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Sylenth1 v2.2.1.1 Bundle WiN

Army of Ninjas | 25.05.2017 | 26.9 MB

(8 Skins | 1483 Soundsets)

Army of Ninjas Sylenth1 v2.2.1.1 Bundle Contains:
INSTALLER CONTENTS:
– User-Selected DLL file
– License.dat file
– MidiLearn.dat file
– Soundbank Collection (1483/FXB Format)
– Skinned DLL Files (x86 & x64)
– Manual (English).pdf
– ReadMe.txt

Skins:
– Default v2.2.1 (x86 & x64)
– Black Pearl v2.2.1 (x86 & x64)
– It v2.2.1 (x86 & x64)
– Mopho Blue v2.2.1 (x86 & x64)
– Mopho Yellow v2.2.1 (x86 & x64)
– Sylenth3 v2.2.1 (x86 & x64)
– Retro (x86 & x64)
– Pearl Org (x86 & x64)

Sylenth1 v2.2.1.1 Bundle WiN
http://beelink.in/25323/Sylenth1-v2.2.1.1-Bundle-WiN.html

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Enso v1.0.0 WiN MAC RETAiL

SYNTHiC4TE | March 18 2019 | 21 MB

WiN: VST-VST3: x86, x64, AAX: x64 | MAC: VST-VST3: 64-bit, AAX: 64-bit, AU: 64-bit

ENSO, An architecturally unique and sonically characterful looping toolkit for producers and live performers, inspired by both modern looper pedals and vintage tape-based setups, Enso combines elegant and intuitive UI design with a deep but accessible feature set and stellar sound quality. Enso’s operation will be immediately familiar to users of hardware looper pedals or plugins such as Ableton Live’s bundled Looper. Start playback of the host DAW, hit Enso’s record button and capture your instrumental performance into a loop of whatever length you like, up to ten minutes (five minutes on iOS). Then, without stopping playback, overdub further passes to create layered grooves, complex harmonic textures, or dense, evolving soundscapes.

FEATURES:

  • Full Automatic Looping Engine
    Enso’s looping engine is simple to learn, but exceedingly powerful, with “one button” looping control, both host-synced and free time.
  • Dub In Place
    Enso can either work like a traditional digital looper, where the input is mixed with the buffer contents, then sent to effects, or like a tape looper, where the effects and speed changes are included in the feedback path.
  • Sector Crossfading
    Define four different start and end points. Crossfade between them, and overdub or re-record within them.
  • Effects Section
    Enso has user-controllable “tape style” saturation and hiss, high- and low-pass filters, and a stereo  chorus for thickening and carving your loop.
  • Full MIDI CC Implementation
    Enso has an assignable MIDI CC page for controlling most features of the looping engine. It is tuned for foot control, but will work with any MIDI CC source.
  • Independent Play And Record Head Control
    Both the play and record heads have a through-zero speed control, from -4x to +4x, with text entry values and selectable inc and dec values.
  • Multi-Format Audio Loader
    Enso can load AIFF, WAV, Broadcast WAV, FLAC, MP3, and Ogg in any sample rate, bit depth, and channel configuration.
  • Buffer Save
    Enso can save its buffer contents as a WAV file.
  • Extra Long Loops
    Enso can record or load up to 10 minutes of audio (5 minutes in iOS version) in Long Memory mode.
  • Cross-Platform Preset Format
    Enso utilizes an XML-based preset manager, and optionally stores the buffer within the preset for easy asset management. Work between multiple systems without troubles, make a preset on your desktop machine and paste it to the iOS version with Handoff, easily share your creations with your friends, or make a preset bundle to sell, no asset management required.
  • Fully Resizable Hi-Dpi/Retina GUI
    Enso’s vector-based GUI is resolution-agnostic, and displays the same on every system and resolution. Easily resize the UI (per instance) to match your visual needs, from postage stamp to poster-sized.

