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Continua v1.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

Continua v1.1.0 WiN MAC LiNUX

SYNTHiC4TE | April 23 2021 | 26.2 MB

..:: VSTi, VST3, AAX, AU, x64 ::..

Continua is a virtual analog synth with a twist: a continuously morphable threesome of oscillators. With three interconnected controls defining the wave shape, Continua has a virtually limitless supply of waveforms, especially when you add cross modulation and noise in to the mix. An immediately intuitive three-oscillator analogue-style synth with two filters, up to 16 unison voices, copious polyphonic modulation sources and three onboard effects, Continua puts highly controllable waveform morphing at the centre of its architecture and workflow. Bringing the deft harmonic shifts of wavetable synthesis to mind, Continua’s oscillators sweep seamlessly from outputting sine through square to saw waves; each of the four LFOs transitions from a double sine to square, via triangle waveshapes; and the dual independent filters morph continuously through low-pass, band-pass, high-pass and notch responses. Skew and Warp controls enable further manipulation of oscillator and LFO waveforms, and all morphing controls can be modulated for pads and textures that constantly evolve right at the oscillator/filter level.

There isn’t a single knob in Continua that can’t be modulated, from those controlling the oscillators, filters and effects to the parameters of the modulators themselves. Four LFOs, two ADSR and two multi-stage envelope generators, a Sample & Hold generator, two XY pads and eight macros are freely and effortlessly assignable by right-clicking any target control. And with every LFO and envelope being fully polyphonic, the expressiveness of your performances needs know no bounds, especially when using an MPE-compatible controller.

Like the oscillators and filters, Continua’s three effects are tilted towards the production of sustained, ambient-orientated sounds. The Reverb is particularly notable, housing a custom algorithm geared up for very long, dense, heavily modulated tails; while the Chorus and Delay modules bring voice-stacked thickening and evocative spatialisation.

> Preset manager now closes when you double-click on a preset.
> Every last vestige of OpenGL removed; this should increase compatibility on Linux and in future macOS versions. It was already off on the Wiindows and iOS versions; we have removed it from the macOS and Linux versions as well.
> macOS payload is now Universal Binary 2, and Continua will run natively on Apple Silicon Macs.
> macOS minim version is now 10.12 “Sierra” due to digital signing requirements by Apple.
> Linux payload now includes VST3 version.

Continua v1.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

Kombinat Tri v3.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

Kombinat Tri v3.1.0 WiN MAC LiNUX

SYNTHiC4TE | April 23 2021 | 17.1 MB


From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series.  With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Tri is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box. Kombinat’s signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. On the front end is a full “DJ-style” band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines lead to a multi-mode filter with 12 different topologies, and then on to a compressor which we have configured for one-control operation.

Crossover: Kombinat Tri features a DJ-style three-band isolator EQ for band-killing effects and extreme tone-carving on the front end. This leads to the three distortion engines, which can be run in crossover (multi) mode, or in series.
Multiple Distortion Types: Kombinat Tri has 13 different distortion and tone-shaping algorithms, and you can mix-and-match, with each of the three bands getting its own selector. From subtle tube-style clipping to the bizarre distorto-delay of the Nerd Rage algorithm, Kombinat Tri can cover all the bases without unnecessary complexity.
Feedback: If the algorithms weren’t enough, Kombinat Tri has an internal feedback control, tied to an envelope follower. Results may vary, but are always hairy.
Filter: Kombinat Tri has 12 different filter topologies, from subtle 2-pole lowpass, through synth-style filters, to surgical notch. Several are self-resonant.
One-Kontrol Kompressor: A favorite feature of the original Kombinat and Kombinat Dva, the one-knob compressor, tuned for collapsing distorted signals to roadkill, remains in Kombinat Tri.
Mix Control: Kombinat Tri adds an oft-requested feature: a mix knob for better control over the signal path.
Presets: Kombinat Tri includes a selection of presets from Kombinat and Kombinat Dva, some all-new presets to take advantage of the new features, and a selection of Designer presets from Ken Flux Pierce and Don Gunn.

Changes in V3.1.0
> New preset manager.
> Drop-down menus improved for legibility.
> Hi-Dpi problems hopefully dealt with for once and all.
> macOS installer is now Universal Binary 2, and installs Apple Silicon native versions. Note this forces us to make our minimum macOS 10.12 “Sierra.”

