V Collection 7 05.12.2020 macOS

V Collection 7.2 macOS

MORiA | 5 December 2020 | 10.42 GB


The latest edition of V Collection: their flagship anthology of reimagined historic synths and keyboards. Containing 24 software instruments and thousands of preset sounds, V Collection 7 is billed as “the must-have reference for musicians, producers, sound designers, and keyboard fans”.

New Instruments:
Mellotron V
Legendary Tape Keyboard
The original instrument redefined what keyboard players could do, unlocking the doors to orchestral and choral sounds at the touch of a key. Arturia’s reinvented versions not only features all original Mellotron tapes, but also lets you import and play your own samples with authentic tape emulation.

Synthi V
British Silver Machine
The quirky British “silver machine” that put a new spin on modular synthesis, reborn in software with new tricks up its sleeve. Advanced component modelling let Arturia model even its wild, unpredictable nature, with advanced modulation and powerful effects added to the mix.

Phase Distortion Cult Classic
The budget synth that became a legend in its own right. The instrument that brought the digital synth revolution to the masses is now at your command. Easy to program phase distortion synthesis with custom editor, huge modulation potential and effects.


  • Analog.Lab.4
  • ARP.2600.V3
  • B-3.V2
  • Buchla.Easel.V
  • Clavinet.V
  • CMI.V
  • CS-80.V3
  • CZ.V
  • DX7.V
  • Farfisa.V
  • Jup-8.V3
  • Matrix-12.V2
  • Mellotron.V
  • Mini.V3
  • Modular.V3
  • OB-Xa.V
  • Piano.V2
  • Pigments
  • Prophet.V3
  • SEM.V2
  • Solina.V2
  • Stage-73.V
  • Synclavier.V
  • Synthi.V
  • VOX.Continental.V2
  • Wurli.V2

INFO/DEMO/BUY: https://mage.si/5TF6
V Collection 7 05.12.2020 macOS

Nectar Plus 3 v3.3.0 WiN CE-V.R

Nectar 3 v3.3.0 WiN

Team V.R | 01 October 2020 | 69 MB

(Win64; AAX, VST3, VST)

Introducing Nectar 3, the most sophisticated set of tools designed for mixing vocals. Address every part of your vocal chain and get professional-sounding vocals in seconds. First introduced in 2010, Nectar has found a space in studios all over the globe, offering world-class processing designed to get to a professional result in seconds. With version 3, Nectar helps your vocal tracks sing by addressing each part of the vocal production chain, offering invaluable machine-learning features, innovative new signal processing, and communication across your session.

The next level of vocal mixing
From corrective to creative processing, all the way to the final polish, Nectar 3 ushers in a new era of mixing vocals with machine learning tools, modern workflows, and communication across your session.

Great vocals in isolation…
Vocal Assistant listens to your audio and gets you started with a custom preset, tailored to your unique vocal. Time consuming tasks like corrective EQ cuts, dynamics, and de-essing are performed with precision in seconds. Vocal Assistant will even intelligently set an optimal input level with Auto Level Mode to ensure a smooth performance.

…and in the mix
Vocals are a big part of the mix, but they’re not the only part. By communicating with the included Relay plug-in, Nectar will help place your vocal at the forefront of the mix, moving other competing mix elements out of the way automatically. Vocal Assistant: Unmask will communicate with any instance of Nectar 3, Neutron 2 Advanced (available separately), or iZotope Relay (included with Nectar 3) to create the perfect nest for your vocal.

INFO/DEMO/BUY: http://mage.si/mt2m
Nectar Plus 3 v3.3.0 WiN CE-V.R

6050 Ultimate Channel Strip v6.2.0.10 WiN-AudioUTOPiA

6050 Ultimate Channel Strip v6.2.0.10 WiN

Team AudioUTOPiA | 29 Oct 2016 | 82.6 MB

..:: AAX*, VST2, VST3, x86, x64 ::..

