Spire v1.1.12 AU VST 32Bit 64Bit macOS, x86 plugins vsti x64 plugins vsti vsti vst plugins macos plugins au for mac, VSTi, VST, SPiRE v1, Spire, OSX, macOS, MAC OSX, MAC, AU, 64Bit, 32Bit

Spire v1.1.12 AU VST MAC

PlatenseSoul | 05.06.2017 | 519.76 MB

Spire is a software polyphonic synthesizer that combines powerful sound engine modulation with flexible architecture and a graphical interface that provides unparalleled usability. Version 1.1.8 of the Spire synthesizer instrument, adding a new Hard FM phase modulation mode, Navy Gray & Light Gray skin themes, and more.

ANALOG / DIGITAL Superiority
Spire – the combination of best opportunities of software and hardware synthesizers

4x multimode polymorphing oscillators
Classic, Noise, FM, AMSync, SawPWM

– 9x unison voices on each oscillator
– Spread unison voices by chords and octaves
– Capable of imitate different types of unisons like supersaw, hypersaw

– 2x multimode filters with analogue and digital types of filtering Perfecto, Infecto, Acido, Scorpio, Combo

Shaper/Decimator, Phaser/Vowel, Chorus/Flanger, Delay, Reverb

4x Macroses, 4x Envelopes, 4x LFOs with morphing shapes, 15x Matrix slots each of equipped with 2x sources and 4x targets

Surprisingly user friendly and fun to use!

with X­-Comp (Multiband Compressor) and 3-band EQ

Spire Synthesizer update to v1.1.12 (2017.04.11 02:00)
+ Fix Win unicode issues
+ Fix ModWheel behavior issue on preset change

INFO/DEMO: http://redi.se/duu
Spire v1.1.12 AU VST 32Bit 64Bit macOS

Universal Piper v4.0.0 v3.0.6 AU VST VSTi STANDALONE WiN MAC R2R, windows vsti vst plugins macos software audio plugins au for mac, Win, VSTi, VST, Universal Piper, Universal, Standalone, Piper, MAC, AU

Universal Piper v4.0.0-v3.0.6 WiN MAC

TEAM R2R | 04.06.2017 | WiN: 250.93 MB | MAC: 130.83 MB


Universal Piper is a new instrument that aims at faithfully reproducing the sound and the playing sensation of bagpipes of any types. The idea of this new instrument emerged facing the limitations encountered with a real bagpipe while composing, rehearsing or playing on stage, especially with other tempered instruments (guitar, piano).

This new instrument is composed of two parts:
– A software with a genuine and high quality sound generation
– An electronic chanter (under development) which will capture the piper’s play and pilots the software to trigger the corresponding notes.

INFO/DEMO: http://redi.se/3aj2
Universal Piper v4.0.0-v3.0.6 AU VST VSTi STANDALONE WiN MAC-R2R

Lumi for Vocaloid4FE, vocaloid vsti vocaloid vocaloid audio software, Vocaloid4FE, Vocaloid, Lumi

Lumi for Vocaloid4FE

AlexVox | 03 June 2017 | 932 MB

LUMi (ルミ) is an upcoming VOCALOID to be developed by Akatsuki Virtual Artists for the VOCALOID4 engine. She is voiced by the Japanese voice actress Sayaka Ohara. LUMi was introduced on May 19, 2017 and was confirmed to be developed by Akatsuki Virtual Artists (AVA). A preview of her design was shown and it was revealed that she was voiced by Sayaka Ohara, a well known voice actress. A version of her VOCALOID4 voicebank was to be made available on June 3. It was later revealed that the illustrator was Miyama Hugin and an interview regarding the design was released.

Note: This is japanese language vocaloid

INFO/DEMO: https://goo.gl/F4Z0EY
Lumi for Vocaloid4FE

LinPlug RMV v5.1.5 AU VST VSTi WiN MAC R2R, windows vsti vst plugins macos linplug plugins au for mac, Win, VSTi, VST, RMV, R2R, MAC, LinPlug, AU

LinPlug RMV v5.1.5 WiN MAC

TEAM R2R | 2015.02.06 | WiN: 36.94 MB | MAC: 16.63 MB

The RMV is a dream machine, but you need to try it to understand just how flexible it is, how intuitive and easy to use the interface is, how well the library system works. A wonderfull machine. RMV Drum Addiction Drum Synthesizer, Drum Sampler, Audio Loop Slicer and Drum Librarian for Windows. RMV is the result of many years of investigation and programming and a huge step forward from its predecessor, the RM IV.


