mainstream modeling methods based on the characteristics of a certain “state” of the circuitry, which just “comes close” to the modeled sound, VStomp Amp employs a complex system based on dynamic feature modeling. In this matrix, every single circuit component is ALIVE and performs like its original. The realness of the amp and effects tones has amazed XTOMP users worldwide, and now you can experience it on your computer!

Behind VStomp Amp is Hotone’s CDCM (Comprehensive Dynamic Circuit Modeling) system. CDCM is built on an extremely complex dynamic variation matrix, able to realistically express every detailed change that occurs during the operational process of actual circuitry. This matrix will adjust its own modeling parameters and even framework based on the instrument input signal range, signal frequency, knob position, the instrument’s own impedance, and other variable parameters, all to achieve the closest possible characteristics of actual modeled circuitry.

LEGENDS PAST AND PRESENT
Open the VStomp Amp package and you’ll find the whole spectrum of rock’n’roll legends. The flavor, the feel, the character, the response — all the real sounds of rock heroes past and present.
– Growing amp/cab library with vintage and modern classics
– 23 CDCM powered legendary amplifier models
– 20 CDCM powered cabinet models

THE ESSENTIALS
No complex signal chain. No confusing customization or combinations.
You pick an amp model, then pick a cab model — it’s that simple!
The less you tweak, the more you enjoy: just pick out your rig and ROCK!

PERPETUAL MOTION
Creative people are never satisfied with limits. Hotone is always challenging limits, and we’re set to share our newest innovations in VStomp Amp updates. That means you get an expanding library with FREE new amp and cab models!

BUILT-IN TRICKS
The VStomp Amp comes with some extra trick features: an impulse response (IR) loader and a noise gate. With the IR loader, you can load your favorite cab “images” for further tone shaping. The noise gate helps you keep your sound pristine, which makes it great for studio production.

V1.0.0: Initial Release
• Includes 23 CDCM powered amplifier models
• Includes 20 CDCM powered cabinet models
• Built-in IR loader with 10 free IR cab files
• Built-in smart noise gate
• Supports receiving MIDI PC and CC (for switching presets and controlling output volume) messages
• Supports mono/stereo I/O routings
• Supports MIDI learn function
• Can be used as standalone software

INFO/DEMO/BUY: https://mage.si/z6Go
VStomp Amp v1.0.0 x86 x64 WiN-V.R
http://beelink.in/35281/VStomp-Amp-v1.0.0-x86-x64-WiN-V.R.html

BP Audio Plug Ins Bundle v2.1.2 VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins, x86, x64, WiN, VST3, VST, V.R, Plug Ins, CE, Bundle, BP Audio, BP, Audio

BP Audio Plug-Ins Bundle v2.1.2 WiN

TEAM V.R | January 25 2018 | 101.23 MB

(Win32/64; VST3, VST)

Contents:
VPRE-73
The VPRE-73 is inspired by one of the most classic preamps in recording studio history. It provides you with the low end magic, the super smooth high end and just the right amount of THD required to recreate a unique and classic vibe.

Magnetite
Magnetite is our homage to the sound of magnetic tape recorders. Simply dial in the desired amount of saturation and warmth using the recording gain knob and Magnetite will add the analog tape sonics that you’re looking for to your mixes.

VLA-2A
Black Rooster Audio is proud to present the VLA-2A – the world‘s finest emulation of THE opto-electronic compressor of the late 1960s. Let the VLA-2A plugin feature your signals’ dynamic in a lively and very musical way.

VLA-3A
The VLA-3A takes aspects from its predecessor and combines it with a discrete solid-state circuitry. It still maintains the classic T4 based opto-compressor sound but features a quicker, brighter and more modern response.

Blueface SC-5
Accurately modeled after the original 70s Blueface version of a classic and sought-after VCA compressor the SC-5 audio plugin opens up a whole world of versatility: Super gentle compression to smashed-up live drums – the Blueface SC-5 handles it all.

Blackface SC-5
Faithfully modeled after the 80s revision of its blue-faced brother the Blackface SC-5 audio plugin offers a slightly darker tone and adds an external sidechain input. Super transparent vocal treatment to colorful compression – meet the Blackface SC-5.

VEQ-5
The VEQ-5 plugin is inspired by one of the most famous and renowned equalizers in studio history – focussing on the power range frequencies from 200Hz to 7kHz it is aimed at cleaning up and sweetening vocals. But it also does a great job on guitars and keys.

VHL-3C
Built around a cascade of two constant-K filters the VHL-3C‘s analog counterpart – a sought-after processor from the early 1950s – comprises an entirely passive design with very musical and interactive pass filters.

Cypress TT-15
You are looking for a super versatile, no-nonsense valve guitar amp emulation that gives you a wide range of tones? But at the same time, you don’t want to spend a lot of money? Then you should definitely check our Cypress TT-15 head. Get it now, it’s free!

