Heat Pulse VSTi v1.0 WiN MAC

Team DECiBEL | 06 Oct 2019 | 606.5 MB



Heat Pulse for producers who just want a plugin they can open and get straight to work. No need to spend a large chunk of money on unnecessary functions and buttons. Heat Pulse gets straight to the point..making heat. Heat Pulse contains a variety of live recorded and handcrafted sounds including 808s, Bass, Bells, Keys, Guitar, Pads, Saxophone & more. Heat Pulse workes in all DAWs (FL Studio, Logic Pro, Reason, Cubase, Studio One, Reaper, etc). and featured a simple non-confusing or overwhelming GUI design. 90 Presets are included with the Heat Pulse, they are the absolute core of the VSTi.

System Requirements:
– Mac OS 10.8 to macOS 10.14 Mojave (64-bit)
– Windows 7 to Windows 10 (32-bit & 64-bit)
– 1 GB of disk space
– 4GB RAM (8 GB+ highly recommended for large Soundbanks)

Heat Pulse VSTi v1.0 RETAiL WiN MAC-DECiBEL


gEQ12 v2.2.3 WiN MAC

Team R2R | 04.10.2019 | WiN: 3.7 MB | MAC: 3.09 MB


gEQ12 is 12 band stereo/MS graphic equalizer with accurate spectrum analyzer and minimum/linear phase modes. Today’s mixing and mastering processes require a full featured but easy to use equalizer which can accurately shape the tone of a track , bus or master track. eEQ12 provides all necessary tools in one package paired with some unique features. The display shows the spectrum curve of incoming and outgoing signal. gEQ12 has the unique feature that the outgoing spectrum is directly calculated from magesy download incoming spectrum (incoming spectrum – filter curve = outgoing spectrum). This allows you to capture the incoming signal, to freeze it and to modify then the filter curve based on the altered outgoing spectrum. The filter response is controlled by 12 individual filter bands. Each filter band has its own display handle, which can be adjusted by mouse.

gEQ12 consists of 12 stereo filter in series. Each filter can be configured individually by setting type, stereo placement (all, left/mid and right/side), slope, frequency, gain and q-factor. gEQ12 offers 9 analog modeled and 8 digital (Butterworth) filter. The filter quality can be increased by using oversampling. This ensures “analog” filter magnitude/phase response near Nyquist frequency. On top of it gEQ12 can operate in several minimum or linear phase modes, which can lower CPU usage and makes filter phase response linear.



  • 12 independent filter bands, extended frequency range 10Hz – 48kHz
  • 17 filter types, analog/digital design, zero delay IIR
  • filter slope up to 96dB
  • independent stereo/left/right/mid/side processing per band
  • 7 processing modes: zero latency, minimum/linear phase
  • stereo/MS processing (e.g. stereo/mono split)
  • sample rates up to 192 kHz
  • “real” over sampling, up to 4x
  • hi-res spectrum analyzer with 32k FFT based ISO R40 frequencies
  • pre/post-EQ, average/live spectrum, stereo/left/right/mid/side
  • narrow-band sweeping mode
  • spectrum freeze mode
  • very easy alignment of filter response curve to audio spectrum
  • sample exact A/B toggle for all processing modes
  • precise parameter input
  • large and easy to use GUI
  • interactive spectrum/EQ display
  • full DAW automation support, smooth filter frequency change
  • 64-bit internal processing
  • very efficient CPU usage design


– Ableton Live/Studio One/FL Studio PDC fix
– Info menu

(Note: this version is not compatible with previous versions. Before installation of new version, please rename previous version of the plug-in to “gEQ12_old”)



Impress v1.9.17 WiN MAC

Team R2R | 04.10.2019 | WiN: 3.6 MB | MAC: 3.02 MB

AAX, AU, VST, VST3, RTAS, x86, x64

Impress is a wideband stereo compressor including side-chaining, various prefilter options and state-of-the-art over sampling. The goal of the design was to cover a broad range of compression applications in today’s mixing and mastering situations with strong focus on low aliasing. So, Impress could be used to shape subtle a snare sound, glue different tracks on instrument bus and even do complex tasks like deessing or voice over’s.

