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M4 MultiBand Compressor v2.0.7 WiN MAC LiNUX-MOCHA

M4 MultiBand Compressor v2.0.7 WiN MAC LiNUX-MOCHA

M4 MultiBand Compressor v2.0.7

MOCHA | 31 August 2022 | 13.57 MB

..:: AU, AAX, VST, VST3, LV2, x86, x64 ::..

The last compressor you will ever need!

M4 Multiband Compressor is designed to be the ultimate mixing and mastering tool. This compressor has 3 user-controlled crossovers resulting in 4 bands that can be as wide or as narrow as you desire. The unique display for M4 shows all of 4 bands together, each with a specialty meter to show threshold, peak level, and gain reduction for the respective band in realtime. All 4 bands are completely in your control by allowing attack time, release time, threshold, ratio, and makeup gain to be set. M4 also has optional auto-makeup gain as well as internal bypass. M4 can handle anything from subtle peak control to bus compression, and even mastering. This powerful multiband compressor should feel at home in any producer’s arsenal. If you don’t believe us, check out the sound examples. Or better yet, download the demo and give it a try!

– 3 user controlled cross-overs
– Unique meters that combine peak level, gain reduction, and threshold into one.
– Threshold, Attack, Release, Ratio, and Gain controls
– Ability to solo each frequency band to hone in the perfect amount of compression
– Automatic gain correction
– Low CPU usage

The M4 Display
M4’s all-in-one meter and frequency controller is almost certainly it’s most useful feature. The display will give you an accurate view of the levels across all four frequency bands, as well as how much gain reduction is happening to them in real-time. The gain reduction is show as the darker area at the top of the bar in the meter. Essentially the brighter part of the meter is the level for that band after compression has occurred. The light-blue horizontal line represents the threshold for that particular band.

M4 MultiBand Compressor v2.0.7 WiN MAC LiNUX-MOCHA
♪ Download ♪

Entropy II v2.7.7 WiN MAC LiNUX-MOCHA

Entropy II v2.7.7 WiN MAC LiNUX-MOCHA

Entropy II v2.7.7 WiN MAC LiNUX

MOCHA | 31 August 2022 | 13.90 MB

..:: AU, AAX, VST, VST3, LV2, x86, x64 ::..

Not your Grandpa’s Delay Plugin

Entropy II, like it’s predecessor, is a stereo crossover delay but with several features that will help take your recordings to the next level! Entropy II comes with many new features that will allow you to truly express your creative vision. Choose between milliseconds delay mode when you want to dial in a precise amount of delay, or tempo sync mode when you need your track to take on a completely different form. Entropy’s unique delay algorithm is bound to make your tracks bounce with ambience and excitement.

What Is So Special About Entropy?
The key to Entropy is the crossover. What does this mean exactly? To put it simply, Entropy’s delays interact with each other. Most stereo delays apply feedback within the channel that generates it. In Entropy the left channel receives feedback from the right channel and the right channel receives feedback from the right. This creates a subtle but unique delay effect, that almost smears the delays across the stereo field.

Feedback Section
Entropy features a feedback section that contains a lowpass filter, a highpass filter, drive, and gain. The feedback section allows you fine tune the delay so that you can get the perfect effect regardless of if you are going for subtle ambience or complete chaos.

Entropy II v2.7.7 WiN MAC LiNUX-MOCHA
♪ Download ♪

Convergence v1.1.2 WiN MAC LiNUX-MOCHA

Convergence v1.1.2 WiN MAC LiNUX-MOCHA

Convergence v1.1.2 WiN MAC LiNUX

MOCHA | 31 August 2022 | 13.02 MB

..:: AU, AAX, VST, VST3, LV2, x86, x64 ::..

Introducing the ultimate mastering tool. Ranked #3 in the top 7 multiband compressors by Integraudio. This versatile mastering compressor can handle even the most dynamic of tracks. Convergence features up to 10 bands of compression and as low as 2 bands. Does your track only need a 4 band compressor? No problem! It is trivial to add or remove bands and to adjust the crossover frequencies for them.

Key Features:
– Up to 10 bands of compression
– Adjustable crossovers
– Bands can be added or removed
– Attack/Release envelope visualizer
– Compression Curve visualizer
– Gain Reduction over time visualizer
– Oversampling up to 8x
– Linkable controls
– Soloable bands

The Compressors
Convergence uses crossover filters with -6dB gain at the crossover frequency that sum together to create a perfectly flat frequency response. These -6dB crossovers also introduce the least amount of phase shift possible while still being low on CPU usage. The compressors are designed to have a digital feel to their attack and release timing to be as precise as possible.

