Samples Engine

Make your Sound with no limits!

Elephant v4.15 VST2 VST3 x64 WiN

Elephant v4.15 VST2 VST3 x64 WiN

Elephant v4.15 WiN

P2P | August 09 2021 | 12.7 MB

Elephant is a mastering limiter plug-in for professional music production applications. The most remarkable feature of this signal limiter is its ultimate transparency. Elephant brings sound limiting and loudness maximization without any audible “pumping” effects. Elephant is a highly competitive plug-in for mastering applications: it features a variety of limiter modes that can be deeply customized, and a comprehensive set of level metering tools. Elephant’s built-in linear-phase oversampling is a new standard in quality peak limiting and loudness maximization. Elephant limiter can be used for mixing and mastering of both stereo and multi-channel music and sound material, at any standard sample rate. Elephant, also featuring a DC offset filter, and a high-quality bit-depth converter with an optional noise-shaping, allows you to finish your music and audio productions with a spark.

Features:
– Transparent signal limiting action
– 10 predefined limiter modes
– Limiter mode editor
– Optional release stage
– Noise-shaped bit-depth converter
– RMS, true peak clipping statistics
– EBU R128 LUFS/LU metering
– DC offset removal filter
– Waveform graph view
– Stereo and multi-channel processing
– Internal channel routing
– Channel grouping
– Up to 8x linear-phase oversampling
– 64-bit floating point processing
– Preset manager
– Undo/redo history
– A/B comparisons
– Contextual hint messages
– All sample rates support
– 24 ms compensated processing latency
– Retina and HighDPI support

 

INFO/DEMO/BUY: http://mage.si/k3Bm
Elephant v4.15 VST2 VST3 x64 WiN
https://beelink.pro/47672/Elephant-v4.15-VST2-VST3-x64-WiN/

OCS-45 v1.0.1 WiN MAC-FLARE

OCS-45 v1.0.1 WiN MAC-FLARE

OCS-45 v1.0.1 WiN MAC

Team FLARE | 10 August 2021 | WiN: 9.63 MB | MAC: 10 MB

..:: AU, VST, VST3, x64 ::..

What is OCS-45? OCS-45 Cassette Simulation. This plugin simulates real life cassette tapes. It’s been designed to add lo-fi, vintage feel to your sound. It’s rich set of controls allow you to tweak settings exactly the way you need to achieve that low fidelity sound. Predefined presets make it easy to find a perfect setting for your sound.

LOTS OF USEFUL FEATURES
Wow/Flutter

Wow/flutter section adds that vintage pitch wobble effect making your sounds feel like they are flowing.

Rich Distortion Panel
Add warmth to your sound and make it alive with precisely programmed 5 distortion types.

Cassette Settings
Each cassette can be modified to have reduced quality (for that lo-fi sound). Dry/wet knob will help you set a perfect amount of the effect that cassette has on the sound. Mono will take you to old single-speaker times.

Noise Section
Add noise to your sound to simulate real-life cassette hiss or low fidelity hardware.

Dropouts
Real-life cassettes have been known for their tendency to cut out short amounts of sound periodically, due to damaged tape. Our dropouts module does the same thing separately for both channels and runs independently on input signal and noise generator.

4 DIFFERENT CASSETTE TYPES
I Ferric Cassette

Ferric or ‘normal’ cassettes were historically the first, the most common and the least expensive; they dominated the pre recorded cassette market.

II Chromium Type Cassette
Type II have, on average, a higher signal-to-noise ratio than quality
Type I tapes. Type II has been historically known as ‘chromium dioxide tape’ or simply ‘chrome tape’. High frequency response has been increased.

III FeCr Cassette
Introduced in 1973, double-layer ferrichrome tapes. They were advertised as ‘the best of both worlds’ – combining good low-frequency MOL of microferric tapes with good treble performance of chrome tapes.

IV Metal Cassette
Were introduced in 1979, they are more bassy and include louder high frequencies.

PRESETS
Factory Library

You don’t need to tweak anything in order to achieve perfect sound. All you have to do is to browse through the built in presets and choose the one you like.

INFO/DEMO/BUY: https://mage.si/pCs4w
OCS-45 v1.0.1 WiN MAC-FLARE
https://beelink.pro/47692/OCS-45-v1.0.1-WiN-MAC/

Pancz v1.0.0 WiN MAC-FLARE

Pancz v1.0.0 WiN MAC-FLARE

Pancz v1.0.0 WiN MAC

Team FLARE | 10 August 2021 | WiN: 9.63 MB | MAC: 10 MB

..:: AU, VST, VST3, x64 ::..

