TAL-U-NO-LX AAX AU VSTi WiN MAC-R2R

TAL-U-NO-LX v4.2.7 WiN MAC

Team R2R | 2021.01.12 | WiN: 5.2MB | MAC: 11.3 MB

…::: AAX, AU, VSTi, x86, x64 :::…

TAL-U-NO-LX is a fully rewritten emulation of the popular hardware with a new engine and GUI. Up to date zero feedback delay filters and carefully calibrated controls make this synth a good replacement for the analog device with all the advantages software plugins have. As an addition, the TAL_U-NO-LX also supports portamento and different filter LFO waveforms and some more useful features. An arpeggiator with different sync modes and hold function is also included. A very fast envelope with a smooth roll-off and emulated inaccuracy gives this synth the typical sound. The synth was calibrated after a hardware device that’s property of TAL.

 

Special Features:

  • Self resonating zero feedback delay filter (24dB LP).
  • Filter range up to ~40kHz (depends on the sample rate).
  • Calibrated and tuned after TAL’s hardware device.
  • Midi learn / automation for all controlls.
  • Improved alias free oscillators for an authentic sound also @ 44’100Hz sampling rate.
  • Arpeggiator with different sync modes (host, midi clock, not on).
  • Portamento and mono mode.
  • LFO manual trigger button.
  • Sustain pedal support.
  • Up to 12 voices.
  • New file based preset system for transparent preset management.
  • More than 300 factory presets by different sound designers (FMR, Particular – Sound, TAL).
  • Original hardware “Factory Bank A” included.

 

INFO/DEMO/BUY: http://mage.si/3VH2
TAL-U-NO-LX v4.2.7 AAX AU VSTi WiN MAC-R2R
http://beelink.in/17028/TAL-U-NO-LX-v4.2.7-WiN-MAC-R2R/

TAL-Sampler AU AAX VSTi WiN MAC-R2R

TAL-Sampler v3.2.9 WiN MAC

Team R2R | 2021.01.12 | WiN: 8.7 MB | MAC: 15.4 MB

…::: AAX*, AU, VSTi, x86, x64 :::…

TAL-Sampler is not just a sample player. It’s a full featured analog modeled synthesizer with a sampler engine as sound source, including a powerful modulation matrix and a high quality self-oscillating 24/12/6 dB low pass filter. Don’t expect a 40GB piano sample library with samples for every velocity or something similar. The idea is to bring back the fun sampling was in the good old times with small samples, fast loading times and an intuitive work-flow to create your own sample presets without getting lost in the settings.

It’s possible to choose between different digital analog converters (DAC’s) to get the vintage sound of different hardware samplers inside your DAW. We don’t make cheap bit crushing or decimation on the output signal. We really down-sample the sample to the desired sampling frequency, then process the data depending on the chosen DAC and up-sample it to the desired pitch. Most DAC modes offer a LEVEL slider. This feature allows the user to reduce the volume of the recorded sample and decreases the sample quality. Load your favorite high quality sample and make it sound vintage and noisy. The 24dB low pass filter will like it!

Following diagram shows the signal flow if you choose the DAC Emu II mode:
The plug-in has four layers an can play four samples simultaneous. There is also a simple SFZ import for samples that imports the mapping and sample paths, but the plug-in also contains an easy to use mapping editor.

TAL-Sampler is available in the VST, Audio Unit and AAX plug-in format. You can load and play your own samples in every common sample format (*.wav, *.aiff, *.aif, *.mp3, *.ogg, *.flac). Import samples with drag & drop from magesy download finder or explorer. There is also an intuitive sample browser that helps to find samples fast.

Some nice additions like a vintage real-time time stretcher and the possibility to modulate or automate the sample loop positions.

Features:

  • Vintage DAC modes (Emu II, AM6070, Sample Hold).
  • Steep 96dB low-pass reconstruction filter (Emu II and AM6070 F).
  • Variable sample rate.
  • Powerful MOD-Matrix.
  • Four sample layers.
  • Three AHDSR envelopes with vintage Digital / RC mode.
  • Three LFO’s (Triangle, Saw, Rectangle, Random, Noise).
  • High Quality effects (Reverb, EQ, Delay).
  • Self resonating zero feedback delay filter (24/12/6 dB LP).
  • Wide range of audio formats supported (*.wav, *.aiff, *.aif, *.mp3, *.ogg, *.flac).
  • Scalable high resolution user interface.
  • The possibility to change font and background colour.
  • Fast sample and preset loading.
  • More than 100 presets available as download (on the right).

