Fix Phaser v2.5.9 WiN-R2R

Fix Phaser v2.5.9 WiN

Team R2R | Jan 04 2021 | 13 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

Have you ever worried that your guitar just doesn’t sound enough like a spaceship? We know we have. Coming from the ever-fertile mind of audio legend Paul Wolff, Fix Phaser perfectly covers this concern, and many others too. Create subtle movement and texture in a string section or synth pad, wash a drum kit in stratospheric swirling attitude, create a throbbing, oscillating vibrato in a vocal, or simply swoosh and whoosh things to your heart’s content.

INFO/DEMO/BUY: https://mage.si/Ou7h
Fix Phaser v2.5.9 WiN-R2R
http://beelink.in/45444/Fix-Phaser-v2.5.9-WiN-R2R/

Sparkverb v1.1.4 AAX VST x64 WiN-R2R

Sparkverb v1.1.4 WiN

Team R2R | Jan 04 2021 | 24 MB

PLATFORM: WiN64 – VST/AAX(MODiFiED)

With a cutting-edge algorithmic design, Sparkverb breaks the boundaries of contemporary reverbs giving users modern and innovative controls that dramatically enhance usability, speed and creative freedom while delivering breathtaking sound quality and remarkable CPU efficiency.

SOPHISTICATED DESIGN
Enormous sonic range, fast and efficient workflow
Easily traverse everything from natural sounding spaces to infinite, shimmering ambiences with stunning depth and fidelity throughout the entire spectrum. This type of range typically implies a dense and complex interface – not in Sparkverb, usability and workflow were pivotal considerations. A great deal of care was taken to allow a high degree of customization with the fewest controls possible, resulting in less time spent searching and more time being productive.

At the core of Sparkverb’s interface is a frequency-based spectrum editor; use it to sculpt and refine your sound with phenomenal speed and control. Adjust decay globally and across multiple bands with hi/lo multipliers and crossovers directly on a single canvas. It’s an entirely new way to work with reverb.

All other controls are clearly arranged and labeled, including A/B comparison, making fine-tuning a painless process. Dialing in a reverb, simple or complex, has never been this fast.

INFO/DEMO/BUY: https://mage.si/2Wfe
Sparkverb v1.1.4 AAX VST x64 WiN-R2R
http://beelink.in/26029/Sparkverb-v1.1.4-AAX-VST-x64-WiN-R2R/

Grand Channel v2.5.9 WiN-R2R

Grand Channel v2.5.9 WiN

Team R2R | Jan 04 2021 | 29 MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

Combining the smooth operating EQF-100 parametric passive equalizer with the mild but authoritative TLA-100A compressor, Grand Channel is a highly versatile channel strip that will cover a large part of your mixing needs. Having the two combined in a single plug-in makes adjustments easier, as you will often find that the compressor affects the equalizer and vice versa. By default, the sound reaches the equalizer before the compressor, but you can easily reverse the order with a single switch.

INFO/DEMO/BUY: https://mage.si/hMSp
Grand Channel v2.5.9 WiN-R2R
http://beelink.in/45445/Grand-Channel-v2.5.9-WiN-R2R/

Insight v2 AAX RTAS VST3 VST x86 x64 WiN CE-V.R

Insight v2.1.1 WiN

TEAM V.R | 17 June 2020 | 39.41 MB

Intelligent Metering for Music & Post

(Win32/64; AAX, RTAS, VST3, VST)

Insight 2 is a comprehensive metering and audio analysis plug-in that is a core component of award-winning post production studios, music studios, and broadcast facilities. It is perfect for visualizing changes made during mixing and mastering, troubleshooting problematic mixes, monitoring the intelligibility of your dialogue, and ensuring compliance with broadcast loudness standards. With Insight 2, you can immediately detect potential mix problems through real-time visual monitoring and color-coded alerts. Customize your view by choosing the meters you want to see, set your preferred targets, and resize the window to fit your current workflow. You can also route any audio track in your DAW to Insight 2 to quickly check loudness, levels, intelligibility, phase, frequency content, and more. With layouts and targets for every stage of post and music production, you can deliver the optimum mix the first time around. Save time and money when mixing and mastering audio by monitoring your audio with the highest accuracy. Keep an eye as well as an ear on your mix at all times with Insight 2!

