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Bitwig Studio v4.3.0 x64

Bitwig Studio v4.3.0 x64

Bitwig Studio v4.3.0 x64

FLARE | 29 June 2022 | MAC:378 MB | WiN:288 MB | LiNUX:277 MB

Modern music production and performance.

Bitwig Studio 1 was hello, world! Version 2 brought program-wide modulators and CV integration. Version 3 saw the birth of The Grid, our modular sound-design environment. And for version 4, new musical timelines have arrived. This means comping for audio clips, both in the Clip Launcher and the Arranger. A new set of Operators, for changing the chance, recurrence, and more of any note or audio event. Random Spread for any expression point (like per-note pitch, or audio panning) with perfect control. And Native Apple Silicon support on Mac, even allowing Intel and ARM plug-ins to work side-by-side. Welcome to Bitwig Studio 4...

Audio Comping, Anywhere the Clip Goes
Since the invention of studio recording, our task has been to create the perfect performance. Comping allows you to combine the best parts of many takes, and Bitwig Studio provides this and more.

Each take is given its own color so from the first swipe of a take lane, the sources are clear. To swap in a different take, just tap it. Then press the up or down arrow to cycle thru the other takes. From the composite lane, move a boundary by clicking, adjust gain by dragging, or fix timing by sliding.

Since we have a Launcher and an Arranger, comping lives inside the audio clip. So if you are composing in the Launcher, just click to enable comp recording right there. Or just drag clips in either direction with your takes safely inside. Even open the layered editor when multiple comps belong together. Comping works wherever you are, now and later.

And since all good techniques deserve a new trick, right-click any audio clip to Fold To Takes. If you ask for an eight-bar comp, the entire clip will be spooled into take lanes, and the comping can begin. Or just drag audio in to add a new take lane. The stranger the sources, the newer the result.

Comping In Action With Tauri
Learn how experimental pop duo Tauri used the comping workflow in Bitwig Studio 4 when producing their song “In The Dark.” The song is out on all major music platforms, and it’s also available in Bitwig Studio 4 as a full Bitwig demo project for you to explore and remix. Meet Tauri and get a behind-the-scenes view of their comping workflow in this in-depth artist story.

Operators: Maybe the Best Loops Don’t
Modulation has always been a centerpiece of Bitwig Studio. Modulators have been there all along, putting device parameters into motion. And now with Operators, sequenced note and audio events can become electric too. This leads to clips that go to different possibilities and timelines, either by programming, by performance control, or by destiny.

Bitwig Studio 4 sees the arrival of comping for audio clips and Operators for all sequenced events. The brand-new sound package Anti-Loops uses these features to push the idea of what a loop is to the breaking point, with 100+ clips crafted by expert sound designers like Cristian Vogel, Pat Cupo, Polarity and others.

Bitwig Studio v4.3 WiN MAC LiNUX-FLARE
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RX950 v1.1.2 WiN MAC LiNUX

RX950 v1.1.2 WiN MAC LiNUX

RX950 v1.1.2 WiN MAC LiNUX

P2P | 03 August 2022 | 178 MB


Legendary grit and crunch Meet the RX950 Classic AD/DA Converter, our first effect plug-in, designed to perfectly mimic the whole AD/DA conversion process of the Akai S950 in order to give your music this vintage, warm and crunchy sound with the ease & flexibility of a VST. The Akai S950, one of the most famous samplers from the 80s, is largely praised for its legendary sound. Many consider the 12-bit grit and crunch still unmatched today. But the 12-bit resolution is not all. For over a year, we studied every bit of this studio gear masterpiece to bring back its unique character to your modern DAW with the RX950.

Input Gain
makes your sound loud ’n proud with the S950’s unique grit and warm distortion. It’s powerful and will help anything stand out in your mix.

Audio Bandwidth
controls the target sample rate and analog-to-digital conversion circuitry with an exquisite, yet remarkably subtle, aliasing effect.

controls the S950’s infamous steep low-pass filter. Use it on separate elements, or on any output bus or master section.

Adjust the Audio Bandwidth’s high-frequency response with the Brilliance knob (in Settings/Back panel).

Key features:
– Legendary 12-bit resolution
 – Perfect modeling of the S950’s audio signal path
 – Adjustable audio bandwidth (and thus sampling frequency)
 – Original steep 6th-order low-pass Butterworth filter
 – Stereo or mono operation
 – Low CPU consumption
 – Adjustable brilliance setting (high-frequency response)
 – Graphical interface scaling options (from 1x to 2.5x)
 – Parameter value keyboard typing on double-click
 – NKS Support
 – Native Apple Silicon support

Sound examples

RX950 v1.1.2 WiN MAC LiNUX
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BFD Virtually Erskine Grooves BFD3

BFD Virtually Erskine Grooves BFD3

BFD Virtually Erskine Grooves

P2P | 30 June 2022 | 31.4 MB

(BFD3) (BFD2) (BFD Eco)

Virtually Erskine Grooves is a BFD Groove Pack with over 400 patterns played by legendary drummer Peter Erskine. Although intended to accompany the BFD Virtually Erskine expansion pack, the included Grooves can be used with any kits from any library in your BFD3, BFD Eco or BFD2 installation to enhance your productions with Peter’s precise and incredibly funky drumming.