 


INFO/DEMO/BUY: http://mage.si/X5V4
Enso v1.0.0 WiN MAC RETAiL-SYNTHiC4TE
http://beelink.in/39099/Enso-v1.0.0-WiN-MAC-RETAiL.html

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Maschine 2 v2.8.1 WiN x64

P2P | 15.03.2019 | 434 MB

STANDALONE, AAX, VSTi, x64

POWER OF SOFTWARE

The included MASCHINE 2 software is exploding with cutting-edge technology. Improved browsing, arranging, and sampling, plus a new mixer, plug-in strip, and exclusive drum synths. Get ready for the most responsive, fluid, and musical beatmaking experience ever.

VARIATION ENGINE: RANDOMIZATION AND HUMANIZATION
The new Variation Engine helps add variety and spontaneity to your patterns. Humanize lets you shake off the shackles of quantization and loosen up a drum beat or melody. And Randomize kickstarts new tracks by creating new patterns with random velocities and positions–the perfect tool for spawning new ideas.

LOCK AND MORPH SNAPSHOTS
Whether you want to experiment creatively or just want to add some improvisation during a live performance, Lock has you covered. Simply freeze your current settings, tweak a sound’s characters, change an envelope, open a filter, and when you’re ready, return back to your initial settings at the press of a button, for up to 64 snapshots. And with the new Morph function, MASCHINE blends seamlessly from one snapshot to the next, making it easy to discover new transitions.

CONTROL EXTERNAL GEAR WITH MIDI CC
With new MIDI CC capabilities, you can control your MIDI-capable external instruments, like your favorite Roland groovebox or Korg synth, as if they were plugins. Simply load the controller template for your device in your MASCHINE software, and you can play with any MIDI-enabled parameters, like tweaking a filter or adjusting a sound’s attack, directly from MASCHINE’s ultra-responsive pads and knobs. To get you started, we’ve built a library of presets for popular devices, which you can find on our Downloads page–and if you can’t find a preset for your favorite synth, it’s easy to build your own.

2.8.1 — 2019-03-06
Maintenance release.
– ADDED Support for KOMPLETE KONTROL M32 Hardware
– FIXED Hardware Integration Agent losing contact to controllers when hosted in 3rd party DAWs
– FIXED An issue where a popup would report “invalid Plugin ID” when a Plugin was not found
– IMPROVED Stability improvements for using NKS sync via Sounds.com

 

INFO/DEMO/BUY: http://mage.si/T9rw
Maschine 2 v2.8.1 STANDALONE AAX VSTi WiN x64 RETAiL
http://beelink.in/36389/Maschine-2-v2.8.1-WiN-x64-RETAiL.html

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Pigments v1.1.2 WiN x64

Team R2R | 16.01.2019 | 77.17 MB

(Win64; AAX, VST3, VSTi, STANDALONE)

Pigments, a hybrid “polychrome” instrument that features hugely powerful, cutting-edge wavetable synthesis alongside award-winning virtual analog technology. After spending 20 years analyzing and emulating the best synthesizers ever made, they have now used their expertise to create an original, uniquely software synthesizer. Pigments offers exceptional sound thanks to its hugely powerful architecture and lightning-fast workflow that makes complex modulations easy, fast, and fun.

Pigments has some colorful tricks up its sleeve. In fact, it can do things other synthesizers simply cannot do. These include:
•Scale quantized pitch modulations to build complex melodic sequences.
•Continuous unison controls that can be modulated, with classic and chord modes.
•Extensive waveshaping options for the wavetable oscillator, with great aliasing control.
•The usual modulation sources and some more unconventional ones like the Turing and Binary random generators.
•Powerful gate/retrig handling for modulators. Perfect to inspire unusual rhythmic sequences or self-generating patches.
•Polyrhythmic sequencer with a strong emphasis on randomness, with scale control to remain musical.


