Logic Pro X Key Commands Explained TUTORiAL SYNTHiC4TE, audio tutorials, TUTORiAL, SYNTHiC4TE, Logic Pro X, Key Commands, Key, Explained, Commands

Logic Pro X Key Commands Explained®

SYNTHiC4TE | Oct 12 2018 | 152 MB

Logic Pro X master Eli Krantzberg delivers an in-depth series of video tutorials all about Logic Pro X’s key commands and shortcuts! If you use Logic Pro X, this series is a must see. Gain the power of control and time savings, as well as creative uses for the almighty feature set of key commands in LPX. Eli begins with a welcome and then jumps right in revealing the Key Command Window, how to get to it, what it does, and some useful related preferences and settings. He then explains and explores the various ways of limiting what is displayed in the key commands list, including expanding and collapsing the individual key command groups, filtering based on the filter buttons, viewing search results and more. Next, you’ll learn all about the commonly used glyphs for modifier keys and other keyboard functions that are found in Logic’s key commands window, explore multiple assignments and how to assign them by key position vs key label, and how to map hardware controllers to key command functions.

Moving on you’ll see how to save your customized key command sets, import existing ones, and merge different elements between multiple sets as well as how to customize your Macbook Pro Control bar key command assignments using modifiers, colors, custom names and more.

Wrapping it up, Eli reveals his ten key commands you can’t live without, followed by how to boost your productivity and better integrate Logic’s key commands into your workflow, with six power user key commands.

See the individual tutorial descriptions for more info. If you use Logic Pro X, key commands are an indispensable feature set that you must be using to really work faster and more creatively in Logic… Watch “Logic Pro X Key Commands Explained®” today.

INFO/DEMO/BUY: http://mage.si/Rm5z
Logic Pro X Key Commands Explained TUTORiAL-SYNTHiC4TE

Art of EDM Big Room Logic Pro X TUTORiAL, audio tutorials, TUTORiAL, Logic Pro X, Fantastic, EDM, Big Room, Art Of, Art

Art of EDM Big Room TUTORiAL

FANTASTiC | 13 Oct 2018 | 178 MB

Want to produce dance music with Apple’s Logic Pro X? Watch this course by legendary producer Olav Basoski and discover how to create one of the “biggest” EDM subgenres around: Big Room! Popularized by Swedish House Mafia, Hardwell, and Martin Garrix to name a few, Big Room is known for its hard-style four-on-the-floor kicks, big builds, and energetic drops. In this course, you’ll see how trainer and dance music producer Olav Basoski creates an EDM track, and you’ll learn tons of artistic and tech tips to help you with your next music productions! First, you discover the 3 main soft synths used in Big Room, and you learn about their strengths and weaknesses. Next, Olav shares essential tips for creating big and powerful beats that cut through the mix. After laying the foundation of the track, he explores how to create tension and excitement on the dance floor, for that moment the crowd is waiting for… the drop! You will also learn essential arrangement tips and structure ideas, along with inside info to help you get that extra punch, including how to create what Olav calls the “Schlap” as well as some mastering advice. Last but not least, Olav ends the course by revealing that “magic” plugin he uses on all his tracks…

So sit back and enjoy this info-packed course with the one and only Olav Basoski, and get the knowledge and inspiration you need to create your own EDM masterpieces!

INFO/DEMO/BUY: http://mage.si/H29C
Art of EDM Big Room Logic Pro X TUTORiAL

Premiere Pro CC 2018 New Features October 2018 TUTORiAL, audio tutorials, TUTORiAL, Pro, Premiere Pro, Premiere, New, Features, CC, 2018

Premiere Pro CC 2018 New Features

TEAM XCODE | 16 October 2018 | 1.04 GB

Explore the cool new features in the 2018 and 2018.1 versions of Premiere Pro. In this course, Rich Harrington covers the April 2018 additions to Premiere Pro CC as well as noteworthy features from the previous release. Rich reviews color correction enhancements, such as the Video Limiter effect and Auto Color matching, and workflow improvements, including Auto Ducking, Match Frame, and changes to markers and dip transitions. Plus, learn about UX changes, such as the new Timecode panel and the Essential Graphics browser, which allows you to create titles and motion graphics right in Premiere Pro. Rich also reviews new video formats and encoding options, publishing tools, labels, project management tools, and virtual reality features like VR headset integration and new VR effects and resolves.

