Attention Sign

AdBlock Detected

We get it, advertisements are annoying!

Sure, ad-blocking software does a great job at blocking ads, but also blocks some useful and important features of our website. For the best possible site experience please take a moment to disable your AdBlocker.

image

Couture v1.4.0 WiN MAC LiNUX

SYNTHiC4TE | MERRY XMAS | 16 MB

LV2, AAX, AU, VST2, x86, x64

Couture gives you exquisite control over your dynamics, and particularly attacks. Raw Efficiency. Increase or decrease dynamics. Get a usable result, now. Fully Volume-independent. Keep the freedom to change input gain when needed. Including the Saturation stage. Laser-sharp. Couture’s 2-bands, half-spectral, RMS, program-dependent detector finds each and every transient. No internal thresholds.

Couture is unusually versatile:

  • Make individual drum tracks a lot more dynamic and punchy
  • Remove the “click” out of a kick drum sample
  • Make a whole bus more or less dynamic in a single click
  • Give glue to a mix with light compression and saturation
  • Use a subtle saturation that preserve dynamics
  • Deess the very start of notes for vocals
  • Give life to inane lead synths

 

What’s new?
– Fixed Linux x86_64 support (LV2 / VST 2.4 / VST 3), UI was crashing on first opening or closing.
– Improves UI responsiveness on all OS.
– Fix Panagement crash on first UI opening on Linux.
– Fix Ardour compatibility on Linux.
– Fix Bitwig compatibility with VST3 on Linux.
– Graillon has MIDI input working again.

 




INFO/DEMO/BUY: http://mage.si/99EJ
Couture v1.4.0 MERRY XMAS-SYNTHiC4TE
http://beelink.in/37328/Couture-v1.4.0-MERRY-XMAS-RETAiL.html

image

DC8C v3.2.1 WiN MAC

SYNTHiC4TE | MERRY XMAS | 75 MB

Advanced Compressor

DC8C is one of the most flexible compressors around.

While making a lot of different compression styles possible, it’s general nature may be described as: clear, smooth, open, distinct.The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost unevitable artefacts/distortion. This way you can achieve almost invisible compression for your most demanding mastering sessions, when you want to avoid coloration. If you aim for colour you can choose between two saturation models. From opto style, peak compression, RMS compression, Feedback, Feedforward compression (and everything inbetween) to negative ratios, zero latency brickwall limiting, from snappy transient treatment to smooth transient rounding – everything is possible.

Feature List
detector network and gain reduction smoothing for extra smooth operation

  • • choose between two different attack and two release curves
  • • clean mode (100% clean compression with no intermodulation, no distortion, no aliasing)
  • • up to 8x oversampling
  • • sidechain filter with high pass & low pass filter plus tilt control, which let’s you shift the frequency response
  • of the detector
  • • customize the program dependency of the compressor seperately for Attack and Release
  • • GR-smoothing control to dertermine, how sensitive the compressor reacts to changes in the computed gain
  • reduction, great to emulate opto style compression
  • • hold control for heavy pumping compression effects
  • • pre comp control to delay the start of the attack to leave transients completely alone or radically shape the attack
  • • calibration control not only to set the reference level for the meters but also for the whole signal path.
  • the higher the value, the softer the compression characteristics and the lower the saturation amount
  • • unique Feedback-Mix-Control, which lets you determine, how much of the compressor’s output is fed back into the detector.
  • This way it is possible to morph between Feedback and Feedforward Compression topologies
  • • zero latency limting mode
  • • true zero attack (0.0 ms)
  • • negative ratios possible
  • • parallel compression, peak-compression, RMS-compression
  • • easy mode which features 4 different compression styles
  • • lots of comprehensive presets to keep you started

 

12/16/19 version 3.2.1
– in a user default preset GUI size is now being recalled too

12/16/19 version 3.2.0
– Automation fixes and improvements to ensure coherent behavior across all plugin formats and hosts
– tweaked value displays, finer control of low timing constants (e.g. higher resolution at attack values < 2 ms with 2 decimal places)
– fixed a potential crash when saving a user preset and the UserPresets folder contained non-xml or broken xml-files

11/27/19 version 3.1.1
– FIX: VST3 on Windows: when using a Windows scaling factor other than 100% the GUI had been cropped in some hosts

11/14/19 version 3.1.0
– minor internal improvements
– FIX: erratic behavior when rendering with 4x OS
– new Mac installer
– compatibility with macOS Catalina (macOS 10.15)
– dropped 32-bit support in order to follow current fulfill security and technical requirements by the OS vendors

 

