Efektor Distortion Bundle v1.0.6 WiN MAC R2R, x86 x64 windows vst3 plugins vst macos plugins au for mac aax plugins, WiN, R2R, Overdrive, MAC, Fuzz, Efektor, Distortion, Bundle

Efektor Distortion Bundle v1.0.6 WiN MAC

Team R2R | 03 Jun 2019 | WiN: 192.8 MB | OSX: 53.0 MB

Distortion, Fuzz and Overdrive Bundle


Researched from more than thirty kind of most sought-after dirt effect pedals. We picked the exceptional ones and narrow them down into three devices which covered in this bundle: DS3603 Distortion, FZ3603 Fuzz, and OD3603 Overdrive. Originally modeled after 30 kind of most sought-after distortion, overdrive, and fuzz FX pedals. We picked the best of them, then narrow down all of them into these devices: DS3603, FZ3603, and OD3603. All the varying parameters are streamlined into a uniform 3 knob parameters plus 1 dry-wet knob, to cover every tone which are essentials for any guitarists (even synth-players). This first series of EFEKTOR will feature three designed and modeled after legendary distortion, fuzz, and overdrive effect pedals which shapes the diverse sound of Rock music across different genre and era: DS3603 Distortion, FZ3603 Fuzz, and OD3603 Overdrive. Each will pack 5 different effect models to cover various tonal characteristics sought-after by guitarists.

• Five types of effects in every unit.
• Independent Gain, Tone, and Output volume controls.
• A/B compare buttons.
• Dry-Wet control.
• Up to 8x oversampling.

INFO/DEMO/BUY: http://mage.si/iMR6
Efektor Distortion Bundle v1.0.6 WiN MAC-R2R

Tube Modulator v1.1.0 AAX AU VST x86 x64 WiN MAC R2R, x86 x64 windows vst macos plugins au for mac aax plugins, x86, x64, WiN, VST, Tube, R2R, Modulator, MAC, AU, AAX

Tube Modulator v1.1.0 WiN MAC

Team R2R | 03 Jun 2019 | WiN: 12.2 MB | OSX: 10.7 MB

(x86 x64, AAX*, AU, VST)

Tube Modulator is a collection of several tremolo, vibrato and spatial position effect circuits ranging from the late ‘50s tube bias tremolo to the late ‘60s psychedelic vibe pedals. Tube Modulator spatial effects includes a panner, a rotary speaker and a wide stereo “wow & flutter” simulators. A wide XY scope will show you the current amplitude and spatial position modulation to get instant feedback of your settings. Tube Modulator is Colored by Design, adding a great amount of warmth and color to your signal.

•7 Tremolo / Vibrato modes
•3 Spatial Position effects
•11 Waveforms LFO
•XY Scope
•Parameters Linking
•Tempo Sync
•Colored by Design

v1.1 (October 2018):
– FIX: Sync not working on signature changes
– FIX: Wrong LFO rate on signature changes
– IMP: Improved load time
– IMP: Framework update


INFO/DEMO/BUY: http://mage.si/hvE
Tube Modulator v1.1.0 AAX AU VST x86 x64 WiN MAC-R2R

Acoustica v7.1.16 WiN MAC R2R, windows macos software, x86, x64, WiN, R2R, MAC, Acoustica

Acoustica v7.1.16 WiN MAC

Team R2R | June 03 2019 | WiN: 92 MB | OSX: 280 MB

Re-implemented from scratch for the highest quality demands and cross-platform support, Acoustica 7 is now the perfect tool for editing, mastering and restoration work on both Mac and PC (32 and 64 bit). The new spectral editing mode available in the Premium Edition allows more precise restoration work while you have access to processing tools from our award winning plug-ins such as Equalize, Verberate and Restoration Suite.