Insight v2 AAX RTAS VST3 VST x86 x64 WiN CE-V.R

Perfect for music and post production:
– Updated look and feel
– Redesigned to be easier to use
– Current loudness standards
– Multichannel support up to Dolby Atmos 7.1.2
– Ensure that dialogue is clear in the mix with the Intelligibility Meter
– Resize the meters and window as small or large as wanted
– Colored warnings available for Level meters
– Expanded interplugin communication with Relay

Relay features:
– Interplugin communication with compatible iZ products (Intelligibility Meter, Tonal Balance Control, Masking Meter, Visual Mixer, and more)
– Delay Offset: align multimic’d sources and correcting phase issues in your tracks
– Phase Invert: quickly compare and contrast the phase of tracks in your mix
– Sum to Mono: audition your stereo audio data to see how it translates to mono listening formats
– Swap Channels: Switch left and right channels of any stereo track to audition the stereo image and check for balance issues
– High Pass Filter: Clean up and control the sub frequency content in your tracks with a simple High Pass Filter in Relay

Meters in Insight 2
Easily show or hide meters with the meter selection buttons at the top of the screen. Insight 2 includes meters for:
– Loudness
– Levels
– Sound Field
– History
– Intelligibility
– Spectrum
– Spectrogram

Specifications:
Operating Systems:
– Mac: OS X 10.8.5 (Mountain Lion) – macOS 10.13 (High Sierra)
– Windows: 7 – 10

Plug-in Formats:
– AU (32 & 64-bit), AAX (64-bit, real-time), AAX-AS (64-bit, Audiosuite). RTAS (32-bit, real-time), DPM-AS (32-bit, Audiosuite), VST2 (32 & 64-bit), VST3 (32 & 64-bit)

INFO/DEMO/BUY: http://mage.si/nX1y
Insight v2.1.1 AAX RTAS VST3 VST x86 x64 WiN CE-V.R
http://beelink.in/37448/Insight-v2.1.1-WiN-CE-V.R.html

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Sasquatch v2.0.5 WiN MAC

Team R2R | 04 Sep 2019 | WiN: 4.3 MB | OSX: 15.0 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX | MAC – AU/VST/VST3/RTAS/AAX

…..::::: Kick Machine :::::…..

Sasquatch 2 is a CPU-friendly kick drum enhancement plug-in that enables you to custom-tailor the sound of any kick drum, acoustic or electronic, with exhaustive creative possibilities, ranging from subtle to extreme and beyond.

Sasquatch 2—Nature of The Beast:
– Craft your kick drum from subtle enhancement to downright musical mutation
– CPU-friendly with straightforward, easy-to-use graphic interface
– Individually tweak and blend “Oomph” (body), “Click” (attack) and “Dry” sound
– Easily create and customize “drops”
– Fine-tuning controls offer a unique set of creative tools for Oomph, Click, and Dry parameters
– Instantaneous triggering; no phase or flam issues
– Selectable trigger modes
– High-pass and low-pass filters with selectable sidechain modes
– A/B comparison plus four levels of “lock” mode lets you experiment and return to original settings
– Icon-based interface for easy visual identification

INFO/DEMO/BUY: http://mage.si/vyLM
Sasquatch v2.0.5 WiN MAC-R2R
http://beelink.in/10079/Sasquatch-v2.0.5-WiN-MAC-R2R.html