The Canary
Who doesn‘t know the phenomenon? You are recording a great drummer with good sounding drums, but you simply aren’t able to convey the energy and impact of his/her performance using your gear. The Canary plugin is here to help you out.

Version 2.1.2 (November 28th 2017)
+ Fixing disabled license destination entries on Mac OS

Version 2.1.1 (November 24th 2017)
+ Fixing missing processing in AudioUnits hosts
+ Fixing stuck mouse cursor issue
+ Updating UI framework

INFO/DEMO/BUY: https://mage.si/i42X
BP Audio Plug-Ins Bundle v2.1.2 VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/34950/BP-Audio-Plug-Ins-Bundle-v2.1.2-WiN-CE-V.R.html

Buchla Easel V v1.0.3.1268 AAX AU VSTi VST3 STANDALONE 32Bit 64Bit MAC, x86 plugins vsti x64 plugins vsti vsti vst3 plugins macos software audio plugins au for mac arturia aax plugins, VSTi, VST3, Standalone, PlatenseSoul, MAC, Easel, Buchla Easel V, Buchla, AU, AAX, 64Bit, 32Bit

Buchla Easel V v1.0.3.1268 MAC

PlatenseSoul | January 25 2018 | 188.64 MB

AAX AU VSTi VST3 STANDALONE 32Bit 64Bit

WEST COAST SOUND DESIGN PLAYGROUND

The Buchla Easel V is the first recreation of Don Buchla’s iconic instrument that helped define experimental West Coast modular synthesis in the early ‘70s. Our enhancements translate to vastly expanded possibilities for sound design and avant-garde music. You’ve always wanted to paint with sound. Now you can with the Buchla Easel V. One look at the Buchla Easel V and you know this is a different beast. In fact, it makes you think differently about sound right from the start—and the soundscapes you can design with it are as unique as the front panel array. To put that experience at your fingertips, we meticulously recreated the rare 1973 Buchla Music Easel right down to the component level. As you’ve come to expect from our other V-series instruments, we’ve gone the extra mile by designing in an enhanced feature set including polyphony, innovative new modulation/control sources, step sequencer, effects, and more. If you like to paint outside the lines, Buchla Easel V is the perfect artistic tool for you.

Buchla Easel V v1.0.3.1268 AAX AU VSTi VST3 STANDALONE 32Bit 64Bit MAC, x86 plugins vsti x64 plugins vsti vsti vst3 plugins macos software audio plugins au for mac arturia aax plugins, VSTi, VST3, Standalone, PlatenseSoul, MAC, Easel, Buchla Easel V, Buchla, AU, AAX, 64Bit, 32Bit

Welcome to West Coast school of synthesis
Your music breaks from the pack. So does the Buchla Easel V.
The Buchla Easel V faithfully reproduces Buchla’s Music Easel that helped define West Coast synthesis’ focus on experimentation and breaking musical norms. We’ve applied our award-winning TAE™ modeling technology from the front panel to the resistors to capture it all with incredible realism. Complex oscillator design, AM and FM synthesis, uniquely percussive gate/filter combos, and numerous ways to modulate and clock just about every parameter, all drop you right in the middle of a sonic sandbox. Design and perform soundscapes that burble, shimmer, pulse and evolve without ever touching a keyboard or pad—unless you want to add even more control. Nearly 300 presets by expert sound designers get you started with timbres ranging from hauntingly beautiful sonorities to clangorous pokes in the ear.

Whether you’re looking to experiment with simple sounds or build complex evolving passages, the Buchla Easel V is a constant source of inspiration for sonic adventurers.

Create sounds no one has ever heard before
In addition to faithfully reproducing a classic, we’ve infused the Buchla Easel V with even more of that vintage goodness to love.
We’ve made patching even more fun and foolproof. When you drag a color-coded patchcord between patch points, only valid targets light up, saving you the frustration of making invalid connections that do nothing. The original Music Easel lacked a noise source, so we’ve added one to the preamp—handy for introducing rhythmic elements. We’ve also designed a feedback loop into the preamp, so you can really get things howling. Up to four-voice polyphony greatly enhances your performance capabilities, too.*

With our extensions to Buchla’s original design, you now have an even more intuitive programming experience paired with additional sonic options.
* Note that while our extreme modeling at the component level on the Buchla Easel V delivers insanely great analog sound, each voice of polyphony requires significant processing power to pull it off—approximately 20 percent of an i7 CPU per voice.

New control, new inspiration
Electronic music is as much about expression as it is about sound generation—and Buchla Easel V delivers new expressive capabilities beyond your wildest dreams.
We’ve dramatically expanded the functionality of the original Music Easel while respecting the instrument’s unique personality and design philosophy. One click reveals all the new additions. The Left Hand section provides five full-featured Function Generators individually routable to any of 76 modulation targets. The Right Hand section gives you a modern step sequencer with innovative options. Gravity is an X/Y grid that uses the physics of a bouncing ball influenced by attraction, repulsion and collision with objects to generate unique, unexpected modulation signals. There’s also a two-slot Effects section for additional processing and animation right inside Buchla Easel V.

