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Mixbus v5.1.0 WiN

Team R2R | March 10 2019 | 193 MB

The Harrison of Digital Audio Workstations

With dozens of DAWs to choose from, thereʼs only one thatʼs designed to work like a Harrison, with an analog paradigm that embodies form, function, and sound. Where other DAWs use a computer paradigm, MIXBUS grows from Harrisonʼs distinguished 40-year heritage of platinum records and blockbuster films, such as Thriller, Graceland, and Spider-Man. MIXBUS is the first full-featured DAW with true analog style mixing.

Mixbus provides professional-level features to import or record an unlimited number of audio or MIDI tracks to your computer; then edit, mix and master your production.

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Mixbus Sounds Better
Other DAWs are designed by companies with experience in computer sound, but no pedigree in world-class recording facilities. The Mixbus DSP mixer is designed by Harrison specifically for its great-sounding EQ, filters, dynamics, and bus summing. If you find a music recording from the golden age of albums – the 70s and 80s – that has stood the test of time, it is likely that a Harrison console was used during the production. Mixbus invites you to produce recordings that will stand with the very best.

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What Makes Mixbus Different?
Harrison has a unique history. In the mid-80’s, we developed fully automated, digitally-controlled analog mixer technology which was adopted by premiere film-mixing facilities around the world. When the digital revolution came, we were asked to convert the analog “processor” into a digital processor, while leaving the control surface unchanged. Film mixers wanted the control surface to -work and sound- exactly like the analog mixer they were using for previous projects. This required us to develop a digital audio engine that operated and sounded exactly like the analog mixer they were using for previous projects. This transition was not undertaken by any other company, and it has provided us with techniques and proprietary technology that we have incorporated into all of our high-end mixers. Mixbus gives us an opportunity to share this technology with a much wider range of users.

INFO/DEMO/BUY: http://mage.si/001C
Mixbus v5.1.0 WiN-R2R
http://beelink.in/23759/Mixbus-v5.1.0-WiN-R2R.html

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CFX Concert Grand v1.0.1.0 WiN MAC

P2P | 09.03.2019 | 13.9 GB

AU, AAX, VSTi, RTAS, x86, x64

Passion Reflected in Every Detail

We placed the awe-inspiring Yamaha CFX Concert Grand Piano in Abbey Road Studio One, where award-winning engineers used the world’s greatest microphones and equipment to create a stunning virtual instrument library. A truly remarkable virtual piano: The Garritan Abbey Road Studios CFX Concert Grand places the user on the bench before the Yamaha CFX, an incredible concert grand piano characterized by a wide palette of tonal colors and the ability to create the most subtle, expressive nuances. This beautiful instrument is matched with the stunning acoustics of Abbey Road Studios’ legendary Studio One and the finest collection of microphones in the world. All facets of this project – the instrument, the room, the mics, and the recording expertise – work together to create the finest sampled piano ever captured. Experience the passion reflected in every detail.

The Yamaha CFX Concert Grand Piano
The CFX piano marks a significant milestone in Yamaha’s celebrated 108-year history as an acclaimed world-class piano maker. In 1991, Yamaha began its most ambitious piano project ever: to create a new generation of grand piano for concert, conservatoire and studio performance.

The result was the CFX Concert Grand Piano, a revolutionary new instrument that embodies the concept of beauty and power. The rich palette of tonal colors and musical voices the piano can produce characterizes its beauty. The power comes from the CFX’s unprecedented tonal projection. The development and evaluation phase of this remarkable instrument took almost 20 years. During this time, a 40-strong team of the world’s most talented piano designers, technicians, craftsmen and, of course, pianists deconstructed the concert grand and began rebuilding it from the ground up. Every aspect of traditional piano design was questioned, evaluated, improved and relentlessly tested. Once the design was nearing completion, multiple prototypes endured thousands of hours of secret testing at concert halls across the globe.