The 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from the award-winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included. Additional modules include gates, expanders, signal saturators, and specialized filters. The 6050 Ultimate Channel Strip has input and output stages, wrapped around 3 module bays in which any of the 28 modules can be inserted. Easily drag and drop any module to rearrange the signal flow of your channel strip. A module selector panel allows quick auditioning of equalizers, compressors and additional effects. Like the original 6020 and 6030 plug-ins, each new module in the 6050 draws on classic and modern designs over the last four decades. Operation is simple and intuitive, and the sound quality is what professionals worldwide have come to know in McDSP plug-ins.

Artist Presets included from: Mike Dean, Bob Horn, Neal Avron, ROCAsound, John Feldmann, Aaron Harris, and Lovy Longomba.

– Over 25 EQ, compressor, gate, expander, saturator, and filter modules
– Easy drag and drop, on the fly module auditioning
– Side chain support
– Analog Saturation modeling
– Double precision processing
– Ultra low latency
– Mono and stereo versions

INFO/DEMO/BUY: https://mage.si/aGOA
6050 Ultimate Channel Strip v6.2.0.10 WiN-AudioUTOPiA

Deflector v1.0.2 AAX VST x86 x64 WiN-AudioUTOPiA

Deflector v1.0.2 WiN

Team AudioUTOPiA | March 13 2016 | 33.3 MB

..:: AAX*, VST, x86, x64 ::..

There seem to be two types of mix engineers: those who own a pair of the original units this plug is inspired by, and those who want to. I can’t give you the original, but I can give you my twisted take on it. For starters, I tweaked the distortions to make them fuzzier, because I have a fondness for dirt & grime. I added a 250Hz sidechain HPF option which leaves all bass frequencies uncompressed, as well as a 6kHz sidechain ‘push’ to smooth out harsh, aggressive stuff. Most compressors press sounds back, this one pushes them forward. The original is in every million dollar studio, now my version can be in yours

INFO/DEMO/BUY: https://mage.si/W9b3
Deflector v1.0.2 WiN-AudioUTOPiA

Kaya v1.0.4 AAX VST2 x86 x64 WiN-AudioUTOPiA

Kaya v1.0.4 VST2 WiN

Team AudioUTOPiA | March 13 2016 | 42 MB

..:: AAX*, VST2, x86, x64 ::..

There’s only one Kaya… literally. S. Husky Hoskulds made it by taking an old Ampex tube tape deck and hardwiring the preamp directly to the tape head. He calls his unit ‘Pa’, a minimal box with swampy distortion and a very heavy bottom. I started with Pa’s dirt, then added controls to make it more flexible. An assymetric Treble control can rebalance the sound towards the top, or tilt it down into murky darkness. An Abuse knob does exactly what you’d expect it to do. Blend allows you to tuck in the overall effect for subtler applications. What I love about Kaya is it never harshes out, it’s always warm even when it’s gone nuclear. A one-trick pony, but what a trick it is.

INFO/DEMO/BUY: https://mage.si/3q57
Kaya v1.0.4 VST WiN-AudioUTOPiA

Axis EQ v1.0.3 AAX VST2 x86 x64 WiN-AudioUTOPiA

Axis EQ v1.0.3 VST2 WiN

Team AudioUTOPiA | March 13 2016 | 47 MB

..:: AAX*, VST2, x86, x64 ::..

There’s a reason the eq that inspired this plugin has endured 45 years of musical fashion & trends: it does all the right things to sound. But even a stunning classic isn’t safe from my meddling tastes! For starters, this eq’s curves are a bit tighter than the original. Next, I added a Saturation knob to overdrive a customized op-amp. That knob generates a very creamy, lush distortion, I’ll often use the Sat on its own, no EQ’ing. It’s fat, and very much a signature Sly-Fi sound!

Stepped/fixed controls can be perfect, or they can get in my way, so I added a UBK mode where all freq and gain knobs sweep freely; I love being able to point this magical eq in between the usual frequencies.

Last, I put both a classic ‘A’ and modern ‘B’ mode on a switch with the UBK mode, so you can choose the one that works best for each track.

At the request of Tchad Blake, Axis can now transfer your settings from A or B mode straight to UBK mode for fine tuning. It also sports a phase flip switch, because sometimes things just sound better flipped.