Kombinat Tri v3.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

Steinberg Embracer v1.0.0 VSTi x86 WiN UNLOCKED-R2R

Steinberg Embracer v1.0.0 VSTi

Team R2R | MERRY XMAS | 18 MB

While an Embracer may sound like a character from an Arnold Schwarzenegger film, in SX it’s a new polyphonic synthesizer that specialises in producing pad and atmospheric sounds. On the whole, Embracer features a relatively simple and unfussy user interface, and it’s capable of producing some very usable sounds. However, perhaps its most intriguing feature is the surround sound output option, of which more in a moment.

Before the big wave, Santa brought you some nice retro toys. Some are never released before, some are fixed or optimized for latest Windows OS, some are strongly protected. Since you have much faster computer than 20 years ago, try running those legacy under higher sampling rate (96kHz or above) and rediscover your hidden gems (if plugin supports that rate), the difference is like night and day.

We tested our release under latest build of Windows 10 x64. Some legacy use depricated function from old VSTSDK. If you can’t get working correctly in your hosts, try wrapper or bridge like PatchWork, MetaPlugin, jBridge etc. MetaPlugin also have oversampling option to run those legacy in higher sampling rate.

UNLOCKED: You can load to any DAW. Sample based synthesizer made by Wizoo. We fixed the bug of path detection which cause error in sample loading. But there are still some issue in some hosts due to the dependency to the depricated VST operation. If synth does not make sound in your host, load the synth in MetaPlugin.

Steinberg Embracer v1.0.0 VSTi x86 WiN UNLOCKED-R2R

ACiD Pro v10 Suite WiN

Team R2R | 27 Feb 2020 | APP: 573.4 MB | CONTENT: 18.44 GB

ACID Pro 10 – where creativity meets inspiration. The DAW for all producers who demand the highest standards for their music productions.Made for producers who can tell the difference. It’s that magic moment again. You hear a song on the radio and you just can’t wait to sample or remix it. True inspiration. With ACID Pro, you will be able to sketch that idea and turn it into a finished track faster than any other DAW. Its unique workflows, innovative features and professional tools were designed specifically for loop- and sample-based music production. Compose, arrange, record, mix and master. But most importantly: be creative. Experience ACID Pro.

Highlights in ACID Pro 10:
– The creative DAW for sample- and loop-based music production
– Incredible, brand-new zynaptiq STEM MAKER 2
– NEW! ACID Morph Pads
– Celemony Melodyne essential (worth $99)
– NEW! Sidechaining (coming soon)
– NEW! Transient detection in the MIDI Playable Chopper Remix Tool
– NEW! Instruments, effects and ACIDized loops worth over $1,000

System Requirements:
– Windows 10, Windows 8, Windows 7 (64-bit).
– Processor: 1 GHz (multicore or multiprocessor recommended)
– RAM: 1 GB (8 GB recommended)
– Graphics card: Onboard, min. resolution 1024 x 768
– Sound card: Onboard
– Hard drive space: 500 MB for program installation
– Program languages: Deutsch, English, Español, Français

ACiD Pro v10 Suite x64 WiN-R2R

Mini V3 v3.7.1 1263 WiN MAC-MORiA

Mini V3 v3.7.1 1263 WiN MAC

MORiA | 24 APril 2021 | 577.50 MB

..:: AU, VSTi, STANDALONE ::..

From the starship funk lead lines of the ‘70s to the gangster whine of mid ‘90s hip-hop, the ever-present MiniMg has been making its fat presence known for over 4 decades. In partnership with Bob Moog we recreated the legendary interface of his early 70’s synth that was and is loved by generations of musicians. What truly makes this synth the Legend of Legends is its sound, and so we took great care to model the subtleties of its internal characteristics as well.

A good thing made better
Mini V has kept all of the original characteristics of its award-winning previous versions. Mini V version 3 updates the filter design to make it even more accurate than ever. Powerful and rich bass, faithfully reproduced ‘free-running’ waveforms thanks to new advances in our long proven

TAE® technology.
A class of its own. When fat, deep blistering bass is needed, there is no further need to go anywhere but to Mini V. Also famous for its powerful lead sounds, the greatest hit makers in the ’70’s knew that this synth was the goto tool.

