Axon 2 v2.1.3 WiN MAC LiNUX RETAiL-SYNTHiC4TE

Axon 2 v2.1.3 WiN MAC LiNUX

SYNTHiC4TE | August 20 2020 | 25 MB

AU/VST/VST3/AAX/x86/x64

Axon 2 is a drum synth driven by artificial intelligence. (Well, “intelligence” might be a strong word. Artificial something-or-other.) An experimental instrument, Axon uses a modified artificial neural network as a sequencer, and features seven FM-based percussion voices, that are really a single 18-operator FM voice. If that sounds weird, you ain’t seen nothing yet. It is surprisingly intuitive once you get the knack of it, and is capable of all-new, complex rhythms that repeat in surprising ways. It often gets referenced as a “random sequence generator,” but there is nothing random in Axon; it is entirely determinative. The sequencer features seven “neurons” that trigger a voice and send a pulse when they have received a predetermined number of pulses. You can wire the output of any neuron to the input of any other (with built-in loop detection to prevent runaway feedback), and in this manner pre-program the artificial neural network without having to go through a “learning” phase.

The seven individual drum voices, each triggered by its attendant neuron, are 2-operator FM voices in a configuration to best make percussion sounds, with additional FM and AM busses that all voices send to and receive from. Each voice has a HPF, distortion circuit, and white noise generator to provide a full range of percussion-oriented voicing individually, while interacting with each other in new and unique ways.

Features:
• Artificial Neural Network sequencer features seven neurons, and is easily programmed to create strange new repeating rhythms.
• Seven FM percussion voices that also buss together to create a single monolithic complex percussion synthesizer.
• Full mixer with pan, level, mute, and solo on each voice.
• Built-in stereo delay with X/Y pad control over feedback and filter frequency, for live playability.
• MIDI in and out, for driving Axon from DAW and hardware sequencers, or driving your drum rack or other samples from Axon.
• Internal transport for non-synchronized playback.
• Resizable vector-based user interface.
• Drawn reciprocation dingle arm to reduce sinusoidal depleneration.
• XML-based cross-platform, human-readable preset system, with copy/paste, for easy transferring of your own presets and third-party offerings.

Axon 2 Changelog:
V2.1.3
New:
>>> Linux VST3 added to payload.
>>> The empty “Default” preset the plugin loaded on instance was, according to extensive user feedback, “terrible” and “a horrible racket” and it was variously wondered if it could “you know, die in a fire or whatever.” In response to these helpful comments, we have changed it so that, on instance, Axon now loads factory preset 15 – Braindance. If you would like some other state as the default, save a preset named “Default” in the User folder and Axon will load that on instance instead.
Fixes And Changes:
>>> New hotness preset manager added. Old and busted preset dropdown removed.
>>> Several small bug fixes you won’t notice now if you didn’t notice before.

The Axon 2 download includes 32/64-bit VST and VST3, and 64-bit AAX for Windows 8 or greater, and as a 32/64-bit AU/VST/VST3/AAX for OSX (10.8 or greater).

INFO/DEMO/BUY: http://mage.si/S34U
Axon 2 v2.1.3 WiN MAC LiNUX RETAiL-SYNTHiC4TE
http://beelink.in/36374/Axon-2-v2.1.3-WiN-MAC-LiNUX-RETAiL.html

Dubstation 2 v2.1.2 RETAiL WiN MAC LiNUX-SYNTHiC4TE

Dubstation 2 v2.1.2 WiN MAC LiNUX

SYNTHiC4TE | August 20 2020 | 14 MB

AU/VST/VST3/AAX/x86/x64

The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products.  All those bells and whistles aside, the heart of Dubstation is our painstaking bucket-brigade delay model. Often imitated, but never duplicated, Dubstation has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. With the addition of the LFO and saturation controls, Dubstation has moved in to the realm of tape delay emulation as well, and is a sonic Swiss Army knife for delay.

Changes in v2.1.2:
> The user presets were not being saved to the correct location. This has been fixed.
> Linux VST3 added to payload.



