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SongKey MKIII v3.0.2 WiN MAC

THE PiRATE | August 29, 2019 | WiN: 5.28 MB | OSX: 8.73 MB

…::: AAX ,VST 2.4, VST3, x64 :::…

SongKey MK3 is the all-new third version of our key finder plugin, but it doesn’t do simple key recognition, it’s also capable of detecting the chord being played and the song tempo. We thought it was a good idea to also add MIDI input (to be able to detect chords and key of midi tracks) and MIDI output for the recognized chords so you can record them and edit the track for your own needs.  At the core of SongKey we find the “chromagram” (a level representation of the intensity of each note playing in the song) but we spent a lot of time creating a more reliable and cleaner chromagram than the one of the previous version.

The data extracted from the audio is used to feed an artificial intelligence unit that is used to detect each chord, and SongKey MK3’s chord detection extends to sevenths, fifths and suspended chords.

The new key detection engine builds on the chromagram and expands it with another unit based around a statistical chord progression model that analyzing the chord sequence is able to understand the key of the song, this has the great advantage that the key recognition is always realtime so you can change song without the need to reset the plugin, or if the song changes key in some part of it, the plugin will simply be able to detect the new chord sequence and follow the key change.

The all-new GUI is completely vector drawn and resizable, so it’ll look good on any screen and can be made smaller or bigger as needed.

SongKey is very useful in that situation in which you don’t have an instrument at hand to find out the key of a song you are working on or if you are a DJ and want to make a mash-up but you don’t know in which key a song is written. The chord detection feature gives you insights on the chord progression of the song so that you can better design your bass lines and pads.

Features:
– Artificial Intelligence-driven key identification that follows key changes
– Realtime audio and MIDI chord detection
– Confidence display for each found key
– Key and Chord chromagram that shows each note level
– Sample mode for short sounds analysis
– Realtime tempo detection
– MIDI output of detected chords
– Sharp and Flat notation
– Resizable vector GUI
– Mac OS X (>=10.7) and Windows support.
– 64-bit compatibility both on Mac and Windows.
– Audio Units VST2.4, VST3, and AAX format.

INFO/DEMO/BUY: http://mage.si/L8zK
SongKey MKIII v3.0.2 WiN MAC
http://beelink.in/39547/SongKey-MKIII-v3.0.2-WiN-MAC.html

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Sasquatch v2.0.5 WiN MAC

Team R2R | 04 Sep 2019 | WiN: 4.3 MB | OSX: 15.0 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX | MAC – AU/VST/VST3/RTAS/AAX

…..::::: Kick Machine :::::…..

Sasquatch 2 is a CPU-friendly kick drum enhancement plug-in that enables you to custom-tailor the sound of any kick drum, acoustic or electronic, with exhaustive creative possibilities, ranging from subtle to extreme and beyond.

Sasquatch 2—Nature of The Beast:
– Craft your kick drum from subtle enhancement to downright musical mutation
– CPU-friendly with straightforward, easy-to-use graphic interface
– Individually tweak and blend “Oomph” (body), “Click” (attack) and “Dry” sound
– Easily create and customize “drops”
– Fine-tuning controls offer a unique set of creative tools for Oomph, Click, and Dry parameters
– Instantaneous triggering; no phase or flam issues
– Selectable trigger modes
– High-pass and low-pass filters with selectable sidechain modes
– A/B comparison plus four levels of “lock” mode lets you experiment and return to original settings
– Icon-based interface for easy visual identification

INFO/DEMO/BUY: http://mage.si/vyLM
Sasquatch v2.0.5 WiN MAC-R2R
http://beelink.in/10079/Sasquatch-v2.0.5-WiN-MAC-R2R.html

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Pan Knob v1.0.2 WiN MAC

Team R2R | 04 Sep 2019 | WIN: 4.8 MB | OSX: 11.1 MB

WiN32/64 – VST/VST3/RTAS/AAX | MacOSX – AU/VST/VST3/RTAS/AAX

Traditional pan knobs are outdated. Simply put, Pan Knob is a better sounding way to pan, to make your mixes translate well on all playback systems. Why do I need a plugin for a tool that every daw has? Yes, this plugin is a pan knob in plugin format. But the truth is, the way traditional pan knobs work kind of sucks for headphone listeners, and according to polls, about 87% of people listen to their music on headphones. Have you ever listened to a mix that had one instrument panned hard to one side? It sounds ok on monitors, but sounds awful on headphones. That’s because traditional panning don’t take headphone listeners into consideration. Have you ever heard a mix where you have two distinct guitar tones panned to opposite sides, but one dominates the low end and makes the entire mix feel lopsided? That’s because traditional panning treats all frequencies equally, even though our ears don’t.