A Sonic Expansion
But we’re not resting on our laurels. While the original product set the sound of the 70’s we have taken it to new realms. We have added an advanced modulator that allows you to draw a shape and control many parameters creating a movement and interest. A vocal filter expands sonic possibilities with a formant-analysis based effect: now you can make that synth talk! A modulation matrix has been added dramatically improving on the original design and doing away with its limitations.

January 26, 2021
Bug fixes:
* Fixed issues with tutorials
* No more font issues on case-sensitive operating systems
* VST3 MIDI learn now properly maps to CC in Live (Windows)
* VST toolbar is now properly displayed in Reason 10 instruments
* No more conflicts between the side panel and the resize function

* Type icons size have been reduced to avoid scrolling when browsing presets

Mini V3 v3.7.1 1263 WiN MAC-MORiA

ERA-Bundle Pro v5

ERA-Bundle Pro v5.2.1.0 WiN

MORiA | 25 April 2021 | 361.14 MB


The fastest audio repair solution for sound professionals

Salvage tracks which cannot be recorded again. Save tons of time in editing. Clean your tracks with no artifacts in a fraction of the time. The ERA Bundle Pro features 13 powerful plugins to help you tackle all the audio issues you routinely face. Whether you work with video, film, podcasts, voice overs, broadcast, streaming or music production, the ERA plugins will help you get the job done in seconds.

ERA Bundle Pro
Plugins for fast audio repair & spectral restoration
  • ✓ Noise Remover Pro
  • ✓ Reverb Remover Pro
  • ✓ DeEsser Pro
  • ✓ RoomTone Match


✓ ERA Bundle Standard:

  • ✓ Noise Remover
  • ✓ Reverb Remover
  • ✓ Mouth De-Clicker
  • ✓ AutoEQ
  • ✓ Voice Leveler
  • ✓ Voice Deepener
  • ✓ CleanUp Assistant
  • ✓ De-Esser
  • ✓ Plosive Remover
  • ✓ De-Clipper


ERA-D focuses on two things and does them exceptionally well. When you need deep and sophisticated denoise and dereverberation, ERA-D is the right tool for you:
• Multi-patented algorithms for Denoise and Dereverberation
• Intelligent joint mode takes the natural noise and reverb counter-interaction into account for higher quality sonic results.
• Dual Channel mode that enables you to use a secondary mic to improve the audio repair quality on your primary mic.

Noise Remover
A simple and elegant solution for instant denoising. The ERA Noise Remover automatically estimates the noise profile and allows you to adjust background noise. From fan and HVAC noise to electric interference (such as hum and hiss), you only need a single knob. The ERA algorithm is multi-patented and therefore unique compared to anything you’ve heard before.

Reverb Remover
Although artificial reverb adds depth and richness to the sound, poor room acoustics can make your recordings sound distant and hollow. The ERA Reverb Remover automatically estimates the reverberation profile and allows you to adjust the amount of recorded reverb in a streamlined interface. Whether you want to repair location recordings or tighten music performances, the ERA Reverb Remover is your new secret weapon.

Plosive Remover
Loud plosives are a complex type of distortion and removing them manually can be an extremely time-consuming task. The ERA Plosive Remover automatically takes care of the problem, allowing you to polish your vocals with the turn of a single dial.

Harsh sibilance may affect your voice/vocal tracks even when you use the best recording equipment. Use the ERA De-Esser to instantly smooth out the harsh ess-es from your recordings. The ERA De-Esser performs transparent processing in the frequency domain and is also great for other material such as hissing cymbals or even full mixes.

Voice Leveler
Gain inconsistencies are common in both audio and video recordings. They often happen as a result of intentional or unintentional speaker movement, non-ideal microphone positioning or heavy audio & video editing. Use this single-knob plugin to save yourself from hours of manual gain adjustments.

# ERA-Bundle Release Notes:
## Version 5.2.10 – 2021/3/22

### New
– Nothing yet. We’re working on some new cool stuff though :)

### What’s Fixed
– Voice Leveler was not properly working in Final Cut Pro on Big Sur. Now it’s fixed!

## Version 5.2.00 – 2021/2/17
### New
– [NEW PLUG-IN!] Mouth De-Clicker can save recordings by removing all the annoying mouth noise, such as saliva crackle or lip smacks, with a single twist of a knob
– New Audio Clean-Up Assistant presets including the brand new Mouth De-Clicker

### What’s Fixed
– Improved compatibility for all ERA plug-ins in Final Cut Pro on Big Sur(Intel processors only), except for Audio Clean-Up Assistant

ERA-Bundle Pro v5.2.1.0 WiN-MORiA

Pigments v3.0.0 WiN CE-V.R

Pigments v3.0.0 WiN x64

Team V.R | 25 April 2021 | 1.85 GB


Pigments, a hybrid “polychrome” instrument that features hugely powerful, cutting-edge wavetable synthesis alongside award-winning virtual analog technology. After spending 20 years analyzing and emulating the best synthesizers ever made, they have now used their expertise to create an original, uniquely software synthesizer. Pigments offers exceptional sound thanks to its hugely powerful architecture and lightning-fast workflow that makes complex modulations easy, fast, and fun.

