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Slammer v1.0.1 AU VST3 VSTi 64Bit macOS-MORiA

Slammer v1.0.1 64Bit MAC

MORiA | 23 April 2021 | 115.3 MB

(AU, VST3, VSTi, 64Bit)

Slammer is a multi-sampled drum plug-in that contains 30 different instruments made from a large number of carefully recorded and edited samples. Integrated custom-built real-time effects combined with some clever routing makes Slammer a versatile and flexible virtual instrument that is capable of rendering anything from natural acoustic to heavily distorted and compressed drum sounds. Each sound can be customized with a wide array of settings like pitch, filtering, effect sends, decay time, velocity mapping and much more. There’s also a “Dirt” section for distortion and compression, a reverb and tone control. The amount of “dirt” and reverb can be tweaked individually for each instrument. On top of all, Slammer comes with a set of factory presets, covering anything from light and slick to heavy and gritty. If you’re looking for a drum instrument, giving you ‘instant gratification’ from the first hit, this is it.

Features:
•30 multi-sampled instruments using more than 2000 samples
•12 slots / instrument players with individual tweaking possibilities
•Compression and Distortion section (dirt) with 8 different dist algorithms
•Reverb with several presets
•Plenty of factory presets
•Global tone control

INFO/DEMO/BUY: https://bit.ly/3wVEhho
Slammer v1.0.1 AU VST3 VSTi 64Bit macOS-MORiA
http://beelink.in/46588/Slammer-v1.0.1-macOS-MORiA/

Kombinat Tri v3.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

Kombinat Tri v3.1.0 WiN MAC LiNUX

SYNTHiC4TE | April 23 2021 | 17.1 MB

AU/VST/VST3/AAX/x86/x64

From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series.  With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Tri is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box. Kombinat’s signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. On the front end is a full “DJ-style” band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines lead to a multi-mode filter with 12 different topologies, and then on to a compressor which we have configured for one-control operation.

Features:
Crossover: Kombinat Tri features a DJ-style three-band isolator EQ for band-killing effects and extreme tone-carving on the front end. This leads to the three distortion engines, which can be run in crossover (multi) mode, or in series.
Multiple Distortion Types: Kombinat Tri has 13 different distortion and tone-shaping algorithms, and you can mix-and-match, with each of the three bands getting its own selector. From subtle tube-style clipping to the bizarre distorto-delay of the Nerd Rage algorithm, Kombinat Tri can cover all the bases without unnecessary complexity.
Feedback: If the algorithms weren’t enough, Kombinat Tri has an internal feedback control, tied to an envelope follower. Results may vary, but are always hairy.
Filter: Kombinat Tri has 12 different filter topologies, from subtle 2-pole lowpass, through synth-style filters, to surgical notch. Several are self-resonant.
One-Kontrol Kompressor: A favorite feature of the original Kombinat and Kombinat Dva, the one-knob compressor, tuned for collapsing distorted signals to roadkill, remains in Kombinat Tri.
Mix Control: Kombinat Tri adds an oft-requested feature: a mix knob for better control over the signal path.
Presets: Kombinat Tri includes a selection of presets from Kombinat and Kombinat Dva, some all-new presets to take advantage of the new features, and a selection of Designer presets from Ken Flux Pierce and Don Gunn.

Changes in V3.1.0
> New preset manager.
> Drop-down menus improved for legibility.
> Hi-Dpi problems hopefully dealt with for once and all.
> macOS installer is now Universal Binary 2, and installs Apple Silicon native versions. Note this forces us to make our minimum macOS 10.12 “Sierra.”


INFO/DEMO/BUY: http://mage.si/dFYB
Kombinat Tri v3.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE
http://beelink.in/34714/Kombinat-Tri-v3.1.0-WiN-MAC-LiNUX-RETAiL/

Continua v1.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

Continua v1.1.0 WiN MAC LiNUX

SYNTHiC4TE | April 23 2021 | 26.2 MB

..:: VSTi, VST3, AAX, AU, x64 ::..