Topics include:
•The Video Limiter effect
•Auto Color matching
•New panels: Learn and Timecode
•Hardware acceleration for H.264 video
•Working with RED footage
•Ripple deleting gaps
•Writing keyframes in the Audio Mixer
•Customizing label colors
•Managing multiple open projects
•Saving After Effects template in the Essential Graphics panel
•VR workflow changes

INFO/DEMO/BUY: http://mage.si/066d
Premiere Pro CC 2018 New Features TUTORiAL

Getting Started With KONTAKT TUTORiAL SYNTHiC4TE, audio tutorials, TUTORiAL, SYNTHiC4TE, Started, Kontakt, Getting Started, Getting

Getting Started With KONTAKT

SYNTHiC4TE | May 13 2016 | 1.91 GB

In this 9 part course, instructor teaches you the basics of Kontakt 5 as a powerful virtual instrument and creative tool. From the basics of the interface and core features and functions, to how to start building your own sampler instruments, right through to work flow tips in some of the most popular DAWs. If you’ve always wanted to work with Kontakt but felt daunted by its technical complexity, this course is for you – find out everything you need to know to get started with Kontakt today!

Getting Started with Kontakt course topics include a tour of the Kontakt interface, working with the files & libraries, and an overview of the Kontakt Factory Library and some of the various specialised instruments inside. You’ll also learn basic sound manipulation, articulation and automation as well as the fundamentals of building a sampler instrument and mapping samples to the keyboard.

The course also includes dedicated tutorials that teach you how to set up and operate Kontakt as a multi-timbral, multi-output instrument inside of Pro Tools, Logic Pro X and Ableton Live.

INFO/DEMO/BUY: http://goo.gl/xmN32r

beaTunes v5.1.10 MAC, macos software, P2P, MAC, beaTunes, 64Bit, 32Bit

beaTunes v5.1.10 MAC

P2P | 08 Oct 2018 | 279 MB

What started out as a BPM detection tool for DJs, runners and dancers, has become one of the finest iTunes™ library management tools around. BeaTunes’ powerful inspection feature lets you clean up your iTunes track data in a way unrivaled by any other software on the market today. Easily find typos or different spellings of artists’ names, automatically fill in the album artist names, and much more. No more R.E.M. and REM in your iPod’s artist list! No more albums hidden in the compilations section.

beaTunes v5.1.10 MAC, macos software, P2P, MAC, beaTunes, 64Bit, 32Bit


  • Doesn’t just play music, also listens
    beaTunes employs sophisticated algorithms to analyze your music for metadata like tempo (BPM), key, color, segments, similarities, loudness, and acoustical fingerprints. It lets you know, what’s in all those files!
    Analysis is a stable foundation for great sounding playlists as well as tag lookup and acoustical duplicate detection.
    Let science do some work for you!
  • Clean up this mess!
    You accumulated tons of music over the years. From stores, from CDs, from friends.
    And it’s a gigantic mess.
    Such a big mess indeed, that you’d go insane, if you tried to clean it up manually. This is where beaTunes can help. It’s like a spellchecker specialized on audio tags. It finds inconsistencies in your own data and suggests solutions.
  • Don’t just play music, access it!
    Like any other player beaTunes’ lets you listen to songs from beginning to end. Based on automatic segmentation for pop music (requires analysis), it also lets you skip a section or go straight to a similar sounding part. We call this semantic navigation.
    Finding the chorus or skipping that boring intro becomes a breeze.
  • Creating playlists is an art
    beaTunes helps you find the right songs for whatever playlist project you are working on. Starting with one song, it can suggest matching songs following your own rules—or even build a whole playlist.
    It keeps the fun in creating something new: To set the mood for an evening, the pace for a run, or the beat for a night. beaTunes can help you get it right.