Each CFX is entirely hand-built by a small team comprising some of the world’s most experienced and skilled craftsmen. All materials are meticulously selected and refined to ensure unprecedented music performance in the most demanding of situations. It offers outstanding expressiveness for a truly musical performance. With enough tonal presence to be heard over the sound of a full symphony orchestra in the largest of concert halls, the CFX is truly one of the greatest pianos ever created.

Abbey Road Studios
Abbey Road Studios is the most famous recording studios in the world and a global music icon. Home to countless landmark recordings and pioneering advances in recording technology, the legendary studio complex has a phenomenal history spanning over 80 years, encompassing celebrated work by many of the world’s most famous recording artists including The Beatles, Pink Floyd, Kanye West, Elton John, Oasis, Elbow, Lady Gaga and Adele. Composers and musicians from around the world turn to Abbey Road Studios when they desire the very best.

Studio One
Abbey Road Studios’ Studio One is one of the largest and most beautiful sounding orchestral studios in the world. The space can easily accommodate a 110 piece orchestra and 100 piece choir simultaneously. Studio One’s acoustics are as famous as its location, offering a supremely warm and clear sound with a reverb time of 2.3 seconds. This makes it perfect for numerous types of recording, from solo piano to large orchestras.

Studio One is Abbey Road’s largest recording space and has enjoyed a remarkable history. Architects Wallis Gilbert and Partners decorated the original walls of Studio One in their distinctive art-deco style, which gave the room a darker sound than its current, superior-sounding incarnation. In 1931 the impressive room hosted Abbey Road’s inaugural recording session with Sir Edward Elgar, and has since hosted historic sessions by the London Symphony Orchestra and luminaries ranging from Yehudi Menuhin, Pablo Casales, Bela Bartok and Jascha Heifetz to Glenn Miller and Fats Waller. In 1967, Studio One played host to The Beatles’ famous performance of ‘All You Need Is Love,’ which was captured as part of the first ever live, international satellite TV broadcast.

When Studio One opened, it was used primarily by EMI’s prestigious His Master’s Voice (HMV) label and it continues to host classical recordings to this day. It is also one of the world’s premiere locations for movie scoring: the long list of blockbuster scores recorded in Studio One includes Raiders of the Lost Ark, Star Wars, the Lord of The Rings Trilogy and Gravity.

Engineering
The sound of the Garritan Abbey Road Studios CFX piano was captured by a team of highly experienced Abbey Road recording engineers, each contributing decades of knowledge in recording pianos for a variety of applications. Microphone set-ups, also referred to as perspectives, have a huge effect on the overall sound of the recorded instrument. Each set of perspectives speaks specifically to various musical settings. The set–ups are a hybrid of classic techniques handed down from generation to generation of balance engineers within Abbey Road Studios since the 1930s, mixed with more contemporary and experiential arrays that perfectly complement each other. These set-ups have been and are continually used by the finest recording artists in the world and have been presented here for use as a sampled instrument for the first time ever.

Microphone Perspectives
To expand your creative possibilities, Abbey Road Studios’ engineers created three discrete microphone perspectives: Classic, Contemporary, and Player.

Classic
The Classic perspective most faithfully captures the natural tonal character, clarity and nuance of the instrument.

Close – 2 x Neumann M49 and 2 x Neumann KM184 Microphones: As every piano, recording venue, repertoire and pianist are different, the M49 and KM184 are used to capture a close detailed sound, which is especially good for chamber music.

Mid Field/Wide – 2 x DPA 4006 Microphones: The DPA 4006’s placed at each end of the piano create a wider and more spacious sound picture.

Main – 2 x Neumann TLM50 Microphones: The Neumann TLM50 are placed 2m away from the instrument and at 2.6m in height. This captures the overall complex frequency response and dynamic range of a grand piano.

Contemporary
The Contemporary perspective creates a piano sound that is bright and hard with lots of attack from the hammers, but also maintains the piano’s warmth with intimate ambience.

