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Classic Rock Grooves MiDi

P2P | 24.12.2019 | 9.73 MB

GROOVES YOU NEED TO MAKE ROOM FOR.

Drum grooves and fills inspired by the greats of classic rock. In the 1970s, acts like Whitesnake, Deep Purple and Led Zeppelin not only paved way for a new breed of loud, beat-driven rock – they also revitalized the drum hero of the jazz-age and cemented the role of the drums as one of the pivot points around which they based their sound. Still to this day, the pummeling grooves of John Bonham, Ian Paice, Keith Moon and Bill Ward continue to inspire writers and underline the fact that in classic rock, the drums are – and should be – loud, obnoxious and play as much of a leading part as anything else in a song. With that as a foundation, we headed back to the genre’s heydays to capture some of its unmistakable traits. Expect the big, bold mid-tempos, the doom-ridden slow songs, the hammering up-tempos – and, of course, the larger-than-life and rightfully abundant spur of fills. These are grooves you need to make room for. Start writing.

Works with EZdrummer, EZdrummer 2, Superior Drummer 2 and Superior Drummer 3 (optimized for 1 kick, 1 snare, 1 tom, 1 floor tom, 2 crash cymbals, 1 ride cymbal).

FEATURE SPOTLIGHT:
– Drum grooves and fills inspired by primarily ‘70s classic rock music
– Played by professional session drummer
– A total of 319 individually played files
– 4/4 in straight and or swing feel
– Tempos ranging from 78 BPM to 178 BPM
– Song structure categorization (intro, verse, pre-chorus, chorus, bridge, fills)



INFO/DEMO/BUY: https://mage.si/y6Gx
Classic Rock Grooves MiDi WiN MAC
http://beelink.in/40452/Classic-Rock-Grooves-MiDi-WiN-MAC.html

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Rock! v1.5.3 EZX

P2P | 24.12.2019 | 1.13 GB

Take Neil Dorfsman, a Grammy Award-winning engineer with four decades worth of experience and credits on some of the best selling rock records ever made, give him full access to drums recorded in the most renowned studios in the world and the freedom to blend, mix and match samples collected during his entire recording career, all in order to design the ultimate collection of rock drums. The end result you get is a jaw-dropping selection of completely unique kits unlike anything you have ever heard – hybrids of mixed and custom made drum sets, tailored for any kind of rock.

The Rock! EZX comes with eight custom drum kits based on selections from the near infinite Toontrack sound vaults, featuring rare and vintage drums recorded over the past decade in renowned studios like New York’s Allaire Studios, Blackbird Studios in Nashville and 2 Khz Studios in London. All sounds were handpicked and re-mixed through various outboard chains as well as layered with engineer Neil Dorfsman’s (Bruce Springsteen, Bob Dylan, Dire Straits) personal collection of samples.

The Rock! EZX gives you four decades of engineering experience boiled down to eight tailor-made kits spanning the whole range of rock – from ambient to dry, vintage to modern.

FEATURE SPOTLIGHT:
– Eight (8) complete drum kits mixed by Neil Dorfsman (Dire Straits, Sting, Bruce Springsteen)
– Drums recorded in various top studios in New York, Nashville, London and Stockholm
– Extensive MIDI library included

INFO/DEMO/BUY: https://mage.si/3xM7
Rock! v1.5.3 EZX
http://beelink.in/9688/Rock-v1.5.3-EZX.html

Replika v1.4.0 AU VST 64Bit macOS

Replika v1.4.0 MAC

P2P | 05.07.2020 | 70.29 MB

THE ESSENTIAL DELAY

Streamlined controls deliver instant usability, Three high-fidelity algorithms for versatile sound, Resonant filter and phaser for additional motion REPLIKA packs two professional quality delays and a powerful diffusion algorithm into a sleek, streamlined interface. Simple to use with a resonant filter and classic phaser built in, REPLIKA is a versatile delay for anything from subtle slapback to warped sheets of noise.

MAJOR DELAY
REPLIKA provides three distinct algorithms. Modern is a digital delay that delivers the crystal-clear repeats of high-end units. Vintage Digital delivers the charismatic grit of early studio delays. Diffusion delivers a fresh sound that rides the line between delay and reverb.

MODULATION AND MORE
A high-class resonant filter and classic phaser add subtle to drastic motion that can be sync’d to the beat for intense sound design. You can even adjust your signal’s placement in the mix with normal, wide, and ping pong stereo modes.