 



INFO/DEMO/BUY: http://mage.si/a9Ww
TAL-Sampler v3.2.9 AU AAX VSTi WiN MAC-R2R
http://beelink.in/24292/TAL-Sampler-v3.2.9-WiN-MAC-R2R/

TAL-Mod AAX AU VSTi x86 x64 WiN MAC-R2R

TAL-Mod v1.5.9 WiN MAC

Team R2R | 2021.01.12 | WiN: 4.4 MB | MAC: 10.5 MB

…::: AAX, AU, VSTi, x86, x64 :::…

TAL-Mod is a virtual analog synthesizer with an exceptional sound and almost unlimited modulation possiblities. Its special oscillator model is able to create a wide range of sounds, from magesy download classic mono to rich stereo leads, effects and pads. Routings can be done with virtual patch cables. Just connect a modulation output with a modulation target. After that it’s possible to adjust the intensity of the modulation. You don’t need to be a modular expert. The plug-in is suitable for beginners and experts!

Features:
– 3 oscillators with optional saw, pulse, triangle and sine waveforms.
– 1 additional noise oscillator with adjustable color.
– 2 high quality analog sounding resonance filters with different modes (LP, HP, Notch, All Pass, BP).
– Different filter routing possiblities (parallel and serial). With the possiblity to choose the oscillator sources.
– Full stereo signal path.
– FM / RingMode support.
– 2 oscillators support hard sync for saw, pulse, triangle waveforms.
– Create stereo sounds and rich harmonics with additional oscillators (up to 7 sound generators per oscillator for osc I and osc II).
– 2 lfo’s with different waveforms, sync, trigger, unipolar modes and the possibility to modulate the rate.
– 3 adsr’s.
– Modulation envelope with spline or optional step mode. Trigger and host sync mode.
– Almost unlimited modulation possibilities with patch cable routing.
– Optional sequencer or arpeggiator.
– Basic effects: high pass filter, chorus, eq, reverb and delay.
– Mono and polyphonic mode.
– Microtuning support.
– Resizable UI.
– You choose your favorite UI colors.
– And a lot more…






INFO/DEMO/BUY: http://mage.si/j5Sp
TAL-Mod v1.5.9 AAX AU VSTi x86 x64 WiN MAC-R2R
http://beelink.in/36413/TAL-Mod-v1.5.9-AAX-AU-VSTi-x86-x64-WiN-MAC-R2R/

TAL-BassLine-101 v3.2.1 WiN MAC-R2R

TAL-BassLine 101 v3.2.1 WiN MAC

Team R2R | 2021.01.12 | WiN: 7.9 MB | MAC: 11.7 MB

PLATFORM : WiN32/64/MAC: AU/VSTi/AAX

TAL-BassLine-101 is a monophonic bass synthesizer with a classic analogue sound. The GUI is intuitive and easy to use. It produces the raw sound you know from magesy download analogue devices without any effects. BassLine has a very smooth and authentic analogue sounding 24dB zero feedback delay resonance low pass filter. Especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch. Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. BassLine generates all wave-forms in real time.

 

Features:

  • Self resonating zero feedback delay filter (24dB LP).
  • Calibrated and tuned after our hardware device.
  • Midi learn / automation for all controls.
  • Alias free oscillators for an authentic sound also @ 44’100Hz sampling rate.
  • Arpeggiator with different sync modes (host, midi clock, not on).
  • Original (RC) and linear portamento mode.
  • Built in arpeggiator with some additional modes.
  • Powerful step sequencer with up to 64 steps and recording option.
  • 6 voice poly mode.
  • Sequencer MIDI export with drag and drop.
  • Sequencer / arpeggiator MIDI out for VSTi version.
  • De-Clicker mode for slower envelopes :/
  • More than 300 presets.
  • All sample rates supported.

 

INFO/DEMO/BUY: http://mage.si/BqSZ
TAL-BassLine-101 v3.2.1 AU AAX VSTi x86 x64 WiN MAC-R2R
http://beelink.in/14285/TAL-BassLine-101-v3.2.1-WiN-MAC/

TAL-J-8 v1.2.2 WiN MAC READ NFO-R2R

TAL-J-8 v1.2.2 WiN MAC

Team R2R | 2021.01.12 | WiN: 7.4 MB | MAC: 19.5 MB

PLATFORMs: WiN64/MAC – AU/VSTi/VST3/AAX

The TAL-J-8 is a very accurate emulation of the popular 80’s hardware synthesiser and calibrated after our own Jupiter 8 device. All sounds are generated in realtime without the use of any samples with the same endless modulation possibilities like the hardware and useful additional features like the calibration section that can make the filter scream.