INFO/DEMO/BUY: http://mage.si/m2X4
Acoustica v7.1.16 WiN MAC-R2R

Echorus v1.0.4 AU AAX VST x86 x64 WiN MAC R2R, x86 x64 windows vst macos plugins au for mac aax plugins, x86, x64, WiN, VST, R2R, MAC, Echorus, Chorus, AU, AAX

Echorus v1.0.4 WiN MAC

Team R2R | June 03 2019 | WiN: 4.3 MB | OSX: 3.3 MB


Echorus features 4 original chorus algorithms, an Echo section, and a couple of analog-modeled high-pass and low-pass filters. The 4 chorus modes (retro, multi, detune, random) provide a wide range of chorusing effects. They make Echorus versatile and suitable for any type of sound sources, and whether you want a subtle, thick, dark, cheesy, or more experimental chorus sound, Echorus has got you covered. Echorus also has an echo section including delay time and feedback gain controls. This allows you to re-inject the output signal within the chorus, expanding further more the possibilities. You can use this feedback loop with some short delay times to strengthen the chorus effect, get some flanging tones or create pitched resonances. Longer delay lines bring more classical delay effects, but with the particularity that your sound will pass through the chorus processor at each echo. Set up a sensible echo delay time and increase the feedback gain… and you will end up with big washy ambiences. Adjust it to more moderate settings, and you have the perfect tool for enhancing and enriching pads, keys and guitars.

Main Controls
4 different Chorus Modes:
. Retro
. Multi
. Detune
. Random

Chorus Controls:
. Rate
. Depth
. Width

Echo section:
. bypass switch
. delay time
. feedback gain

Output section:
. Analog-modeled highpass & lowpass filters
. Mix and output gain controls

. Clean and intuitive
. Fully resizable
. Optimised for Retina / Hi Res displays
. A/B switch
. Tooltips and prefs in english, french, portuguese and spanish

. 52 presets to get you started
. File based preset system
. Access through menu or browser
. Presets ‘freezer’ for safe recall
. Copy/paste the state of the plugin using the system clipboard

v1.0.4 (6 may 2018)
– (AAX) fixed: validation failing on certain systems.
– (VST) fixed: old sessions not correctly recalled in certain hosts (notably live and cubase).
– (VST) improved resize behaviour.

INFO/DEMO/BUY: http://mage.si/2j1U
Echorus v1.0.4 AU AAX VST x86 x64 WiN MAC-R2R

HY Delay4 v1.1.21 WiN MAC R2R, x86 x64 windows vst3 plugins vst macos plugins au for mac, x86, x64, WiN, VST3, VST, R2R, MAC, HY, Delay4, Delay, AU

HY-Delay4 v1.1.21 WiN MAC

Team R2R | June 03 2019 | WiN: 10 MB | OSX: 9 MB


HY-Delay4 is a multi mode delay.

There are 6 main processes (Delay, Amp, Waveshaper, EQ, FX1, FX2). You can change the order of these processes. Also, you can modulate those parameter values with 4 modulation units and 4 macro controls.

Main Features:
– 5 delay modes(Simple, Dual, Grain, Groove. PM) + Bypass mode.
– Changeable process order(Delay, Amp, WS, EQ, FX1, FX2).
– Drag and drop for modulation assignment.
– 4 modulation generators(5 types).
– 4 macro controls.
– Side-chain input for Ducker and Envelope follower.
– Randomizer.
– Re-scaleble interface.

INFO/DEMO/BUY: http://mage.si/435Q
HY-Delay4 v1.1.21 WiN MAC-R2R

EnvelopR v1.4 WiN MAC R2R, x86 plugins vsti x64 plugins vsti windows vst macos plugins au for mac, WiN, R2R, Multi Effect, MAC, EnvelopR, Envelope, Based

EnvelopR v1.4 WiN MAC

Team R2R | June 03 2019 | WiN: 9 MB | OSX: 6 MB


Envelope Based Multi Effect.

It is designed to make sample accurate precision sidechain ducking, subtle multiband pannig movement, act as a monophonic quality filter for your synth plugin or whatever your creativity guides you to.

– Five sections with effects that can be turned on and off individually.
– Amp section, perfect for the sidechain ducking effect, always sample accurate.
– Amp multiband section, sidechain duck just the bass or have the sound moving.
– Filter section withseveral oversampled high quality filter types.
– Pan section with easy panoramic movements.
– Pan multiband section is the multiband version of pan.

INFO/DEMO/BUY: http://mage.si/L90D
EnvelopR v1.4 WiN MAC-R2R

Verberate Immersive v2.0.2 WiN MAC R2R, x86 x64 windows vst3 plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Verberate, Surround Reverb, Surround, Reverb, R2R, MAC, Immersive, AU, AAX, 3D

Verberate Immersive v2.0.2 WiN MAC

Team R2R | June 03 2019 | WiN: 11 MB | OSX: 23 MB


Verberate Immersive 2 is a surround reverb and a 3D capable edition of Verberate 2 — our algorithmic reverb plug-in that simulates real acoustical spaces with exceptional realism. Verberate Immersive 2 replaces Verberate Surround and supports all common surround and immersive formats up to 7.1.6 channels. The new Vivid Hall algorithm adds time variance to avoid the stiffness that plagues convolution based reverbs while preserving the natural high density reverb tails of Verberate Surround 1.