INFO/DEMO/BUY: https://mage.si/9bTz
Axis EQ v1.0.3 VST WiN-AudioUTOPiA

Drawmer S73 and Drawmer 1973 VST2 WiN-AudioUTOPiA

Drawmer S73 & Drawmer 1973 WiN

Team AudioUTOPiA | Feb 29 2016 | 181 MB

..:: AAX*, VST2, x86, x64 ::..

S73 Intelligent Master Processor / 1973 Multi-Band Compressor

For the mastering engineer, a multi-band compressor is a powerful tool. But as Spiderman’s uncle Ben famously says: with great power comes great responsibility. A multi-band compressor that is not used diligently may create more problems than it solves. This is why we created Drawmer S73 Intelligent Master Processor (IMP).

Multi-Band Compression For Your Mix
Drawmer S73 features an enhanced multi-band compressor sound design, fine-tuned to improve your mix with a minimum of tweaking. The S73 does most of the job for you by making the choices a mastering engineer would make. Simply use the Style parameter to switch between ready made mastering processing techniques to quickly find the sound that suits your mix the best. More control, more versatility, more definition—the Drawmer 1973 plug-in lets you micro-manage the dynamics of your sound with ultimate precision. And you can do it with the unmistakable analog feel of a modern Drawmer classic. Make your mixes wider and louder, shoehorn a piano into a dense mix, or curb the temper of an unruly bass guitar. The Drawmer 1973 Multi-Band Compressor lets you dive into the details—analog-style.

INFO/DEMO/BUY: https://mage.si/p5S2
Drawmer S73 and Drawmer 1973 VST2 WiN-AudioUTOPiA

Nimbus v1.0.0 AAX VST2 VST3 x86 x64 WiN-AudioUTOPiA

Nimbus v1.0.0 WiN

Team AudioUTOPiA | Oct 29 2016 | 67.5 MB

..:: AAX*, VST2, VST3, x86, x64 ::..

The Powerful Reverb Unit

Meet NIMBUS, a new and improved reverb unit based on the familiar PhoenixVerb but offering better sound, greater flexibility and new capabilities: Better sounding: NIMBUS is based on the core of the hugely popular PhoenixVerb, but we’ve combined honest user feedback with a fertile creative imagination to make it sound even better. No CPU hog: NIMBUS is a native plug-in, requiring no special hardware and offering even more flexibility while continuing to work with its now-famous minimal load on your computer. Easy to use: We know that workflow matters to our users. While NIMBUS is brand new, existing users will find it reassuringly familiar, and new users will find their way around in a matter of minutes. Over 1200 presets and handy new tool-tips: NIMBUS has everything under control to get you started.

INFO/DEMO/BUY: https://mage.si/zEqc
Nimbus v1.0.0 WiN-AudioUTOPiA

Mark 73 Electric Piano v2.5 WiN MAC

Mark 73 Electric Piano v2.5 WiN MAC

Team DECiBEL/P2P | 2 October 2020 | 3.80 GB Each


Mark 73 Electric Piano was sampled from a 1976 Rhodes Mark I Stage Piano. The entire keyboard was wrapped in tinfoil, which virtually eliminated EMI noise. The piano was sampled DI through a Radial Pro 48 DI box, and the signal was routed to a Fender Deluxe Reverb amp, recorded relatively clean through an AEA R84 Ribbon Mic and AEA TRP Preamp. Each note of the 73 note of the Rhodes Piano was sampled 3 times at 10 velocity layers. Releases where sampled for the DI signal as well as the amped signal, but the amp release notes sounded a bit out of place, so the decision was made to only include DI releases. The sound of the amp can be heard in the amp samples, as a Fender Reverb Deluxe is a noisy amp, even without a signal. The DI samples are relatively clean by comparison.

– 10 velocity layers, 3 note round-robin.
– DI and amped samples.
– 73 key range from E1 to E7.
– Built-in reverb and distortion.
– Over 6,500 samples (including releases).

