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Bitwig Studio v4.3.4 WiN MAC LiNUX-FLARE

Bitwig Studio v4.3.4 WiN MAC LiNUX-FLARE

Bitwig Studio v4.3.4 x64

FLARE | 14 August 2022 | MAC:383 MB | WiN:288 MB | LiNUX:275 MB

Modern music production and performance.

Bitwig Studio 1 was hello, world! Version 2 brought program-wide modulators and CV integration. Version 3 saw the birth of The Grid, our modular sound-design environment. And for version 4, new musical timelines have arrived. This means comping for audio clips, both in the Clip Launcher and the Arranger. A new set of Operators, for changing the chance, recurrence, and more of any note or audio event. Random Spread for any expression point (like per-note pitch, or audio panning) with perfect control. And Native Apple Silicon support on Mac, even allowing Intel and ARM plug-ins to work side-by-side. Welcome to Bitwig Studio 4...

Audio Comping, Anywhere the Clip Goes
Since the invention of studio recording, our task has been to create the perfect performance. Comping allows you to combine the best parts of many takes, and Bitwig Studio provides this and more.

Each take is given its own color so from the first swipe of a take lane, the sources are clear. To swap in a different take, just tap it. Then press the up or down arrow to cycle thru the other takes. From the composite lane, move a boundary by clicking, adjust gain by dragging, or fix timing by sliding.

Since we have a Launcher and an Arranger, comping lives inside the audio clip. So if you are composing in the Launcher, just click to enable comp recording right there. Or just drag clips in either direction with your takes safely inside. Even open the layered editor when multiple comps belong together. Comping works wherever you are, now and later.

And since all good techniques deserve a new trick, right-click any audio clip to Fold To Takes. If you ask for an eight-bar comp, the entire clip will be spooled into take lanes, and the comping can begin. Or just drag audio in to add a new take lane. The stranger the sources, the newer the result.

Comping In Action With Tauri
Learn how experimental pop duo Tauri used the comping workflow in Bitwig Studio 4 when producing their song “In The Dark.” The song is out on all major music platforms, and it’s also available in Bitwig Studio 4 as a full Bitwig demo project for you to explore and remix. Meet Tauri and get a behind-the-scenes view of their comping workflow in this in-depth artist story.

Operators: Maybe the Best Loops Don’t
Modulation has always been a centerpiece of Bitwig Studio. Modulators have been there all along, putting device parameters into motion. And now with Operators, sequenced note and audio events can become electric too. This leads to clips that go to different possibilities and timelines, either by programming, by performance control, or by destiny.

Anti-Loops
Bitwig Studio 4 sees the arrival of comping for audio clips and Operators for all sequenced events. The brand-new sound package Anti-Loops uses these features to push the idea of what a loop is to the breaking point, with 100+ clips crafted by expert sound designers like Cristian Vogel, Pat Cupo, Polarity and others.

INFO/DEMO/BUY: https://mage.si/gFv4p
Bitwig Studio v4.3.4 WiN MAC LiNUX-FLARE
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TAL-BassLine-101 v3.6.0 WiN MAC LiNUX-R2R

TAL-BassLine-101 v3.6.0 WiN MAC LiNUX-R2R

TAL-BassLine 101 v3.6.0

Team R2R | 11 August 2022 | WiN+MAC+LiNUX: 39.7MB

TAL-BassLine-101 is a monophonic bass synthesizer with a classic analogue sound. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects. BassLine has a very smooth and authentic analogue sounding 24dB zero feedback delay resonance low pass filter. Especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch. Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. BassLine generates all wave-forms in real time.

 

Features:

  • Self resonating zero feedback delay filter (24dB LP).
  • Calibrated and tuned after our hardware device.
  • Midi learn / automation for all controls.
  • Alias free oscillators for an authentic sound also @ 44’100Hz sampling rate.
  • Arpeggiator with different sync modes (host, midi clock, not on).
  • Original (RC) and linear portamento mode.
  • Built in arpeggiator with some additional modes.
  • Powerful step sequencer with up to 64 steps and recording option.
  • 6 voice poly mode.
  • Sequencer MIDI export with drag and drop.
  • Sequencer / arpeggiator MIDI out for VSTi version.
  • De-Clicker mode for slower envelopes :/
  • More than 300 presets.
  • All sample rates supported.