Pan Knob overcomes this by having a smarter panning algorithm. One that keeps your low frequencies unpanned so that it sounds natural in headphones. It doesn’t do any room simulation, so it isn’t going to mess up your mono mixdown.

Convenient options
Aside from just sounding better, it has a few options to make it more convenient to use. It has a quick “Pan Swap” that will give you the opposite panning position with the click of a button. It has quick one button settings for the most used pan positions. You can choose which pan law is used, and choose between Balance and Pan for your stereo tracks.

Beyond 100%
Sometimes you need to pan a little wider than 100% to either side. Pan Knob lets you go to 120%, to give extra width when you need it.

More Panning Opportunities
When panning with Pan Knob, a whole new world of panning is opened up to you as a mixer. Because it sounds natural wherever you pan your tracks, you aren’t limited by the traditional panning rules that have become standard. You can pan any tracks wherever you want while keeping it sounding good and natural.

INFO/DEMO/BUY: http://mage.si/bVp5
Pan Knob v1.0.2 WiN MAC-R2R
http://beelink.in/37692/Pan-Knob-v1.0.2-WiN-MAC-R2R.html

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PlexiTape v1.0.1 WiN MAC

Team R2R | 04 Sep 2019 | WiN: 48.3 MB | OSX: 46.8 MB

PLATFORMS: WiN64 – VST/VST3/AAX(MODiFiED) | MAC – AU/VST/VST3

PlexiTape is a faithful analog modeled simulation of the *Maestro® Echoplex® EP-3™ vintage tape echo that made THE SOUND of the ’70s for its tone and reliability. We put special care on modelling this unit on every aspect: motor, tape, FET preamplifier, heads and even the infamous “Sound On Sound”. SOS allows you to use bypass the echo and therefore use the tape as a looping recorder. Furthermore, we expanded it with new features including a full stereo double delay line, tempo sync and more.

PlexiTape Specifications:
– Analog Modeled Vintage Solid State Tape Echo
– Auxiliary Echo with Echo Pan for full stereo effects
– 3 Echo Modes: Echo, Off (Preamp + Tape colour only) and Sound On Sound
– 2 FET Preamp models: Early and Late
– 2 Playback Modes: Regular (with Varispeed) and Sync
– Varispeed from 3 to 15 IPS
– Echo Tone equalizer
– Internal hum noise (fully adjustable, for increased realism and self oscillation)
– Resizable interface

INFO/DEMO/BUY: http://mage.si/34kx
PlexiTape v1.0.1 WiN MAC-R2R
http://beelink.in/39515/PlexiTape-v1.0.1-WiN-MAC-R2R.html

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GS-201 Mk2 v1.0.0 WiN MAC

Team R2R | 04 Sep 2019 | WiN: 6.3 MB | 10.4 MB

WiN64 – VST/STANDALONE/VST3 | MAC – AU/VST/STANDALONE/VST3

There was a time when the echo effect was made using magnetic tapes, and among the many units that the industry brought to the market, one model shone above all: the Space Echo RE-201. This was by far one of the most used and still today is one of the most sought after tape echo units ever made. The new GS-201 Mark II is the evolution of a project we started back in 2008 with the release of the old version of GS-201. The purpose is to capture the magic of the Space Echo and make it available to all, right there, into the computer. Not an easy task, but the experience we gained during the last 10 years in audio DSP development has helped us reach a result that sometimes can fool even ourselves.

Main features:
– Adjustable tape length from 1 meter to 4 meters
– Adjustable quality for all heads, including erase and write heads
– Adjustable Azimuth alignment for all heads
– Host Tempo synchronization with 16 divisions
– Stereo option with adjustable width (delay between channels)
– Adjustable noises (hiss & hum)
– Adjustable motor lag time
– Adjustable tape quality and loop junction
– RE-501 BBD Chorus
– RE-501 Sound-on-sound pickup head (4th head)
– Authentic “Folded Line” Spring Reverb emulation
– Built-in programmer with 128 Programs
– Import/export of Programs and Banks
– Built-in MIDI Learn function with import/export of custom Midi maps
– Adjustable output level
– Integrated help with tool-tips and readout displays