Close – AKG C12 & D19 Microphones: The AKG C12 is a bright sounding valve microphone with bite and some nice valve warmth.The mono D19 placed in the centre over the hammers was run via a classic REDD.47 valve microphone preamp, adding central focus and ‘poke’ to the close sound of this set up.

Ambience – Schoeps MK 2H Microphones: For the Ambience microphones Schoeps MK 2H are used in a close position. They are able to bring the sound of the room to the mix, without losing too much of the definition of the piano’s initial attack.

Player
The Player perspective offers the experience of playing the CFX, from the piano bench, in Studio One, particularly when reproduced over high quality headphones.

Close – 2 x Neumann KM84 Microphones: This is a straight forward stereo pair placed closely and directly over the hammers. It provides an immediate sound of the piano with little coloration from the room.

Player – Neumann KU100 Dummy Head: The Binaural KU100 Dummy Head was placed directly behind the musicians head. This provides an intimacy to the instrument mixed with the unmistakable sense of playing the instrument in the acoustics of Studio One.

Presets
Garritan has worked closely with Abbey Road Studios to develop presets that are both functionally useful and inspiring to play. Research included artists and genres as well as notable recordings, cinematic settings and live performance examples to make the CFX as flexible and versatile a musical instrument as possible.

Classic
– Default – This is the default preset for the Classic microphone perspective of the CFX.
– Classic Rock – The M49s and KM184s combine with some EQ and a custom velocity curve to make a “Close” solid rock piano sound with depth for the classic perspective.
– Dark Cinema – This preset is designed to emphasize a darker tonal pallet. This has been paired with the “Dark Pad” convolution preset to add a moody and ethereal flavour to the piano.
– Dull Resonance – This highly resonant sound is muted with a closed lid position. Minimal dynamic range and a custom velocity curve give this muted sound some sudden timbre changes.
– Glimmer – The piano has been set to have a sharp cutoff when a note is released. This has been combined with “Vintage Algo” convolution reverb to create a glimmering after effect in the reverb.
– Goldberg1981– A famous recording of Bach’s Goldberg Variations was used as a reference. There is a clear and direct mic position mixed with a more distant and quiet ambient response. Paul’s Perfect Piano – Both sustain and sympathetic resonance are boosted in this very ambient preset.
– Solo Piano 1 – A slight emphasis on the Close Mic make this an ideal setting moody classical pieces.
– Solo Piano 2 – Both close and ambient channels are set with short releases give a different shade of the CFX classic tone.
– Solo Piano 3 – This is a classic sound with the soft pedal engaged and a slight emphasis on the Ambient Mics.
– Vintage Evans – Smooth, balanced and classic vintage jazz piano.

Contemporary
– Default – This is the default preset for the Contemporary microphone perspective of the CFX.
– BBBBennie – This lively preset puts you on stage for a 70’s style pop hit.
– Big and BOLD – Saturation and ambient bass are pushed to limit in this bombastic sound.
– Bright Poke – The D19 and C12 microphones in the close channel with some eq boost create a hot saturated pop sound good for comping and stabs.
– Brighton Rock – Set up to bright and taught, this preset has a light touch and is EQ’d to cut through the mix.
– Chicken Wire – An alternate tuning, a slightly lighter touch and a closed lid give the piano a raw, moody flavor.
– Dark and Distant – This spooky preset is darkened with EQ and given extra space for a lingering suspenseful haunting sound.
– Mirek’s Rock Sound – Saturation and lower dynamic range with an easy velocity curve puts this piano right in your face.
– Newman Beauty – A melodic and ambient preset that is useful for a cinematic sound.
– Paul’s Pokey Piano – This whimsical preset cuts the bass and decreases stereo width while placed in a jazz club ambience. Great for that in the other room sound.
– Soft and moody – A warm atmosphere is created with the D19/C12 combination. Hi EQ is pulled back and a custom velocity curve restricts play to the quietest samples.