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Pan Knob v1.0.2 WiN MAC

Team R2R | 04 Sep 2019 | WIN: 4.8 MB | OSX: 11.1 MB

WiN32/64 – VST/VST3/RTAS/AAX | MacOSX – AU/VST/VST3/RTAS/AAX

Traditional pan knobs are outdated. Simply put, Pan Knob is a better sounding way to pan, to make your mixes translate well on all playback systems. Why do I need a plugin for a tool that every daw has? Yes, this plugin is a pan knob in plugin format. But the truth is, the way traditional pan knobs work kind of sucks for headphone listeners, and according to polls, about 87% of people listen to their music on headphones. Have you ever listened to a mix that had one instrument panned hard to one side? It sounds ok on monitors, but sounds awful on headphones. That’s because traditional panning don’t take headphone listeners into consideration. Have you ever heard a mix where you have two distinct guitar tones panned to opposite sides, but one dominates the low end and makes the entire mix feel lopsided? That’s because traditional panning treats all frequencies equally, even though our ears don’t.

Pan Knob overcomes this by having a smarter panning algorithm. One that keeps your low frequencies unpanned so that it sounds natural in headphones. It doesn’t do any room simulation, so it isn’t going to mess up your mono mixdown.

Convenient options
Aside from just sounding better, it has a few options to make it more convenient to use. It has a quick “Pan Swap” that will give you the opposite panning position with the click of a button. It has quick one button settings for the most used pan positions. You can choose which pan law is used, and choose between Balance and Pan for your stereo tracks.

Beyond 100%
Sometimes you need to pan a little wider than 100% to either side. Pan Knob lets you go to 120%, to give extra width when you need it.

More Panning Opportunities
When panning with Pan Knob, a whole new world of panning is opened up to you as a mixer. Because it sounds natural wherever you pan your tracks, you aren’t limited by the traditional panning rules that have become standard. You can pan any tracks wherever you want while keeping it sounding good and natural.

INFO/DEMO/BUY: http://mage.si/bVp5
Pan Knob v1.0.2 WiN MAC-R2R
http://beelink.in/37692/Pan-Knob-v1.0.2-WiN-MAC-R2R.html

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ANA v2.0.92 WiN MAC

Team R2R | 04 Sep 2019 | WiN: 223.8 MB | OSX: 222.6 MB

AAX* AU VSTi x86 x64

Our highly anticipated launch is finally here! We have spent many thousands of hours rebuilding and redesigning every nook and cranny of ANA to create a beautifully elegant and powerful synth. One that is super simple to use but with an extensive toolset to allow you to create complex and exciting sounds. Over 3 YEARS in the making, our baby is finally ready and we can’t wait for you all to try it out.

So Fresh & So Clean
We have completely redesigned the interface, with a brand new HD Retina ready GUI with both classic white and a new black skin to choose from. With all of the new features we have crammed into ANA 2 it was a challenge to present it all on screen without it getting cluttered, we have managed to accomplish this simple and familiar layout that made ANA 1 so famous, whilst also giving you the full flexibility of what ANA 2 has to offer

Morph your sound with 3D Wavetables
With our 3D Oscillator, expansive complex sounds is just a knob turn away.
Combine up to 3 wavetable oscillators with our other sound sculpting features, and you will understand just how beautifully complex sounds can become in ANA 2. Click on the waveform to open the waveform browser panel and populate all three oscillators with only a few clicks, then assign your G-ENV to the morph knob to create evolving pads, dirty wubs or epic atmospheres.

+ Import your own Wavetables
We will let you into a little secret; you can import your own custom wavetables into ANA 2, it even reads wavetables!

Big Screen Graphical Envelopes
Want to make the ultimate envelope for that perfect sound, well how about doing it in big screen awesomeness. ANA 2 has three graphical envelopes or “G-ENVs”. Each with virtually unlimited nodes to create your own shapes, quickly and easily. The new G-Env includes custom grid sizing, snapping, a step mode and new curved lines giving you total control over modulation shapes with ease.

Import your own samples
You can now import your own custom samples into one of the 3 sampler Oscillators in ANA 2, or choose from the included library of sounds to make your presets standout. Just Drag and drop files from your DAW or file system then modify your samples into something entirely new and unique with looping, crossfade, pitch and reverse.