SYSTEM REQUIREMENTS:
GS-201 Mark II is available in the following formats:
– for Windows: VST2 x64, VST3 x64, Standalone x64
– for OSX: VST2 x64, VST3 x64, Audio Unit x64, Standalone x64

INFO/DEMO/BUY: http://mage.si/v3fD
GS-201 Mk2 v1.0.0 WiN MAC-R2R
http://beelink.in/39514/GS-201-Mk2-v1.0.0-WiN-MAC-R2R.html

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TH-U Complete v1.0.20 WiN MAC

Team R2R | 04 Sep 2019 | WiN: 257.2 MB | OSX: 375.5 MB

PLATFORMS: WiN32/64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

TH-U is a software suite for guitarists and bass players who like to do everything in the DAW. The previous version was TH-3 version, and the new TH-U brings more of everything: 15 new amps (94 in total), 14 new speakers (52 in total), 2 new effects (77 in total), a redesigned Cabinet IR module and a search function for presets.

239 models, the world’s largest collection into a single software, including:
– 89 guitar amplifiers and 4 bass amplifiers
– 50 guitar cabinets and 2 bass cabinets
– 77 pedal and rack effects
– 18 microphone models, with up to four mics on each cabinet
– More than 1000 presets covering all musical styles
– Randall®, DVmark®, Brunetti® and THD® authorized models approved by the original manufacturers
– Amp Tweak technology, allows you to mod the amplifiers by changing the preamp and poweramp tube models, as well as simulating the action of a variac
– Rig Player (with 20 factory rigs), allows you to reproduce rig models created by sampling real setups
– One entire preset bank dedicated to bass.
– 4th generation analog emulation technology, with proprietary nonlinear processing algorithm
– 3D, gap-less positioning of microphones and room simulation
– Advanced cabinet emulations with ReSPiRe 2 technology
– Built-in convolver to load external guitar cab IRs
– Flexible sound chain with split point for parallel processing
– Fully customizable MIDI control for live usage
– BREVERB and SpringAge based reverb effects
– Full compatibility with TH3 user presets

What’s new:
In addition to the features available in the TH3 Full version, TH-U Full includes:
– 15 new amplifiers, including the Superlead and Superbass models, Polytone jazz amplifiers and DVmark Triple 6 head
– 14 new cabinets
– Rig Player (with 20 factory rigs), reproduces models captured from real rigs with the R2M (Rig To Model) technology
– Amp Tweak: mod amplifiers by customizing pre and power tubes
– A Shimmer Reverb and a Shimmer Delay
– An improved and redesigned Cabinet IR module
– A new multitrack looper
– Search function on the preset and bank lists

INFO/DEMO/BUY: http://mage.si/YCeT
TH-U Complete v1.0.20 WiN MAC-R2R
http://beelink.in/38859/TH-U-Complete-v1.0.20-WiN-MAC-R2R.html

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SampleTank 3.v3.7.3 WiN MAC

Team R2R | 31.08.2019 | WiN: 429 MB | OSX: 547 MB

Content: 16.1 GB | Sound Updater: 1.42 GB

AAX AU VST VSTi STANDALONE

SampleTank — the industry standard sound workstation that’s made historyIn 2001, IK Multimedia made history with SampleTank, the first ever sample-based sound workstation for computer. That release was followed in 2003 by SampleTank 2, which has since become an industry standard with an unparalleled software longevity due to its high-quality sounds, easy-to-use interface and powerful included effects. Considering its versatility and power, it’s no wonder that SampleTank has been featured on thousands of the most iconic productions and compositions of the last decade. Now, over ten years in the making, SampleTank 3 builds on this storied heritage. Like its predecessors, it’s the most advanced sound workstation available on the market today with a whole new world of sounds, advanced playing and editing features and a full suite of studio-quality effects. SampleTank 3 builds on the features that have made it one of the most popular virtual instruments of all time making it an essential piece in the musical toolkit of any serious musician, studio producer or live performer for years to come.

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A sound for every song, literally
What makes SampleTank 3 so powerful is its extraordinarily large sound library. SampleTank 3 now comes with over 33 gigabytes of professionally recorded instruments — that’s over 4,000 instruments in 21 instrument categories — far more than most other music workstations out-of-the-box. Plus, SampleTank 3 includes over 2,500 drum, percussion and full groove construction kit loops and over 2,000 MIDI patterns for its brand new MIDI player section.