FEATURES:
– Authentic emulation of the 80’s hardware synthesizer.
– Use the calibration section for extreme resonance and filter overdrive.
– VCO based UNISON with stereo spread option and a full stereo signal path.
– MPE support.
– More than 200 factory presets by solidtrax, emptyvessel and others.

Calibrated after our hardware device.

INFO/DEMO/BUY: https://mage.si/Nt62
TAL-J-8 v1.2.2 WiN MAC READ NFO-R2R
http://beelink.in/45559/TAL-J-8-v1.2.2-WiN-MAC-READ-NFO/

QLab Pro 4.6.8 Pro macOS-TNT

QLab Pro 4.6.8 macOS

Team: TNT | 12 January 2021 | 15 MB

QLab makes it simple to create rich multimedia designs for live performances and installations. From Broadway to the West End, in churches, museums, store fronts, concert halls, and theaters around the world, people use QLab to bring their audio and video to life.

Design Tools
– Unlimited Cue Lists with unlimited cues
– Unlimited Cue Carts with 1 to 64 buttons per cart
– Design in Edit Mode and run your performance in Show Mode
– Non-destructive design tools never modify your media files
– Undo any edits
– “Audition” cues locally without sending audio, video, or lighting output to the stage
– Cue templates and Workspace templates
– “Record cue sequence” tool, to capture timing and play it back again the same way later
– “Paste cue properties” tool, to selectively paste properties from magesy download one or more cues onto other cues in your workspace
– Text search of cue lists and cue carts
– Extensive AppleScript and OSC APIs
– A comprehensive Status Window to guide troubleshooting
– Powerful and painless remote editing via QLab Remote

Lighting
– Control unlimited Art-Net DMX universes.
– Create unlimited light instruments (like magesypro audio channels, but can be named anything, not just numbers).
– Create unlimited light groups to collect related instruments together, like “all”, “stage right”, “LEDs”, “floor”, or “floor front left”.
– Use both conventional dimmers and more complex lights with multiple parameters (includes support for percentage-based parameters, as well as both 8-bit and 16-bit direct DMX parameters.)
– QLab-style levels fading: it’s simple to build looks and effects that you can layer and reuse. A Light cue changes only the levels you set in the cue, and leaves the rest unchanged.
– Build sophisticated lighting designs by chaining Light cues together to build complex cue sequences out of simpler parts, then trigger the sequence with a single “GO” like a chain of dominoes.
– As with all cues in QLab, Light cues can be copied, pasted, reordered, paused, resumed, and stopped at any time
– All QLab fade curves are available for Light cues; including linear, s-curve, or totally custom shape fades.
– See and manipulate the current levels of all your lights using the Light Dashboard.
– If you need to sneak in live edits from magesy download the Dashboard, you can optionally tell QLab to apply the new values “over time” so they’ll fade in smoothly.
– Open the Audition Window to view the effects of light cues “blind” in the dashboard. Close the Audition Window, and the dashboard will instantly revert back to show the live state of your lights.
– Adjust your lights in the dashboard, then:
-Create a new cue with just the changes,
-Create a new cue with all instruments,
-Update the last-run light cue with the changes, or
– Trace back the edits to each cue that most recently modified each instrument.
– Map your favorite MIDI controller to light commands, for editing either the light dashboard or individual cues.
– For motorized MIDI hardware, QLab supports MIDI “feedback” from magesy download the light dashboard and individual light cues. (Aka “flying faders”.)
– Use QLab’s powerful light command language, with autocompletion, instrument or group parameter addressing, ranges, ad-hoc groups, and command history, to efficiently edit both the light dashboard and individual light cues.
– View light cues as sliders, tiles, or raw command text at any time.
– View the Light Dashboard as sliders or tiles.
– Edit lights via keyboard entry (on the command line) or with the mouse (via clicking and dragging.)
– Easily delete individual light commands from magesy download any cue, and of course undo any edits.
– In slider view, expand group commands into all the individual instruments currently in the group.
– In slider view, indicators show the current live value of each light in a cue.
– In slider view, select multiple commands to temporarily “gang” them, so you can adjust them up or down together.
– Quickly see when a group of instruments is set to all the same level or a mix of different levels.
– Batch-edit multiple light cues by selecting them and then simply editing any light command they all share. (Or adding a new command to all of them at once.)
– Use AppleScript, either externally or via Script cues, for advanced programming techniques like algorithmically generating a series of Light cues.
– Control both the Light Dashboard and individual Light cues via OSC messages.