24 Built-In FX Units
ANA 2 comes with 24 built-in world-class effects that can be used in 5 insert slots, or in the two send and return slots. Each effect has full control over input, output and dry/wet – as well as every effect parameter being available as a modulation destination or macro control to get some insane effects going with the turn of one knob. You are only limited by your imagination.

Drag & Drop FX Reordering
The 5 insert slots can be re-ordered by simply grabbing and moving the tabs, to quickly check out different effect combos.

Polyphonic Step Arpeggiator
The advanced 64 note polyphonic step arpeggiator in ANA 2 breaks new ground for a built-in synth arp. Helping you create beautiful and inspiring arpeggios in an elegant and beautiful work area. We believe, with its array of controls, and massive 64 steps, you can creating mind-blowing arps right from the get-go. Reorder notes, add swing and gates or just open one of the factory presets to get started straight away. The 64 note step sequencer not only controls velocity but has two ‘modulation’ sources which can be assigned to any modulation destination.

Instant Chord Progressions with CMD
This is where ANA 2 goes epic! Assign any chord to any key to create world-class chord progressions. Work CMD and ANA 2’s arp together, for an incredibly powerful tool creating complex chords progression, insane arps with beautiful chord changes or the darkest of techno stabs with huge six note extended chords from the preset list. We think there is nothing out there in a synth to match the CMD / Arp combo and the world of possibilities it brings to the producer.

Modulation Matrix
Working fast is essential in today studio environment, and with ANA 2’s mod matrix you can see, edit and control multiple modulations at a glance. Nearly every parameter on ANA 2 can be used as a target using one or all of the many sources. These can quickly be assigned, set up and controlled using right click assignments or via the mod matrix panel.

Macro Controls
The modulation in ANA 2 is comprehensive and will become an extremely powerful tool when designing sounds. It is further enhanced when used in combination with the macro controls. Here you can assign several modulation targets to one knob, available on the front panel or assigned to a controller. Add custom names to the controls for that personal touch.

Over 500 Presets Included
Bundled with ANA 2 are hundreds of presets to get you started. ANA 2comes bundled with over 500 unique presets to get you going right out of the box. With a super easy to use preset browser, you can find the preset you want quicker. You can filter by categories and genre type or even create your own custom tags for presets.

46 High Quality Filters
The key to great sounding productions is a great sounding synth and the key to a great sounding synth is great sounding filters. We have 46 filter types in ANA 2, from classic ANA 1 filters to exhaustive emulations of some of the synths worlds most iconic filters. We are really proud of ANA 2s filters.

* – modified AAX work only @ AudioUTOPiA release ProTools 12.5.0

 

INFO/DEMO/BUY: http://mage.si/Rx1A
ANA v2.0.92 AAX AU VSTi x86 x64 WiN MAC-R2R
http://beelink.in/34866/ANA-v2.0.92-AAX-AU-VSTi-x86-x64-WiN-MAC-R2R.html

BR Bundle v2.5.0 AAX VST x86 x64 WiN-V.R

BR Bundle v2.5.0 WiN

Team V.R | 18 June 2020 | 115.32 MB

PLATFORM : WiN32/64 – VST/AAX

The vintage breeze of classic studio equipment combined with modern day, easy to apply digital processing makes this bundle the perfect chain of tools for everyday mixing.

INFO/DEMO/BUY: https://mage.si/C53H
BR Bundle v2.5.0 AAX VST x86 x64 WiN-V.R
http://beelink.in/42373/BR-Bundle-v2.5.0-AAX-VST-x86-x64-WiN-V.R.html

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ANA v2.0.94 WiN

Team V.R | 19 December 2019 | 1.78 GB

…::: AAX* VSTi x86 x64 :::…

Our highly anticipated launch is finally here! We have spent many thousands of hours rebuilding and redesigning every nook and cranny of ANA to create a beautifully elegant and powerful synth. One that is super simple to use but with an extensive toolset to allow you to create complex and exciting sounds. Over 3 YEARS in the making, our baby is finally ready and we can’t wait for you all to try it out.

