Kombinat Tri v3.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

Kombinat Tri v3.1.0 WiN MAC LiNUX

SYNTHiC4TE | April 23 2021 | 17.1 MB

AU/VST/VST3/AAX/x86/x64

From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series.  With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Tri is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box. Kombinat’s signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. On the front end is a full “DJ-style” band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines lead to a multi-mode filter with 12 different topologies, and then on to a compressor which we have configured for one-control operation.

Features:
Crossover: Kombinat Tri features a DJ-style three-band isolator EQ for band-killing effects and extreme tone-carving on the front end. This leads to the three distortion engines, which can be run in crossover (multi) mode, or in series.
Multiple Distortion Types: Kombinat Tri has 13 different distortion and tone-shaping algorithms, and you can mix-and-match, with each of the three bands getting its own selector. From subtle tube-style clipping to the bizarre distorto-delay of the Nerd Rage algorithm, Kombinat Tri can cover all the bases without unnecessary complexity.
Feedback: If the algorithms weren’t enough, Kombinat Tri has an internal feedback control, tied to an envelope follower. Results may vary, but are always hairy.
Filter: Kombinat Tri has 12 different filter topologies, from subtle 2-pole lowpass, through synth-style filters, to surgical notch. Several are self-resonant.
One-Kontrol Kompressor: A favorite feature of the original Kombinat and Kombinat Dva, the one-knob compressor, tuned for collapsing distorted signals to roadkill, remains in Kombinat Tri.
Mix Control: Kombinat Tri adds an oft-requested feature: a mix knob for better control over the signal path.
Presets: Kombinat Tri includes a selection of presets from Kombinat and Kombinat Dva, some all-new presets to take advantage of the new features, and a selection of Designer presets from Ken Flux Pierce and Don Gunn.

Changes in V3.1.0
> New preset manager.
> Drop-down menus improved for legibility.
> Hi-Dpi problems hopefully dealt with for once and all.
> macOS installer is now Universal Binary 2, and installs Apple Silicon native versions. Note this forces us to make our minimum macOS 10.12 “Sierra.”


INFO/DEMO/BUY: http://mage.si/dFYB
Kombinat Tri v3.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE
http://beelink.in/34714/Kombinat-Tri-v3.1.0-WiN-MAC-LiNUX-RETAiL/

Continua v1.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

Continua v1.1.0 WiN MAC LiNUX

SYNTHiC4TE | April 23 2021 | 26.2 MB

..:: VSTi, VST3, AAX, AU, x64 ::..

Continua is a virtual analog synth with a twist: a continuously morphable threesome of oscillators. With three interconnected controls defining the wave shape, Continua has a virtually limitless supply of waveforms, especially when you add cross modulation and noise in to the mix. An immediately intuitive three-oscillator analogue-style synth with two filters, up to 16 unison voices, copious polyphonic modulation sources and three onboard effects, Continua puts highly controllable waveform morphing at the centre of its architecture and workflow. Bringing the deft harmonic shifts of wavetable synthesis to mind, Continua’s oscillators sweep seamlessly from outputting sine through square to saw waves; each of the four LFOs transitions from a double sine to square, via triangle waveshapes; and the dual independent filters morph continuously through low-pass, band-pass, high-pass and notch responses. Skew and Warp controls enable further manipulation of oscillator and LFO waveforms, and all morphing controls can be modulated for pads and textures that constantly evolve right at the oscillator/filter level.

There isn’t a single knob in Continua that can’t be modulated, from those controlling the oscillators, filters and effects to the parameters of the modulators themselves. Four LFOs, two ADSR and two multi-stage envelope generators, a Sample & Hold generator, two XY pads and eight macros are freely and effortlessly assignable by right-clicking any target control. And with every LFO and envelope being fully polyphonic, the expressiveness of your performances needs know no bounds, especially when using an MPE-compatible controller.

Like the oscillators and filters, Continua’s three effects are tilted towards the production of sustained, ambient-orientated sounds. The Reverb is particularly notable, housing a custom algorithm geared up for very long, dense, heavily modulated tails; while the Chorus and Delay modules bring voice-stacked thickening and evocative spatialisation.

CHANGES IN V1.1.0:
> Preset manager now closes when you double-click on a preset.
> Every last vestige of OpenGL removed; this should increase compatibility on Linux and in future macOS versions. It was already off on the Wiindows and iOS versions; we have removed it from the macOS and Linux versions as well.
> macOS payload is now Universal Binary 2, and Continua will run natively on Apple Silicon Macs.
> macOS minim version is now 10.12 “Sierra” due to digital signing requirements by Apple.
> Linux payload now includes VST3 version.