INFO/DEMO/BUY: http://mage.si/92ae
Dubstation 2 v2.1.2 RETAiL WiN MAC LiNUX-SYNTHiC4TE
http://beelink.in/34900/Dubstation-2-v2.1.2-RETAiL-WiN-MAC-LiNUX.html

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The Dark Zebra v2.8 WiN MAC LiNUX

P2P | 25.01.2020 | 78.6 MB

WiN32/64: VSTi/VST3/AAX | MAC: AU/VSTi/VST3/AAX | LiNUX: VSTi/VST3

A bank of over 400 presets, a collaboration between Hans Zimmer and Howard Scarr. Practically all Zebra sounds in the The Dark Knight as well as The Dark Knight Rises soundtracks are included, plus several more that didn’t quite fit into the scores. The pack also includes Hans’ custom built update from a licensed Zebra2.x to the version you can see in this video, ZebraHZ. Several of the more recent patches make use of the extra features available in ZebraHZ.

INFO/DEMO/BUY: https://mage.si/7Pz2
The Dark Zebra v2.8 WiN MAC LiNUX-R2R
http://beelink.in/25203/The-Dark-Zebra-v2.8.0-WiN-MAC-LiNUX.html

Kombinat Tri v3.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

Kombinat Tri v3.1.0 WiN MAC LiNUX

SYNTHiC4TE | April 23 2021 | 17.1 MB

AU/VST/VST3/AAX/x86/x64

From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series.  With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Tri is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box. Kombinat’s signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. On the front end is a full “DJ-style” band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines lead to a multi-mode filter with 12 different topologies, and then on to a compressor which we have configured for one-control operation.

Features:
Crossover: Kombinat Tri features a DJ-style three-band isolator EQ for band-killing effects and extreme tone-carving on the front end. This leads to the three distortion engines, which can be run in crossover (multi) mode, or in series.
Multiple Distortion Types: Kombinat Tri has 13 different distortion and tone-shaping algorithms, and you can mix-and-match, with each of the three bands getting its own selector. From subtle tube-style clipping to the bizarre distorto-delay of the Nerd Rage algorithm, Kombinat Tri can cover all the bases without unnecessary complexity.
Feedback: If the algorithms weren’t enough, Kombinat Tri has an internal feedback control, tied to an envelope follower. Results may vary, but are always hairy.
Filter: Kombinat Tri has 12 different filter topologies, from subtle 2-pole lowpass, through synth-style filters, to surgical notch. Several are self-resonant.
One-Kontrol Kompressor: A favorite feature of the original Kombinat and Kombinat Dva, the one-knob compressor, tuned for collapsing distorted signals to roadkill, remains in Kombinat Tri.
Mix Control: Kombinat Tri adds an oft-requested feature: a mix knob for better control over the signal path.
Presets: Kombinat Tri includes a selection of presets from Kombinat and Kombinat Dva, some all-new presets to take advantage of the new features, and a selection of Designer presets from Ken Flux Pierce and Don Gunn.

Changes in V3.1.0
> New preset manager.
> Drop-down menus improved for legibility.
> Hi-Dpi problems hopefully dealt with for once and all.
> macOS installer is now Universal Binary 2, and installs Apple Silicon native versions. Note this forces us to make our minimum macOS 10.12 “Sierra.”


INFO/DEMO/BUY: http://mage.si/dFYB
Kombinat Tri v3.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE
http://beelink.in/34714/Kombinat-Tri-v3.1.0-WiN-MAC-LiNUX-RETAiL/

Continua v1.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

Continua v1.1.0 WiN MAC LiNUX

SYNTHiC4TE | April 23 2021 | 26.2 MB

..:: VSTi, VST3, AAX, AU, x64 ::..

Continua is a virtual analog synth with a twist: a continuously morphable threesome of oscillators. With three interconnected controls defining the wave shape, Continua has a virtually limitless supply of waveforms, especially when you add cross modulation and noise in to the mix. An immediately intuitive three-oscillator analogue-style synth with two filters, up to 16 unison voices, copious polyphonic modulation sources and three onboard effects, Continua puts highly controllable waveform morphing at the centre of its architecture and workflow. Bringing the deft harmonic shifts of wavetable synthesis to mind, Continua’s oscillators sweep seamlessly from outputting sine through square to saw waves; each of the four LFOs transitions from a double sine to square, via triangle waveshapes; and the dual independent filters morph continuously through low-pass, band-pass, high-pass and notch responses. Skew and Warp controls enable further manipulation of oscillator and LFO waveforms, and all morphing controls can be modulated for pads and textures that constantly evolve right at the oscillator/filter level.