New additions to Buchla Easel V give you the power to create and perform complex, exotic sounds that were simply impossible until now.

INFO/DEMO/BUY: https://mage.si/8397
Buchla Easel V v1.0.3.1268 AAX AU VSTi VST3 STANDALONE 32Bit 64Bit MAC
http://beelink.in/35253/Buchla-Easel-V-v1.0.3.1268-MAC.html

CMI V v1.0.4.1287 AAX VSTi VST3 STANDALONE x86 x64 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software audio arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Fairlight, CMI V, CE, AAX

CMI V v1.0.4.1287 WiN

TEAM V.R | January 25 2018 | 272.98 MB

(Win32/64; AAX, VST3, VSTi, STANDALONE)

CMI V PEERLESS SAMPLING CHARACTER

The CMI V is a spot-on reincarnation of the first commercially available digital sampling system in music history—the sonic powerhouse behind numerous early MTV-era megahits. We even went the extra mile and added new creative features that weren’t possible back in the day. In 1980, the Fairlight CMI turned heads with the introduction of digital sampling. Now our software homage lets you turn some heads yourself. With exotic new sound of digital samples, the promise of an all-in-one digital workstation, and a physical design right out of a sci-fi movie, the Fairlight CMI was an object of desire for most self-respecting ‘80s keyboardists. Countless musicians and producers weighed the risks of bank robbery in order to afford one. No need today. Our faithful recreation gives you the same tools that many MTV stars used to make a cannonball splash into the pool. We’ve even made lots of improvements and additions that bring added power to this keyboard legend, including an alternate additive synthesis engine and tons of new modulation options. No vintage keyboard collection is complete without the CMI V. Now it’s your turn to experience the sound and power of the digital workstation that started it all.

CMI V v1.0.4.1287 AAX VSTi VST3 STANDALONE x86 x64 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software audio arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Fairlight, CMI V, CE, AAX

The unique musical architecture of the CMI
The CMI V isn’t just a digital instrument. It’s a complete digital workstation.
Our enhanced reproduction of this keyboard superhero lets you work with 10 digital instruments of your choice at once—mixing, layering, splitting and sequencing them as you please. Each instrument can draw from three different means of sound generation. The most obvious is the sampling engine that literally first defined the term in the industry. You can also shape sounds with the original additive synthesis engine where you control each of the component harmonics over time. We’ve even spun up the propellers and introduced a newer, simpler means of exploring additive synthesis like you’ve never heard it before named Spectral Synth. You also get around 300 expertly designed presets to get you going—including the original library of sounds you’ll recognize from countless hit recordings.

The original digital sound design powerhouse
If you want to sculpt sounds in the digital domain, the CMI V brings you a complete artists toolbox.
There are a zillion ways to shape sounds with the CMI. Work with a sample from the included library, or load in one of your own. Set the start and end points for the sample and loop. Modify the resolution to juice some interesting side effects. Resynthesize the sample into the additive synth domain for a harmonic representation. Create custom envelopes to control how each harmonic behaves over time. Change the sine waves that make up those harmonics to more complex waveshapes. Add multiple custom modulations to just about any sonic parameters you can think of. Heck, turn those modified additive harmonics back into a sample and sculpt your sound more back in that domain.

The CMI V gives you limitless creative options and sonic variety that are completely unique to this legendary sound design workstation.

The sound heard around the world
Many cutting edge ‘80s songs were fueled by the equally cutting edge sounds of the CMI. Now you can relive the glory days of MTV.

You know the sound of the CMI because it was everywhere—and still is. Consider the ear candy on Kate Bush’s “Running Up That Hill”. The rhythmic frenzy of Herbie Hancock’s “Rockit”. Peter Gabriel’s exotic “Sledgehammer” shakuhachi. The impossible horn line on Yes’ “Owner of a Lonely Heart”. The breathy vocal-flute on Tears for Fears’ “Shout” and “Everybody Wants to Rule the World”. Trevor Horn’s pulsing Page R bottom-end collage on “Relax” by Frankie Goes to Hollywood. Speaking of Hollywood, there’s Duran Duran’s “View to a Kill” Bond theme. How about Jan Hammer’s pitch-processed drums on his weekly “Miama Vice” TV scores? And MTV favs like “Close (to the Edit)” by Art of Noise and Yello’s “Oh, Yeah” are poster children for all things CMI.

