Samples Engine

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Manipulator v1.4.7 macOS-SPTNDC

Manipulator v1.4.7 macOS-SPTNDC

Manipulator v1.4.7 MAC

SPTNDC | August 20 2021 | 17.7 MB

…::: AU/VST/AAX :::…

A New Kind of Vocal-Transforming Processor

Through unique granular algorithms, Manipulator can dramatically alter the timbre and pitch of monophonic audio in new and unexplored ways. From subtly imposing pitch and harmonization, to a full-on sonic mangle that will leave you with a totally new sound, Manipulator is as versatile as it is creativity-inducing. Warp and bend your voice into amazing new sounds

– Bend and sculpt your sounds into new ones
– Alter timbre and pitch of vocals and instruments
– 10 Different effects with endless combinations
– Change melodies of existing performances
– Create harmonies with up to 4 polyphonic voices
– Extensive modulation capabilities
– Real-time processing for live performance
– Supports VST / AU / AAX plug-in formats

Near-endless Manipulation
Equipped with 10 different effects including pitch processing, formant, harmonics, sound smearing, pseudo stereo and more, Manipulator can take a normal vocal and transform it into a complex, entrancing new sound. Other monophonic and rhythmic sources work particularly well with Manipulator.

Manipulator v1.4.7 macOS-SPTNDC

Bass Mint v1.0.0 WiN-R2R

Bass Mint v1.0.0 WiN-R2R

Bass Mint v1.0.0 WiN

Team R2R | 30 October 2020 | 9 MB


Bass-Mint is an innovative new low-frequency enhancement tool, designed to rapidly improve the bottom end of your individual tracks, stems, and even entire mixes. It is built around five distinct modes, each with five carefully-tuned knobs to help you dramatically sculpt and enhance your mixes. The heart of Bass-Mint is found in its simple frequency splitter with an adjustable cutoff, which separates the low band from the high band to employ different types of processing on each. From there, each of the five main modes offers new and exciting ways to tweak these high and low parts of the signal through a remarkably simple, creative, and intuitive workflow. Further control is provided via the six additional toggles on the right side of the plugin that switch on essential bass processing techniques at the flip of a switch.

Bass Mint v1.0.0 WiN-R2R

StandardCLIP v1.2.028 AAX VST WiN CE-V.R

StandardCLIP v1.2.028 AAX VST WiN CE-V.R

StandardCLIP v1.2.028 AAX VST WiN

Team V.R | July 01 2016 | 3.4 MB

True Clipping

StandardCLIP is a new advanced clipping-plugin. You can use StandardCLIP as a dynamic tool to increase the volume or as an effect to add odd harmonics to your signal. StandardCLIP offers high quality oversampling up to the factor 256 and a large variety of options. StandardCLIP was designed to handle the clipping process as flexible as possible. You can adjust the way the clipping is done easily, like a hard-limiting brick wall or smooth soft-saturated. StandardCLIP also offers input and output RMS-meters and a waveform display for the perfect control of the output volume. The filter which is used for up and down-sampling is very important for a good result. You can choose between linear-phase and minimum-phase mode. Also you are able to change the filter quality and cut-off frequency of the oversampling process

                Just install, Team V.R * – modified AAX work only @ AudioUTOPiA release ProTools

StandardCLIP v1.2.028 AAX VST WiN CE-V.R

TBPA Plugins Pack 2021.01 WiN CE-V.R

TBPA Plugins Pack 2021.9 WiN CE-V.R [REV.2]