  • * Drum Synthesizer.
  • * Drum Sampler.
  • * Audio Loop Modules (Slicer & Player).
  • * Drum Librarian.
  • * 32-voice polyphony.
  • * Multiple instances of the RMV can be opened.
  • * 48 polyphonic Pads for the universal or specialized Drum Synthesizers or Drum Samplers.
  • * Six independent Audio Loop Modules with up to 64 slices each.
  • * Each Pad and each Slice features its own controls for:
  • o Volume.
  • o Pan.
  • o Output Selection.
  • o Tune (+- 24 semitones in 10 cent intervals).
  • o Two independent Effects Send.
  • * Each Pad and Slice can belong to one of 10 Edit Groups (parameters for all Pads or Slices in a Group can be adjusted simultaneously).
  • * Each Pad and each Slice can have additional modules:
  • o A 12×12 Modulation Matrix.
  • o 3 independent LFOs.
  • o A Distortion and BitCrusher.
  • o A multimode AHDSR-controlled filter.
  • o A four-band parametric equalizer.
  • o Three insert effects racks each of which can be set to one of nine different effects units.
  • o A “Varizer” for unbeaten realistic humanizing.
  • * Each Pad additionally features its own controls for loading and saving Pad files, Choke Group (12 groups are available including prev/next and self-mute), Trigger Key, Polyphony (mono… 8, full), Mute and Solo.
  • * Almost all instrument parameters are MIDI controllable.

Audio Module Features:

  • * Pads and Audio Loop Modules provide mono and true stereo sample playback and processing.
  • * Pads can hold either a Sampler or Synth Audio module:
  • o A percussion sampler module.
  • o 2 different kick drum modules.
  • o 2 different snare drum modules.
  • o Open and closed hihat modules.
  • o A Tom module.
  • o A Clap module.
  • o Two cymbal modules.
  • o A simple and easy FM percussion module.
  • o A flexible, universal purpose drum synthesizer.
  • * Each Sampler module can hold up to 30 samples that can be layered, velocity-switched or -crossfaded and with parameters for start, end, reverse, volume and delay.
  • * Sampler also features:
  • o A Pitch Envelope with two successive Pitch and Time phases.
  • o An AHDSR Envelope for controlling Amplitude.
  • * Sample Waveform Display additionally shows Pitch- , Amplitude- and Filter-Envelope.
  • * Samples can also be opened and edited in an external editor and then reloaded into the RMV right from RMV user interface.
  • * Switchable response to MIDI Note Off.
  • * Supported sample formats:
  • o WAV 8-32 bit, mono and stereo, any sample rate.
  • o AIF 8-24 bit, mono and stereo, any sample rate.
  • o REX and REX 2.

CHANGES v5.1.5
– Fixed tempo synchronisation problem with groove and loop players (Mac only)
– Fixed possible crash when changing audio buffer settings
– Small fixes and improvements

INFO/DEMO: http://bit.ly/2rCQKHG
LinPlug RMV v5.1.5 AU VST VSTi WiN MAC-R2R

LinPlug RMV LiBRARY, vsti presets patches linplug, RMV, LinPlug, Library


P2P |  Apr 16, 2014 | 2.25 GB

The RMV is a dream machine, but you need to try it to understand just how flexible it is, how intuitive and easy to use the interface is, how well the library system works. A wonderfull machine. RMV Drum Addiction Drum Synthesizer, Drum Sampler, Audio Loop Slicer and Drum Librarian for Windows. RMV is the result of many years of investigation and programming and a huge step forward from its predecessor, the RM IV.

Library Features

  • RMV comes with a vast selection of partly multi sampled
  • electronic and synthesized kits, MIDI and Audio Loops:
  • 10,000 Drum Sounds (Sampled and Synthesized)
  • 2600 MIDI Grooves, partly from Groove Monkee
  • 1500 Audio Loops

Four specialized “Librarians” are now incorporated into the RMV. Each Librarian has sophisticated search capabilities and is used for the storage and retrieval of various types of data that the RMV supports. The Librarians can be used with Pads (individual drum sounds), Kits, MIDI Grooves and Loops. Samples can be imported using the RMV Sample Browser (supporting favourite folders and prelistening) The Kit Librarian features a “Live” control that enables setup of different Kits to be loaded using MIDI program change messages. Samples, Pads, Kits, Grooves and Loops can be browsed while the RMV is playing.