-Zero latency click-free 64-bit internal processing
-Low aliasing compressor design
-“real” oversampling, up to 8x
-Stereo/left/right/mid/side processing
-External side-chain
-Main signal multiband filter, up to 192 dB/Oct (Linkwitz-Riley design)
-Detector signal prefilter, up to 192 dB/Oct
-2 compressor modes: classic and clean (low aliasing)
-3 gain stage modes: modern, vintage and vintage clean (including thermal noise emulation)
-2 level detection modes: peak and RMS
-Short/long attack/release times
-Low aliasing soft knee
-Limit gain reduction
-Flexible signal monitoring

– Ableton Live/Studio One/FL Studio PDC fix
– Info menu

– VST2: Nuendo, channel config fix

– Presets: preset manager updated
– GUI: performance improved
– Mono plug in available

– Presets: new preset manager, xml based

Impress v1.9.17 AAX AU VST VST3 RTAS x86 x64 WiN MAC-R2R


LA xLimit III v3.0.1 WiN MAC

Team R2R | 04.10.2019 | WiN: 7.2 MB | MAC: 6.49 MB

AAX, AU, RTAS, VST, VST3, x86, x64

LA xLimit III is an advanced look ahead, wideband linked-stereo limiter including ISP (inter sample peak) detection and oversampling. LA xLimit III is the successor of LA xLimit II, our very popular look ahead limiter. It offers more control over transients and adaptive release curves. It adds now extended metering (RMS, EBU and DialNorm). The goal of the design was to cover a broad range of limiting applications in today’s mixing and mastering situations with strong focus on low aliasing. Design LA xLimit III is specifically designed for mastering, digital editing, multimedia, and any application that requires limiting of the digital signal with top notch quality and lowest aliasing. LA xLimit III guarantees ultra fast and overshot free response by using advanced look ahead algorithms. In order to fulfill today’s TV, broadcast and music production requirements LA xLimit III offers True-Peak limiting (ISP) based on ITU-1770 specification and on top of it up to 8x “real” oversampling.

Combined with True-Peak limiting reaches even highest production standards. LA xLimit III includes an advanced adaptive release control system which reduces massively artifacts caused by fixed release times. In order to increase limiting sensitivity both stereo channels can be freely linked/unlinked. LA xLimit III is designed to be used as last plugin in the processing chain (brick-wall limiting).

– state of the art low aliasing look ahead limiter design
– freely adjustable limiter character
– detailed transient control
– freely adjustable adaptive release curves
– level detection modes: peak and ISP based on ITU BS1770.4
– NEW: RMS, EBU R128 and DialNorm loudness measurement
– “real” oversampling, up to 8x
– stereo link
– built-in clipper
– NEW: drive mode
– NEW: unity gain and delta monitor modes
– preset management
– Mid/Side processing mode
– easy to use GUI
– large and accurate live meters
– all sample rates
– free for registered LA xLimit users

– FIX: VST3 parameter restore fixed

– NEW: RMS/EBU/DialNorm measurement
– NEW: Input drive mode
– NEW: Delta monitoring mode
– NEW: XML parameter management
– NEW: extended plugin info
– NEW: tooltips
– NEW: sync measurement with DAW start/stop
– FIX: small GUI fixes
– FIX: DSP optimizations
– FIX: Ableton Live/Studio One/FL Studio PDC fix


LA xLimit III v3.0.1 AAX AU RTAS VST VST3 x86 x64 WiN MAC-R2R


SLM2 v1.3.6 WiN MAC

Team R2R | 04.10.2019 | WiN: 4.7 MB | MAC: 4.01 MB

(WiN/MAC 32/64; AAX*, AU, RTAS, VST3, VST)

SLM2 is a smart stereo loudness maximizer including “analog spice” and 16x over-sampling. The goal of the design was to maximize the loudness of the audio signal while maintaining transparency. The SLM2 DSP analyses every sample of the incoming stereo signal within a defined time frame and calculates the optimal volume increase. This guarantees maximum possible transparency. The overall loudness can be further increased by the following, optional clipper stage. Signal aliasing can be reduced by enabling over-sampling.

– Highly transparent brick-wall-limiter
– Saturation of input signal
– Fully control of attack and release
– Switchable look ahead
– Additional drive/clip stage
– Stereo link
– Over-sampling, up to 16x
– Easy to use GUI
– Preset manager
– Large and accurate live meters
– Supports all sample rates

– Ableton Live/Studio One/FL Studio PDC fix
– Info menu

– Meter: wrong VU labels fixed
– Presets: preset manager updated

– Presets: new preset manager, xml based

– AAX/RTAS: Fixed crash due to incorrect PDC initialization

– GUI: Show parameter values if mouse is over control
– GUI: mouse control logic adjusted, please refer to the manual
– PDC: communication with DAW optimized

SLM2 v1.3.6 AAX AU VST VST3 RTAS x86 x64 WiN MAC-R2R


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