Release Notes:
1.4.0 — 2020-06-10
• FIXED Replika crashed on instantiation in Logic Pro X 10.5
• KNOWN ISSUE We were reported issues on macOS 10.15 when opening the plug-in in Digital Performer 9 and 10 and Max 8. We are investigating this. Users of those hosts may consider not to update to this version
• REMOVED 32-bit plug-in support

INFO/DEMO/BUY: https://mage.si/5VoC
Replika v1.4.0 AU VST 64Bit macOS
http://beelink.in/22984/Replika-v1.4.0-AU-VST-64Bit-MAC.html

Mod Pack v1.1.0 AAX AU VST MAC-P2P

Mod Pack v1.0.1 MAC

P2P | 05.07.2020 | 172 MB

AAX, AU, VST

MOD PACK takes three classic modulation effects – chorus, flanger, and phaser – and adds never-before-seen features. Each offers spectacular new creative possibilities, plus stunningly convincing vintage-sounding results, making MOD PACK an essential upgrade from your conventional modulation effects.

CHORAL: CLASSIC CHORUS AND MORE
CHORAL takes sonic inspiration from some of the most prized chorus effects of the last 40 years – including iconic rack-mount and synth-based ‘unison’ effects. Add width, movement, sheen, and shimmer to any signal, or take advantage of an all-new feedback mode, Scatter. It avoids the unpleasant metallic quality of heavy feedback settings in traditional designs, instead creating an entirely new reverb-like effect.

IN THE MODE
– CHORAL has four sound modes, each with a distinct character.
– UNIVERSAL offers a clean modern digital sound, while three are inspired by classic hardware choruses.
– SYNTH mode takes its sonic lead from a series of 80s synthesizers, famous for their lush ‘unison’ chorusing function.
– ENSEMBLE mode is reminiscent of the BBD (bucket brigade device) chorus section of one of the most prized string synths of the late 70s.
– DIMENSION references the sound of a truly legendary early 80s rackmount chorus.

CHORUS CONTROL
The unifying factor of all the classics that inspired CHORAL is that they featured little, if any, customization options. On, Off, and Type, were typically the only controls. CHORAL, on the other hand, offers many custom parameters. The number of chorus voices can be set progressively from one to three, the sync rate can be manually altered, as can the modulation rate, amount, mix, delay time, stereo width, and feedback (the latter offering an entirely new routing option, called Scatter).

FLAIR: A NEW TYPE OF FLANGER
FLAIR turns the classic flanger on its head. Not satisfied simply recreating vintage analog tape and pedal flanging effects – though it does both beautifully – FLAIR adds a revolutionary new Voices mode which uses multiple delay lines to create tuned harmonic flanging layers and resonances. It even features 24 chord settings, offering a variety of chords and note intervals.

In Standard mode, each voice behaves like a normal flanger. In Thru Zero mode, each voice is duplicated at its respective pitch, but the duplicates are not modulated, so as the modulation increases, the flanging becomes even more apparent. In Scan mode, things get even more creative: Instead of stacking the voices into a chord, they play consecutively, a bit like an arpeggiator, with the order set by one of three waveforms.

CAPABLE CLASSICS
In addition to the revolutionary features on offer, FLAIR is capable of traditional lush tape and pedal-style flanging, offering all the parameters you would commonly expect, such as tempo-synced pitch modulation. Sound-enhancing features include Detune for offsetting the pitch of the flanging, Feedback for thickening the flanging (complete with adjustable damping control to roll off high frequencies and soften the effect at high feedback values), and Width, for creating stereo flanging.

PHASIS: PHASING REDEFINED
PHASIS offers timeless phasing sounds – adding movement, soul, and creative magic to any signal. PHASIS draws inspiration from classic phasers but adds powerful new features for never-heard-before results. For example, the Spread control changes the spacing of the phaser’s notches, for vocal-style effects. Ultra mode pushes modulation to ultra high rates, producing unique FM-esque tones.

NOT JUST ANOTHER NOTCH
Though offering a lush, analog-inspired sound, reminiscent of some of the finest rackmount and pedal-housed phaser effects, PHASIS’ unique Spread control allows wah-wah and formant-style filtering effects, but with a highly distinct sonic flavour. Spread adjusts the density of peaks and notches in the spectrum, and whether set to a single value, controlled live or with automation, or flipped with the Invert button, Spread provides a fresh take on both phasing and vowel-filtering.

ULTRA FEATURES
With up to 12 notches, a powerful stereo spread function, extensive tempo-sync options, and all the controls you would expect on a professional phaser, PHASIS is already a formidable modulation device, but ULTRA takes things to new territory. Engaging ULTRA raises the maximum modulation speed from 8.37kHz up to an incredible 477.3kHz allowing some extraordinary FM-style effects that have never been heard before, capable of transforming even white noise into an exciting sound.