TBPA Plugins Pack 2021.09 WiN

Team V.R | 20 Septmeber 2021 | 59 MB



  • •ABLM v2.1.8 – AB Loudness Match
  • •AMM v2.0.7 – Automatic Microphone Mixer
  • •CS-5501 v2.1.2 – Extended Channel Strip
  • •dEQ6 v4.0.7 – Dynamic Equalizer / Multiband Compressor
  • •dpMeter v5.1.7 – Free Multi Channel Meter
  • •dpMeterXT v3.0.5 – Broadcast Loudness Meter
  • •DSEQ v3.5.1 – Dynamic Spectral Equalizer
  • •DynaRide v2.0.5 – Vocal & Bass Riding Leveller
  • •Euphonia2 v3.0.5 – Spectrum Balancing
  • •FinalLoud v3.0.11 – Loudness & True Peak Finalizer Tool
  • •GainRider v3.0.6 – Vocal Gain Riding Leveller
  • •gEQ12V4 v4.1.7 – 12-Band Graphic Equalizer
  • •GSatPlus v1.0.11 – Free Saturator
  • •Impress v2.0.4 – Compressor
  • •ISOL8 v2.4.3 – Free Mix Monitoring Tool
  • •LA xLimit IV v4.0.6 – Enhanced Limiter
  • •mvMeter2 v2.2.9 – Free Multivariable Meter
  • •SLM2 v2.1.1 – Smart Loudness Maximizer
  • •ST1 v2.0.5 – Spatial Tool
  • •sTilt v2.1.2 – Free Spectrum Tilt Filter


[REV.2]: – New version DSEQ, CS-5501, GainRider

TBPA Plugins Pack 2021.9 WiN CE-V.R [REV.2]
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Chromaphone v2.2.2 WiN MAC

AiR KGN | 04.05.2020 | 74.97 MB


Chromaphone 2 is packed with more than 650 presets from the best sound designers. Instruments span from warm and mellow pitched percussions for melodies to punchy one-shots and kits for rhythm tracks. Twisted, they generate unique textures and soundscapes that will move any film score. Whether real, other-wordly, or with an ethnic touch, Chromaphone will fill your music with rich and organic tones.

Chromaphone 2 ships with premium performance features: unison, vibrato, and a complete set of MIDI features. And for even more action, Chromaphone provides a user programmable pattern arpeggiator and shortcuts to the high quality effects.

Modeling based synthesis gives you access to all source and resonator parameters. Customize instruments to perfectly fit your project or follow your inspiration and build entirely new ones for really creative and innovative sound design.

The Effects panel wraps up Chromaphone 2 as an all-inclusive package with awesome polishing tools.

Factory library
The completely renewed factory library has well over 600 production-ready sounds classified for fast and intuitive exploration.

Drumhead resonator
This new model reproduces precisely how a real drumhead vibrates resulting in super realistic and responsive drums and percussions.

Envelope mode
The envelope generator for the noise source is now equipped with an AHD mode for carving precise one-shots.

Noise filter bank
The noise source spectrum can now be tailored with a 10-band filter bank for fine control of the tone.

Low-cut filter
Resonators have been complemented with a low-cut filter to control the clarity of an instrument response.

Add motion and give a new perspective to sounds with the new built-in arpeggiator module.

Source mixer
Fine control of the mallet and noise sources to shape the attack and sustain phase of sounds with precision.

Compressor and equalizer
These new additions are perfect to add punch and definition to your sound, letting you cut through any dense mix or stage.

The new output limiter protects your ears and monitors during experimentation with the synth’s parameters while providing a maximum of distortion-free dynamics.

Streamlined interface
Redesigned from the ground up, the new interface now divides Chromaphone 2 into three panels: Play presents shortcuts to the performance and effect parameters including bypass switches for quick edits; Edit lets you tweak and create your sound; while FX supplies equalizer, compressor, multi-effect, and reverb processors for a final sheen.

Microtonal tunings via Scala scale files
Chromaphone 2 now supports the Scala scale file format for microtonal music making.

Overhauled effects
Reinvigorated and polished, Chromaphone 2’s multi-effect processor features our best sounding chorus, delay, phaser, flanger, distortion, notch filter, wah-wah, auto-wah, and reverb to date!

Backward compatible with Chromaphone 1 presets
Simply copy your banks from Chromaphone 1 in Chromaphone 2‘s bank folder to convert them.