INFO/DEMO/BUY: https://mage.si/WCHg
Continua v1.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE
http://beelink.in/41335/Continua-v1.1.0-WiN-MAC-LiNUX-RETAiL/

Dubstation 2 v2.1.2 RETAiL WiN MAC LiNUX-SYNTHiC4TE

Dubstation 2 v2.1.2 WiN MAC LiNUX

SYNTHiC4TE | August 20 2020 | 14 MB

AU/VST/VST3/AAX/x86/x64

The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products.  All those bells and whistles aside, the heart of Dubstation is our painstaking bucket-brigade delay model. Often imitated, but never duplicated, Dubstation has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. With the addition of the LFO and saturation controls, Dubstation has moved in to the realm of tape delay emulation as well, and is a sonic Swiss Army knife for delay.

Changes in v2.1.2:
> The user presets were not being saved to the correct location. This has been fixed.
> Linux VST3 added to payload.



INFO/DEMO/BUY: http://mage.si/92ae
Dubstation 2 v2.1.2 RETAiL WiN MAC LiNUX-SYNTHiC4TE
http://beelink.in/34900/Dubstation-2-v2.1.2-RETAiL-WiN-MAC-LiNUX.html

Axon 2 v2.1.3 WiN MAC LiNUX RETAiL-SYNTHiC4TE

Axon 2 v2.1.3 WiN MAC LiNUX

SYNTHiC4TE | August 20 2020 | 25 MB

AU/VST/VST3/AAX/x86/x64

Axon 2 is a drum synth driven by artificial intelligence. (Well, “intelligence” might be a strong word. Artificial something-or-other.) An experimental instrument, Axon uses a modified artificial neural network as a sequencer, and features seven FM-based percussion voices, that are really a single 18-operator FM voice. If that sounds weird, you ain’t seen nothing yet. It is surprisingly intuitive once you get the knack of it, and is capable of all-new, complex rhythms that repeat in surprising ways. It often gets referenced as a “random sequence generator,” but there is nothing random in Axon; it is entirely determinative. The sequencer features seven “neurons” that trigger a voice and send a pulse when they have received a predetermined number of pulses. You can wire the output of any neuron to the input of any other (with built-in loop detection to prevent runaway feedback), and in this manner pre-program the artificial neural network without having to go through a “learning” phase.

The seven individual drum voices, each triggered by its attendant neuron, are 2-operator FM voices in a configuration to best make percussion sounds, with additional FM and AM busses that all voices send to and receive from. Each voice has a HPF, distortion circuit, and white noise generator to provide a full range of percussion-oriented voicing individually, while interacting with each other in new and unique ways.

Features:
• Artificial Neural Network sequencer features seven neurons, and is easily programmed to create strange new repeating rhythms.
• Seven FM percussion voices that also buss together to create a single monolithic complex percussion synthesizer.
• Full mixer with pan, level, mute, and solo on each voice.
• Built-in stereo delay with X/Y pad control over feedback and filter frequency, for live playability.
• MIDI in and out, for driving Axon from DAW and hardware sequencers, or driving your drum rack or other samples from Axon.
• Internal transport for non-synchronized playback.
• Resizable vector-based user interface.
• Drawn reciprocation dingle arm to reduce sinusoidal depleneration.
• XML-based cross-platform, human-readable preset system, with copy/paste, for easy transferring of your own presets and third-party offerings.

Axon 2 Changelog:
V2.1.3
New:
>>> Linux VST3 added to payload.
>>> The empty “Default” preset the plugin loaded on instance was, according to extensive user feedback, “terrible” and “a horrible racket” and it was variously wondered if it could “you know, die in a fire or whatever.” In response to these helpful comments, we have changed it so that, on instance, Axon now loads factory preset 15 – Braindance. If you would like some other state as the default, save a preset named “Default” in the User folder and Axon will load that on instance instead.
Fixes And Changes:
>>> New hotness preset manager added. Old and busted preset dropdown removed.
>>> Several small bug fixes you won’t notice now if you didn’t notice before.

The Axon 2 download includes 32/64-bit VST and VST3, and 64-bit AAX for Windows 8 or greater, and as a 32/64-bit AU/VST/VST3/AAX for OSX (10.8 or greater).

INFO/DEMO/BUY: http://mage.si/S34U
Axon 2 v2.1.3 WiN MAC LiNUX RETAiL-SYNTHiC4TE
http://beelink.in/36374/Axon-2-v2.1.3-WiN-MAC-LiNUX-RETAiL.html

Quanta AAX AU VSTi VST3 x86 x64 WiN MAC LiNUX RETAiL-SYNTHiC4TE

Quanta v1.2.0 WiN MAC LiNUX

SYNTHiC4TE | 11 December 2020 | 21 MB

..:: AAX, AU, VSTi, VST3, x86, x64 ::..