INFO/DEMO/BUY: http://mage.si/4wHs
Mod Pack v1.1.0 AAX AU VST MAC-P2P
http://beelink.in/36336/Mod-Pack-v1.1.0-AAX-AU-VST-MAC-P2P.html
WiN:
https://magesy.blog/plugins-vst/mod-pack-v1-0-1-aax-vst-x64-win-ce-v-r.html

Replika XT v1.1.0 AU VST 64Bit macOS

Replika XT v1.1.0 macOS

P2P| 05 July 2020 | 62.36 MB

THE SUPREME DELAY

REPLIKA XT is a creative multi-mode delay. With five vivid delay modes and advanced options, this effect delivers pure inspiration. Five deeply modeled delay modes span crisp digital repeats, analog warmth, and experimental textures. Advanced options offer fast ways to open up your mix with pinpoint creative control. And an elegant interface puts new possibilities right before your eyes. From single instruments to entire mixes, REPLIKA XT will add new character to your music.

THE SUPREME DELAY
– Studio-quality delay with vast sonic flexibility
– Comprehensive, all-in-one solution for intricate rhythms, mixing tricks, and more
– Straightforward interface makes dialing-in sounds fast and intuitive

A TOOL FOR ALL OCCASIONS
Five deeply modeled delay modes span crisp digital repeats, analog warmth, and experimental textures. Advanced options offer fast ways to open up you mix with pinpoint creative control. And an elegant interface puts new possibilities right before your eyes. From single instruments to entire mixes, REPLIKA XT will add new character to your music.

FIVE WAYS TO DELAY
Each of the five modes was inspired by some of the most revered delays in history, making REPLIKA XT an all-in-one solution for distinctive, high-quality echoes, space, and width.
Modern delivers clean, precise, controllable repeats. Vintage Digital offers warm, crunchy repeats modeled after early samplers and digital delays. Analogue replicates the dark, hazy sound of analog bucket-brigade pedals. Tape provides the organic quality of famous tape echo units and the punchy, smooth sound of tape. Diffusion is something entirely its own – swirling reverberant echoes that no physical space can provide.

EASY TO REPEAT
REPLIKA XT makes it easy to create sophisticated rhythms, widen your mix, or explore a universe of sound design possibilities. Use the pattern controls to quickly create rhythmic repeats that shift organically with the music. Dial in the perfect stereo image with panning for each delay and dry signal, or adjust ducking time to keep percussive hits tight – uncompromising control at a glance.

SEVEN STEPS TO EFFECTION
Combine the delay modes with pristine effects to produce classic mixing tricks, and add shimmer, dimension, and motion to your music. REPLIKA XT includes seven time-based and pitch effects to add to your repeats. Or turn the delay down and use them on their own.

INCLUDED ARTIST PRESETS
REPLIKA XT features custom presets by some of today’s leading sound artists, including:
– Funkstörung
– Richard Devine
– Roger Lyons (Lionrock, engineer/programmer for Kaiser Chiefs, New Order, and Ultravox)
– Marcus Byrne (keyboards/programmer for Take That, ELO, Gary Barlow, and Annie Lennox)
– Chris Shaw (producer/engineer for Bob Dylan, Public Enemy, Ween, SFA)
– TOM and His Computer (Lulu Rouge)

Release Notes:
1.1.0 — 2020-06-10
• FIXED Replika XT crashed on instantiation in Logic Pro X 10.5
• KNOWN ISSUE We were reported issues on macOS 10.15 when opening the plug-in in Digital Performer 9 and 10 and Max 8. We are investigating this. Users of those hosts may consider not to update to this version
• REMOVED 32-bit plug-in support

INFO/DEMO/BUY: https://mage.si/4g37
Replika XT v1.1.0 AU VST 64Bit macOS
http://beelink.in/27091/Replika-XT-v1.1.0-AU-VST-64Bit-macOS.html

Crush Pack v1.1.0 AU VST MAC-iND

Crush Pack v1.1.0 MAC

Team iND | 05 July 2018 | 189.9 MB

CREATIVE SIGNAL PROCESSING

BITE, DIRT, and FREAK breath creative life into iconic effects. Enjoy modern twists on the prized tone of early samplers, the timeless shred of a sophisticated stomp box, dynamic ring modulated sci-fi sounds, futuristic timbres, other-worldly radio broadcasts, and more.

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BITE: INSTANT STREET VIBES
Precision bit-crushing: Recreate the prized sonic imperfections that defined hip-hop and dance music’s first golden era, or dial the bits right down to depth-charged extremes.