These sounds are far from ordinary; SampleTank 3’s library has been carefully assembled and recorded by IK’s experienced recording engineers with high-quality instruments played by professional musicians in some of the world’s finest studios. Each instrument has been chosen and recorded to produce the rich depth and vivid realism of live playing. With SampleTank 3, you’ll swear a musician is in the room with you — more importantly, though, is that SampleTank 3’s powerful editing and effects features let you control every aspect of these sounds allowing for an unparalleled creative sonic experience.

Though SampleTank 3 features a massive quantity of quality content — with a variety that far surpasses similar workstations — its real forte is the quality of its sounds which accurately replicate all the qualities of your favorite instruments. Its pianos, drums, basses, guitars, synthesizers, brass, strings, vocals and other more exotic sounds shine brightly in any mix with little adjustment. And all this is available in an easy-to-use workstation that has a workflow that lets you get right into doing what you do best: making great sounding music.

That SampleTank 3 is “Made in Italy” ought to give you an idea of the dedicated craftsmanship and style at the heart of the program. It’s an extensive selection of samples that have been hand-crafted, one-by-one, after countless hours of passionate studio work by IK’s master sound engineers — it’s more than just a collection of sounds, it’s an all-in-one solution and toolbox that can satisfy the needs of even the most demanding of music producers.

It doesn’t matter what style of music you’re into: Jazz, Rock, Pop, Funk, EDM, Hip-Hop, Dubstep, House—SampleTank 3 can do it all.

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SampleTank’s secret weapon:
the engine
SampleTank has long been considered the undisputed king when it comes to resampling. Its 3 engines go beyond traditional resampling (which you can find in any sampler). It offers advanced pitch-shifting/time-stretching for loops and grooves. And its unique formant preserving STRETCH™ engine provides an unparalleled level of realism when dealing with vocals, woodwinds, brass, and other organic sounds. When used together these features allow for a virtually unlimited assortment of creative sample effect combinations.

Completely retooled and remade, SampleTank 3’s new software engine has been greatly enhanced while maintaining its traditional quick sample load times and light CPU usage.
Experience enhanced playability with SampleTank 3’s new “round robin” sample switching — it’s there to lend an organic “live” feeling to your playing by cycling through different samples of the same instrument. Coupled with SampleTank 3’s new multiple articulations — triggerable via key switch, modulation wheel or velocity — this provides maximum realism on highly expressive instruments like guitars, woodwinds, percussion, brass, and more. When used correctly these new features can make SampleTank 3’s sound indistinguishable from the real thing.

SampleTank 3 now also includes 10 new types of filter effects, many of which are spot-on emulations of some of the most historically significant analog ladder and phaser filters.
SampleTank 3 also enhances your editing workflow by centralizing all control in one easy to use interface. Whatever your creative audio needs may be, SampleTank 3 delivers with stunning precision, accuracy and ease.

And if you are not particularly technologically minded (or an advanced producer), no problem! Now SampleTank 3 offers 8 macro control knobs for every sound. IK Multimedia’s sound designers have already pre-programmed complex parameters chains so you have all the controls you need arranged in a way that lets you quickly and effortlessly create the sounds you need.

INFO/DEMO/BUY: http://mage.si/pq6B
SampleTank 3 v3.7.3 AAX AU VST VSTi STANDALONE WiN MAC-R2R
http://beelink.in/17027/SampleTank-3.v3.7.3-AAX-AU-VST-VSTi-STANDALONE-WiN-MAC-R2R.html

SampleTank 3 Sound Content HYBRiD + Sound Updater v3.5 WiN MAC-R2R
http://beelink.in/31033/SampleTank-3-Content-and-Sound-Updater-v3.5-WiN-MAC-R2R.html

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Oracle Reverb v1.0.2 WiN MAC

NU DiSCO | 30.08.2019 | 91 MB

…::: AAX, VST2, VST3 & AU :::…

A great sounding reverb is arguably one of the most important factors in achieving a full and atmospheric mix, and with that in mind, the SoundSpot® team set out to create a reverb that can deliver to the demands of modern production. After many months of development we are proud to announce the arrival of the Oracle Algoverb. The Oracle is a one stop shop for all your creative reverb needs, and can be used on any sound source to great effect. From adding a sense of depth to piano melodies, to making synthesised soundscapes sound huge, the Oracle has it covered.