Continua is a virtual analog synth with a twist: a continuously morphable threesome of oscillators. With three interconnected controls defining the wave shape, Continua has a virtually limitless supply of waveforms, especially when you add cross modulation and noise in to the mix. An immediately intuitive three-oscillator analogue-style synth with two filters, up to 16 unison voices, copious polyphonic modulation sources and three onboard effects, Continua puts highly controllable waveform morphing at the centre of its architecture and workflow. Bringing the deft harmonic shifts of wavetable synthesis to mind, Continua’s oscillators sweep seamlessly from outputting sine through square to saw waves; each of the four LFOs transitions from a double sine to square, via triangle waveshapes; and the dual independent filters morph continuously through low-pass, band-pass, high-pass and notch responses. Skew and Warp controls enable further manipulation of oscillator and LFO waveforms, and all morphing controls can be modulated for pads and textures that constantly evolve right at the oscillator/filter level.

There isn’t a single knob in Continua that can’t be modulated, from those controlling the oscillators, filters and effects to the parameters of the modulators themselves. Four LFOs, two ADSR and two multi-stage envelope generators, a Sample & Hold generator, two XY pads and eight macros are freely and effortlessly assignable by right-clicking any target control. And with every LFO and envelope being fully polyphonic, the expressiveness of your performances needs know no bounds, especially when using an MPE-compatible controller.

Like the oscillators and filters, Continua’s three effects are tilted towards the production of sustained, ambient-orientated sounds. The Reverb is particularly notable, housing a custom algorithm geared up for very long, dense, heavily modulated tails; while the Chorus and Delay modules bring voice-stacked thickening and evocative spatialisation.

CHANGES IN V1.1.0:
> Preset manager now closes when you double-click on a preset.
> Every last vestige of OpenGL removed; this should increase compatibility on Linux and in future macOS versions. It was already off on the Wiindows and iOS versions; we have removed it from the macOS and Linux versions as well.
> macOS payload is now Universal Binary 2, and Continua will run natively on Apple Silicon Macs.
> macOS minim version is now 10.12 “Sierra” due to digital signing requirements by Apple.
> Linux payload now includes VST3 version.



INFO/DEMO/BUY: https://mage.si/WCHg
Continua v1.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE
http://beelink.in/41335/Continua-v1.1.0-WiN-MAC-LiNUX-RETAiL/

ARP 2600 V v3.7.1.1263 WiN MAC-MORiA

ARP 2600 V v3.5.0.3410 MAC

MORiA | 23 April 2021 | WiN+MAC: 377.3 MB

AU/VSTi/VST3/AAX/STANDALONE 32/64

The Magic Mix

While the original instrument was a wonder to use, we always find ways to innovate and improve. Four revolutionary modulation generators add sonic flexibility and the step sequencer will allow you to animate your sounds. The multimode filter and output audio effects add new possibilities not found in the original….and did we mention it is fully polyphonic?

ARP 2600 V v3.7.1.1263 WiN MAC-MORiA

The Magic Mix
With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool which still takes its place at the heart of today’s music.

A Legend is Back
The Arp 2600 was an iconic sound and Arturia has been faithful in recreating this amazing synthesizer. From the sound of the 3 oscillators to the original ‘grey face’ filter to the vast modulation routing abilities. You get all this and more.

Sonic Explorations
If you’re new to synthesis, no problem: we’ve included hundreds of excellent presets to get you started. The Arp 2600 is a workhorse that can deliver everything from clean leads and sequences to crazy sound effects. When you need something with that extra special character the Arp 2600 is the one to go for.

Going beyond and back
While the original instrument was a wonder to use, we always find ways to innovate and improve. Four revolutionary modulation generators add sonic flexibility and the step sequencer will allow you to animate your sounds. The multimode filter and output audio effects add new possibilities not found in the original….and did we mention it is fully polyphonic?