– 32 or 64 Bit Windows Vista or higher/OS X  10.8+ (64 Bit Windows 7/8/10 or OS X 10.9+ recommended)4 Gigabytes of Ram (8 Gigabytes recommended)
– Intel Core 2 DUO @ 3GHZ or higher recommended.
– Firewire or PCI-based Audio Interface recommended
* Plugin may work with older hardware, but performance will be affected
* Plugin currently designed to work at a sample rate of 44.1kHz
– Windows 7, 8, 10 (latest Service Pack, 32/64-bit), Intel Core 2 Duo or AMD Athlon 64 X2, 2 GB RAM (4 GB recommended)Mac
– Mac OS X 10.9 or higher, Intel Core 2 Duo, 2 GB RAM (4 GB recommended)
– Will work with Kontakt 5 player, but only in 15 minute demonstration mode.
– AU 32 or 64 Bit MAC OS X 10.9 (Mavericks) or later (little endian CPU)
– 4 Gigabytes of Ram (8 Gigabytes recommended)
– Intel Core 2 DUO @ 3GHZ or higher recommended.
– Firewire or PCI-based Audio Interface recommended
*Plugin may work with older hardware, but performance will be affected
* Plugin currently designed to work at a sample rate of 44.1Khz
– AAX 64 Bit MAC OS X 10.9 (Mavericks) or later/64 Bit Windows 7/8/10
– Protools 11/12
– 4 Gigabytes of Ram (8 Gigabytes recommended)
– Intel Core 2 DUO @ 3GHZ or higher recommended.
– Firewire or PCI-based Audio Interface recommended
*Plugin may work with older hardware, but performance will be affected
* Plugin currently designed to work at a sample rate of 44.1Khz

The new version includes the following updates:
– 6 Amplifiers built on SPICE Vacuum Tube simulations.
– 43 Convolution Reverbs with adjustable length, size, dry, and we parameters.
– 30 Cabinet Impulse responses with dry/wet controls.
– 28 Speaker Eq Curves.
– Expanded controls for the built-in Tremolo, Delay, and Phaser.
– 70 Presets, many based around famous Rhodes sounds.
– In-plugin Preset Menu.
– A built-In Leslie Simulation controllable by Note Velocity or through Key-Switching.
– Reverb High-Pass Filter.


INFO/DEMO/BUY: http://mage.si/Op4Z
Mark 73 Electric Piano v2.5 KONTAKT VSTi AU AAX WiN MAC

VintageVerb v1.7.1 AAX VST VST3 RTAS x86 x64 WiN-R2R

VintageVerb v1.7.1 WiN

TEAM R2R | 02.11.2019 | WiN: 3 MB


ValhallaVintageVerb is a postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s. New in ValhallaVintageVerb 1.7.1: Two new reverb modes, Chaotic Hall and Chaotic Chamber!