At a glance, here are its key features:
•Two engines in parallel: the best of both worlds
•Virtual Analog triple oscillator engine.
•Complex Wavetable engine with morphing and import.
•Twin filters: dozens to choose from
•Classic filters from V Collection instruments.
•Modern filters like surgeon and comb.
•Continuous series/parallel routing.
•Powerful effects section: an all-in-one solution
•13 stunning effects, including wavefolder, overdrive, parametric EQ, and delay.
•Insert or Send routing options with drag and drop for easy switching.
•All the essential parameters can be modulated.
•Advanced modulation system: modulate anything with anything
•Graphical editing, source-based or destination-based.
•Envelopes, LFOs, Function generators, Random sources.
•4 assignable Macros to control multiple parameters at once.
•Visual interface: understand your sound
•Graphical representation of the most important modules.
•Living, moving waveform to see your sound come alive.
•Polyrhythmic Sequencer and Arpeggiator: get creative
•Create complex, custom and evolving sequences or arps.
•Extensive factory preset library: learn from the masters
•Hundreds of presets from awesome artists and experienced sound designers, including Jeremy Savage, Starcadian, Cubic Spline, Mord Fustang, and Jörg Hüttner.
•Highlighted “notes” to show which parameters are recommended to tweak.








v1.1.2
Bugfixes
– FX sends are now properly bounced when a Macro is assigned as a modulation source on send level using VST3
– No more crash when selecting ASIO DirectX Full Duplex Driver in standalone app

INFO/DEMO/BUY: http://mage.si/7syV
Pigments v1.1.2.539 WiN-R2R
http://beelink.in/38254/Pigments-v1.1.2.539-WiN-R2R.html

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Pigments v1.1.2.539 WiN x64

TEAM V.R | 06.01.2019 | 99 MB

(Win64; AAX, VST3, VSTi, STANDALONE)

Pigments, a hybrid “polychrome” instrument that features hugely powerful, cutting-edge wavetable synthesis alongside award-winning virtual analog technology. After spending 20 years analyzing and emulating the best synthesizers ever made, they have now used their expertise to create an original, uniquely software synthesizer. Pigments offers exceptional sound thanks to its hugely powerful architecture and lightning-fast workflow that makes complex modulations easy, fast, and fun.

Pigments has some colorful tricks up its sleeve. In fact, it can do things other synthesizers simply cannot do. These include:
•Scale quantized pitch modulations to build complex melodic sequences.
•Continuous unison controls that can be modulated, with classic and chord modes.
•Extensive waveshaping options for the wavetable oscillator, with great aliasing control.
•The usual modulation sources and some more unconventional ones like the Turing and Binary random generators.
•Powerful gate/retrig handling for modulators. Perfect to inspire unusual rhythmic sequences or self-generating patches.
•Polyrhythmic sequencer with a strong emphasis on randomness, with scale control to remain musical.


At a glance, here are its key features:
•Two engines in parallel: the best of both worlds
•Virtual Analog triple oscillator engine.
•Complex Wavetable engine with morphing and import.
•Twin filters: dozens to choose from
•Classic filters from V Collection instruments.
•Modern filters like surgeon and comb.
•Continuous series/parallel routing.
•Powerful effects section: an all-in-one solution
•13 stunning effects, including wavefolder, overdrive, parametric EQ, and delay.
•Insert or Send routing options with drag and drop for easy switching.
•All the essential parameters can be modulated.
•Advanced modulation system: modulate anything with anything
•Graphical editing, source-based or destination-based.
•Envelopes, LFOs, Function generators, Random sources.
•4 assignable Macros to control multiple parameters at once.
•Visual interface: understand your sound
•Graphical representation of the most important modules.
•Living, moving waveform to see your sound come alive.
•Polyrhythmic Sequencer and Arpeggiator: get creative
•Create complex, custom and evolving sequences or arps.
•Extensive factory preset library: learn from the masters
•Hundreds of presets from awesome artists and experienced sound designers, including Jeremy Savage, Starcadian, Cubic Spline, Mord Fustang, and Jörg Hüttner.
•Highlighted “notes” to show which parameters are recommended to tweak.