Verberate Immersive 2 was developed in close cooperation with professionals in film and TV post production. Great efforts were made to create a tool that not only delivers best-in-class audio quality, but also delivers results quickly through a well thought out workflow. Verberate Immersive 2 offers complete and independent control over the panning of the dry sound, late reverberation and early reflections. The panners work in up to three dimensions and have adjustable divergence. The pan positions and divergences are visualized and adjusted in an intuitive way, thus simplifying automation of complex movements.

– Supports all the common surround and immersive formats up to 7.1.6 channels
– Powerful integrated panning tools
– The new time variant Vivid Hall algorithm goes beyond convolution
– Powerful decay editor allows frequency dependent reverb times
– Input and output equalizers with up to five fully parametric bands

INFO/DEMO/BUY: http://mage.si/K4o1
Verberate Immersive v2.0.2 WiN MAC-R2R

Studio One 4 Professional v4.5.1 WiN MAC R2R, windows presonus audio software macos software, WiN, Studio One, Studio One 4, R2R, Professional, MAC

Studio One 4 Professional v4.5.1 WiN MAC

Team R2R | 03 Jun 2019 | WiN: 103.3 MB | OSX: 99.1 MB

Studio One® 4 was designed with ease of use at its core. It seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can bring musical ideas to sonic reality more quickly than ever before. An efficient, single-screen interface houses an unlimited number of tracks, intuitive editing tools, and advanced virtual instruments. Spend your precious time creating music instead of wondering what to click next. Studio One doesn’t dictate how you work or what you work on. Studio One is your creative companion from start to finish. The Start page provides what you need to kickstart your creative process—open projects, set parameters, and check for updates and tips. From there, the Song page is all about recording, arranging, editing, and mixing your music with a complete set of virtual instruments, effects, and groundbreaking arrangement tools. Then, assemble and master your music in the Project page. Even better, the Project and Song pages are linked so if you need just that one little change in your master or stems, switch to the Song page, tweak, and mix back automatically to the Project. No other program accomplishes such an effortless transition as you move from the initial creative inspiration to the finished, mastered production.

Forget laborious transposition, cutting, pasting, and moving when arranging. With Scratch Pads to test out arrangements, an Arranger track that makes moving sections of songs around as easy as moving parts, and the groundbreaking Harmonic Editing—the most flexible chord track implementation ever—no other program can approach the ease of arranging and songwriting that Studio One 4 delivers.

The new Studio One is all about you.
Studio One 4 is a major update that combines the best of the traditional recording studio model with the modern methods of creating beat- and groove-oriented music. Thanks to flexible tools designed for creative musicians, Studio One 4 doesn’t dictate how you work—you do. You truly can work better, faster.

The new Chord Track with Harmonic Editing makes it easy to prototype songs, thanks to flexible transposition, key modulation, and chord substitution for note data and audio. The Impact drum module has been reborn as Impact XT, where you can create complete arrangements in a highly developed, sophisticated production environment. Patterns bring the concept of step sequencing into the 21st century with the fastest way yet to come up with drum and percussion parts. Sample One XT turns Sample One into not just a true sampler that can record data from anywhere within the program, but a powerhouse for slicing, dicing, and rearranging loops and beats.

With Studio One 4, you create music on your terms: Create without boundaries, produce without limits.

– Studio One 4 Reference Manual English v4.5.0.3-R2R
– Studio One 4 Professional v4.5.1 WiN MAC-R2R
– Presence XT Editor WiN for Studio One 4

Version 4.5.1 Release Notes (May 29, 2019): 
The following issues have been fixed:
● Faulty assignment of ATOM pads
● Plug-in Scan freezes when Windows is offline
● Volume automation is laggy
● Crash on undoing instantiation of instruments
● Audio events disappear on bounce when writing tempo information option is disabled
● Crash on hitting Alt+Arrow up/down in empty song
● Limiter metering mode switch is broken
● Pop-up menu for “Add Insert” command has wrong properties