Version 2.0.5 includes fixes and enhancements as well as a brand new Basics bank, containing initialization presets to help you create new sounds from a blank state.
Chromaphone is a synthesizer dedicated to the creation of acoustic instruments. It is based on the combination of acoustic resonators to create drums, percussion, string and hybrid synth-like instruments. Membranes, bars, marimbas, plates, strings, and tubes form pairs that are excited by a mallet and a flexible noise source. Access to different parameters such as the material of the resonators, their tuning and hit position allow for the creation of a vast range of realistic and creative instruments and sonic colors.


Resound v1.8.1 WiN-R2R

Resound v1.8.1 WiN-R2R

Resound v1.8.1 WiN

Team R2R | 2021.09.19 | 8.08 MB


Resound is a software audio delay effect processor that emulates the sound and operation of vintage magnetic-tape echo units. A controllable noise level allows the right amount of grit, distortion, and flutter through. The Reverse mode adds further flexibility: by playing each delay backwards, Resound can produce unique effects beyond what hardware magnetic-tape units are capable of.

The vintage tape echo.
– Authentic noisy retro sound.
– Forwards and reverse echoes.
– Self-oscillating filters.
– Synced and free running delay times.

Resound v1.8.1 WiN-R2R
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Manifold v1.8.5 WiN-R2R

Manifold v1.8.5 WiN-R2R

Manifold v1.8.5 WiN

Team R2R | 2021.09.19 | 7.46 MB


Manifold is a harmonizer audio effect that works by splitting an input signal into as many as 20 individual voices, each of which are detuned and scattered around the stereo panorama. Manifold is capable of producing a wide range of effects; from subtle modulations that add interest to lifeless sounds, to extreme detuning that fattens the weakest of input sources.

The ensemble processor.
– Fatten and modulate weak or lifeless sources.
– Spread audio across the stereo panorama.
– From subtle movement, to phat hoover supersaws.
– Input audio signal is split into 4 to 20 individual tuned voices.
– Process only a specific frequency range by using the highpass and lowpass filters.
– Flexible panning allows the effect to produce sounds that can be tightly focused in the centre of the stereo image, spread between the extreme stereo edges, or anywhere in-between.
– MIDI Learn mode for easy integration with any MIDI hardware controller.

Manifold v1.8.5 WiN-R2R
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Lifeline Expanse v1.0 Multi-Effect WiN MAC-FLARE

Lifeline Expanse v1.0 Multi-Effect WiN MAC-FLARE

Lifeline Expanse v1.0 WiN MAC

Team FLARE | 19 September 2021 | WiN: 9.29 MB | MAC: 24.2 MB

..:: VST, VST3, AU, AAX ::..

Breathe Life into Audio. Extensive and intuitive multi-effect that breathes life into any sound by adding character, space and width.

– 5 Effects Modules
– 20 Unique Algorithms
– Multiband functionality
– Rearrangeable Modular workflow
– Resizeable UI
– Zero Latency

Lifeline Expanse v1.0 Multi-Effect WiN MAC-FLARE
🡳 Download 🡳

ERA-Bundle Pro v5.3.0.0 + VoiceChanger v1.1.0 macOS-FLARE

ERA-Bundle Pro v5.3.0.0 MAC

FLARE | 06 August 2021 | 312 MB


The fastest audio repair solution for sound professionals

Salvage tracks which cannot be recorded again. Save tons of time in editing. Clean your tracks with no artifacts in a fraction of the time. The ERA Bundle Pro features 13 powerful plugins to help you tackle all the audio issues you routinely face. Whether you work with video, film, podcasts, voice overs, broadcast, streaming or music production, the ERA plugins will help you get the job done in seconds.