v1.1.2
Bugfixes

  • FX sends are now properly bounced when a Macro is assigned as a modulation source on send level using VST3
  • No more crash when selecting ASIO DirectX Full Duplex Driver in standalone app

 








INFO/DEMO/BUY: http://mage.si/7syV
Pigments v1.1.2.539 WiN CSE-V.R
http://beelink.in/38196/Pigments-v1.1.2.539-WiN-CSE-V.R.html

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HY-Slicer v1.2.12 WiN MAC

Team R2R | 10 Mar 2019 | WiN: 7.6 MB | OSX: 18.3 MB

PLATFORM : WiN32/64 – VST/VST3 | MacOSX – AU/VST/VST3

Sample slicer + Step sequencer + FX Chain

You can slice loaded sample into max 32 and those slice will be triggered by internal step sequencer. You can set slice index, on/off, division, playhead shape, reverse on/off, pitch, trigger prob, attack, gate and level per step.

Main Features:
– Sample Slicer
– Step sequencer for triggering sliced sample
– File browser
– Groove Editor
– Re-orderable FX Chain
– Pattern chainer
– Re-scalable plugin window
– Randomizer
– Preset manager

INFO/DEMO/BUY: http://mage.si/bfA2
HY-Slicer v1.2.12 AU VSTi VST3 x86 x64 WiN MAC-R2R
http://beelink.in/37054/HY-Slicer-v1.2.12-WiN-MAC-R2R.html

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HY-MPS2 v1.1.23 WiN MAC

Team R2R | 10 Mar 2019 | WiN: 8.3 MB | OSX: 13.3 MB

PLATFORM : WiN32/64 – VSTi/VST3 | MacOSX – AU/VSTi/VST3

Version 2 of HY-MPS, block base sequencer.

There are both free/commercial versions:
– Full: 8 sequencer blocks + 4 modulation units(5 modulation engines).
– Free: 3 sequencer blocks.

Main features:
– 8 sequencer blocks.
– 4 modulation units.
– 5 modulation engines.
– Re-scalable plugin window.
– Randomizer.
– Preset manager.
– wide window mode.

Changes of version2:
– Aux control is replaced to timing shift control
– Added step “Slur”
– Added clock multiplier to each seq block
– Added custom scale mode
– Step size of Block chainer 16 > 64
– Now block chainer can trigger snapshot of seq block
– Modulation units 2 > 4
– Added 4 new modulation engines(Prob LFO, Step LFO, Multipoint Env, Sample&Hold)
– Negative Swing depth
– Improved plugin gui

INFO/DEMO/BUY: http://mage.si/7Rq7
HY-MPS2 v1.1.67 AAX AU VSTi VST3 x86 x64 WiN MAC-R2R
http://beelink.in/37475/HY-MPS2-v1.1.67-WiN-MAC-R2R.html

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CFX Concert Grand v1.0.1.0 WiN MAC

P2P | 09.03.2019 | 13.9 GB

AU, AAX, VSTi, RTAS, x86, x64

Passion Reflected in Every Detail

We placed the awe-inspiring Yamaha CFX Concert Grand Piano in Abbey Road Studio One, where award-winning engineers used the world’s greatest microphones and equipment to create a stunning virtual instrument library. A truly remarkable virtual piano: The Garritan Abbey Road Studios CFX Concert Grand places the user on the bench before the Yamaha CFX, an incredible concert grand piano characterized by a wide palette of tonal colors and the ability to create the most subtle, expressive nuances. This beautiful instrument is matched with the stunning acoustics of Abbey Road Studios’ legendary Studio One and the finest collection of microphones in the world. All facets of this project – the instrument, the room, the mics, and the recording expertise – work together to create the finest sampled piano ever captured. Experience the passion reflected in every detail.

The Yamaha CFX Concert Grand Piano
The CFX piano marks a significant milestone in Yamaha’s celebrated 108-year history as an acclaimed world-class piano maker. In 1991, Yamaha began its most ambitious piano project ever: to create a new generation of grand piano for concert, conservatoire and studio performance.