Key Features:
• Intuitive, easy to navigate user interface.
• Designed to work flawlessly with touch controllers.
• Stereo imaging controls for accurate placement in the stereo field.
• Analogue style compressor with visual waveform feedback.
• Bandpass filter to sculpt the sound and remove unwanted frequencies.
• LFO effect to create movement to the amplitude of the signal.
• Flanger effect to keep your reverbs interesting.
• Saturation effect to add warmth or distortion to the signal.
• Preset manager to save & share your own reverb designs

INFO/DEMO/BUY: http://mage.si/zCt0
Oracle Reverb v1.0.2 WiN MAC RETAiL
http://beelink.in/39471/Oracle-Reverb-v1.0.2-WiN-MAC-RETAiL.html

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VirtualCZ v1.1.1 WiN MAC

Team R2R | August 30 2019 | WiN: 14.5 MB | OSX: 27 MB

PLATFORM: WiN32/64, EXE/VST/VST3/AAX | MacOSX, AU/VST/VST3/AAX

Many people fondly remember the CZ synths and they have become retro-classics that are highly sought after, having been used on countless techno, house, rave and synth-pop records in the late 80s and early 90s. Many artists still use the CZ today for its unique sounds, including great pads and synth strings, screaming leads, big basses, weird FX, metallic percussion and above all RAVE ORGANS. Like many timeless synths, it has a unique sonic quality and will be a beneficial addition to anyone’s synth collection.

FOR THE FIRST TIME USER : FAITHFUL EMULATION, GREAT NEW SOUNDS
If you are new to the CZ you’ll find that VirtualCZ delivers the same sound quality as its hardware predecessor, along with new features that bring its sound up to date. As with its hardware inspiration, VirtualCZ uses Phase Distortion, which is similar to FM Synthesis but easier to program. Big stereo UNISON sounds (new feature!) – great for modern synth stabs. Familiar ADSR envelopes (or switch to 8 Stage MSEG for the purists!)

200 quality presets featuring both retro and modern sounds.

INFO/DEMO/BUY: http://mage.si/qoxF
VirtualCZ v1.1.1 WiN MAC-R2R
http://beelink.in/39468/VirtualCZ-v1.1.1-WiN-MAC-R2R.html

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AmpliTube 4 v4.9.0 WiN MAC

Team R2R | 30 Aug 2019 | WiN: 395.4MB | OSX: 480.6MB

STANDALONE/AU/VST/VST3/AAX 64-bit

AmpliTube 4 Hyper Realistic Tone

Get ready to have your mind (and ears) blown. AmpliTube 4, a major upgrade to the world’s most powerful guitar and bass tone studio for Mac/PC, is here and will take you to a level of hyper-realism and customization of tone you never knew possible.

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► What’s new

  • Hyper-Realistic tone
  • 3D Cab Room w/ selectable room simulations
  • Dual Mic placement on any speaker
  • Individual speaker selection
  • Speaker interaction modeling
  • Cabinet mixer for mics, room, DI and master level
  • New British Series Amps
  • Power Amp/Speaker dynamic response
  • Acoustic Simulator
  • Effects loop slot between pre and power amp
  • Universal effects placement
  • Rack effects can be used as stomp effects
  • Stomp effects can be used in rack section
  • 8-track DAW/Recorder
  • 4-track Looper
  • UltraTuner
  • Built-in Custom Shop

 

Changes from version 4.8.2:
– New official Brian May Collection gear models:
— BM 30 (Amplifier)
— BM DK (Amplifier)
— BM 30 Blue (Cabinet)
— BM 30 H70 (Cabinet)
— BM DK (Cabinet)
— Star Gate (Stomp FX)
— Red Special (Stomp FX)
— Treble Booster (Stomp FX)
— May Wah (Stomp FX)
— FOX Phaser (Stomp FX)
– General reliability improvements


Overview
AmpliTube 4 is a guitar and bass tone studio for Mac/PC that works as a standalone application and as a plug-in for your favorite DAW. AmpliTube recreates the entire guitar/bass signal chain from instrument to recording device, and does so in a very realistic and intuitive way. But it also does it in ways you never dreamed possible.

If you’re new to using computers to get fabulous guitar tone, then you’re in for a treat. If you’re a veteran computer tone-master, well, you’re still in for a treat. AmpliTube pioneered — and leads the way in — guitar amp and effects modeling, and AmpliTube 4 takes it to the outer edges of extreme hyper realism with intuitive familiar tools.

Fasten your seat belt… let’s take a quick tour!

INFO/DEMO/BUY: http://mage.si/EcGH
AmpliTube 4 v4.9.0 AU VST AAX STANDALONE VST3 64bit WiN MAC
http://beelink.in/24555/AmpliTube-4-v4.9.0-WiN-MAC.html

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