– Over 400 Grooves for BFD3, BFD Eco and BFD2
– Features 12 unique styles in 3/4 and 4/4
– Jazz, swing, rock, funk and Afro-Cuban genres
– Can be used with BFD Virtually Erskine or any other library in your BFD sessions

Minimum Requirements: Windows 10 version 1909 and above, OSX 10.12 and above for Mac, BFD3 version 3.4 and above. Internet connection for product download

BFD Virtually Erskine Grooves BFD3
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i-Sound Recorder for Windows v7.9.2 WiN

i-Sound Recorder for Windows v7.9.2 WiN

i-Sound Recorder v7.9.2 WiN

P2P | 30 July 2022 | 9.0MB

i-Sound Recorder for Windows 7, Windows 8, Windows 10

i-Sound 7.0 is a next generation sound recorder for Windows. Newest version unleashes the power of Windows 10 and ready to record streaming audio out-of-box. i-Sound 7.0 includes all the features of its predecessor, but main feature is an ability to record audio from output device directly without using “Stereo Mix” input. Yes, it’s true! “Stereo Mix” is no longer required. You do not need to spend time searching right audio driver. You do not need enable “hidden” or “disabled” audio devices via Control Panel.

Direct Audio Recording
After installation i-Sound will use your default playback device (Speakers) for recording. You will get the digital copy of all sound going through the speakers with perfect quality. Of course, you can change the recording source at any time to the Microphone or another input of your sound card.

Hi-Res Audio Support
Enjoy the exciting world of high-resolution music with i-Sound Recorder. It allows you to record music in bit-perfect quality and save it in a lossless FLAC format. Recording modes up to 96kHz/24-bit are supported (without interpolation).

Real time audio compression
i-Sound save free space on hard drive using real-time audio compression to the most popular audio formats like MP3, OGG and WMA or lossless audio formats like WAV, APE and FLAC.

Advanced Scheduler
i-Sound can start recording at predefined time, date, day of week and open URL of streaming audio. Browser window will be closed automatically after recording. You can specify up to one hundred recording tasks.

Voice activated recording
VOX is a smart system that can skip silent pauses in audio, but ignore short snaps and background noise. It works just like a portable digital recorder.

Automatic Gain Control
AGC used to keep the audio at a consistent volume by gradually increasing or decreasing the gain in response to the changes in signal level. You can also configure it manually using the VU Meter.

Easily edit recordings
If you wish to edit audio file after recording then you can use free sound editor add-on. Just open recording browser, select your recording and click “Edit file in sound editor” button. First time it will download and install add-on, next time it will load audio file to editor automatically.

Manage your Recordings
Recording browser lets you manage to listen to recordings, delete, rename, and edit your recordings without leaving the program.

Automatic Naming System
The automatic naming system relieves you from having to enter the file name every time before start recording. The file name will be generated automatically using the current date and time. You can choose the template of the name yourself.

Whats New:
– Automatic check and correction of invalid characters during file name generation.
– Fixed and improved DSP module.
– Updated FLAC and AAC encoders.
– Basic audio decoders have been updated.

i-Sound Recorder for Windows v7.9.2 WiN
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mixIR3 IR Loader v1.8.2 WiN MAC COMPLETE-MaGeSY

mixIR3 IR Loader v1.8.2 WiN MAC

P2P | 30 July 2022 | PLUGiN: 58MB | CONTENT: 15.6GB

Sculpt your sound like never before with the new mixIR³ impulse response (IR) loader. The mixIR³ is a convolution reverb plug-in and a stand-alone Mac or Windows app. Easily mix mics, cabinets, reverb and more with unrivaled performance. The mixIR³ allows you to stack and blend a practically unlimited number of IRs. And with our N-series and A-series mixIR³ modules you can now add classic Neve and API EQ to your IR stack. You can even export your IR mix as a WAV or AIFF file for use in another plug-in, ampsim or hardware IR loader. All current BIGbox libraries include both mixIR³ modules and IR WAV files. Loading up an IR module gives you an easy point-and-click way to choose a speaker, mic, position and distance.

– Efficient, drag-and-drop IR loader for Redwirez and 3rd-party IRs
– Load Redwirez IR Modules to visually navigate and select IRs
– Run one IR or up to 64 with the same unmatched performance
– Zero latency for delay-free live performance
– Export your IR mix to WAV or AIFF for use in an external device
– No dongles! No authorization or activation scheme

Note: mixIR³ will load 3rd-party or previous generation Redwirez IRs. But, it will not display a 3D cabinet interface for 3rd-party or previous generation IRs. MixIR³ modules, included with all current BIGbox libraries, are required for a 3D cabinet interface.