  • Authentic organic crunch of 80s digital sample rate reduction
  • Wide sonic palette: From character-adding bite to bit-reduced oblivion
  • Auto-input/output compensation, for controlled chaos
  • Generate curious and noisy artifacts at low sample rates

 

DIRT: STRAY INTO THE RED
Organic-sounding distortion, crafted by sound designers. Flexible signal routing, blending, and other carefully crafted parameters allow a level of control not normally associated with distortion units.

  • An elegant and broad spectrum of distortion
  • Add presence to synths, glue drum busses, decimate guitars, and more
  • Wavefolding allows complex, dynamic timbres from simple sources like sine waves
  • Controls calibrated for subtle tone-shaping

 

FREAK: SONIC MUTATION
Three sound-bending modulation types offer retro radio lo-fi and wild sidechain ability, alongside classic AM, ring mod, and frequency shifting techniques.

  • Create detuned horror-style vocals, rich metallic timbres, rhythmic sidechain, and more
  • Add a whole universe of noise and inharmonic content to harmonic signals
  • Radio mode: Demodulation of signals offers the sound of vintage broadcasts or alien transmissions
  • Stereo modulation feature – particularly effective on percussion

 

NKS AND TOTAL INTEGRATION
EFFECTS SERIES – CRUSH PACK is compatible with Native Kontrol Standard® (NKS). This means you can browse and load presets straight from your KOMPLETE KONTROL or MASCHINE hardware. Each effect loads automatically mapped, so you can start playing and tweaking parameters immediately.

Release Notes:
1.1.0 — 2020-06-10
• FIXED crashed on instantiation in Logic Pro X 10.5
• KNOWN ISSUE We were reported issues on macOS 10.15 when opening the plug-in in Max 8.
We are investigating this. Users of this host may consider not to update to this version

NOTE: To access NKS features you must install the KOMPLETE KONTROL (version 2.0 or higher) or MASCHINE software (version 2.7.6 or higher) via Native Access.





INFO/DEMO/BUY: http://mage.si/VaPj
Crush Pack v1.1.0 AU VST MAC-iND
http://beelink.in/36796/Crush-Pack-v1.1.0-AU-VST-MAC-iND.html

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Action Drums MiDi WiN MAC

P2P | 06.01.2020 | 10.22 MB

BEATS FOR THE SCREEN.

Groove foundations for dramatic scenes, soundscapes and songs. The Action Drums MIDI pack presents a collection of unique and unconventional grooves designed for use in any dramatic or action-packed scene, soundtrack or songwriting context. This is the perfect palette of drum foundations for any broad scope writer for film, TV or energetic music in general. Be it grooves for an action sequence, an intense breakbeat-inspired theme, a throbbing electronic track or a raging rock riff, you’ll strike a match. Expect one of the most all-encompassing collections of grooves yet. Start writing!

FEATURE SPOTLIGHT:
– Drum MIDI grooves and fills inspired by action movie themes, scenes and soundtracks
– Classic drum beats as well as snare and tom grooves, rolls and runs
– Performed by professional session drummer
– In excess of 380 individually played files divided over ten separate songs/themes
– 4/4, 6/8 and 7/8 in straight and/or swing feel with tempos ranging from 55 BPM to 165 BPM (regular and half-time)
– Intro, verse, pre-chorus, bridge and fills sections



INFO/DEMO/BUY: https://mage.si/QUK9
Action Drums MiDi WiN MAC
http://beelink.in/40609/Action-Drums-MiDi-WiN-MAC.html

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Hardcore MiDi WiN MAC

P2P | 06.01.2020 | 10.10 MB

HARD TO THE CORE.

Hatebreed drummer Matt Byrne brings you a crosscut of hardcore from then and now. Not only inspired by his own band’s catalogue but a broad selection of pioneering songs, influential artists and notable drummers of the genre, Hatebreed drummer Matt Byrne delivers an uncompromising, full-on assault of relentless grooves spanning the whole range of the hardcore genre from then and now. Expect anything from the metal-tinged and devastatingly heavy to the alarming, crushing and aggressive onset of classic hardcore. All in all, this is a collection of grooves battered in pent-up rage, right at the verge of eruption – balancing dead center at the divide of metal, punk and hardcore.