V 3.7.1 / January 26, 2021
Bug fixes:
– No more font issues on case-sensitive operating systems
– VST3 MIDI learn now properly maps to CC in Live (Windows)
– VST toolbar is now properly displayed in Reason 10 instruments
– No more conflicts between the side panel and the resize function

Improvements:
– Type icons size have been reduced to avoid scrolling when browsing presets

INFO/DEMO/BUY: http://mage.si/snEo
ARP 2600 V v3.7.1.1263 WiN MAC-MORiA
http://beelink.in/35249/ARP-2600-V-v3.7.1.1263-WiN-MAC-MORiA/

DX7 V v1.7.1.1263 WiN MAC-MORiA

DX7 V v1.2.0.1391 WiN MAC

MORiA | 23 April 2021 | WiN+MAC: 539.45 MB

APP/AU/VSTi/VST3/AAX/x64

In 1983, the DX7 changed the world of music. Today, the DX7 V gives you the power to change it again. Nothing says ‘80s like the sound of the DX7. Our authentic recreation gives you all the same FM digital technology and sounds that earned the instrument a revered place in the history of both keyboards and contemporary music. We didn’t stop at just replicating it, though —we re-imagined it. New operator waves, extensive modulation additions, arpeggiator and onboard FX chains enhance your sonic possibilities exponentially. For bonus points, an intuitive graphic interface makes what was once a daunting programming task a creative joy today. We put booster rockets on the instrument that created innumerable ‘80s hits. Now you can create the definitive sounds of today and tomorrow.

Magesy

The inimitable sound of FM
Your music is unique. So is the sound of the DX7 V.
Frequency modulation (FM) synthesis works by modulating one waveform with another to produce much more complex harmonic profiles than its analog brethren. These sounds run the gamut from acoustic and organic to synthetic and mechanical, spanning energies from subtle to radical along the way. Thanks to an extensive preset library, you don’t have to be an expert on FM in order to tap into all this sonic power. The DX7 V comes complete with a library of all the signature 80’s hit-making FM sounds like electric pianos, basses, marimbas, synths and more, plus an extensive battery of hot new sounds from our elite sound design team.

Whether you’re looking for the familiar sounds that put FM synthesis on the map or charting new territory, the DX7 V is the definitive digital synth to have in your keyboard collection.

Unleash your inner sound designer with expanded features
The DX7 V gives you a unique tool for customizing and creating new musical instruments and sound effects.
With its radical departure from analog designs, FM synthesis helps you chart new sonic spaces. The DX7 V is capable of producing an incredible spectrum of sounds ranging from natural-sounding instruments to unique synths to alien worlds—complete with all the crystal clarity and punchy transients uniquely associated with FM. Since having an instrument with such extreme depth and potential is the dream of every sonic explorer, we challenged ourselves to go even further. We added a host of new features including multiple waveforms, a filter and feedback loop on each operator, new modulation sources, a monster unison mode, and more.

The DX7 V is the perfect design tool for designing unique new instruments and ear candy that help you make your own distinct musical statement.

Design elegance meets sound design power
The DX7 V sports a stunning interface allowing intuitive control over all of the instrument’s dramatically expanded features
While retaining the feel of the original design, we’ve streamlined the main interface of the DX7 V to make it much simpler to use and understand. Here you’ll find an uncluttered presentation of only your everyday performance controls, as well as the fundamentals to start visualizing and exploring new sonic structures. When you’re ready to dig deeper and flesh out the detailed character and animation of your sounds, one click presents a programmer’s paradise of incisive controls and displays light years beyond the tedious original hardware interface. Balancing usability and all the added power in the DX7 V, tabbed windows easily put your fingers on logically grouped functions spanning enhanced operators, additional envelopes, matrix modulation, step sequencer, FX architecture, and more.

Whether you just want to play the extensive library sounds or program your own, the DX7 V is a dream to use.