There isn’t a single knob in Continua that can’t be modulated, from those controlling the oscillators, filters and effects to the parameters of the modulators themselves. Four LFOs, two ADSR and two multi-stage envelope generators, a Sample & Hold generator, two XY pads and eight macros are freely and effortlessly assignable by right-clicking any target control. And with every LFO and envelope being fully polyphonic, the expressiveness of your performances needs know no bounds, especially when using an MPE-compatible controller.

Like the oscillators and filters, Continua’s three effects are tilted towards the production of sustained, ambient-orientated sounds. The Reverb is particularly notable, housing a custom algorithm geared up for very long, dense, heavily modulated tails; while the Chorus and Delay modules bring voice-stacked thickening and evocative spatialisation.

CHANGES IN V1.1.0:
> Preset manager now closes when you double-click on a preset.
> Every last vestige of OpenGL removed; this should increase compatibility on Linux and in future macOS versions. It was already off on the Wiindows and iOS versions; we have removed it from the macOS and Linux versions as well.
> macOS payload is now Universal Binary 2, and Continua will run natively on Apple Silicon Macs.
> macOS minim version is now 10.12 “Sierra” due to digital signing requirements by Apple.
> Linux payload now includes VST3 version.



INFO/DEMO/BUY: https://mage.si/WCHg
Continua v1.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE
http://beelink.in/41335/Continua-v1.1.0-WiN-MAC-LiNUX-RETAiL/

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Couture v1.4.0 WiN MAC LiNUX

SYNTHiC4TE | MERRY XMAS | 16 MB

LV2, AAX, AU, VST2, x86, x64

Couture gives you exquisite control over your dynamics, and particularly attacks. Raw Efficiency. Increase or decrease dynamics. Get a usable result, now. Fully Volume-independent. Keep the freedom to change input gain when needed. Including the Saturation stage. Laser-sharp. Couture’s 2-bands, half-spectral, RMS, program-dependent detector finds each and every transient. No internal thresholds.

Couture is unusually versatile:

  • Make individual drum tracks a lot more dynamic and punchy
  • Remove the “click” out of a kick drum sample
  • Make a whole bus more or less dynamic in a single click
  • Give glue to a mix with light compression and saturation
  • Use a subtle saturation that preserve dynamics
  • Deess the very start of notes for vocals
  • Give life to inane lead synths

 

What’s new?
– Fixed Linux x86_64 support (LV2 / VST 2.4 / VST 3), UI was crashing on first opening or closing.
– Improves UI responsiveness on all OS.
– Fix Panagement crash on first UI opening on Linux.
– Fix Ardour compatibility on Linux.
– Fix Bitwig compatibility with VST3 on Linux.
– Graillon has MIDI input working again.

 




INFO/DEMO/BUY: http://mage.si/99EJ
Couture v1.4.0 MERRY XMAS-SYNTHiC4TE
http://beelink.in/37328/Couture-v1.4.0-MERRY-XMAS-RETAiL.html

Tech Tips Vol.52 TUTORiAL

Tech Tips Vol.52 TUTORiAL

HiDERA | 03 July 2020 | 1.7 GB

We’re now up to Tech Tips Volume 52, and this week we proudly welcome back Enamour to share some of his knowledge on how to get more creative in Ableton! From cool envelope tricks to glitched up sounds, sharpening beats and transients and capturing awesome unique effects live to use in your tracks, these tips are all about standing out above the rest. Easy to follow along, Enamour’s Tech Tips are for all abilities but guaranteed to help raise your game whatever level you’re at. Not to be missed!