The Displays
Convergence comes with several displays that are fine tuned to help you visualize what effect your tweaks have on the incoming audio. The main display is a spectral analyzer with controls to adjust the crossovers for each band. This allows you to easily dial in the frequencies based on which frequencies are most prominent. Each band also has an envelope display, a compression display, and a gain reduction display. The envelope display helps give you an idea of how attack and release times will affect the compression. The compressor display shows how the threshold and ratio controls will affect the compression as well by graphing input versus output levels. Finally the gain reduction display shows input levels and output levels over time so that you can easily see transients and how they are being affected by the compressor.

Soloable Bands
One of the most useful features of Convergence is the ability to solo bands. You can simply hold down the control key and left-click a band to solo it to really dial the compressor settings. Multiple bands can be soloed simultaneously.

Convergence v1.1.2 WiN MAC LiNUX-MOCHA
♪ Download ♪

QLab Pro 5 macOS-TNT

QLab Pro 5 macOS-TNT

QLab Pro 5.0 macOS

Team TNT | 31 August 2022 | 38 MB

QLab makes it simple to create rich multimedia designs for live performances and installations. From Broadway to the West End, in churches, museums, store fronts, concert halls, and theaters around the world, people use QLab to bring their audio and video to life.

Design Tools
– Unlimited Cue Lists with unlimited cues
– Unlimited Cue Carts with 1 to 64 buttons per cart
– Design in Edit Mode and run your performance in Show Mode
– Non-destructive design tools never modify your media files
– Undo any edits
– “Audition” cues locally without sending audio, video, or lighting output to the stage
– Cue templates and Workspace templates
– “Record cue sequence” tool, to capture timing and play it back again the same way later
– “Paste cue properties” tool, to selectively paste properties from one or more cues onto other cues in your workspace
– Text search of cue lists and cue carts
– Extensive AppleScript and OSC APIs
– A comprehensive Status Window to guide troubleshooting
– Powerful and painless remote editing via QLab Remote

– Control unlimited Art-Net DMX universes.
– Create unlimited light instruments (like channels, but can be named anything, not just numbers).
– Create unlimited light groups to collect related instruments together, like “all”, “stage right”, “LEDs”, “floor”, or “floor front left”.
– Use both conventional dimmers and more complex lights with multiple parameters (includes support for percentage-based parameters, as well as both 8-bit and 16-bit direct DMX parameters.)
– QLab-style levels fading: it’s simple to build looks and effects that you can layer and reuse. A Light cue changes only the levels you set in the cue, and leaves the rest unchanged.
– Build sophisticated lighting designs by chaining Light cues together to build complex cue sequences out of simpler parts, then trigger the sequence with a single “GO” like a chain of dominoes.
– As with all cues in QLab, Light cues can be copied, pasted, reordered, paused, resumed, and stopped at any time
– All QLab fade curves are available for Light cues; including linear, s-curve, or totally custom shape fades.
– See and manipulate the current levels of all your lights using the Light Dashboard.
– If you need to sneak in live edits from the Dashboard, you can optionally tell QLab to apply the new values “over time” so they’ll fade in smoothly.
– Open the Audition Window to view the effects of light cues “blind” in the dashboard. Close the Audition Window, and the dashboard will instantly revert back to show the live state of your lights.
– Adjust your lights in the dashboard, then:
-Create a new cue with just the changes,
-Create a new cue with all instruments,
-Update the last-run light cue with the changes, or
– Trace back the edits to each cue that most recently modified each instrument.
– Map your favorite MIDI controller to light commands, for editing either the light dashboard or individual cues.
– For motorized MIDI hardware, QLab supports MIDI “feedback” from the light dashboard and individual light cues. (Aka “flying faders”.)
– Use QLab’s powerful light command language, with autocompletion, instrument or group parameter addressing, ranges, ad-hoc groups, and command history, to efficiently edit both the light dashboard and individual light cues.
– View light cues as sliders, tiles, or raw command text at any time.
– View the Light Dashboard as sliders or tiles.
– Edit lights via keyboard entry (on the command line) or with the mouse (via clicking and dragging.)
– Easily delete individual light commands from any cue, and of course undo any edits.
– In slider view, expand group commands into all the individual instruments currently in the group.
– In slider view, indicators show the current live value of each light in a cue.
– In slider view, select multiple commands to temporarily “gang” them, so you can adjust them up or down together.
– Quickly see when a group of instruments is set to all the same level or a mix of different levels.
– Batch-edit multiple light cues by selecting them and then simply editing any light command they all share. (Or adding a new command to all of them at once.)
– Use AppleScript, either externally or via Script cues, for advanced programming techniques like algorithmically generating a series of Light cues.
– Control both the Light Dashboard and individual Light cues via OSC messages.