Audio
– Support for up to 64 magesypro audio channels of audio output
– Support for up to 24-channel audio files
– Support for up to 24 magesypro audio channels of live audio input
– Audio waveform view
– Unlimited slices of your media files for looping and vamping
– Sample-accurate playback synchronization across multiple cues
– Audio panning and volume fading
– Customize output channel names
– Edit audio device routing
– Audio effects on any cue
– Audio effects on cue outputs
– Audio effects on device outputs
– Fade audio effects dynamically

Video
– Full-screen or custom geometry for Video cues
– Fade and animate videos
– 1000 layers of video
– Masking and edge-blending across multiple projectors
– Warping and keystone correction
– Basic video effects
– Live camera input with the Camera cue
– Syphon input & output
– Blackmagic input & output
– Text & titles with the Text cue

Show Control
– Send OSC or UDP messages using the Network cue
– Fade your OSC messages over time, in 1D or 2D
– Inject live values from magesy download your workspace into outgoing OSC messages
– Send all MIDI and MIDI Show Control messages with the MIDI cue
– Send MIDI messages by playing MIDI files with the MIDI File cue
– Run your own AppleScripts with the Script cue
– Generate LTC or MTC output with the Timecode cue
– Trigger cue lists from magesy download incoming LTC or MTC timecode
– Remote control via OSC and MIDI

Requirements:

  • Intel, 64-bit processor
  • OS X 10.10 or later

 

CHANGUES: https://qlab.app/release-notes/4.6.8/
INFO/DEMO/BUY: http://mage.si/k5Eb
QLab Pro 4.6.8 macOS-TNT
http://beelink.in/25876/QLab-Pro-4.6.8-macOS-TNT/

Audio Restoration DeNoise and DeNoiseLF v2.8.4 MULTiLANG WiN MAC

DeNoise & DeNoiseLF v2.8.4 WiN MAC

P2P | July 24 2016 | 3.13 MB

DeNoise is an application for removing rumble and hum from magesy download your audio. DeNoiseLF is bundled with DeNoise and cannot be downloaded or licensed separately. It will run in trial mode so long as DeNoise is running in trial mode. Once a license code is entered into the DeNoise application, DeNoiseLF will automatically become licensed. You might have to quit DeNoise before this happens.

Changuelog:
DeNoise version history Version 2.8.3
(build 31d) released November 14, 2016:
• Fixed bugs in batch processing.

Version 2.8.2(build 31c) released October 31, 2016:
• Minor changes to common codebase.
• Withdrawn November 1 because of bug in batch processing
DeNoiseLF version history
Version 2.8.1 (build 19b) released November 14, 2016:
• Fixed bugs in batch processing.

INFO/DEMO/BUY: https://mage.si/Fig7
Audio Restoration DeNoise and DeNoiseLF v2.8.4 MULTiLANG WiN MAC
http://beelink.in/22898/DeNoise-DeNoiseLF-MULTiLANG-WiN-MAC.html

Audio Restoration ClickRepair v3.9.8 MULTiLANG WiN MAC

ClickRepair v3.9.8 WiN MAC

P2P | Nov 19 2016 | 4.24 MB

ClickRepair is a program for locating and repairing damage due to scratches, dust specks, etc. It is equally useable by Apple Mac or Windows users. It is not a plug-in, so it’s use does not require an editor which supports plug-ins… ClickRepair is an application that can assist you in restoring the sound archived from magesy download old records (vinyl or shellac). Site navigation is via the tabs in the left-hand frame. Unless you are experienced in archiving your old records, I suggest you explore all the pages. Noise problems fall into two classes, localised and global. Localised degradation is typically in the form of clicks, ticks, and crackle. The origin is usually scratches and/or dust particles. Neither can be physically removed from magesy download the record, although there are methods for cleaning records quite thoroughly, and even playing them back “wet”.

Global degradation takes many forms, particularly hiss, rumble, and distortion due to non-linearity in the play-back equipment. These last two are equipment problems. Only hiss and rumble can be reduced by available software, although there is research into the repair of some types of non-linear distortion.

Click and crackle removal is a two-stage process: detection followed by repair. The samples between the damaged ones should not be changed by the repair process, whilst the damage itself should be replaced by a plausible interpolation based on an analysis of the surrounding sound.

Version 3.9.8 (build 46i) released November 14, 2016:
• Fixed bugs in batch processing.