INFO/DEMO/BUY: https://mage.si/tech-tips-vol-52
Tech Tips Vol.52 TUTORiAL
http://beelink.in/42584/Tech-Tips-Vol.52-TUTORiAL.html

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Massive X: Designing Massive Sounds

FANTASTiC | 30 November 2019 | 204 MB

If you you’re looking to get deeper into Massive X, you’re in for a treat… This in-depth course by sound designer will show you how to create massive sounds with Massive X! One of the best way to learn a synth (and synthesis in general) is to learn to design specific sounds from scratch. In this course, you’ll get the chance to learn sound design techniques from synth expert. Together with him, you’ll create a wide variety of sounds, from percussion elements to deep basses and screaming leads… all with Massive X! Rishabh starts the course with percussion sound design. He demonstrates how to create a kick, snare, clap, pitched percussion, and a hi-hat groove from scratch. He then moves to the low end, showing you how to create a variety of basses: a very useful pluck bass, an 808 bass to take care of the sub frequencies, a monstrous dubstep bass, a TB-303-inspired acid bassline and a robotic talking bass sound.

INFO/DEMO/BUY: https://mage.si/yoLT
Massive X: Designing Massive Sounds TUTORiAL
http://beelink.in/40302/Massive-X-Designing-Massive-Sounds-TUTORiAL.html

EQ Techniques and Tips TUTORiAL

EQ Techniques & Tips

P2P | 02 July 2020 | 489 MB

Audio Equalization

Learn how to use an EQ properly! The equalizer is a very powerful tool when mixing audio, but if misused, it can make everything sound worse! With this course, you can learn how to use equalizers in the right way and improve the quality of your production. This course was created to start from scratch in the world of equalization. From the basics of sound and frequency to the types of EQ’s and common applications.

Learn the most important concepts for a good equalization:
– Types of equalizers, characteristics and applications.
– Hertz, dB, frequency ranges.
– Their typical controls and settings.
– The use of filters: HPF, LPF, BPF, notch.
– How the “magic frequencies” of different instruments work.
– Common EQ techniques for vocals, guitars, drums, bass, etc.
– The differences between graphic, parametric, shelving and Baxandall EQ’s.
– Serial and parallel equalization.
– Procedures to equalize in a fast and effective way.
– You can learn how to take the best out of an equalizer!

What you’ll learn:
•How equalizers are used by professional audio engineers
•The types of EQ’s and which one is the best for each job
•The frequency ranges in audio and how to use them when you equalize
•The most important frequencies of various instruments

INFO/DEMO/BUY: https://mage.si/1DUF
EQ Techniques and Tips TUTORiAL
http://beelink.in/42556/EQ-Techniques-and-Tips-TUTORiAL.html

Techno Masterclass TUTORiAL

Techno Masterclass TUTORiAL

P2P | 30 June 2020 | 27.02 GB

Did your ever want to recreate the COSMIC TECHNO sound that conquered the whole world by storm? Your Berlin based tutor gives you an exclusive look into his production process, shares his tips, tricks and project files and guides you from your first kick to a mastered Techno track as if you were sitting side by side in the studio.

WHAT YOU WILL LEARN
In this course I will guide you through the complete process on how I produce my Techno tracks. We will do it chronologically from Start to Finish and revisit certain parts, exactly how I would do it when I produce. Music production is not always streamlined, but there are patterns and guidelines. I will show you what helped me to finish more tracks and how I improved my workflow and productivity.

Your Instructor
The sound of Berlin DJ and producer can mainly be identified as an interplay of deep / powerful kicks and raw techno basslines, paired with melodic, hypnotic – almost trance-like – lead and pad elements. Also he expresses his passion for this contrasting type of techno in his DJ sets. However just producing is not enough for Johannes. He also likes to share his skills with other producers. Some of his work such as Ableton templates or samples can be found on Productionmusiclive.com. Also other musicians can have a look over his shoulder by watching his screencast sessions. Those can be found on his channel “Ableton Techno Vlog” on YouTube.

The feeling of being able to immerse into a world where limits are defined only by yourself motivates him to spend every free minute in the studio continuing the exciting journey through the world of techno.

What exactly are you getting?
✓ 6+h Masterclass
✓ 15 in depth sessions from the first beat to a finished master
✓ Ableton Project File included

INFO/DEMO/BUY: https://mage.si/i4k0
Techno Masterclass TUTORiAL
https://beelink.in/42536/Techno-Masterclass-TUTORiAL.html

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