What is Pancz? Pancz is an audio plugin equipped with a powerful multiband transient shaper, clipping tool, precise waveform analyzer and additional tone manipulation effects. It uses complex audio processing to directly control the shape of the sound. With its convenient waveform window and a “cut line” you are able to visually manipulate the sound making it look and sound the way you want it to. Additional sets of controls will bring your sounds to life making them feel polished and professional.

Your new powertool.
Pancz is equipped with a precisely selected combination of tools: multiband transient shaper, soft clipper/limiter, waveform analyzer and additional tone manipulation effects. All elements work perfectly together giving you control you’ve never had before.

Transient
The Heart of Pancz

Pancz can create punchy, clicky transients making your sounds hit harder and push through the mix easier. It also works in the opposite way. It can make loud and annoying transients less audible and controlled.

Length
Space Designer

Pancz can manipulate the dynamic range of the audio by increasing or decreasing its sustain. It can give you a completely squashed or a super dynamic sound.

Multiband
Next Level of Control

Multiband splits the frequency spectrum into 3 fully controllable parts. Each of them has independent Transient and Length controls, so that you can easily target a frequency region that needs transient shaping.

Waveform
Visual Representation

The waveform window shows you a live view of what’s happening to the audio signal. Input and output waveforms are shown separately allowing you to see how your sound changes.

Threshold
Peak Slicer

Threshold is a very convenient tool since, in combination with the waveform analysis, it allows you to visually cut the waveform exactly where you want to.

Soft Clipper
Pleasant Distortion

Soft Clipper limits the peaks of the sound that go above a threshold bar. It’s not just a limiter. It’s been designed to add a warm distortion to the sound making it more pleasant to the human ear.

Limiter
The Clean Cut

Limiter cuts peaks of the sound with a high level of precision. Anything that goes above the threshold bar gets instantly removed, perceiving a high quality of the audio.

NYC
Parallel Compression

New York Compression is a great addition to sound processing. It brings what’s quiet and boosts what’s quick, giving you a feeling of detailed and “in your face” sound.

Presence
High-end Clarity

Presence manipulates the tone of the sound by adjusting mid-top frequencies.

Air
Brightness Booster

Air is a great tool to add missing top-end to your sounds making them breathe.

WiN REPACK: fixed issue with GUI images not installing correctly and showing a black screen

INFO/DEMO/BUY: https://mage.si/3bfU4
Pancz v1.0.0 WiN MAC-FLARE
https://beelink.pro/47693/Pancz-v1.0.0-WiN-MAC/

U-he ColourCopy v1.0.1 WiN CE-V.R

U-he ColourCopy v1.0.1 WiN CE-V.R

U-he ColourCopy v1.0.1 WiN

Team V.R | 11 August 2021 | 15 MB

(Win32/64; AAX*, VST3, VST)

A virtual analog effect inspired by classic bucket-brigade delays (bbd), but extended with modern features. We called our new baby “Colour Copy” because it can deliver the kind of colouration people still love in classic bbd units, but with a wider variety of colours. Colour Copy started life as the little delay unit called “Lyrebird” we built into Repro-1, but the sound was too good not to be developed further and become an fx plug-in.

Features:
Colours
During development we soon realized that we could capture the essence of the entire range of classic bucket brigade delays – from the low-range rumbling, slowly evolving delays to the highly resonant, screaming characters. A single knob lets you continuously blend between the five finely-tuned “colour” macros. The differences may be subtle, but each one is rich in detail. In addition to obvious differences in frequency bandwidth, each comes with its own noise and dynamic characteristics, frequency loss over time, and several other qualities. The Saturation knob controls how prominent or subtle those characteristics should be, in case you want to dial back the colouration to better fit in the mix. Finally, a Brightness knob lets you adjust the bandwidth.

Flexibility
Colour Copy is capable of a huge variety of different delay-based effects. With delay times ranging from under a millisecond to several seconds, you can create anything from comb-filter and flange/chorus effects to regular ping-pong delays and longer “looper” effects. The routing options let you mix or swap the input and feedback signals independently or even invert the feedback phase for various phase cancellation effects when delay times are set very short. Additionally, unlike hardware BBD units, Colour Copy’s left and right output “taps” can be placed anywhere along the delay lines. This feature lets you move echos independently “forward in time” for e.g. ping-pong or “rushing” delays as well as various stereo chorus or flanger effects. You never knew you’d want three different ways to create a ping-pong effect!