Changues: http://mage.si/x961
INFO/DEMO/BUY: http://goo.gl/Pd2ccB
beaTunes v5.1.10 MAC

Acoustica v7.1.1 MAC TNT, macos software, TNT, MAC, Acoustica

Acoustica v7.1.1 MAC

TNT | 09 October 2018 | 32.60 MB

Re-implemented from scratch for the highest quality demands and cross-platform support, Acoustica 7 is now the perfect tool for editing, mastering and restoration work on both Mac and PC (32 and 64 bit). The new spectral editing mode available in the Premium Edition allows more precise restoration work while you have access to processing tools from our award winning plug-ins such as Equalize, Verberate and Restoration Suite.

INFO/DEMO/BUY: http://mage.si/m2X4
Acoustica v7.1.1 MAC-TNT

QLab Pro 4.3.3 Pro macOS TNT, macos software apps, TNT, QLab, Pro, OSX, macOS, MAC OSX, MAC, Bundle

QLab Pro 4.3.3 macOS

TNT | 10 October 2018 | 13.22 MB

QLab makes it simple to create rich multimedia designs for live performances and installations. From Broadway to the West End, in churches, museums, store fronts, concert halls, and theaters around the world, people use QLab to bring their audio and video to life.

QLab Pro 4.3.3 Pro macOS TNT, macos software apps, TNT, QLab, Pro, OSX, macOS, MAC OSX, MAC, Bundle

Design Tools
– Unlimited Cue Lists with unlimited cues
– Unlimited Cue Carts with 1 to 64 buttons per cart
– Design in Edit Mode and run your performance in Show Mode
– Non-destructive design tools never modify your media files
– Undo any edits
– “Audition” cues locally without sending audio, video, or lighting output to the stage
– Cue templates and Workspace templates
– “Record cue sequence” tool, to capture timing and play it back again the same way later
– “Paste cue properties” tool, to selectively paste properties from one or more cues onto other cues in your workspace
– Text search of cue lists and cue carts
– Extensive AppleScript and OSC APIs
– A comprehensive Status Window to guide troubleshooting
– Powerful and painless remote editing via QLab Remote

– Control unlimited Art-Net DMX universes.
– Create unlimited light instruments (like channels, but can be named anything, not just numbers).
– Create unlimited light groups to collect related instruments together, like “all”, “stage right”, “LEDs”, “floor”, or “floor front left”.
– Use both conventional dimmers and more complex lights with multiple parameters (includes support for percentage-based parameters, as well as both 8-bit and 16-bit direct DMX parameters.)
– QLab-style levels fading: it’s simple to build looks and effects that you can layer and reuse. A Light cue changes only the levels you set in the cue, and leaves the rest unchanged.
– Build sophisticated lighting designs by chaining Light cues together to build complex cue sequences out of simpler parts, then trigger the sequence with a single “GO” like a chain of dominoes.
– As with all cues in QLab, Light cues can be copied, pasted, reordered, paused, resumed, and stopped at any time
– All QLab fade curves are available for Light cues; including linear, s-curve, or totally custom shape fades.
– See and manipulate the current levels of all your lights using the Light Dashboard.
– If you need to sneak in live edits from the Dashboard, you can optionally tell QLab to apply the new values “over time” so they’ll fade in smoothly.
– Open the Audition Window to view the effects of light cues “blind” in the dashboard. Close the Audition Window, and the dashboard will instantly revert back to show the live state of your lights.
– Adjust your lights in the dashboard, then:
-Create a new cue with just the changes,
-Create a new cue with all instruments,
-Update the last-run light cue with the changes, or
– Trace back the edits to each cue that most recently modified each instrument.
– Map your favorite MIDI controller to light commands, for editing either the light dashboard or individual cues.
– For motorized MIDI hardware, QLab supports MIDI “feedback” from the light dashboard and individual light cues. (Aka “flying faders”.)
– Use QLab’s powerful light command language, with autocompletion, instrument or group parameter addressing, ranges, ad-hoc groups, and command history, to efficiently edit both the light dashboard and individual light cues.
– View light cues as sliders, tiles, or raw command text at any time.
– View the Light Dashboard as sliders or tiles.
– Edit lights via keyboard entry (on the command line) or with the mouse (via clicking and dragging.)
– Easily delete individual light commands from any cue, and of course undo any edits.
– In slider view, expand group commands into all the individual instruments currently in the group.
– In slider view, indicators show the current live value of each light in a cue.
– In slider view, select multiple commands to temporarily “gang” them, so you can adjust them up or down together.
– Quickly see when a group of instruments is set to all the same level or a mix of different levels.
– Batch-edit multiple light cues by selecting them and then simply editing any light command they all share. (Or adding a new command to all of them at once.)
– Use AppleScript, either externally or via Script cues, for advanced programming techniques like algorithmically generating a series of Light cues.
– Control both the Light Dashboard and individual Light cues via OSC messages.