INFO/DEMO/BUY: http://mage.si/RR7s
DC8C Advanced Compressor v3.2.1 WiN MAC-SYNTHiC4TE
http://beelink.in/36830/DC8C-Advanced-Compressor-v3.2.1-WiN-MAC.html

image

SDRR v2.2.1 WiN MAC

SYNTHiC4TE | MERRY XMAS | 23 MB

AAX, AU, VST, VST3, RTAS, x86, x64

The Saturation Chameleon

SDRR was build to satisfy almost all of your saturation desires. It provides a comprehensive set of controls to manipulate the character of the saturation to make it fit exactly. SDRR offers four different main modes: TUBE, DIGI, FUZZ, DESK and reacts dynamically to the input signal. Each mode has it’s unique crosstalk behaviour, which can be switched of or exagerrated. A unique RMS level difference metering mode makes level matching an easy task. SDRR can be different things: a saturation, a compressor, an EQ, a bitcrusher, a subtle stereo widener, or simply add some movement to your tracks with the DRIFT control. Add warmth, depth and character to your tracks with SDRR.

image

Don’t forget to check out the free IVGI, which can be seen as the little brother of SDRR. It is based on the DESK mode in SDRR. Since IVGI is comparable to SDRR qualitywise, CPU-consumption wise and regarding aliasing (or better the absence of aliasing artifacts), it’s a good way to also get an impression of how SDRR would perform on your system.

image

SDRR is available in the following formats (all included in one single license):
Windows: VST (32&64Bit), VST3 (32&64Bit), RTAS
Mac OSX: AU (32&64Bit), VST (32&64Bit), VST3 (32&64Bit), RTAS

SDRR2 changelog
12/16/19 version 2.2.1
– FIX: crackling noise when using the internal bypass (click on the meter) with HQ set to ON+

12/16/19 version 2.2.0
– Automation fixes and improvements to ensure coherent behavior across all plugin formats and hosts
– fixed a potential crash when saving a user preset and the UserPresets folder contained non-xml or broken xml-files

INFO/DEMO/BUY: https://mage.si/8o2y
SDRR 2 v2.2.1 AAX AU VST VST3 RTAS x86 x64 WiN MAC
http://beelink.in/16448/SDRR-2-v2.2.1-The-Saturation-Chameleon-WiN-MAC.html

image

MJUC v1.4.1 WiN MAC RETAiL

SYNTHiC4TE | MERRY XMAS | 52 MB

Variable-Tube Compressor

MJUC is the most effortful plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.

MJUC is the first Klanghelm plugin, that’s built with the help of a new framework. That’s brings a lot of new usability features such as GUI-resizing, AB-ing and a feature-rich platform independent preset browser with save/copy/paste/save-as-default functionality. Furthermore it’s possible to tweak the knob behavior, enable tooltips, show/hide value labels and more. All these features will find their way to the existing Klanghelm plugin as soon as possible.

Model Mk1 is based on the very early variable-mu* designs from the 50s. Due to its extremely high control voltage it doesn’t impart any audible “thumping”, most other variable-mu* designs suffer from at high GR and fast timing constants. Also it has a very simple signal path, where the compression happens directly in the audio path. The result is a very natural compression character with very little distortion. The arrangement of four(!) variable-mu* stages add to the incredibly dense and thick nature of Mk1. Mk1 is the most colored of MJUC’s models.

Model Mk2 is built upon the more complex designs of the 175 and 176 from the early 1960s, the all-tube-predecessors of the classic 1176 FET compressor. It offers four ratios, a density switch, that enables a second variable-mu* stage and reduces the program dependence of the attack and recovery timings to a minimum. Furthermore, it lets you activate the interstage transformer to reduce overall noise and distortion and making the compression more accentuated. Compared to Mk1 the second model is less Jazz and more Rock’n’Roll with enhanced generated harmonics and a more forward sounding character.

Model Mk3 is the least colored and most Hi-Fi-sounding model in MJUC. It is Klanghelm’s modern interpretation of this compression topology. The only design idea derived from another modern famous variable-mu* comp is, that it’s circuitry is done entirely differential, making the unit very quiet and almost distortion-free. But the real special thing about this model is, that the actual compression is done by two different variable-mu* stages, which kind of work against each other, one works feedforward, while the other in a feedback configuration. This results in a attack accentuating, punchy compression, surprisingly closer to a British G type bus comp than to a 670.

all formats included in a single license: AU (32&64Bit) – Mac only, VST (32&64Bit), AAX (32&64Bit), RTAS

MJUC changelog
12/16/19 version 1.4.1
– in a user default preset GUI size is now being recalled too

12/16/19 version 1.4.0
– Automation fixes and improvements to ensure coherent behavior across all plugin formats and hosts
– tweaked value displays (e.g. SCF now shows “DRY” when set to minimum)
– further minor performance improvements
– MJUC (esp. VST3) can’t blow up anymore in case it’s accidentally fed with veeery hot signals
– fixed a potential crash when saving a user preset and the UserPresets folder contained non-xml or broken xml-files