FEATURE SPOTLIGHT:
– Drum grooves and fills inspired by hardcore and metal music
– 4/4 in straight and/or swing feel
– Approx. 320 individually played files
– Tempos ranging from 95 BPM to 185 BPM
– Song structure categorization in 8- and 16-bar variations (intro, verse, chorus, bridge, fills)



INFO/DEMO/BUY: https://mage.si/YZB1
Hardcore MiDi WiN MAC
http://beelink.in/40616/Hardcore-MiDi-WiN-MAC.html

T-RackS 5 MAX v5.5.1 macOS-SPTNDC

T-RackS 5 MAX v5.5.1 macOS

SPTNDC | June 30 2021 | 1.92 GB

Take it to the MAX | 38 high-end audio processors

Welcome to the ultimate mixing and mastering suite for producers and studio professionals. Powerful processing and effortless mixing and mastering are just a click away. The T-RackS 5 MAX collection for Mac/PC comprises 38 superb modules that range from compressors and limiters to equalizers, channel strips, reverbs and more. All the gear has been modeled after some of the most sought-after production equipment of all time and chosen for its unique sonic character. T-RackS 5 MAX is a must-have set of tools for discerning producers, engineers, and musicians wishing to sculpt single tracks and full mixes with some of the most popular, best-selling plug-ins ever created. Not only is T-RackS MAX the superior choice when it comes to building a serious in-the-box configuration, but it is also the most cost-effective solution on the market — in other words, you get a full-fledged recording studio for a sum that won’t break the bank and that is simply unrivaled.

Maximum selection
T-RackS 5 MAX gives you a massive 38 included processors, spread from contemporary classics like our multiband Quad Lim, our ultra-transparent mastering tool, the Stealth Limiter, to timeless favourites like the White 2A, the VC-670, the EQ P73 and, of course, the four brand new modules: Master Match, Dyna-Mu, ONE and EQual. It’s an entire studio’s worth of powerful processors to take your mixes and masters to a new level.

Supreme power
Utmost realism, unparalleled performance, and undeniably great sound — T-RackS MAX processors have everything you need to mix and master with top-notch results. Each model features a redesigned,resizable interface that has all the familiarity and ease-of-use you would find on the original gear models used in the world’s top professional recording and mastering facilities. Each module can be used on its own, as part of a plugin suite inside a DAW or inside the standalone software. In addition to its vast collection of processors, T-RackS 5 MAX includes the new broadcast compliant metering suite an absolute essential for crafting great sounding, future-proof masters that will sound great on any medium.

NOTE: AAX is also patched, but I don’t know if it works or not, because I couldn’t test it. If patched AAX doesn’t work and you want to use AAX, just uncheck T-RackS 5 MAX AAX Test from installer and use kgen from TEAM R2R, but Comprexxor is still locked.

INFO/DEMO/BUY: https://mage.si/JMrJ
T-RackS 5 MAX v5.5.1 macOS-SPTNDC
http://beelink.in/47229/T-RackS-5-MAX-v5.5.1-macOS/

MP3 Converter 3.2.0 macOS TNT

MP3 Converter 3.2.0 macOS

Team TNT | 19 Aug 2020 | 62 MB

Do you want to extract audio from the video on Mac? Do you have some music formats that are not supported by Mac? MP3 Music Converter for mac converts them to mp3,m4a format, which is the most common format and can be supported any Apple Device. It is very simple, does not require professional skills. Like other audio formats, drag MIDI files to the program, one click to convert it to mp3 or M4A format. Supports editing functions (requires in-app purchases). Editing functions provide precise visual trimming. No complicated operations, just drag to complete the trim.Supports multi-segment discontinuous cutting, and can also combine multi-segment cutting into one output. Set the clip’s fade-in and fade-out effects, volume, and then preview the clip’s output in time. MP3 Music Converter for mac is a professional and fastest mp3 converter for mac. It can convert any formats to mp3,m4a format. It’s extremely efficient and completes the conversion in seconds.It supports simultaneous conversion, batch conversion.

Key features:
1.Supports inputing many audio formats, such as midi, wma, aac, mp3,mp2, wav, ogg, ac3, flac, aiff, aif, m4a, mka, ape.
2.Supports inputing many video formats, such as wmv, asf, xwmv, xwma, avi, mpeg, mpg,rm,rmvb,mp4,3gp,3g2,mov,qt,mts,mkv,ts, flv,f4v.
3.Supports clipping, fade-in, and volume adjustment
4.Supports outputting mp3, m4a formats
5.Supports encoding with constant bitrate mp3
6.Supports encoding with variable bitrate mp3
7.Very high conversion efficiency, 8 minutes of music can be done in just 10 seconds
8.Easy to use, simply drag and drop will be able to complete the conversion
9.Automatically convert metadata into id3tag
10.Support for batch conversion

NOTE: Does NOT support DRM encrypted files.

INFO/DEMO/BUY: https://mage.si/ja4e
MP3 Converter 3.2.0 macOS TNT
http://beelink.in/43375/MP3-Converter-3.2.0-macOS-TNT.html

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