Standalone App Features:
– Standalone app for mixing IRs without a DAW
– Play guitar tracks in a loop and audition IRs
– Play live through the app (low-latency on MacOS only)
– Export your IR mix to WAV or AIFF for use in an external device

Modules Included
Marshall 1960A 4×12

To get you started, mixIR³ ships with our free Marshall 1960 IR module. It’s loaded with Celestion G12M25 “Greenbacks” and sampled with 4 classic mics: Shure SM57, Royer R121, Sennheiser 421 and the Neumann KM84.

Redwirez REQ
Our 5-band EQ with high pass and low pass filters. Great analog-style curves. No nonsense. Use it alone or with a stack of IRs.

PCM60 Reverb
Classic PCM60 digital reverb. 12 buttons. 128 ways to make a splash with 80s-style plates and rooms.

Redwirez Giganator
Mix IRs with the Giganator to simulate the sound of high “gig” levels at bedroom listening volume. Tweak your existing IR mixes so they sound better live.

System Requirements
Operating System

– MacOS: 10.11.6 or later (64 bit); Apple Silicon is supported
– Windows 7-SP1, 8.1, 10 (64 bit)

Plugin Formats
VST, AU (Audio Unit), AAX (Pro Tools)

mixIR3 IR Loader v1.8.2 WiN MAC COMPLETE
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Lindell Audio Plugins Bundle v2.0.0 WiN MAC-R2R

Lindell Audio Plugins Bundle v2.0.0 WiN MAC-R2R

L.A Plugins Bundle v2.0.0 WiN MAC

Team R2R | 15 Feb 2019 | WiN: 67.4 MB | MAC: 73.09 MB


The Lindell ChannelX bundle is more than your typical bundle. While on one level it is a collection of three amazing Lindell plugins, the 7X-500 limiter, the PEX-500 EQ and the 6X-500 preamp, it also includes the ChannelX plugin shell which allows you to run all three plugins in a single insert and even change the order that they appear in the signal path. Start off with the 6X-500 preamp to add a bit of punch and color, then add some tasty vintage FET compression with the 7X-500 limiter and then dial in some sweetness with the Pultec inspired PEX-500 EQ.

Key features:
– Faithful hardware circuit emulation of the Lindell Audio 6X-500 Module
– Passive Pultec Equalizer
– Transformer Balanced Input and Output
– Precision 5 Slopes Low Pass and High Pass Filters
– Analog Warmth and Non Linearities

– Faithful hardware circuit emulation of the Lindell audio 7X-500 module
– FET feedback compressor with classic 1176 sound
– Mix control for parallel compression
– 3 step or continuous attack time
– 3 step or continuous release time
– High pass side chain filter
– 3 step ratio: 4:1, 12:1 and 100:1 (all in)
– Transformer balanced output
– Adjustable stereo link
– Analog warmth and non linearities

– Faithful hardware circuit emulation of the Lindell audio PEX-500 module
– Pultec Style Equalizer
– Passive Eq design with a hybrid opamp gain make up circuit
– Transformer balanced output
– Analog warmth and non linearities
– Mid / side stereo processing mode

– Lindell 254E
– Lindell 354E
– Lindell 6X-500
– Lindell 7X-500
– Lindell ChannelX
– Lindell PEX
– Lindell TE-100

Lindell Audio Plugins Bundle v2.0.0 WiN MAC-R2R
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DeFilter v1.2.1 WiN MAC-R2R

DeFilter v1.2.1 WiN MAC-R2R

DeFilter v1.2.1 WiN MAC

Team R2R | 05 April 2022 | WiN: 9.0MB | MAC: 26.7MB


DeFilter is an efficient tool to even out tonal imbalances in a recording or reduce resonant peaks or dips in the frequency spectrum. Even severe issues such as comb filter effects or standing waves from untreated rooms can be addressed. DeFilter can match recordings to target profiles such as music or speech, or alternatively extract the overall timbre from the source – the large strokes – while evening out narrow peaks and dips. The latter removes resonances and comb filter effects effectively while preserving the tonal character of the input signal. Recordings can also be equalized to match a reference recording.

Great care has been taken to provide a user interface that is straightforward to use. Frequency dependent correction levels can be defined using custom curves, so that DeFilter can focus on problematic frequency ranges while leaving other frequency regions untouched. Realtime spectrum analyzers for both the input and output signals visualize the effect on the frequency spectrum.

Use Cases
– Fix issues in a mix prior to mastering
– Reduce resonances caused by untreated room acoustics
– Matched equalization (automatic equalization based on a reference signal)
– Improve clarity and intelligibility of speech
– Instant fix for nasty comb filter effects

DeFilter v1.2.1 WiN MAC-R2R
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