17 Reverb Algorithms:

  • Concert Hall. Based on the hall algorithms of the late 1970s and early 1980s. Huge spatial image, echo density that can be adjusted from very sparse to very dense, and lush chorusing modulation.
  • Bright Hall. Similar to the Concert Hall algorithm, but with a brighter initial sound, and deeper and lusher modulation.
  • Plate. Inspired by early 1980s plate algorithms. Highly diffuse, bright initial sound, high echo density, lush chorused modulation.
  • Room. Emulates the sound of early 1980s room algorithms. Medium diffusion/early echo density, somewhat darker sound, chorused modulation.
  • Chamber. A transparent and dense algorithm. Highly diffuse, high echo density, less coloration than Plate/Room algorithms, chorused modulation.
  • Random Space. This generates DEEP and WIDE reverbs, with a slow attack, and more diffusion than the late 1980s algorithms that inspired it. The modulation uses internal delay randomization, to reduce metallic artifacts without the pitch change that can occur in the algorithms with chorused modulation.
  • Chorus Space. Same as Random Space, but with the delay randomization replaced with lush chorused modulation.
  • Ambience. Combines time varying randomized early reflections with a full-featured reverb tail, with the balance between early and late reverb controlled by the Attack knob. Useful for adding “air” to drums, vocals, and any place where a reverb should be felt but not heard.
  • Sanctuary. Inspired by a classic German digital reverberator from the 1970s. Discrete early reflections, a dense late reverb that rapidly builds in echo density, lush detuned modulation. Sanctuary incorporates the bit reduction and floating-point gain control used in the A/D and D/A convertors of the early digital hardware.
  • Dirty Hall. A fresh look at the Concert Hall algorithm, with the goal being to emulate the strange fixed point and convertor artifacts of early 80s reverb hardware. Lusher and denser than the Concert Hall algorithm, with loads of warmth and grit on tap, for a roughly hewn beauty. Plug in your analog synth and send yourself into retro sci-fi heaven.
  • Dirty Plate. All the warm and gritty artifacts of Dirty Hall, applied to an old-school digital plate algorithm. High echo density, wide stereo image, and just the right amount of metallic sheen. Drums come alive when sent through Dirty Plate.
  • Smooth Plate. The complete opposite of Dirty Plate. Smooth decay at all settings, from short to near-eternal. Lush chorusing, with none of the metal found in Dirty Plate. The most transparent and naturalistic reverb in ValhallaVintageVerb. Crank up the Size parameter, and float off into space!
  • Smooth Room. A smooth and transparent room reverb, in the Smooth Plate style. Useful for emulating the Room/Hall algorithms of late 1980s hardware, as well as getting clear reverberation with low amounts of coloration.
  • Smooth Random. A random room/hall algorithm, with transparent decays that can be adjusted from tiny to huge. Randomized delay modulation, similar to Random Space, but with a much tighter initial attack and smoother decay. A good “jack of all trades” reverb algorithm.
  • Nonlin. Gated, reverse, and nonlinear reverbs are all on tap here. Use Size to control the duration of the reverb, and Attack to smoothly interpolate between a truncated reverb, a “flat” gated decay, and huge reverse reverbs. Lush chorusing modulation on tap, for your shoegazing needs.
  • Chaotic Hall (new in 1.7.1). A chaotic take on the Concert Hall algorithm, with modulation and saturation artifacts inspired by classic tape echoes. Lush and warm, with subtle wow and flutter chorusing that adds depth without making your reverb seasick.
  • Chaotic Chamber (new in 1.7.1). Smooth and chaotic at the same time. A relatively “dimensionless” reverb algorithm, that adds depth to your sound. Wow and flutter modulation, subtle tape saturation. Use this algorithm on pretty much any input, and it will sound good.


3 Color Modes for dialing in the tone color and sonic artifacts of a specific reverb era:

  • 1970s. Replicates the reduced bandwidth of the earliest digital reverberators (10 kHz maximum output frequency). Downsampled internally, to reproduce the artifacts of running at a lower sampling rate. The modulation is dark and noisy, and can produce strange and random sidebands with sustained notes. This is intentional.
  • 1980s. Full bandwidth / sampling rate, for a brighter sound than the 1970s. The modulation is still dark and noisy, but will produce different artifacts than the 1970s mode as it is running at the full sampling rate.
  • NOW. Full bandwidth / sampling rate. The modulation is clean and colorless, versus the funky artifacts of the 1970s/1980s modes.


The interface has been designed to be instantly accessible and user friendly:

  • Streamlined set of powerful parameters, organized into logical categories.
  • All controls on one panel. No menu diving required.
  • Tooltips at the bottom of the plugin window, that describe the currently selected reverb mode and color mode, as well as any parameters the user is adjusting. The goal is for the plugin to be self-documenting.
  • A powerful cross-platform preset menu, with the ability to copy and paste presets in a text format. Share presets via emails, forum posts, etc.
  • Continuously resizable – just click on the lower right corner and drag to the desired size.
  • Modernist, minimalist 2D graphic design.


New in 1.7.1:
– Click on the “GUI Mode” text in the upper right corner of the NOW color mode, to switch between the original black-on-white color scheme, and the brand new white-on-black GUI.

INFO/DEMO/BUY: http://mage.si/qCLN
VintageVerb v1.7.1 AAX VST VST3 RTAS x86 x64 WiN-R2R


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