– Support for up to 64 channels of audio output
– Support for up to 24-channel audio files
– Support for up to 24 channels of live audio input
– Audio waveform view
– Unlimited slices of your media files for looping and vamping
– Sample-accurate playback synchronization across multiple cues
– Audio panning and volume fading
– Customize output channel names
– Edit audio device routing
– Audio effects on any cue
– Audio effects on cue outputs
– Audio effects on device outputs
– Fade audio effects dynamically

– Full-screen or custom geometry for Video cues
– Fade and animate videos
– 1000 layers of video
– Masking and edge-blending across multiple projectors
– Warping and keystone correction
– Basic video effects
– Live camera input with the Camera cue
– Syphon input & output
– Blackmagic input & output
– Text & titles with the Text cue

Show Control
– Send OSC or UDP messages using the Network cue
– Fade your OSC messages over time, in 1D or 2D
– Inject live values from your workspace into outgoing OSC messages
– Send all MIDI and MIDI Show Control messages with the MIDI cue
– Send MIDI messages by playing MIDI files with the MIDI File cue
– Run your own AppleScripts with the Script cue
– Generate LTC or MTC output with the Timecode cue
– Trigger cue lists from incoming LTC or MTC timecode
– Remote control via OSC and MIDI

Changes from 4.3.3
– FIXED: A regression in 4.3.2 that could cause QLab to crash when viewing audio waveforms.


  • Intel, 64-bit processor
  • OS X 10.10 or later


INFO/DEMO/BUY: http://mage.si/k5Eb
QLab Pro 4.3.3 macOS-TNT

Acoustica v7.1.1 WiN MAC R2R, windows macos software, x86, x64, WiN, R2R, MAC, Acoustica

Acoustica v7.1.1 WiN MAC

Team R2R | Oct 10 2018 | WiN: 92 MB | OSX: 289 MB

Re-implemented from scratch for the highest quality demands and cross-platform support, Acoustica 7 is now the perfect tool for editing, mastering and restoration work on both Mac and PC (32 and 64 bit). The new spectral editing mode available in the Premium Edition allows more precise restoration work while you have access to processing tools from our award winning plug-ins such as Equalize, Verberate and Restoration Suite.

CHANGUES: http://mage.si/S426
INFO/DEMO/BUY: http://mage.si/m2X4
Acoustica v7.1.1 WiN MAC-R2R

Amadeus PRO v2.5.0 macOS TNT, macos software apps, TNT, Pro, OSX, macOS, MAC OSX, MAC, Amadeus Pro, Amadeus

Amadeus Pro v2.5.0 macOS

TNT | 10 October 2018 | 18.80 MB

Amadeus Pro is a powerful multitrack audio editor supporting a variety of formats including MP3, AAC, Ogg Vorbis, Apple Lossless, AIFF, Wave and many others. Each track can have its volume adjusted independently from the others. Amadeus Pro fully supports multitrack WAVE files and allows you to render sound on up to 5 different loudspeakers simultaneously.