Release Notes – 1.0.4.1287
CMI V
– Improvements
– MIDI Synchronization enhancement

INFO/DEMO/BUY: https://mage.si/fJHi
CMI V v1.0.4.1287 AAX VSTi VST3 STANDALONE x86 x64 WiN CE-V.R
http://beelink.in/34961/CMI-V-v1.0.4.1287-WiN-CE-V.R.html

CMI V v1.0.4.1287 MAC, x86 plugins vsti x64 plugins vsti vsti vst3 plugins macos software audio plugins au for mac arturia aax plugins, x86, x64, VSTi, VST3, Standalone, PlatenseSoul, MAC, CMI V, CMI, AU, AAX, 64Bit, 32Bit

CMI V v1.0.4.1287 MAC

PlatenseSoul | 25.01.2018 | 385.89 MB

AU/VSTi/VST3/AAX/STANDALONE 32/64

CMI V PEERLESS SAMPLING CHARACTER

The CMI V is a spot-on reincarnation of the first commercially available digital sampling system in music history—the sonic powerhouse behind numerous early MTV-era megahits. We even went the extra mile and added new creative features that weren’t possible back in the day. In 1980, the Fairlight CMI turned heads with the introduction of digital sampling. Now our software homage lets you turn some heads yourself. With exotic new sound of digital samples, the promise of an all-in-one digital workstation, and a physical design right out of a sci-fi movie, the Fairlight CMI was an object of desire for most self-respecting ‘80s keyboardists. Countless musicians and producers weighed the risks of bank robbery in order to afford one. No need today. Our faithful recreation gives you the same tools that many MTV stars used to make a cannonball splash into the pool. We’ve even made lots of improvements and additions that bring added power to this keyboard legend, including an alternate additive synthesis engine and tons of new modulation options. No vintage keyboard collection is complete without the CMI V. Now it’s your turn to experience the sound and power of the digital workstation that started it all.

CMI V v1.0.4.1287 MAC, x86 plugins vsti x64 plugins vsti vsti vst3 plugins macos software audio plugins au for mac arturia aax plugins, x86, x64, VSTi, VST3, Standalone, PlatenseSoul, MAC, CMI V, CMI, AU, AAX, 64Bit, 32Bit

The unique musical architecture of the CMI
The CMI V isn’t just a digital instrument. It’s a complete digital workstation.
Our enhanced reproduction of this keyboard superhero lets you work with 10 digital instruments of your choice at once—mixing, layering, splitting and sequencing them as you please. Each instrument can draw from three different means of sound generation. The most obvious is the sampling engine that literally first defined the term in the industry. You can also shape sounds with the original additive synthesis engine where you control each of the component harmonics over time. We’ve even spun up the propellers and introduced a newer, simpler means of exploring additive synthesis like you’ve never heard it before named Spectral Synth. You also get around 300 expertly designed presets to get you going—including the original library of sounds you’ll recognize from countless hit recordings.

The original digital sound design powerhouse
If you want to sculpt sounds in the digital domain, the CMI V brings you a complete artists toolbox.
There are a zillion ways to shape sounds with the CMI. Work with a sample from the included library, or load in one of your own. Set the start and end points for the sample and loop. Modify the resolution to juice some interesting side effects. Resynthesize the sample into the additive synth domain for a harmonic representation. Create custom envelopes to control how each harmonic behaves over time. Change the sine waves that make up those harmonics to more complex waveshapes. Add multiple custom modulations to just about any sonic parameters you can think of. Heck, turn those modified additive harmonics back into a sample and sculpt your sound more back in that domain.

The CMI V gives you limitless creative options and sonic variety that are completely unique to this legendary sound design workstation.

The sound heard around the world
Many cutting edge ‘80s songs were fueled by the equally cutting edge sounds of the CMI. Now you can relive the glory days of MTV.

You know the sound of the CMI because it was everywhere—and still is. Consider the ear candy on Kate Bush’s “Running Up That Hill”. The rhythmic frenzy of Herbie Hancock’s “Rockit”. Peter Gabriel’s exotic “Sledgehammer” shakuhachi. The impossible horn line on Yes’ “Owner of a Lonely Heart”. The breathy vocal-flute on Tears for Fears’ “Shout” and “Everybody Wants to Rule the World”. Trevor Horn’s pulsing Page R bottom-end collage on “Relax” by Frankie Goes to Hollywood. Speaking of Hollywood, there’s Duran Duran’s “View to a Kill” Bond theme. How about Jan Hammer’s pitch-processed drums on his weekly “Miama Vice” TV scores? And MTV favs like “Close (to the Edit)” by Art of Noise and Yello’s “Oh, Yeah” are poster children for all things CMI.

Release Notes – 1.0.4.1287
CMI V
– Improvements
– MIDI Synchronization enhancement

INFO/DEMO/BUY: https://mage.si/fJHi
CMI V v1.0.4.1287 MAC
http://beelink.in/35252/-CMI-V-v1.0.4.1287-MAC.html

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