Player
– Default – This is the default preset for the Player microphone perspective of the CFX.
– Big Head Space – The KU100 dummy head is soloed here with cuts in mid and low EQ. A light sound is created that echoes through a deep reflective reverb.
– Soft Player – This is KU100 with the soft pedal engaged for a soft and delicate touch and some “Deep Space” optional reverb loaded.
– Mad Hatter – A very dynamic and spritely feel that is great for various jazz and dance styles.
– CutnRun – Release Decay and Release Volume are set to 0, Release Crossfade is set to 3 and EQ’s are sculpted to give the piano a tight and lively flavor.
– Edward’s Reflection – Only the KU100 is engaged to capture the most natural ambience of Studio One from the bench of the CFX.
– Jamamatsu – Highs, Lows and Mids are sculpted with an adjustment to the velocity curve to give the piano a warm and open characteristic.
– Lately – The piano is set up to have a warm tone for chords and a shine for stronger lines.
– Village Grinder – An emphasis on the KM84 over the KU100 with a “half-stick” combined with some saturation and convolution reverb give this preset the flavor of a “working” piano in a Manhattan jazz club.
– Wendyhouse – Featuring a dramatic Scala tuning, this preset has an erie effect perfect for texture and mood.

INFO/DEMO/BUY: http://mage.si/Ku8Z
CFX Concert Grand v1.0.1.0 AU AAX VSTi RTAS WiN MAC RETAiL
http://beelink.in/39025/CFX-Concert-Grand-v1.0.1.0-WiN-MAC-RETAiL.html

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BandLab Cakewalk v25.01.0.27 WiN

Team R2R | 08.03.2019 | 540.5 MB

Fueled by over 30 years in the relentless pursuit of innovation, Cakewalk by BandLab is the new standard for the modern recording studio.

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The most complete music production package
The creative experience only SONAR offered: advanced technology, effortless workflow, and an interface that amplifies inspiration.

Compose
Easily compose complete songs and performances with creative songwriting tools and instruments

Record
Capture inspired performances with pristine quality and unlimited audio and MIDI tracks

Edit
Fix mistakes, arrange parts, and manipulate pitch, time, and any other aspect of your recordings

Mix
Achieve pristine pro-studio sounds and create big, clear, dynamic mixes with advanced mixing tools

Master
Polish your finished mixes to perfection with built-in mastering tools

Share
Export and publish your songs directly to YouTube, SoundCloud, Facebook and more

Extras:
– BandLab Cakewalk Drum Replacer v1.2.0.14-R2R
– BandLab Cakewalk Theme Editor v1.2.0.14-R2R
– BandLab Studio Instruments Suite v1.0.0.70-R2R

INFO/DEMO/BUY: http://mage.si/0vCK
BandLab Cakewalk v25.01.0.27 WiN-R2R
http://beelink.in/36401/Cakewalk-v25.01.0.27-WiN-R2R.html

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Visualizer 2 v2.1.0.2 WiN MAC

TEAM R2R | 08.03.2019 | WiN: 4.55 MB | MAC: 75.13 MB

WiN32/64 – EXE/VST/VST3/RTAS/AAX | MacOSX – APP/AU/VST/VST3/RTAS/AAX

Powerful, flexible Audio Analysis, giving you immediate access to precisely the information you need, when you need it, through a unique, intelligent window system. Measure, understand, correct. Visualizer gives you indispensable audio analysis for quality audio production, with a standardised reference set of professional tools that let you work faster, avoid mistakes, repeat past success and leverage the success of others. Visualizer’s unique intelligent window facility lets you select multiple view combinations, automatically resizing and aligning windows to maximise legibility and cross referencing information across screens. No need to switch between plugins to get the combination of views you want. User configurable presets let you switch instantly between setups and interface sizes to build the workflow that suits you.