Quanta, a new Granular Synthesizer plug-in for macOS and Windows (with an iOS version coming soon)

Feature Highlights:
Granulate!
Quanta is a full-featured ten-voice true stereo granular synthesizer, with up to a hundred 1000ms grains per voice, and full control over the grain state, with direct randomization and modulation of most parameters. Drag-and-drop a sample (WAV, AIFF, Ogg, or FLAC) on to the window and go to work.

Synthesize!
With two multi-mode filters (with LP, HP, BP and notch in 2-pole and 4-pole topologies), and a “sidecar” virtual-analog oscillator and noise generator that can be used in addition to, or injected into, the grain engine, Quanta is a fully capable subtractive synth in its own right, and will work as a granular or subtractive (or both) synth without any sample at all.

Modulate!
Quanta has mod coming out its ears. First up are four of our new FEGs (Flexible Envelope Generator), a 99-point looping function generator with optional host tempo sync. Then add two arbitrary-waveshape LFOs, a multi-source sample-and-hold module, and fully user-controllable MIDI assignments, with nearly every control on the panel as a destination.

Control!
Quanta is customizable to your taste and playing style. With full MPE support, it can take advantage of the extended control set of your Linnstrument, Seaboard, Soundplane, Continuum, or other MPE controller, and support for TUN files lets you use tuning tables. The resizable Hi-DPI GUI lets you adjust the size to match your visual needs, and the cross-platform preset mechanism lets you share your creations with your friends and collaborators, no matter what system they are using.

CHANGES IN v1.2.0:
https://paste2.org/eZY8L7NN





INFO/DEMO/BUY: http://mage.si/y3KG
Quanta v1.2.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE
http://beelink.in/36951/Quanta-v1.2.0-WiN-MAC-LiNUX-RETAiL/

DYN500 v3.0.0 WiN MAC LiNUX-R2R

DYN500 v3.0.0 WiN MAC LiNUX

R2R | 2020.10.04 | WiN: 2.99 MB | MAC: 4.68 MB | LiNUX: 3.62 MB

AU/VST/VST3/AAX/x86/x64

A flexible, console grade channel compressor with analogue warmth and character. The DYN500 plug-in emulates all the desirable qualities of a professional analogue channel compressor, taming dynamics without restricting the natural character of a mix or performance. Styled as a virtual 500-series module, the DYN500 provides soft-knee compression coupled with a gentle tape-saturation overdrive for warmth and character at high signal levels. Just like the best analogue gear, the harder you hit it, the better it sounds. Designed as a ‘one in every channel’ compressor / dynamics plug-in, the DYN500 can be used in mono or stereo channels, delivering professional console grade processing, with efficient use of CPU and system resources. More efficient use of CPU resources allows more plug-in instances in a typical audio workstation project.

System Requirements – Windows PCs:

  • 32Bit Systems: Windows 7 or later and a VST compatible host application.
  • 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

 

System Requirements – Mac:

  • Requires Mac OS X v.10.8 – v.10.12
  • An AudioUnit, VST, VST3 or AAX compatible host.

 

System Requirements – Linux:

  • An X11 compatible Linux distribution.
  • A Linux VST2 compatible host.

 

 

INFO/DEMO/BUY: http://mage.si/3UmH
DYN500 v3.0.0 WiN MAC LiNUX-R2R
http://beelink.in/10558/DYN500-v3.0.0-WiN-MAC-LiNUX-R2R.html

EQ500-Series v3.0.0 WiN MAC LiNUX-R2R

EQ500 Series v3.0.0 WiN MAC LiNUX

TEAM R2R | 04.10.2020 | WiN: 3.10 MB | MAC: 4.89 MB | LiNUX: 2.65 MB

AU/VST/VST3/AAX/x86/x64

A natural sounding, versatile, analogue filter modelled EQ, economical with CPU and system resources. Digital EQ no longer has to sound digital. The EQ500 plug-in emulates all the desirable qualities of a professional analogue channel equalizer, while the elegantly simple design makes adding texture and colour – or taming problem frequencies – both intuitive and instinctive. Styled as a virtual 500-series module, the EQ500 uses innovative analogue filter modelling to open up the response and accurately replicate the more natural sound of analogue designs, without additional latency or high CPU demand. More efficient use of CPU and system resources allows more plug-in instances in a typical audio workstation project.

System Requirements – Windows PCs:
– 32Bit Systems: Windows 7 or later and a VST compatible host application.
– 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

System Requirements – Mac:
– Requires Mac OS X v.10.8 – v.10.12
– An AudioUnit, VST, VST3 or AAX compatible host.

System Requirements – Linux:
– An X11 compatible Linux distribution.
– A Linux VST2 compatible host.