Effects and Audio Loops Features
Each Pad and each Slice has access to three Insert Effects, a four band EQ and two out of three Send Effects Racks Each Send Effect Rack can hold up to 3 individual effects and a final 2 bands parametric EQ Each Insert / Send can hold one of these Effects:

  • Stereo Delay, Filter-Delay, Reverb, WahWah, Flanger,
  • Compressor, Multimode Filter, Bit Crusher, Gator
  • 6 fully independent Audio Loop Slicers / Players
  • Each Audio Loop Module with up to 64 Slices
  • Each Loop Player can be used to load and playback
  • audio loops in WAV, AIF, REX and REX2 format.
  • Samples can be automatically sliced.
  • Slice start and end points, as well as automatic
  • slicing sensitivity are user-definable.
  • Each slice has vast editing capabilities (Filters,
  • Envelopes, Modulations, Effects etc.)

INFO/DEMO: http://redi.se/e98

MNX Plugins Pack VSTi WiN R2R, x86 plugins vsti x64 plugins vsti windows vsti, Win, VSTi, R2R, Plugins Pack, Plugins, Pack, MNX

MNX Plugins Pack VSTi WiN

TEAM R2R | 2015.04.10 | 99.62 MB

Consider some of the great analog synthesizers of the 1980’s: Roland Jupiter 8, Rhodes Chroma, Elka Synthex, Crumar* Bit One. Well, That last one may not appear on everyone’s list, but for the dwindling number of people who own a Crumar* Bit synth, almost all agree that the sound that comes out of this beast is first class – somewhere between an OB-X and a Synthex; bright & punchy but also rich & eerie Unfortunately, there are a few down sides to this machine – reliability, poor midi spec, missing features and an awkward programming interface are generally the most common grievances. MNX have cast those issues aside with the release of our Bit-100 software emulation of the original Bit One, which combines all of the punchy sound, plus the unique features of the Bit One (such as velocity control of pulse width), with all of the advantages of a software implementation. We’re not aware of any other synth which implements DCOs in quite the same way as the Crumar Bit range. In my opinion, they sound superb. Fortunately, they appear to lend themselves to digital emulation quite well. The Oscillators are complex though, and when combined with our highly refined V2 filter and envelope stages, the result can be heavy CPU usage. Please note that unison mode and oscillator LFO modulation will increase CPU usage considerably, as will long VCA envelope release times

Complex modulation facilities and excellent raw oscillators combine to make the original synth a unique, timeless classic. These qualities are brought to you by the MNX Destiny using the same technologies which feature across our entire range. Version 2 has been updated to include our latest filter and envelope designs; other minor issues have been snagged and the default patch library has been completely updated to accommodate the version 2’s new dynamics.

Whilst the fast envelopes on the MM-2 make it ideal for fantastic lead & bass lines you will also find that the sound of the three oscillators ‘beating’ can produce the kind of rich and haunting sounds iconic of 1970’s synthesis. The palette of sounds available from the MM-2 is further enhanced by the possibility of modulating oscillators 1 & 2 pitch by the output of oscillator 3 at both audio & sub audio frequencies. This is in addition to a separate vibrato LFO, so you need not sacrifice an oscillator in order to achieve a simple vibrato effect. Each oscillator can produce six different raw waveforms, making for a thoroughly versatile sounding monosynth. For version 2 we have totally redesigned the envelope and filter sections, plus a few little tweaks to other parts of the audio path. The patch library has been completely updated to accommodate the version 2’s new dynamics.

Of all the different kinds of vintage hardware synthesizers, our favourite has to be the wave of programmable polysynths which appeared during the eighties, such as the Jupiter 8 and the MKS-80 rack-mount. It wasn’t just the breakthroughs of polyphony & patch recall that made these instruments popular – they also had (and still have) a distinctive sound which is quite magical. We’re very proud to present the SJ-2 as our own tribute to these awesome, IC based beasts! It’s no accident that the SJ-2 sounds the way it does – it features several layers of audio processing ‘algorithms’ designed to reproduce subtle audio nuances that you’ll find in analog synthesisers. This ‘no stone left unturned’ approach is, of course, computationally expensive and depending on patch settings, your CPU may take a hammering. Rest assured that we have tried to minimize CPU use as much as possible, spending many hours on optimisation. (Unison modes and pitch lfo modulation are particularly harsh on the processor.)