So Fresh & So Clean
We have completely redesigned the interface, with a brand new HD Retina ready GUI with both classic white and a new black skin to choose from. With all of the new features we have crammed into ANA 2 it was a challenge to present it all on screen without it getting cluttered, we have managed to accomplish this simple and familiar layout that made ANA 1 so famous, whilst also giving you the full flexibility of what ANA 2 has to offer

Morph your sound with 3D Wavetables
With our 3D Oscillator, expansive complex sounds is just a knob turn away.
Combine up to 3 wavetable oscillators with our other sound sculpting features, and you will understand just how beautifully complex sounds can become in ANA 2. Click on the waveform to open the waveform browser panel and populate all three oscillators with only a few clicks, then assign your G-ENV to the morph knob to create evolving pads, dirty wubs or epic atmospheres.

+ Import your own Wavetables
We will let you into a little secret; you can import your own custom wavetables into ANA 2, it even reads wavetables!

Big Screen Graphical Envelopes
Want to make the ultimate envelope for that perfect sound, well how about doing it in big screen awesomeness. ANA 2 has three graphical envelopes or “G-ENVs”. Each with virtually unlimited nodes to create your own shapes, quickly and easily. The new G-Env includes custom grid sizing, snapping, a step mode and new curved lines giving you total control over modulation shapes with ease.

Import your own samples
You can now import your own custom samples into one of the 3 sampler Oscillators in ANA 2, or choose from the included library of sounds to make your presets standout. Just Drag and drop files from your DAW or file system then modify your samples into something entirely new and unique with looping, crossfade, pitch and reverse.

24 Built-In FX Units
ANA 2 comes with 24 built-in world-class effects that can be used in 5 insert slots, or in the two send and return slots. Each effect has full control over input, output and dry/wet – as well as every effect parameter being available as a modulation destination or macro control to get some insane effects going with the turn of one knob. You are only limited by your imagination.

Drag & Drop FX Reordering
The 5 insert slots can be re-ordered by simply grabbing and moving the tabs, to quickly check out different effect combos.

Polyphonic Step Arpeggiator
The advanced 64 note polyphonic step arpeggiator in ANA 2 breaks new ground for a built-in synth arp. Helping you create beautiful and inspiring arpeggios in an elegant and beautiful work area. We believe, with its array of controls, and massive 64 steps, you can creating mind-blowing arps right from the get-go. Reorder notes, add swing and gates or just open one of the factory presets to get started straight away. The 64 note step sequencer not only controls velocity but has two ‘modulation’ sources which can be assigned to any modulation destination.

Instant Chord Progressions with CMD
This is where ANA 2 goes epic! Assign any chord to any key to create world-class chord progressions. Work CMD and ANA 2’s arp together, for an incredibly powerful tool creating complex chords progression, insane arps with beautiful chord changes or the darkest of techno stabs with huge six note extended chords from the preset list. We think there is nothing out there in a synth to match the CMD / Arp combo and the world of possibilities it brings to the producer.

Modulation Matrix
Working fast is essential in today studio environment, and with ANA 2’s mod matrix you can see, edit and control multiple modulations at a glance. Nearly every parameter on ANA 2 can be used as a target using one or all of the many sources. These can quickly be assigned, set up and controlled using right click assignments or via the mod matrix panel.

Macro Controls
The modulation in ANA 2 is comprehensive and will become an extremely powerful tool when designing sounds. It is further enhanced when used in combination with the macro controls. Here you can assign several modulation targets to one knob, available on the front panel or assigned to a controller. Add custom names to the controls for that personal touch.

Over 500 Presets Included
Bundled with ANA 2 are hundreds of presets to get you started. ANA 2comes bundled with over 500 unique presets to get you going right out of the box. With a super easy to use preset browser, you can find the preset you want quicker. You can filter by categories and genre type or even create your own custom tags for presets.