INFO/DEMO/BUY: http://mage.si/V46e
EQ500-Series v3.0.0 WiN MAC LiNUX-R2R
http://beelink.in/16558/EQ500-Series-v3.0.0-WiN-MAC-LiNUX.html

FC70 Fairchild 670 Limiter v3.0.0 WiN MAC LiNUX-R2R

FC70 v3.0.0 WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 3.10 MB | MAC: 8.26 MB | LiNUX: 10.6 MB

AU/VST/VST3/AAX/x86/x64

The effortless control and uniquely musical character of one of the best-known vintage compressor / limiters. Inspired by the legendary smooth, effortless dynamic control and uniquely musical character of the classic Fairchild 670 limiter, the FC70 tames dynamics without robbing the mix of power and detail. The FC70 uses state of the art processing to emulate a fully balanced transformer-coupled signal path, combined with an innovative delay-free feedback algorithm which accurately mirrors equivalent analogue behaviour. In addition, the sidechain includes fast attack and program dependent release settings, combined with Lateral / Vertical, Independent and Linked stereo channel modes.

System Requirements – Windows PCs:
– 32Bit Systems: Windows 7 or later and a VST compatible host application.
– 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

System Requirements – Mac:
– Requires Mac OS X v.10.8 – v.10.12
– An AudioUnit, VST, VST3 or AAX compatible host.

System Requirements – Linux:
– An X11 compatible Linux distribution.
– A Linux VST2 compatible host.

INFO/DEMO/BUY: http://mage.si/gJcX
FC70 Fairchild 670 Limiter v3.0.0 WiN MAC LiNUX-R2R
http://beelink.in/23897/FC70-Limiter-v3.0.0-WiN-MAC-LiNUX.html

PTC-2A v3.0.2 WiN MAC LiNUX-R2R

PTC-2A v3.0.2 WiN MAC LiNUX

Team R2R | 04.10.2020 | WiN: 3.3 MB | OSX: 7.03 MB | LiNUX: 3.53 MB

AU/VST/VST3/AAX/x86/x64

Vintage EQ Emulation

The PTC-2A is an emulation inspired by one of the most sought-after vintage EQs. Separate boost and attenuate controls allow simultaneous low frequency boost and cut, sculpting the signature sound, while a transformer-coupled valve / tube amplifier emulation further enhances the vintage qualities. V3.0.0 includes feature additions such as circular, relative and linear control modes, together with more flexible and consistent user interface resizing across different formats and extensive internal framework improvements…

Features:
– Circular control mode – locates to the angular mouse position and responds to circular movement in a smooth and predictable way.
– Relative control mode – responds to circular mouse movement relative to the current position.
– Linear control mode – responds to vertical mouse movement.
– Double click the control’s centre to return it to its default setting.
– Windows 64-bit VST, VST3 and AAX.
– Mac 64-bit VST, VST3, AAX and Audio Unit.
– Linux 64-bit VST.

INFO/DEMO/BUY: http://mage.si/eQKQ
PTC-2A v3.0.2 AU VST x86 x64 WiN MAC LiNUX-R2R
http://beelink.in/10365/PTC-2A-v3.0.2-AU-VST-x86-x64-WiN-MAC-LiNUX.html

PTM-5A v3.0.2 AU VST VST3 AAX WiN MAC LiNUX-R2R

PTM-5A v3.0.2 WiN MAC LiNUX

Team R2R | 04.10.2020| WiN: 3.09 MB | OSX: 6.25 MB | LiNUX: 3.20 MB

Vintage Pultec Mid Range EQ Plug-in

Emulating the classic vintage Pultec MEQ-5 mid-range EQ, the PTM-5A replicates the sought-after passive filter character of the original, providing a versatile equalizer capable of subtle sonic enhancement or adding more obvious bite to the mid-range to help elements of the mix stand out. Ideal for acoustic instruments, drums and vocals, the PTM-5A perfectly complements the more familiar PTC-2A vintage Pultec EQ, much the same as the hardware MEQ-5 and EQP-1A units.

Features:
– Smooth controls with no ‘zipper noise’ when adjusting the plug-in settings.
– Physically modelled rotary control modes.
– Ideal for acoustic instruments, drums and vocals, the PTM-5A perfectly complements the more familiar PTC-2A Vintage Program EQ
– Transformer-coupled valve / tube amplifier emulation enhances the desirable vintage tone.
– Innovative processing models analogue filter behaviour – without additional latency or high CPU demand.
– Valve / tube emulation adds subtle character even with the EQ section bypassed.*

*The EQ switch bypasses the filter section, leaving the valve / tube emulation in the signal path, while the ‘power switch’ provides a completely clean bypass if required.

INFO/DEMO/BUY: https://mage.si/3R59
PTM-5A v3.0.2 AU VST VST3 AAX WiN MAC LiNUX-R2R
http://beelink.in/31273/PTM-5A-v3.0.2-WiN-MAC-LiNUX.html

Poll

Please, rate your DAW

Other polls...