INFO/DEMO/BUY: http://mage.si/Y28x
MJUC Variable-Tube Compressor v1.4.1 WiN MAC RETAiL-SYNTHiC4TE
http://beelink.in/23267/MJUC-Variable-Tube-Compressor-v1.4.1-WiN-MAC.html

image

Steinberg Absolute 4 Collection WiN

Team V.R | 28 December 2019 | 168 MB

MERRY XMAS with Team V.R

(Win64; AAX, VST3, VSTi)

THE ABSOLUTE COLLECTION – THE BEST VIRTUAL INSTRUMENTS FOR YOUR MUSIC PRODUCTION. Get tons of creative instruments with over 100 GB of sound content for every kind of music production. Explore over 6,800 presets, next-generation synthesizers and one of the best drum plug-ins available. And when that is not enough, you can easily build your own sample instruments.

Included:
– HALion v6.3.1
– Retrologue v2.2.20
– Padshop v2.0.1
– The Grand v3.2.0
– Groove Agent v5.0.20

HALion Sonic v3.3.1 based modules:
– Symphonic Orchestra
– Iconica Opus
– Skylab
– Anima
– Voltage
– Auron
– Dark Planet
– Triebwerk
– Hypnotic Dance
– Vibrant

and many other…

MERRY XMAS with Team V.R

INFO/DEMO/BUY: https://mage.si/zqHN
Steinberg Absolute 4 Collection WiN Rev.2-V.R
http://beelink.in/40461/Steinberg-Absolute-4-Collection-WiN-Rev.2-V.R.html

image

Complete v11.0.0 WiN

Team V.R | 04.12.2019 | 4.26 GB

(Win32/64; AAX, VST3, VST, STANDALONE)

We are pleased to announce a new version of Waves plugins, Wvs V11. Update to V11 to future-proof your sessions, ensure compatibility with the latest DAWs and operating systems (including MacOS 10.15 Catalina), enjoy plugin updates including new versions of the Renaissance plugins, get new plugins added to premium bundles, and more.

December 2nd, 2019
– New release — Abbey Road Saturator, now available as a single plugin as well as in the Abbey Road Collection.New release — MDMX Distortion Modules, now available as a single plugin as well as in Mercury, Pro Show and SD7 Pro Show.

November 29th, 2019
– New release — Berzerk Distortion, now available as a single plugin as well as in Mercury, Pro Show and SD7 Pro Show.


INFO/DEMO/BUY: http://mage.si/c64n
Complete v11 2.12.2019 WiN-V.R
http://beelink.in/36757/Complete-v11-2.12.2019-WiN-V.R.html

image

TAL-BassLine 101 v3.0.5 WiN MAC

Team R2R | 04 Dec 2019 | WiN: 4.5 MB | OSX: 7.4 MB

PLATFORM : WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

TAL-BassLine-101 is a monophonic bass synthesizer with a classic analogue sound. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects. BassLine has a very smooth and authentic analogue sounding 24dB zero feedback delay resonance low pass filter. Especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch. Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. BassLine generates all wave-forms in real time.

image

 

Features:

  • Self resonating zero feedback delay filter (24dB LP).
  • Calibrated and tuned after our hardware device.
  • Midi learn / automation for all controls.
  • Alias free oscillators for an authentic sound also @ 44’100Hz sampling rate.
  • Arpeggiator with different sync modes (host, midi clock, not on).
  • Original (RC) and linear portamento mode.
  • Built in arpeggiator with some additional modes.
  • Powerful step sequencer with up to 64 steps and recording option.
  • 6 voice poly mode.
  • Sequencer MIDI export with drag and drop.
  • Sequencer / arpeggiator MIDI out for VSTi version.
  • De-Clicker mode for slower envelopes :/
  • More than 300 presets.
  • All sample rates supported.

 

Version History:

  • Slow UI loading time fixed (v 3.0.5)
  • Slow UI fixed (v 3.0.4)
  • More UI contrast (v 3.0.3)
  • Crash in poly mode when playing more than 6 voices fixed (v 3.0.3)
  • More UI contrast (v 3.0.2)
  • Wrong arp/seq rate when loading older presets fixed (v 3.0.2)
  • Reset filter FM controls when changing to older presets where FM didn’t exists (v 2.2.5)
  • Framework update (v 2.2.4)

 

INFO/DEMO/BUY: http://mage.si/BqSZ
TAL-BassLine-101 v3.0.5 AU AAX VST VSTi x86 x64 WiN MAC-R2R
http://beelink.in/14285/TAL-BassLine-101-v3.0.5-WiN-MAC.html

Poll

Please, rate your DAW

Other polls...