The XS-4 attempts to reproduce the sound a group of similar analog synths which appeared in the mid 80’s. Examples are the Korg Poly 800, Siel DK-80 and Suzuki SX-500. These instruments have a very similar architecture, but do not have identical sonic characteristics. The oscillators, typically built around chips designed to power organs, do sound very nice when run through an analog filter and a punchy set of envelopes – we felt this was a sound well worth emulating. The result is the XS-4, and were broadly happy with its performance. Regrettably, it’s rather power hungry (CPU usage) because the oscillators are outputting 8 waveforms per note and the filter / envelope stages are also now very CPU intensive. Selecting monophnic filter mode may eleviate the issue somewhat. However, pitch modulation will place a particularly high load on the CPU, as will long loudness decay times Despite this, we feel that sonically, the instrument has considerable merit; you can assess it yourself, within minutes, by downloading the demo from the link below

– MNX.Bit.100.V2.v1.300.0066.VSTi.WiN
– MNX.Destiny.V2.v1.301.0046.VSTi.WiN-R2R
– MNX.MM-2.v1.301.0058.VSTi.WiN-R2R
– MNX.SJ-2.v1.300.0170.VSTi.WiN-R2R
– MNX.XS-4.v1.300.0045.VSTi.WiN-R2R

INFO/DEMO: http://redi.se/35ja
MNX Plugins Pack VSTi WiN-R2R

XILS V Plus v1.0.5 VST VST3 RTAS AAX x86 x64 WiN R2R, xils lab vsti plugins x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins plugins rtas aax plugins, Xils, x86, x64, Win, VST3, VST, V Plus, RTAS, R2R, AAX

XILS V Plus v1.0.5 WiN

Team R2R | 03.06.2017 | 14.43 MB


From a very long time, this wonderful and versatile machine was used by a lot of well know artists and musicians, from a long time now, it is waiting by a lot of computer users to be part of their sound arsenal. The XILS V+ combines a Vintage 10 band Vocoder, Supreme Top Octave Divider based Strings and Human Voices, or any sophisticated layering of these three elements. After more than one year of intense modeling deep in the basement of the Xils Laboratories, we offer you this complete recreation of a legend. Its unique vintage vibe and beauty that can only be brought back to life by precisely emulating different ancient and forgotten techniques.

T.O.D : The Top Octave Divider Oscillator provides a unique sound that no samples, or other simple synthesis techniques can reproduce. Emulating the T.O.D, without any aliasing on the whole frequency range, with its pitch and waveform modulation, was a real challenge, worthy of XILS-lab. We are very proud of this effort and offer it to you for your inspiration and enjoyment.

XILS-lab touch : The XILS V+ would not however be a real XILS-lab instrument if we did not add a lot of functions and possibilities that were not present in the original machine, some giving access to its internal circuitry and parameters. And some being totally new.

Version 1.0.5:
– Sustain Pedal now working fine (with option for choosing the Pedal state, closed or opened)
– Native instrument NKS compatible

INFO/DEMO: http://redi.se/3fzs
XILS V Plus v1.0.5 VST VST3 RTAS AAX x86 x64 WiN-R2R

Stagecraft Soft Bundle v2017.06 WiN MAC R2R, x86 plugins vsti x86 x64 plugins vsti x64 windows vsti vst plugins kontakt software audio plugins au for mac, Win, VSTi, VST, Standalone, R2R, MAC, AU, 2017

Stagecraft Soft Bundle v2017.06 WiN MAC

Team R2R | 03 Jun 2017 | WiN: 178.7 MB | OSX: 614.8 MB

AutoFilter, Glitch Machine, Scratch Track, Livetronica Studio, BitCrusher, LaunchCraft, Vinyl Lab, Cloud Browser, Loop Lab, Delay, Overdrive 5, Addiction Synth, EchoThief, RingMod.