 

INFO/DEMO/BUY: http://mage.si/BqSZ
TAL-BassLine-101 v3.6.0 WiN MAC LiNUX-R2R
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TAL-DAC v2.0.2 WiN MAC LiNUX-R2R

TAL-DAC v2.0.2 WiN MAC LiNUX-R2R

TAL-Dac v2.0.2 R2R

Team R2R | 11 August 2022 | 22.2 MB

TAL-DAC is not an ordinary bit crusher or sample rate reducer. The plug-in is based on the TAL-Sampler sound engine. It emulates a sample recorded on a low sample rate with reduced bit depth and upsamples it to the desired host sample rate. It’s possible to choose different algorithms for the upsampling process to emulate the characteristics of different samplers. A low and high shelf EQ together with a AMP Drive in the reconstruction section allow it to approximate the sound character of different sampler AMP’s. Also it is possible to emulate hot recorded signals using the input volume knob. This plug-in can be used on a wide range of audio material, but it’s especially useful and authentic on drum sounds.

Features:
– Recording stage with input volume control and soft clipper (adds odd harmonics).
– Variable recording sample rate (1000Hz-44100Hz).
– Variable recording bit-depth (4bit-16bit) with different algorithms (mu-law, mu-law delta, linear).
– Reconstruction section with different reconstruction methods (hold, variable, linear, S1000/sinc).
– Very steep reconstruction filters (optional).
– AMP drive (add’s even and odd harmonics to the signal).
– A high- and low shelf filter (12dB).
– All non-linear components are 8x oversampled to avoid aliasing.

INFO/DEMO/BUY: http://mage.si/32qy
TAL-DAC v2.0.2 WiN MAC LiNUX-R2R
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TAL-Drum v1.2.2 WiN MAC LiNUX-R2R

TAL-Drum v1.2.2 WiN MAC LiNUX-R2R

.:TAL-Drum v1.2.2:.

Team R2R | 11 August 2022 | 41.1MB

PLATFORM: AU/VSTi/VST3/AAX/x64

Added RETAiL FACTORY KiTS FOR OFFLiNE USERS | 133.6 MB

TAL-Drum is an easy-to-use sampler for drums, short samples, and loops inspired by the 80’s drum samplers with a modern workflow.

Features:
– Superfast workflow with sample, pad, and mapping drag and drop.
– 32 pads with 4 layers.
– Up to 16 stereo outputs.
– One LFO, spline envelope, amp AHDSR and two modulation AHDSR for every mapping.
– Different time stretch modes (high quality Crisp or Smooth, Vintage AK4I Cycle mode)
– Realtime LO-FI effects.
– Slice editor.
– Record audio and create samples directly in the plugin.
– More than 20 Factory kits and more than 600 samples by Goldbaby, emptyvessel, Solidtrax and Saif Sameer (demo has one kit).
– Most common audio formats supported (wav, aif, flac, ogg, mp3..).
– Super lightweight. The installer only copies the plugin to the plug-in location.

INFO/DEMO/BUY: https://mage.si/1U4Oz
TAL-Drum v1.2.2 WiN MAC LiNUX-R2R
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TAL-J-8 v1.6.1 WiN MAC LiNUX-R2R

TAL-J-8 v1.6.1 WiN MAC LiNUX-R2R

TAL-J-8 v1.6.1 WiN MAC LiNUX

Team R2R | 11 August 2022 | WiN+MAC+LiNUX: 42.1MB

The TAL-J-8 is a very accurate emulation of the popular 80’s hardware synthesiser and calibrated after our own Jupiter 8 device. All sounds are generated in realtime without the use of any samples with the same endless modulation possibilities like the hardware and useful additional features like the calibration section that can make the filter scream.

FEATURES:
– Authentic emulation of the 80’s hardware synthesizer.
– Use the calibration section for extreme resonance and filter overdrive.
– VCO based UNISON with stereo spread option and a full stereo signal path.
– MPE support.
– More than 200 factory presets by solidtrax, emptyvessel and others.

