Slappy v1.0.0 WiN MAC

SYNTHiC4TE | Dec 04 2019 | 14.7 MB


Slappy is a hysteresis saturated slapback delay for a great sound and quick results. You can use it for creating that classic slapback effect on guitar, vocals and drums. Regular digital saturation can sound harsh in the high end. Our hysteresis saturation, as used in our Bad Tape plugin as well, uses a smoothing algorithm that creates a warm and analog sound known from vintage tape machines.

• Create that classic slapback effect
• Hysteresis saturation known from vintage tape machines
• Easy to use
• Very low CPU usage

Slappy v1.0.0 WiN MAC RETAiL-SYNTHiC4TE


Bad Tape v1.0.1 WiN MAC

SYNTHiC4TE | Dec 04 2019 | 21 MB


“A Tape Harming Effect Plugin”.

Its focus is on creating extreme tape artifacts. The inspiration for Bad Tape came from denise team member Enrico ‘nrec’ Tiberi: “I was using a lot of my old Akai 4000 DS MK2 reel to reel tape recorder pressing the tape to slow it down as an effect and that made me want a plugin that could control how to break the sound without having to use my fingers each time and without all the cables and fuss that analog hardware inevitably brings”. Combining a good old vintage tape sound with harming features makes Bad Tape a creative and versatile tool. Want an “out of tune and off the grid” beat or a wonky drum groove? Just keep the detune button pressed and it will create a tape-stop in real time. Press it shortly for slight slow-downs and speed-ups, or use wow and shake to make it go in and out of tune and go off grid periodically. Use the mix knob to create tracks that are heavily saturated and detuned, with additional interesting tape artifacts like hiss, squeal and harm. Bad Tape can be used to color and detune your whole track, or it can be applied to just one bar at the end of a section to help introduce some variation and lead in the next section of your song.

Mix: Smoothly mix in different extreme tape artifacts with great precision.
Detune (Tape stop): Slow down the tape in real time, as if you would press your finger on the tape reel.
Wobble & Shake: Randomly detune the pitch of your track like your tape machine has an inconsistent playback speed.
Harm: Introduce failing tape artifacts with subtle bitcrushing.
Squeal & Noize: Add old tape machine noises for character and vibe.
Color & Speed: Adjust the color and speed of the tape for a unique flavour.
– Saturate your tracks for that good old vintage tape sound. Warm and smooth character due to hysteresis emulation.
– Comes with presets for synth, drums, bass and classic tape style effects.
– Low CPU usage & works offline without dongles or complex licence managers.

Bad Tape v1.0.1 WiN MAC RETAiL-SYNTHiC4TE


Complete v11.0.0 WiN

Team V.R | 04.12.2019 | 4.26 GB


We are pleased to announce a new version of Waves plugins, Wvs V11. Update to V11 to future-proof your sessions, ensure compatibility with the latest DAWs and operating systems (including MacOS 10.15 Catalina), enjoy plugin updates including new versions of the Renaissance plugins, get new plugins added to premium bundles, and more.

December 2nd, 2019
– New release — Abbey Road Saturator, now available as a single plugin as well as in the Abbey Road Collection.New release — MDMX Distortion Modules, now available as a single plugin as well as in Mercury, Pro Show and SD7 Pro Show.

November 29th, 2019
– New release — Berzerk Distortion, now available as a single plugin as well as in Mercury, Pro Show and SD7 Pro Show.

Complete v11 2.12.2019 WiN-V.R


TAL-BassLine 101 v3.0.5 WiN MAC

Team R2R | 04 Dec 2019 | WiN: 4.5 MB | OSX: 7.4 MB


TAL-BassLine-101 is a monophonic bass synthesizer with a classic analogue sound. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects. BassLine has a very smooth and authentic analogue sounding 24dB zero feedback delay resonance low pass filter. Especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch. Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. BassLine generates all wave-forms in real time.




  • Self resonating zero feedback delay filter (24dB LP).
  • Calibrated and tuned after our hardware device.
  • Midi learn / automation for all controls.
  • Alias free oscillators for an authentic sound also @ 44’100Hz sampling rate.
  • Arpeggiator with different sync modes (host, midi clock, not on).
  • Original (RC) and linear portamento mode.
  • Built in arpeggiator with some additional modes.
  • Powerful step sequencer with up to 64 steps and recording option.
  • 6 voice poly mode.
  • Sequencer MIDI export with drag and drop.
  • Sequencer / arpeggiator MIDI out for VSTi version.
  • De-Clicker mode for slower envelopes :/
  • More than 300 presets.
  • All sample rates supported.


Version History:

  • Slow UI loading time fixed (v 3.0.5)
  • Slow UI fixed (v 3.0.4)
  • More UI contrast (v 3.0.3)
  • Crash in poly mode when playing more than 6 voices fixed (v 3.0.3)
  • More UI contrast (v 3.0.2)
  • Wrong arp/seq rate when loading older presets fixed (v 3.0.2)
  • Reset filter FM controls when changing to older presets where FM didn’t exists (v 2.2.5)
  • Framework update (v 2.2.4)


TAL-BassLine-101 v3.0.5 AU AAX VST VSTi x86 x64 WiN MAC-R2R


TAL-U-NO-LX v4.1.1 WiN MAC

Team R2R | 04 Dec 2019 | WiN: 4.3 MB | OSX: 6.9 MB

TAL-U-NO-LX is a fully rewritten emulation of the popular hardware with a new engine and GUI. Up to date zero feedback delay filters and carefully calibrated controls make this synth a good replacement for the analog device with all the advantages software plugins have. As an addition, the TAL_U-NO-LX also supports portamento and different filter LFO waveforms and some more useful features. An arpeggiator with different sync modes and hold function is also included. A very fast envelope with a smooth roll-off and emulated inaccuracy gives this synth the typical sound. The synth was calibrated after a hardware device that’s property of TAL.


Special Features:

  • Self resonating zero feedback delay filter (24dB LP).
  • Filter range up to ~40kHz (depends on the sample rate).
  • Calibrated and tuned after TAL’s hardware device.
  • Midi learn / automation for all controlls.
  • Improved alias free oscillators for an authentic sound also @ 44’100Hz sampling rate.
  • Arpeggiator with different sync modes (host, midi clock, not on).
  • Portamento and mono mode.
  • LFO manual trigger button.
  • Sustain pedal support.
  • Up to 12 voices.
  • New file based preset system for transparent preset management.
  • More than 300 factory presets by different sound designers (FMR, Particular – Sound, TAL).
  • Original hardware “Factory Bank A” included.


Version History:
– Slow UI loading time fixed (v 4.1.1)
– Declick for velocity changes when note was reused (v 4.0.9)
– Plugin MIDI keyboard should not get keyboard focus anymore (v 4.0.9)
– Fixes a volume smoothing volume issue that affected the amp envelope (v 4.0.9)
– Improved arpeggiator and LFO sync times (v 4.0.8)
– Should fix an auval (AU plugin validation) issues with older OSX versions (v 4.0.8)
– UI artefacts around the keyboard component fixed (v 4.0.4)
– Next preset buttons skips presets fixed (v 4.0.4)
– Default preset support. Loads the preset with the name “default” when creating a new instance (v 3.2.4)



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