Comprehensive audio analysis

  • Multiple level meters (Peak/RMS/K12/K14/K20 etc.)
  • FFT Spectrum Analysis
  • Stereo Spectrum Analysis
  • Spectrogram
  • Stereo Spectrogram
  • Vector Scope
  • Stereoscope
  • Stereo Bias meter
  • Correlation Meter
  • Correlation by frequency
  • Stats and Parameters module

 

Comparison Mode
Comparison mode allows the direct comparison of two sources within a single Visualizer interface, utilising overlay, side-by-side and differential views. Ideal for examining the difference before and after a mastering signal chain or for comparing spectra in preparation for EQ matching or notching out.

Detailed user configuration

  • Resizeable Interface
  • Intelligent window optimization
  • Optimized control selection
  • Frequency zoom and scroll
  • dB Zoom and scroll
  • Peak hold control
  • Colour selection
  • FFT window selection
  • RMS window adjustment
  • Optimized resource use

 

Intelligent window System
This unique facility allows the selection of multiple view combinations, resizing and aligning windows to maximize legibility and cross referencing information across screens. There is no need to switch plugin for a different combination, and presets (user configurable) allow instant switching between setups and interface size enabling unparalleled work flow enhancements and intuitive operation.

INFO/DEMO/BUY: http://mage.si/2Z5F
Visualizer2 v2.1.0.2 WiN MAC-R2R
http://beelink.in/24334/Visualizer2-v2.1.0.2-WiN-MAC-R2R.html

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VisLM v2.8.1.1 WiN MAC

Team R2R | 08.03.2019 | WiN: 6.2 MB | OSX: 79.7 MB

PLATFORMS: WiN64 – VST/VST3/RTAS/AAX | MacOSX – AU/VST/VST3/RTAS/AAX

The most fundamental question in audio production, how loud is it? Simple and yet elusive, with loudness inconsistency and incompatibilities present every day in broadcasts across the world. With detailed, objective loudness measurement, history and logging facilities, VisLM provides a simple, ITU, ATSC and EBU standard compliant* way to measure, compare and contrast loudness during production, broadcast and post production, on the fly or for entire sections of audio.


VisLM introduces several essential parameters for audio measurement.

  • * True-Peak level metering (inter-sample accurate level monitoring)
  • * Loudness Range (to help decide if and how much dynamic compression to apply)
  • * Momentary ‘instantaneous loudness’ for mixing by ear
  • * Short term loudness (3 second time window)
  • * Program Loudness (long term integrated loudness measurement)

 

INFO/DEMO/BUY:  http://mage.si/27G9
VisLM v2.8.1.1 AU AAX VST VST3 RTAS WiN MAC-R2R
http://beelink.in/15610/VisLM-v2.8.1.1-AU-AAX-VST-VST3-RTAS-WiN-MAC-R2R.html

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Stereoizer v3.3.0.3 WiN MAC

Team R2R | 08.03.2019 | WiN: 4.4 MB | OSX: 44 MB

Rapid, intuitive access to the big sound all professionals strive for. Stereoizer hits the bullseye, with the assurance of superb mono compatibility and no unwanted artifacts. Stereoizer offers you the full range of stereo image enhancement, from gentle width adjustments to huge dynamic ambiences that transform the soundstage. With visual audio analysis feedback and a clear, logical control layout, Stereoizer is satisfying to use and gives great results with the minimum of effort.

Smooth, rich and mono compatible
Stereoizer is a high-specification stereo image manipulation tool suitable for natural expansion, reduction and introduction of stereo width at any stage of the audio production process. Developed for and tested by professional audio engineers, Stereoizer adds natural sounding width and depth to any audio recording, mono or stereo, leaving the inherent character of the original source intact. If you want a more coherent sound with polish and spatial balance but without adding artificial reverberation, chorusing or delay – Stereoizer is for you.