Amadeus PRO v2.5.0 macOS TNT, macos software apps, TNT, Pro, OSX, macOS, MAC OSX, MAC, Amadeus Pro, Amadeus

Multitrack Editor
Amadeus Pro is a fully featured multitrack editor. Each track can have its volume and panning adjusted independently from the others. Each track can be split into multiple audio clips that can easily be dragged independently of each other. Furthermore, Audio Units can be applied to individual tracks in real-time without requiring any destructive editing.

Batch Processing
There’s that whole collection of files that you wanted to convert to Mp3, but you first wanted to normalize them and make them fade in and out nicely. Several hours of work in perspective? Let Amadeus Pro do the work for you! The powerful batch processor allows you not only to convert large numbers of files between any of the supported formats, but you can also instruct Amadeus Pro to apply any sequence of sound effects.

Repair Centre
The handy repair centre allows you to find and to repair cracks with a simple click of the mouse. Furthermore, Amadeus Pro’s powerful denoising functions allow you to easily get rid of that annoying hiss on your old tape recordings or of that 50Hz hum picked up by a badly insulated microphone.

Amadeus Pro also features:
– Tracks can be split into multiple clips for easy placement
– Audio Units can be applied to tracks non-destructively in real-time
– Smart editing
– Scheduled recordings
– Easy editing of audio tracks in QuickTime movies
– Powerful batch processor
– Direct recording from internet streams
– A full range of real-time and offline sound analysis tools

INFO/DEMO/BUY: http://mage.si/SsGZ
Amadeus Pro v2.5.0 macOS

Equalize v2.0.3 AU VST AAX x86 x64 WiN MAC R2R, x86 x64 windows plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, VST, R2R, MAC, Equalize, AU, AAX

Equalize v2.0.3 WiN MAC

Team R2R | Oct 10 2018 | WiN: 8.4 MB | OSX: 15 MB

The new version of Equalize includes two new filter types – tilt and bandpass. It now offers a total of eight different filter types. Just like the previously available filters, both the tilt and bandpass filters offer the unique continuously adjustable filter slopes in the range 3 to 120 dB per octave. The frequency range of the equalizer curve can now be altered conveniently by dragging the edges of the frequency axis or moved by clicking and dragging the center. This makes it possible to zoom in on specific frequency ranges for more precise control. A new preferences page offer user settings such as analyzer resolution and user interface language. Another new feature is the optional piano keyboard display above the frequency axis. Band frequencies can easily be set to match a tone’s frequency by clicking the key on the piano keyboard.

– Up to twelve independent bands
– Freely adjustable gain, frequency, bandwidth and filter slope
– Three different phase modes, including the novel mixed phase mode
– Choose channel mode for each band independently (mid, side, left, right or full processing)
– AD Equalize is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported.

New Features at a Glance:

  • Two new filter types — tilt and bandpass filters
  • Adjustable frequency range in the equalizer curve editor
  • Optional piano keyboard display
  • EUCON and full Pro Tools HW controller support
  • New preferences page with spectrum analyzer, tooltip, language and piano roll settings
  • Spectrum analyzer with adjustable frequency tilt


Since initial 2.0.1 release:
– Added: Solo mode when clicking and dragging with right mouse button
– Fixed: Adding new bands with double click sometimes influence existing bands

– Fixed: Solo mode doesn’t work when several bands are active
– Fixed: Scaling with multiple bands selected sometimes lost the frequency and gain relationship between the bands.

INFO/DEMO/BUY: http://mage.si/Re8e
Equalize v2.0.3 AU VST AAX WiN MAC-R2R


Please, rate your DAW

Other polls...