Pigments has some colorful tricks up its sleeve. In fact, it can do things other synthesizers simply cannot do. These include:
•Scale quantized pitch modulations to build complex melodic sequences.
•Continuous unison controls that can be modulated, with classic and chord modes.
•Extensive waveshaping options for the wavetable oscillator, with great aliasing control.
•The usual modulation sources and some more unconventional ones like the Turing and Binary random generators.
•Powerful gate/retrig handling for modulators. Perfect to inspire unusual rhythmic sequences or self-generating patches.
•Polyrhythmic sequencer with a strong emphasis on randomness, with scale control to remain musical.

At a glance, here are its key features:
•Two engines in parallel: the best of both worlds
•Virtual Analog triple oscillator engine.
•Complex Wavetable engine with morphing and import.
•Twin filters: dozens to choose from
•Classic filters from V Collection instruments.
•Modern filters like surgeon and comb.
•Continuous series/parallel routing.
•Powerful effects section: an all-in-one solution
•13 stunning effects, including wavefolder, overdrive, parametric EQ, and delay.
•Insert or Send routing options with drag and drop for easy switching.
•All the essential parameters can be modulated.
•Advanced modulation system: modulate anything with anything
•Graphical editing, source-based or destination-based.
•Envelopes, LFOs, Function generators, Random sources.
•4 assignable Macros to control multiple parameters at once.
•Visual interface: understand your sound
•Graphical representation of the most important modules.
•Living, moving waveform to see your sound come alive.
•Polyrhythmic Sequencer and Arpeggiator: get creative
•Create complex, custom and evolving sequences or arps.
•Extensive factory preset library: learn from the masters
•Hundreds of presets from awesome artists and experienced sound designers, including Jeremy Savage, Starcadian, Cubic Spline, Mord Fustang, and Jörg Hüttner.
•Highlighted “notes” to show which parameters are recommended to tweak.

New features:
New Engines
– Harmonic Engine
– Utility Engine
– Filters
– New Jup-8 Low-Pass Filter
– Improved frequency modulation range on filters
– Improved filters initialization

New Effects
– BL-20 Flanger
– Jun-6 Chorus
– Multiband
– Pitch-Shift Delay

New content
– 200 New presets
– 84 New wavetables
– 97 New samples
– 71 New noise samples
– New effects presets
– New tutorials
– User interface improvements

– Improved organization of effects selection
– Optimized user workflow
– New default setting
– Changed default tuning behavior to lock when changing engine type
– Added on/off to Unison for Analog and Wavetable engines

New copy/paste effects settings:
– Improved MPE performance
– Improved the interaction to edit modulators

Updated features:
– Enhanced filter and effects routing
– Improved envelopes performance
– Added new filter routing options, to allow more possibilities for splitting individual filter outputs to insert effects A & B
– Added sample engine snap to zero crossing points
– Added sample playback recall to parameters in the edit tab
– Added Mono bass and Natural modes to the stereo pan effect
– Added new fine tuning mode “Offset” to oscillators 2 and 3 in the analog engine
– Added the option to import custom samples in AIFF
– Added Release button to activate or deactivate sample in release mode
– Added Scale control to invert the functions polarity

Bug fixes:
– When MPE is enabled, Macro 1 is now disabled
– No more window resizing issue when using the preset browser
– No more errors on filters and envelopes when using automations with Logic pro in Big Sur
– Sample and hold rise and fall values are now working perfectly when trigger is set to Poly KBD
– No more display bugs on Macros in the preset browser when resizing the window
– Wavefolding modulation now works perfectly when deactivating unison chord
– Fixed an issue that was causing the sidechain amounts to 50 on other modulation sources



Rev.2 – more presets

Pigments v3.0.0 WiN CE-V.R (Rev.2)


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