Mix | Sound Design

  • Expanding narrow stereo spectra
  • Introducing width to mono recordings
  • Enhancing the depth of FX return channels
  • Reigning in over enthusiastic spot FX
  • Creating ‘centre space’
  • Settling ‘forward’ sounds
  • Generating panoramic ambience
  • Adding richness and gloss
  • Re-focussing central solidity
  • Avoiding heavy EQ and/or compression
  • Opening up cluttered frequencies
  • Fixing poorly positioned mic.’s
  • Adding depth, width and space to specific tracks
  • Enlivening static sounds

 

Mastering | Post | Restoration

  • Natural extrapolation of existing image
  • Frequency specific enhancement
  • Re-balancing
  • Taming eccentric material
  • Re-introduction of natural ambience
  • Firmly define existing stereo spectrum
  • Avoid changing the character with unnecessary EQ
  • Neutral stereo expansion/contraction
  • Subtle blending of inserts and returns
  • Pychoacoustic sweetening of frequency crowns

 

INFO/DEMO/BUY: http://mage.si/G9gp
Stereoizer v3.3.0.0 AAX AU VST VST3 RTAS WiN MAC-R2R
http://beelink.in/26113/Stereoizer-v3.3.0.0-AAX-AU-VST-VST3-RTAS-WiN-MAC-R2R.html

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SigMod v1.1.1.0 WiN MAC

TEAM R2R | 08.03.2019 | WiN: 5.8 MB | MAC: 64.4 MB

PLATFORMS: WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

Instantly enhance the functionality of your plug-ins and DAW with twelve different signal modification units. Explore new creative possibilities and quickly add missing features. Each module can easily be inserted, swapped and moved around making new options to correct, convert or tweak your audio. SigMod contains many useful, creative functions which are otherwise difficult to engage. Combine these single-process modules in any order to design the precise routing you require. Auto-resizing keeps the signal flow and functionality clear at all times.

Features:
– Master & channel strip features
– Signal monitoring & routing options
– Mid/side conversion
– Output level protection
– Frequency banded splits
– 1000’s of possibilities…

INFO/DEMO/BUY: http://mage.si/1A64
SigMod v1.1.1.0 WiN MAC-R2R
http://beelink.in/39023/SigMod-v1.1.1.0-WiN-MAC-R2R.html

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Monofilter 4.1.15 WiN MAC

Team R2R | 08.03.2019 | OSX: 32.1 MB | WiN: 13.4 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX | MacOSX – AU/VST/VST3/RTAS/AAX

Transparent Bass Enhancer Plugin

MONOFILTER brings back the centre of your bass, so easily lost through stereo effects processing, synth sound generation, unwanted phase inconsistencies and live recording mic. bleed. Our market leading features now give you clear control over stereo spread, transition and phase alignment, and the unique interface gives you clear and exacting visual feedback.

Key Features

  • • sharper bass
  • • anchor low end power
  • • eliminate weak|hollow|flat bass
  • • fix samples
  • • restore old recordings
  • • master with confidence

 

Mastering Quality Processing

  • • Linear phase Monofiltering
  • • Precise low end phase alignment
  • • ‘Auto’ level trim and phase control
  • • Linear phase High Pass filter
  • • Multiple output modes
  • • Clear band limited operation

 

Advanced intuitive GUI

  • • Stereo real-time audio analysis
  • • Real-time correlation by frequency analysis
  • • Click-and-drag stereo width envelope

 

Workflow enhancements

  • • In-place bypass
  • • pre/post metering
  • • quick-start presets
  • • unlimited session undo/redo
  • • A|B comparison memories

 

INFO/DEMO/BUY: http://mage.si/QUmv
Monofilter 4.1.15 AAX AU VST VST3 RTAS WiN MAC-R2R
http://beelink.in/26114/Monofilter-4.1.15-AAX-AU-VST-VST3-RTAS-WiN-MAC-R2R.html

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MasterCheck Pro v1.6.0.2 WiN MAC