ERA Bundle Pro
Plugins for fast audio repair & spectral restoration
  • ✓ Noise Remover Pro
  • ✓ Reverb Remover Pro
  • ✓ DeEsser Pro
  • ✓ RoomTone Match


✓ ERA Bundle Standard:

  • ✓ Noise Remover
  • ✓ Reverb Remover
  • ✓ Mouth De-Clicker
  • ✓ AutoEQ
  • ✓ Voice Leveler
  • ✓ Voice Deepener
  • ✓ CleanUp Assistant
  • ✓ De-Esser
  • ✓ Plosive Remover
  • ✓ De-Clipper


ERA-D focuses on two things and does them exceptionally well. When you need deep and sophisticated denoise and dereverberation, ERA-D is the right tool for you:
• Multi-patented algorithms for Denoise and Dereverberation
• Intelligent joint mode takes the natural noise and reverb counter-interaction into account for higher quality sonic results.
• Dual Channel mode that enables you to use a secondary mic to improve the audio repair quality on your primary mic.

Noise Remover
A simple and elegant solution for instant denoising. The ERA Noise Remover automatically estimates the noise profile and allows you to adjust background noise. From fan and HVAC noise to electric interference (such as hum and hiss), you only need a single knob. The ERA algorithm is multi-patented and therefore unique compared to anything you’ve heard before.

Reverb Remover
Although artificial reverb adds depth and richness to the sound, poor room acoustics can make your recordings sound distant and hollow. The ERA Reverb Remover automatically estimates the reverberation profile and allows you to adjust the amount of recorded reverb in a streamlined interface. Whether you want to repair location recordings or tighten music performances, the ERA Reverb Remover is your new secret weapon.

Plosive Remover
Loud plosives are a complex type of distortion and removing them manually can be an extremely time-consuming task. The ERA Plosive Remover automatically takes care of the problem, allowing you to polish your vocals with the turn of a single dial.

Harsh sibilance may affect your voice/vocal tracks even when you use the best recording equipment. Use the ERA De-Esser to instantly smooth out the harsh ess-es from your recordings. The ERA De-Esser performs transparent processing in the frequency domain and is also great for other material such as hissing cymbals or even full mixes.

Voice Leveler
Gain inconsistencies are common in both audio and video recordings. They often happen as a result of intentional or unintentional speaker movement, non-ideal microphone positioning or heavy audio & video editing. Use this single-knob plugin to save yourself from hours of manual gain adjustments.

## Version 5.3.00 – 2021/6/15
### New
– Performance improvements

### What’s Fixed
– Several minor bugs fixed

ERA-Bundle Pro v5.3.0.0 + VoiceChanger v1.1.0 macOS-FLARE

Marquis Compressor v2.6 VST VST3 x64 WiN

Marquis Compressor v2.6 VST VST3 x64 WiN

Marquis Compressor v2.6 WiN

P2P | 07 August 2021 | 12.9 MB

Marquis Compressor is a “universal” compressor AAX, AudioUnit and VST plugin for professional sound and music production applications. You’ll find a very smooth compression performance in this compressor, coupled with a harmonically-rich sound, both suitable for mixing and mastering. Being “universal” this compressor can be used on a wide range of sound material: individual tracks, stems and mixes, producing “clean” or “colored” sound. Marquis Compressor plugin was built around a tube triode-modeled amplifier cascade. At low Drive settings this cascade produces a mild harmonic coloration while at higher Drive settings you can get a brutal tube saturation which works great for drums, bass and vocals. At moderate Drive settings this cascade can add a pleasant grit to the mix. Marquis Compressor features a unique “round” signal level detection algorithm, which creates a very open, punchy, compressed sound with an impressive transient response. Beside this, Marquis Compressor offers a classic feedback (opto) compression mode switchable to a more common feed-forward compression.

Marquis Compressor carries 3 distinctive compression algorithms, one of them (T3) being modeled after a classic analog compressor. The Gate algorithm is also available which is handy at reducing drum bleed in drum tracks.

Marquis Compressor v2.6 VST VST3 x64 WiN


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