Animation
Colour Copy comes with a stereo lfo that can be used to modulate either the delay rate, the tap positions or the delay amplitude. With a range of 0.05Hz to 20Hz (as times: 20s to 50ms) the lfo can create chorus, vibrato and tremolo effects. Crank up the modulation depth for deep pitch-shifting. An envelope follow signal derived from the input signal can be used to modulate the lfo frequency and depth, adding realtime dynamics to the effects.

Colour Copy comes with the obligatory ducking compressor, but with a unique twist: You can select whether to duck the entire delay output or just the feedback signal. This latter option leaves the very first delay unaffected, preserving the overall stereo “space” while preventing the sonic mayhem that high regeneration often causes.

Performance Control
Some people like to perform on their bbd hardware, pitching the regeneration up and down by twisting the rate knob. We took Colour Copy a step further in this direction by adding a pair of creative features: Firstly, a freeze button that loops the contents of the delay buffer for as long as you like. Secondly, midi key control so that you can play Colour Copy like a mono synth – each octave up doubles the delay rate.

INFO/DEMO/BUY: https://mage.si/AF5P7
U-he ColourCopy v1.0.1 WiN CE-V.R
https://beelink.pro/47736/U-he-ColourCopy-v1.0.1-WiN-CE-V.R/

U-He Twangstrom v1.0.1.12092 WiN CE-V.R

U-He Twangstrom v1.0.1.12092 WiN CE-V.R

U-He Twangstrom v1.0.1 WiN

Team V.R | 11 August 2021 | 15 MB

(Win32/64; AAX*, VST3, VST)

A flexible spring reverb box-of-tricks. If you’re familiar with Bazille, you might already have come across its built-in spring unit. We took that one, then modelled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.

INFO/DEMO/BUY: https://mage.si/OuH20
U-He Twangstrom v1.0.1.12092 WiN CE-V.R
https://beelink.pro/47738/U-He-Twangstrom-v1.0.1.12092-WiN/

Polaris v1.8.1 AU VST AAX x86 x64 WiN MAC-RET

Polaris v1.8.1 AU VST AAX x86 x64 WiN MAC-RET

Polaris v1.8.1 WiN MAC

Team RET | 13 August 2021 | WiN+OSX: 18.6 MB

Polaris is an echo/reverb plugin inspired by early hardware digital reverbs of the late 1970s and able to provide echo, ambience and reverb out of a single multitap delay line. When hardware digital reverbs came out to the market they were really expensive. Most manufacturers were already exploiting chains of comb and allpass filters (smoother reverbs, but expensive in both resources and chips), there were other techniques involving the use of a single multitap delay line to create a reasonable reverb while keeping the cost affordable. That idea is so simple yet powerful: you mix a bunch of unmodulated taps (Early Reflections) with the remaining modulated taps (Diffusion) to create a cheap but convincing reverb.

We extended this technique by making the Echo tap recirculating with the Diffusion section, allowing longer reverb tails. Furthermore you can easily edit all taps to create your own room responses, resonant combs, Karplus-like tuned delay lines, Chorus, Flanging, Vibrato and much more.

Specifications:

  • Single Multitap Delay Line
  • Early Reflections (8 Programmable Taps)
  • Diffusion (16 Programmable Modulated Taps)
  • Echo (Ms, Sync, Tuned)
  • Echo Modulation
  • LFO (Sin/Tri/Rnd – Hz, Sync)

 

Changelog:
v1.8.1 (July 2021)
– FIX: Rare condition where licenses get invalidated

INFO/DEMO/BUY: http://mage.si/ZR2S
Polaris v1.8.1 AU VST AAX x86 x64 WiN MAC-R2R
https://beelink.pro/26452/Polaris-v1.8.1-WiN-MAC-R2R/

Variety Of Sound Complete Bundle VST x86 WiN [FREE]

Variety Of Sound Complete Bundle VST x86 WiN [FREE]

VoS Complete Bundle

P2P | 28 June 2021 | 61MB

Plugin bundle from Variety of Sounds…

INCLUDES:
– BootEQ mkII v2.1.1
– Density mkIII v3.0
– Rescue MK2 v2.1
– TesslaSE v1.2.1
– TesslaPRO mkII v2.0
– epicVerb v1.5
– epicVerb vstpresets
– ThrillseekerVBL v1.0
– FerricTDS v1.5.1
– NastyVCS v1.0.1
– NastyDLA mkII v2.0
– preFIX v1.0
– BaxterEQ v1.0.1
– ThrillseekerLA v1.0.1
– ThrillseekerXTC v1.0.1
– SlickHDR v1.0.1