Team R2R | 08.03.2019 | WiN: 5.8 MB | OSX: 64.4 MB

PLATFORMS: WiN64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

Mix and Master for the listener directly to Apple, Spotify, DAB Radio and TV specifications, MasterCheck will immediately reveal how your audio is going to sound to the listener, allowing you to produce with confidence and certainty. MasterCheck immediately reveals how the consumer will hear your productions on todays music platforms. Mix and master to target and the quality of your audio will be assured all the way to the consumer with no nasty surprises after release. Compare and contrast your productions with reference works and learn from the best. MasterCheck gives you the tools to evaluate your work and seize the competitive advantage by producing directly for the playout environment, allowing you to effectively utilise maximum dynamic range without compromising on loudness or risking distortion introduced by mp3 or AAC compression.

MasterCheck instantly de-mystifies loudness normalised playout systems, showing you the effect of compression on your audio so you can immediately determine how much is enough and by using loudness matching, exactly what is happening to the transients etc. as the compression increases. Now you can quickly find the point beyond which playout systems kick into effect, putting you back in control of how your productions will sound.

Applications
– Audio production to loudness target
– Measuring dynamic content
– Avoiding downstream clipping introduced by compression codecs
– Compare your loudness and dynamics with reference material
– Audition Loudness matched FX chains
– Objectively evaluate compression settings with PLR & loudness matching

INFO/DEMO/BUY: http://mage.si/Zrjs
MasterCheck Pro v1.6.0.2 AAX VST VST3 AU WiN MAC-R2R
http://beelink.in/18003/MasterCheck-Pro-v1.6.0.2-AAX-VST-VST3-AU-WiN-MAC-R2R.html

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LMCorrect v2.8.0.8 WiN MAC

TEAM R2R | 08.03.2019 | WiN: 5.2 MB | OSX: 53.3 MB

PLATFORMS: WiN32/64 – RTAS/AAX | MacOSX – AU/RTAS/AAX

LM-Correct gives you a unique, immediate and hassle-free route to loudness-compliant audio in your day-to-day loudness workflow, saving you time and preventing costly mistakes. Either within your NLE/DAW or as a stand-alone application, LM-Correct delivers automated compliance with True-Peak correction, solving your compliance issues on the spot. Used in conjunction with a real-time meter, LM-Correct saves iterative adjustments to the mix as you approach target levels, allowing transparent in-edit ‘quick-touch’ finishing of your audio. It’s an essential part of your loudness toolkit.

Automated, faster than real-time
For file based-processes (either with the standalone or Avid AudioSuite versions), LM-Correct rapidly assesses and adjusts the entire file much faster than real time. Automatically handling audio files from mono through 5.1, LM-Correct is compliant with all current loudness standards and if you need it you can specify the optional dialog-gated measure.

Automatically re-purpose and re-version
LM-Correct dramatically increases efficiency when delivering multiple versions and re-purposing for different regions and play-out specifications. Transform audio from one specification to the next with a single click, faster than real-time, without the need to manually re-purpose time and again in the editor.

Peace of mind
Our unique look-ahead true-peak limiter also prevents potential compliance failure due to loudness correction. With True-peak, Integrated Program and Short-term Maximum targeting you can be sure your audio is compliant every time. LM-Correct: total control and complete peace of mind in production.

Powerful Processing with a single click
With the introduction of optional dynamic processing in-LM-Correct 2, even complex recommendations like EBU R28 S1 can be met with great sounding algorithms, smooth efficiency. Uniquely, the new DynApt option powered by technology developed for our server-side solutions also allows immediate correction for LRA and dynamics, whilst preserving dialogue intelligibility and correctly identifying and respecting intentional dramatic transitions. LM-Correct 2 delivers unparalleled power with renowned ease of use.

INFO/DEMO/BUY: http://mage.si/CPZ5
LMCorrect v2.8.0.8 WiN MAC-R2R
http://beelink.in/8017/LMCorrect-v2.8.0.8-WiN-MAC-R2R.html

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