INFO/DEMO/BUY: http://mage.si/48SS
Studio One 4 Professional v4.5.1 WiN MAC-R2R

Matchlock v1.0.0 WiN MAC R2R, x86 x64 windows vst3 plugins vst macos software plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Tube Simulation, Tube Amp, Tube, Standalone, Simulation, R2R, MAC, AU, Amplifier, Amplification, American, AAX

Matchlock v1.0.0 WiN MAC

Team R2R | 03 Jun 2019 | WiN: 416.1 MB | OSX: 467.9 MB



3rd gen Tube Simulation technology following the much hyped Amplifikation Caliburn. Amplifikation Matchlock is inspired by Fender* combo amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists.

There are many great names in the history of guitar amplifiers, but there’s probably nothing more influential and intriguing than the one who guides along the birth of rock n roll: Fender* amplifiers. It was the choice of the pioneers of rock n roll such as Chuck Berry, Buddy Holly, Keith Richards, Dick Dale, and even The Beatles. Amplifikation Matchlock is inspired by Fender* combo amps and thanks to the 3rd gen tube simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists. Fender* amps are still hugely popular today as they’ve been for the last 60 years. With its thick, loud, and harmonically rich tone, Fender* amps are known to be the choice for clean sound. Not only for electric guitars, but also for instruments such as harmonicas and synthesizers. Numerous guitar players also calls these amplifiers as “pedal palette”: The perfect companion for tone building mastery via effect pedals. Guitarists who love to fiddle around with effect pedals will surely love these amps.

Proudly brought you the heritage of the classic American sound to your desktop, we present Matchlock.

• 3 amp types, taken influence from Fender’s* popular amps ; Twin Reverb*, Super Reverb*, Custom Vibrolux Reverb*.
• 2 channels for each amp; Clean and Boosted.
• Power amp Sag and Bias feature.
• Five types of cabinets.
• High pass and low pass filters.
• Seven types of workhorse mics: Shure* SM57, Sennheiser* MD421, Sennheiser* MD441, Shure* KSM313, Royer* R121, AKG* C414, Neumann* TLM103.
• Freely adjustable dual-miking with mono or stereo configuration, just like a real-life guitar recording session with mix option.
• Noise Gate and Limiter.
• Photorealistic graphics for lifelike guitar playing experience.
• Straightforward and easy to use interface.
• Supports up to 8x oversampling.

INFO/DEMO/BUY: http://mage.si/e2QR
Matchlock v1.0.0 WiN MAC-R2R

Effector CP3603 v1.0.1 AAX AU VST3 VST x86 x64 WiN MAC R2R, x86 x64 windows vst3 plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, R2R, MAC, FX, Engine, Effector, CP3603, Compressor, AU, AAX

Effector CP3603 v1.0.1 WiN MAC

TTeam R2R | 03 Jun 2019 | WiN: 7.7 MB | OSX: 4.7 MB

Compressor FX Engine


Completing your virtual pedalboard with our Efektor series, now introducing: Efektor CP3603 Compressor unit. This unit is a result from endless research of many compressor pedal, a lot of characteristics, and finally we narrowed down everything into one st unit that can represent many other compressor pedals in a straightforward package. Guitar players. Bass players. They are the same. They love long sustaining notes. A Compressor is the one thing that should help with that desire. It is an effect that is not always sounds too obvious, but when taken away, it’s surely will be missed. A compressor will suppress the loudest part of incoming audio signal, based on the specified threshold. Following the ‘compression’, it will increase the softer signal, narrowing the dynamic range thus delivers a more consistent overall level. And please take note, although this unit is designed specifically for guitar and bass players, you can also use it on any other instruments as well. Well, why not?

There are three types of compression style in this unit:
VCA: Stands for “Voltage Controlled Amplifier”. It’s fast, modern, and sounds very clean.
FET: Stands for “Field Effect Transistor”. Known for its aggressive behavior and also adds distinct color to the resulting sound.
OPTO: Shorts for “Optical”. It has the slowest reaction, but gives more characteristics and tightness to the result.

•Authentic hardware pedal effects emulation
•Three types of compression style
•Linked or dual-mono mode
•Bypass switch button

INFO/DEMO/BUY: http://mage.si/6QOo
Effector CP3603 v1.0.1 AAX AU VST3 VST x86 x64 WiN MAC-R2R


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