As soon as July 2021, there will be 64bit beta versions of Variety Of Sound …

INFO/DEMO/BUY: https://bit.ly/2u8YSOd
Variety Of Sound Complete Bundle VST x86 WiN [FREE]
https://beelink.pro/47215/VoS-Complete-Bundle-VST-x86-WiN/

SSL Bus Compressor 2 v1.0.0.36 WiN-RET

SSL Bus Compressor 2 v1.0.0.36 WiN-RET

SSL Bus Compressor 2 WiN

Team RET | 12 August 2021 | 20.16 MB

( AAX*, VST2, VST3, x64 )

The centre section compressor from SSL’s 1980’s G Series analogue console is an audio production legend. It is the secret behind countless classic recordings. It is a simple unit with a simple purpose; it makes complete mixes sound bigger, with more power, punch and drive. It brings cohesion and strength to your mix without compromising clarity. “Sticks your mix like audio glue.” – That’s how we often hear the SSL Stereo Bus Compressor described, along with – “You strap it across your mix – and it sounds like a record.” We could wax lyrical about the technology – but hey, you already know how great this thing sounds – you’ve heard it on countless hit records from the last three decades. Bus Compressor 2 Plug-in boasts a host of enhancements, including new Attack, Release and Compression ratios for added flexibility with individual sounds and subgroups, in addition to inbuilt wet/dry and S/C HPF control, as well as switchable 2x and 4x Oversampling…

Key features:
* THE legendary glue & punch maker updated for 2021
* Glues tracks and subgroups together
* Compatible with UC1 controller
* NEW Attack, Release and Compression Ratios
* Renowned ‘Auto’ release
* 2X & 4X Oversampling
* External Side-chain
* Side-chain HPF

INFO/DEMO/BUY: https://mage.si/CfV9p
SSL Bus Compressor 2 v1.0.0.36 WiN-RET
https://beelink.pro/47752/SSL-Bus-Compressor-2-v1.0.0.36-WiN/

Undertow v1.0 MULTi-FX AU VST WiN MAC

Undertow v1.0 MULTi-FX AU VST WiN MAC

Undertow v1.0 WiN MAC

P2P | 12 August 2021 | 10.42 MB

Undertow is a Beat Bending Dub Box designed primarily as a Multi-FX Unit for beats and drum loops, with consideration for other uses such as synth, bass and even vocals. Regardless of what kind of sound you put into Undertow, it will boost your low-end bass frequency, crossfade the signal into a Speaker for lo-fi telephone EQ, and warm up the resulting tone with a Saturation Driver. Then pass your treated signal into the Echo for some dubby, phased out delays. Finally, you can go wild with the Bend Modulator, which will rhythmically shape the overall effect using phase-locked waveforms with adjustable start position for creating things like pumping drums and basslines, gated delay feedback, phaser and flanger effects, echo melting, spatial effects and more.

Features:
– Tone Booster: Bass Frequency Enhancer
– Speaker: Telephone EQ Mixer
– Saturation Driver
– Echo: Analog tape style dub delay unit
– Phase Filter: All-pass Delay Filter
– Bend: Beat Specific LFO
– Uses include:
– Ducking and Pumping
– Feedback Gating
– Echo Pitch Warping
– Phaser Modulation
– Flanger Effects
– Spatial Effects
– Sub Presets for each FX section
– Randomization controls for each effect section
– MIDI Learn and automation of most parameters
– Double-Click Parameter Reset
– Intuitive patch management system
– 128 presets to get you started

System Requirements:
– Windows: Windows XP or higher 32/64 bit
– Mac: OSX 10.5 or higher 32/64 bit

INFO/DEMO/BUY: https://mage.si/YL45K
Undertow v1.0 MULTi-FX AU VST WiN MAC
https://beelink.pro/47753/Undertow-v1.0-MULTi-FX-WiN-MAC/

FFT Bundle v2021.05.07 WiN-RET

FFT Bundle v2021.05 WiN

Team RET | 15.08.2021 | 38.8 MB

With this bundle, you get our professional EQ, reverb, compressor, multiband dynamics, limiter, de-esser and gate/expander, creative multiband distortion, delay, filter and synthesizer plug-ins.

Contents: https://paste2.org/kah2Ks57
INFO/DEMO/BUY: https://mage.si/9L5a
FFT Bundle v2021.05.07 WiN-RET
https://beelink.pro/47771/FFT-Bundle-v2021.05.07-WiN-RET/

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