Calibrated after our hardware device.

INFO/DEMO/BUY: https://mage.si/Nt62
TAL-J-8 v1.6.1 WiN MAC LiNUX-R2R
🡳 Download 🡳

TAL-U-NO-LX v2 v4.6.8 WiN MAC LiNUX-R2R

TAL-U-NO-LX v2 v4.6.8 WiN MAC LiNUX-R2R

TAL-U-NO-LX V2 v4.5.4

Team R2R | 11 August 2022 | WiN+MAC+LiNUX: 35.3MB

…::: AAX, AU, VSTi, x86, x64 :::…

TAL-U-NO-LX is a fully rewritten emulation of the popular hardware with a new engine and GUI. Up to date zero feedback delay filters and carefully calibrated controls make this synth a good replacement for the analog device with all the advantages software plugins have. As an addition, the TAL_U-NO-LX also supports portamento and different filter LFO waveforms and some more useful features. An arpeggiator with different sync modes and hold function is also included. A very fast envelope with a smooth roll-off and emulated inaccuracy gives this synth the typical sound. The synth was calibrated after a hardware device that’s property of TAL.

 

Special Features:

  • Self resonating zero feedback delay filter (24dB LP).
  • Filter range up to ~40kHz (depends on the sample rate).
  • Calibrated and tuned after TAL’s hardware device.
  • Midi learn / automation for all controlls.
  • Improved alias free oscillators for an authentic sound also @ 44’100Hz sampling rate.
  • Arpeggiator with different sync modes (host, midi clock, not on).
  • Portamento and mono mode.
  • LFO manual trigger button.
  • Sustain pedal support.
  • Up to 12 voices.
  • New file based preset system for transparent preset management.
  • More than 300 factory presets by different sound designers (FMR, Particular – Sound, TAL).
  • Original hardware “Factory Bank A” included.

 

INFO/DEMO/BUY: http://mage.si/3VH2
TAL-U-NO-LX v2 v4.6.8 WiN MAC LiNUX-R2R
🡳 Download 🡳

M4 MultiBand Compressor v2.0.7 WiN MAC LiNUX-MOCHA

M4 MultiBand Compressor v2.0.7 WiN MAC LiNUX-MOCHA

M4 MultiBand Compressor v2.0.7

MOCHA | 31 August 2022 | 13.57 MB

..:: AU, AAX, VST, VST3, LV2, x86, x64 ::..

The last compressor you will ever need!

M4 Multiband Compressor is designed to be the ultimate mixing and mastering tool. This compressor has 3 user-controlled crossovers resulting in 4 bands that can be as wide or as narrow as you desire. The unique display for M4 shows all of 4 bands together, each with a specialty meter to show threshold, peak level, and gain reduction for the respective band in realtime. All 4 bands are completely in your control by allowing attack time, release time, threshold, ratio, and makeup gain to be set. M4 also has optional auto-makeup gain as well as internal bypass. M4 can handle anything from subtle peak control to bus compression, and even mastering. This powerful multiband compressor should feel at home in any producer’s arsenal. If you don’t believe us, check out the sound examples. Or better yet, download the demo and give it a try!

Features:
– 3 user controlled cross-overs
– Unique meters that combine peak level, gain reduction, and threshold into one.
– Threshold, Attack, Release, Ratio, and Gain controls
– Ability to solo each frequency band to hone in the perfect amount of compression
– Automatic gain correction
– Low CPU usage

The M4 Display
M4’s all-in-one meter and frequency controller is almost certainly it’s most useful feature. The display will give you an accurate view of the levels across all four frequency bands, as well as how much gain reduction is happening to them in real-time. The gain reduction is show as the darker area at the top of the bar in the meter. Essentially the brighter part of the meter is the level for that band after compression has occurred. The light-blue horizontal line represents the threshold for that particular band.

INFO/DEMO/BUY: https://mage.si/j3L42
M4 MultiBand Compressor v2.0.7 WiN MAC LiNUX-MOCHA
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