Stagecraft Soft Bundle v2017.06 WiN MAC R2R, x86 plugins vsti x86 x64 plugins vsti x64 windows vsti vst plugins kontakt software audio plugins au for mac, Win, VSTi, VST, Standalone, R2R, MAC, AU, 2017

INFO/DEMO: http://redi.se/3hct
Stagecraft Soft Bundle v2017.06 WiN MAC-R2R

The Legend v1.1.0 VSTi x86 x64 WiN CE REV.2 V.R, x86 plugins vsti x64 plugins vsti windows vsti synapse audio vsti plugins, x86, x64, Win, VSTi, V.R, The Legend, Rev.2, Legend, CE

The Legend v1.1.0 WiN Rev.2

Team V.R | 03 June 2017 | 30.2 MB

VSTi x86 x64

Developed in cooperation with vintage synth specialist, The Legend is designed to faithfully emulate one of the most famous vintage analog synths. Moreover, numerous innovative enhancements greatly increase its versatility. Unprecedented precision: Every component, ranging from the voltage-controlled oscillators (VCOs), voltage-controlled filter (VCF) and voltage-controlled amplifier (VCA), have been modeled to an accuracy never seen before in software. The snappy filter and amplifier envelopes have been meticulously modeled, as well as the massive bottom end – even the most marginal effects like temperature drift or effects originating from the power supply have been taken into account.

The Legend comes with 480 patches crafted by leading sound designers and sorted into categories like Bass, Lead, SFX, etc.

The Legend features summary
– Accurate circuit simulation
– Two Revisions modeled, Early and Late
– 8x Oversampled engine
– Vectorized core with Unison, Mono and four-voice Polyphony modes
– 480 patches included
– Available as VST, Audio Unit and Rack Extension

rev.2 – bundled presets resaved in early mode. Make sound in late mode from init patch

INFO/DEMO: http://redi.se/3hc7
The Legend v1.1.0 VSTi x86 x64 WiN CE REV.2-V.R

Maschine 2 v2.6.5 UNLOCKED MAC, x86 plugins vsti x64 plugins vsti vsti vst plugins native instruments macos plugins au for mac aax plugins, VST, Standalone, PlatenseSoul, Maschine 2, Maschine, macOS, MAC, AU, 64Bit, 32Bit

Maschine 2 v2.6.5 MAC OSX

PlatenseSoul | 01.06.2017 | 413.36 MB + UPDATE: 455.11 MB



The included MASCHINE 2 software is exploding with cutting-edge technology. Improved browsing, arranging, and sampling, plus a new mixer, plug-in strip, and exclusive drum synths. Get ready for the most responsive, fluid, and musical beatmaking experience ever.

This update introduces Ideas View – a new view for mixing and matching patterns independent of the timeline. Try out new beats, vamps, and fills. Audition melodies and alternate elements to find combinations you like. MASCHINE 2.6.5 also lets you use MIDI to change Scenes in Ideas View directly from your DAW of choice. You’ll also be able to change kits or load new Groups on the fly while audio and MIDI routings stay preserved.

MASCHINE 2.6 comes with more tools to spark your creativity, make you more productive in the studio, and add flair to your live sessions.

The new Variation Engine helps add variety and spontaneity to your patterns. Humanize lets you shake off the shackles of quantization and loosen up a drum beat or melody. And Randomize kickstarts new tracks by creating new patterns with random velocities and positions–the perfect tool for spawning new ideas.

Whether you want to experiment creatively or just want to add some improvisation during a live performance, Lock has you covered. Simply freeze your current settings, tweak a sound’s characters, change an envelope, open a filter, and when you’re ready, return back to your initial settings at the press of a button, for up to 64 snapshots. And with the new Morph function, MASCHINE blends seamlessly from one snapshot to the next, making it easy to discover new transitions.

With new MIDI CC capabilities, you can control your MIDI-capable external instruments, like your favorite Roland groovebox or Korg synth, as if they were plugins. Simply load the controller template for your device in your MASCHINE software, and you can play with any MIDI-enabled parameters, like tweaking a filter or adjusting a sound’s attack, directly from MASCHINE’s ultra-responsive pads and knobs. To get you started, we’ve built a library of presets for popular devices, which you can find on our Downloads page–and if you can’t find a preset for your favorite synth, it’s easy to build your own.


INFO/DEMO: http://redi.se/3f7j
Maschine 2 v2.6.5 UNLOCKED MAC


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