Main Features:
•32 original DX7 algorithm
•All DX7 original parameters
•Original DX7 SysEx import
•25 available waveforms per operators
•6 Operators with multi-mode filter and feedback per operators
•DX7, DADSR and Multi-Segments envelopes (syncable and loopable) per operators
•2 Modulation envelopes
•4 assignable macros
Advanced modulation matrix
•A step sequencer, 2 LFOs with 6 waveforms and an arpeggiator
•4 FXs slots that can be routed in parallel or in serie
•An oscilloscope
•Vintage and Modern DAC Mode for a proper emulation of the DX7 converter
•32 voices of polyphony
•4 voices of unison with unison detune
•436 factory presets

V 1.7.1, January 26, 2021
Bug fixes:
– Envelope points are now correctly labeled
– Fixed issues with tutorials
– No more font issues on case-sensitive operating systems
-VST3 MIDI learn now properly maps to CC in Live (Windows)
– VST toolbar is now properly displayed in Reason 10 instruments
– No more conflicts between the side panel and the resize function

Improvements:
Type icons size have been reduced to avoid scrolling when browsing presets

INFO/DEMO/BUY: http://mage.si/uftM
DX7 V v1.7.1.1263 WiN MAC-MORiA
http://beelink.in/35250/DX7-V-v1.7.1.1263-WiN-MAC-MORiA/

CZ V v1.3.2.1320 WiN MAC-MORiA

CZ V v1.3.2.1320 WiN MAC

MORiA | 23 April 2021 | WiN: 197 MB | MAC: 248.18 MB

APP/AU/VSTi/VST3/AAX/x64

Phase Distortion Cult Classic

The CZ V models the Casio CZ-101 and CZ-1000, two cult synthesizers behind many ‘80s pop hits. It adds a ton of new features that make it an instrument for the ages. Casio’s mid-‘80s digital synths were light on price and big on sound. One listen and you’ll be really big on the new, improved CZ V. Like you, we love synths of every flavor. That’s why we just had to recreate the true essence of Casio’s patented phase distortion synthesis that made their CZ series so popular. You don’t need to understand how phase distortion works—just let your ears tell you how cool and unique it would sound in your music. As you’ve come to expect from all of Arturia’s V Collection, our enhancements transform CZ into an even more formidable sonic force that can transform your music.

A simpler kind of powerful digital synthesis
Released in 1984, the CZ-101 was Casio’s answer to the wildly popular Yamaha DX7. It was significantly less expensive and infinitely easier to program than its rival. Instead of frequency modulation, Casio’s phase distortion (PD) used various user-selected waveforms to modulate the timing of simple carrier waves at the cycle level in order to create more complex wave shapes. This simplified form of digital synthesis made it comparatively easy to perfect a wide variety of timbres spanning warm pads, natural percussion, buzzy digitalia, sci-fi effects and even analog synths. While PD could sound similar to FM, it also had a unique sonic signature all its own.

The CZ sound helped propel artists like Salt-N-Pepa, Was (Not Was), and Vince Clarke into the spotlight. Let’s add your name to the list.

Main Features:
– Two synthesis lines and independent noise source
– All CZ-101/CZ-1000 original parameters
– 8 original waveform and custom waveform editor
– Original CZ SysEx import
– CZ, DADSR and Multi-Segments envelopes (syncable and loopable) to control pitch, DCW and amplitude
– 2 Modulation envelopes
– 4 assignable macros
– Advanced modulation matrix
– A Sample and Hold module, 2 LFOs with 6 waveforms, 3 sources combinators and an Arpeggiator
– 4 FXs slots that can be routed in serie or per synthesis line
– A synthesis line state viewer for real-time feedback
– Emulation of the original CZ DAC
– 32 voices of polyphony
– Up to 8 voices of unison with unison detune
– Over 400 factory presets

Whats New v1.3.2:
Bug fixes:
* Fixed issue with MSEG envelopes causing silent presets

INFO/DEMO/BUY: http://mage.si/TvXQ
CZ V v1.3.2.1320 WiN MAC-MORiA
http://beelink.in/40243/CZ-V-v1.3.2.1320-WiN-MAC-MORiA/

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