– Support for up to 64 channels of audio output
– Support for up to 24-channel audio files
– Support for up to 24 channels of live audio input
– Audio waveform view
– Unlimited slices of your media files for looping and vamping
– Sample-accurate playback synchronization across multiple cues
– Audio panning and volume fading
– Customize output channel names
– Edit audio device routing
– Audio effects on any cue
– Audio effects on cue outputs
– Audio effects on device outputs
– Fade audio effects dynamically

– Full-screen or custom geometry for Video cues
– Fade and animate videos
– 1000 layers of video
– Masking and edge-blending across multiple projectors
– Warping and keystone correction
– Basic video effects
– Live camera input with the Camera cue
– Syphon input & output
– Blackmagic input & output
– Text & titles with the Text cue

Show Control
– Send OSC or UDP messages using the Network cue
– Fade your OSC messages over time, in 1D or 2D
– Inject live values from your workspace into outgoing OSC messages
– Send all MIDI and MIDI Show Control messages with the MIDI cue
– Send MIDI messages by playing MIDI files with the MIDI File cue
– Run your own AppleScripts with the Script cue
– Generate LTC or MTC output with the Timecode cue
– Trigger cue lists from incoming LTC or MTC timecode
– Remote control via OSC and MIDI


  • Intel, 64-bit processor
  • OS X 10.10 or later


QLab Pro 5.0 Pro macOS-TNT
🡳 Download 🡳

EZX2 HipHop v1.0.0 WiN MAC HYBRiD-R2R-MaGeSY

EZX2 HipHop v1.0.0 WiN MAC HYBRiD-R2R-MaGeSY

EZX2 HipHop v1.0.0 WiN MAC

Team R2R | 22 Jun 2016 | 960.8MB


The ultimate collection of acoustic drums, percussion and timeless machines. As a genre, hip-hop is the true definition of creativity, relentless in its urge to reinvent. From sampling the funky grooves of the 1970s, through the age of the classic drum machines to pioneering in fusing modern-day and vintage technology, it’s been a forerunner in rejuvenating our sonic landscape. This is the foundation on which the Hip-Hop! EZX for EZdrummer 2 stands. It’s firmly rooted in authentic, acoustic drums, but mixes, matches and merges them with timeless drum machine sounds, orchestral percussion and other creative elements to form unique hybrid kits. In total, you get 22 mix-ready drum sets and hundreds of percussive pieces – all in an uncompromising fusion of organic and electronic.

Get anything from the clean and polished sound of neo-soul and the mean and electronic Southern trap to the to the dirty, rugged New York boom bap – all in one place. Add to this the powerful framework of EZdrummer 2 and you have the ultimate creative canvas for your next beat.

• 22 mix-ready kit presets
• 16 acoustic snares, 18 acoustic kick drums
• 100s of acoustic and electronic percussion sounds
• Includes custom MIDI drum grooves for each kit preset

EZX2 HipHop v1.0.0 WiN MAC HYBRiD-R2R
♪ Download ♪


REmatrix Complete Bundle v1.2.11 U2B macOS-TRAZOR

REmatrix Complete v1.2.11 macOS

TRAZOR | 03 July 2022 | 1 GB

The REmatrix Complete Bundle gives you access to REmatrix and all the available libraries at a very advantageous price.

The bundle includes:
• REmatrix plugin
• REmatrix Factory Library
• Blackstar Studio
• Drive Blast
• Dusty Racks Vol.1
• Dusty Racks Vol.2
• Dusty Racks Vol.3
• GoldenGlue Platinum
• Imagined Spaces
• JPVerbs
• Rafa Sardina Spaces
• Studio Sessions
• Studio Sessions II

NOTE: Please, consider uninstalling the previous version.

REmatrix Complete Bundle v1.2.11 U2B macOS-TRAZOR
♪ Download ♪

MP3 Cutter Joiner v6.7 MAS-HCiSO

MP3 Cutter Joiner v6.7 MAS-HCiSO

MP3 Cutter Joiner v6.7

HCiSO | 06 May 2022 | 7 MB

MP3 Cutter Joiner consists of a MP3 Cutter and a MP3 Joiner. It is much easier for you to get highlights from MP3 files with MP3 Cutter function, howerver, with MP3 Joiner function, you can perfectly join many audio files into one. Top-notch production: All MP3 files that we created with MP3 Cutter Joiner had the same quality as the original file. Producing new files was very fast, with most MP3s only taking less than 30 seconds to create. Pleasant design: You will enjoy the plain, comfortable design of this program. There are only a handful of objects in the program window, which we found to be a streamlining aspect of MP3 Cutter Joiner.

Supported Operation System
• macOS 11.0 or later
• Intel Core processor

MP3 Cutter Joiner v6.7 MAS-HCiSO
♪ Download ♪


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