INFO/DEMO/BUY: https://mage.si/Y589
Audio Restoration ClickRepair v3.9.8 MULTiLANG WiN MAC
http://beelink.in/22899/ClickRepair-v3.9.8-MULTiLANG-WiN-MAC.html

Pro-Q v2.05 AU macOS-Kleen

Pro-Q v2.05 AU macOS

Kleen | 10 Feb 2016 | 5.7 MB

An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best! With Pro-Q 2, you get the highest possible sound quality and a gorgeous, innovative interface with unrivalled ease of use. Pro-Q 2 is designed to help you achieve your sound in the quickest way possible. Via the large interactive EQ display, you can create bands where you need them and select and edit multiple bands at once. Unique features like Spectrum Grab, Full Screen mode and EQ Match will speed up your workflow even more. Try it yourself!

Pro-Q 2 offers everything that a demanding engineer could wish for: top quality linear phase operation in addition to the zero latency and unique Natural Phase modes, Mid/Side processing, variable stereo placement of EQ bands, an intelligent solo feature, optional Auto Gain and a built-in, fully customizable spectrum analyzer.
Pro-Q mixing and mastering features

Of course, you also get all the usual goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more!

Key features:

  • Highest possible sound quality
  • Gorgeous Retina interface with large interactive EQ display, multi-band selection and editing for maximum ease and efficiency
  • Different interface sizes and additional Full Screen modeNEW
  • Up to 24 EQ bands
  • Operates in zero latency mode, linear phase mode with adjustable latency or the unique Natural Phase modeNEW
  • Spectrum Grab: just grab and adjust a peak in the real-time spectrum analyzer right away!NEW
  • Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Band Pass, Tilt ShelfNEW
  • Universal filter slope support for all filter types, up to 96 dB/octNEW
  • Intelligent solo mode makes it easy to find problem frequencies and hear the effect of a band
  • EQ Match feature to automatically match the spectrum of another track via the side-chain inputNEW
  • Each band can operate on the stereo signals or on the left or right magesypro audio channels independently for per-channel EQ-ing
  • Phase Invert option to change polarityNEW
  • Highly improved CPU optimization: Pro-Q 2 uses less memory and is more than twice as efficient as its predecessor!NEW
  • Mid/side mode where you can EQ the mid and side signals separately
  • Optional Gain-Q interactionNEW
  • Auto Gain and Gain ScaleNEW
  • Built-in spectrum analyzer with Pre-EQ, Post-EQ and SC modes, adjustable range, speed, resolution, tilt and freezeNEW
  • GPU-powered graphics acceleration
  • Optional piano roll display to quantize EQ frequencies to musical notesNEW
  • Double-click text entry of parameter values
  • Different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing
  • Large output level meter with peak level readoutNEW
  • Stereo and mono plug-ins available
  • Supports common Pro Tools hardware control surfaces
  • MIDI Learn
  • Undo/redo and A/B comparison
  • Smart Parameter Interpolation
  • Sample-accurate automation of all parameters
  • Extensive help file with interactive help hints
  • Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)

 

Requirements:
• 64-bit: OS X 10.6 or higher
• 32-bit: OS X 10.5 or higher
• AU or VST 2/3 host or Pro Tools
• Intel processor

INFO/DEMO/BUY: https://mage.si/Sxeq
Pro-Q v2.05 AU macOS-Kleen
http://beelink.in/29909/Pro-Q-v2.05-AU-macOS-Kleen.html

Complete v12 11.01.21 WiN MAC

Complete v12 11.01.21 WiN MAC

WiN (V.R Patch)/ MAC | 11.01.2021 | 🔰 WiN: 6.13 GB | 🔰 MAC: 5.3 GB

WVS V12 plugins let you resize your plugins so you can view them more easily. V12 also introduces a new preset search engine that lets you find & audition the perfect presets for your tracks, plus more new features. Update now to V12 With the new resizing option in WVS V12, you can choose from magesy download 5 retina-ready GUI sizes – up to 200% – so you can stop squinting, and keep your attention on what matters. You can also customize your own default size per plugin, to make sure that your favorite plugins always open in the size you want. V12 also introduces a lightning-fast preset search engine, so you can find the prefect preset for your tracks more easily than ever. No need to browse manually through preset menus and sub menus – you can now search presets by text, filter them by name, and quickly audition your results.

Changes:
– NEW RS124 Compressor Feature – HF Roll-Off

INFO/DEMO/BUY: https://mage.si/B6b6
Complete v12 11.01.21 WiN MAC
http://beelink.in/45536/Complete-v12-11.01.21-WiN-MAC/

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