46 High Quality Filters
The key to great sounding productions is a great sounding synth and the key to a great sounding synth is great sounding filters. We have 46 filter types in ANA 2, from classic ANA 1 filters to exhaustive emulations of some of the synths worlds most iconic filters. We are really proud of ANA 2s filters.

* – modified AAX work only @ AudioUTOPiA release ProTools 12.5.0

 



v2.0.94:
– FIXED: Issue with Pro Tools crashing
– FIXED: Issue with MIDI learn causing a crash on GUI load

v2.0.93:
– FIXED: Browser forgetting preset filters upon closing / reopening the GUI
– FIXED: INIT button not working correctly when INIT was already loaded
– FIXED: Hung notes when MONO mode active
– ADDED: More screen % sizes in the settings menu to accommodate 13” screen resolution

INFO/DEMO/BUY: http://mage.si/Rx1A
ANA v2.0.94 AAX AU VSTi x86 x64 WiN CE-V.R
http://beelink.in/40427/ANA-v2.0.94-Slate-Bundle-WiN-CE-V.R.html

MJUC Variable-Tube Compressor v1.5.0 WiN MAC RETAiL-SYNTHiC4TE

MJUC v1.5.0 WiN MAC RETAiL

SYNTHiC4TE | June 19 2020 | 49 MB

Variable-Tube Compressor

MJUC is the most effortful plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.

MJUC is the first Klanghelm plugin, that’s built with the help of a new framework. That’s brings a lot of new usability features such as GUI-resizing, AB-ing and a feature-rich platform independent preset browser with save/copy/paste/save-as-default functionality. Furthermore it’s possible to tweak the knob behavior, enable tooltips, show/hide value labels and more. All these features will find their way to the existing Klanghelm plugin as soon as possible.

Model Mk1 is based on the very early variable-mu* designs from the 50s. Due to its extremely high control voltage it doesn’t impart any audible “thumping”, most other variable-mu* designs suffer from at high GR and fast timing constants. Also it has a very simple signal path, where the compression happens directly in the audio path. The result is a very natural compression character with very little distortion. The arrangement of four(!) variable-mu* stages add to the incredibly dense and thick nature of Mk1. Mk1 is the most colored of MJUC’s models.

Model Mk2 is built upon the more complex designs of the 175 and 176 from the early 1960s, the all-tube-predecessors of the classic 1176 FET compressor. It offers four ratios, a density switch, that enables a second variable-mu* stage and reduces the program dependence of the attack and recovery timings to a minimum. Furthermore, it lets you activate the interstage transformer to reduce overall noise and distortion and making the compression more accentuated. Compared to Mk1 the second model is less Jazz and more Rock’n’Roll with enhanced generated harmonics and a more forward sounding character.

Model Mk3 is the least colored and most Hi-Fi-sounding model in MJUC. It is Klanghelm’s modern interpretation of this compression topology. The only design idea derived from another modern famous variable-mu* comp is, that it’s circuitry is done entirely differential, making the unit very quiet and almost distortion-free. But the real special thing about this model is, that the actual compression is done by two different variable-mu* stages, which kind of work against each other, one works feedforward, while the other in a feedback configuration. This results in a attack accentuating, punchy compression, surprisingly closer to a British G type bus comp than to a 670.

all formats included in a single license: AU (32&64Bit) – Mac only, VST (32&64Bit), AAX (32&64Bit), RTAS

06/10/20 version 1.5.0:
– FIX: when updating the knob sensitivity in the global settings, the changes weren’t applied properly to new loaded instances in the same session.
– GUI performance improvements
– added option to use OpenGL rendering for the GUI to the global settings (experimental)
– more robust Mac-installer
– updated manual

INFO/DEMO/BUY: http://mage.si/Y28x
MJUC Variable-Tube Compressor v1.5.0 WiN MAC RETAiL-SYNTHiC4TE
http://beelink.in/23267/MJUC-Variable-Tube-Compressor-v1.5.0-WiN-MAC.html

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