The result was the CFX Concert Grand Piano, a revolutionary new instrument that embodies the concept of beauty and power. The rich palette of tonal colors and musical voices the piano can produce characterizes its beauty. The power comes from the CFX’s unprecedented tonal projection. The development and evaluation phase of this remarkable instrument took almost 20 years. During this time, a 40-strong team of the world’s most talented piano designers, technicians, craftsmen and, of course, pianists deconstructed the concert grand and began rebuilding it from the ground up. Every aspect of traditional piano design was questioned, evaluated, improved and relentlessly tested. Once the design was nearing completion, multiple prototypes endured thousands of hours of secret testing at concert halls across the globe.

Each CFX is entirely hand-built by a small team comprising some of the world’s most experienced and skilled craftsmen. All materials are meticulously selected and refined to ensure unprecedented music performance in the most demanding of situations. It offers outstanding expressiveness for a truly musical performance. With enough tonal presence to be heard over the sound of a full symphony orchestra in the largest of concert halls, the CFX is truly one of the greatest pianos ever created.

Abbey Road Studios
Abbey Road Studios is the most famous recording studios in the world and a global music icon. Home to countless landmark recordings and pioneering advances in recording technology, the legendary studio complex has a phenomenal history spanning over 80 years, encompassing celebrated work by many of the world’s most famous recording artists including The Beatles, Pink Floyd, Kanye West, Elton John, Oasis, Elbow, Lady Gaga and Adele. Composers and musicians from around the world turn to Abbey Road Studios when they desire the very best.

Studio One
Abbey Road Studios’ Studio One is one of the largest and most beautiful sounding orchestral studios in the world. The space can easily accommodate a 110 piece orchestra and 100 piece choir simultaneously. Studio One’s acoustics are as famous as its location, offering a supremely warm and clear sound with a reverb time of 2.3 seconds. This makes it perfect for numerous types of recording, from solo piano to large orchestras.

Studio One is Abbey Road’s largest recording space and has enjoyed a remarkable history. Architects Wallis Gilbert and Partners decorated the original walls of Studio One in their distinctive art-deco style, which gave the room a darker sound than its current, superior-sounding incarnation. In 1931 the impressive room hosted Abbey Road’s inaugural recording session with Sir Edward Elgar, and has since hosted historic sessions by the London Symphony Orchestra and luminaries ranging from Yehudi Menuhin, Pablo Casales, Bela Bartok and Jascha Heifetz to Glenn Miller and Fats Waller. In 1967, Studio One played host to The Beatles’ famous performance of ‘All You Need Is Love,’ which was captured as part of the first ever live, international satellite TV broadcast.

When Studio One opened, it was used primarily by EMI’s prestigious His Master’s Voice (HMV) label and it continues to host classical recordings to this day. It is also one of the world’s premiere locations for movie scoring: the long list of blockbuster scores recorded in Studio One includes Raiders of the Lost Ark, Star Wars, the Lord of The Rings Trilogy and Gravity.

Engineering
The sound of the Garritan Abbey Road Studios CFX piano was captured by a team of highly experienced Abbey Road recording engineers, each contributing decades of knowledge in recording pianos for a variety of applications. Microphone set-ups, also referred to as perspectives, have a huge effect on the overall sound of the recorded instrument. Each set of perspectives speaks specifically to various musical settings. The set–ups are a hybrid of classic techniques handed down from generation to generation of balance engineers within Abbey Road Studios since the 1930s, mixed with more contemporary and experiential arrays that perfectly complement each other. These set-ups have been and are continually used by the finest recording artists in the world and have been presented here for use as a sampled instrument for the first time ever.

Microphone Perspectives
To expand your creative possibilities, Abbey Road Studios’ engineers created three discrete microphone perspectives: Classic, Contemporary, and Player.

Classic
The Classic perspective most faithfully captures the natural tonal character, clarity and nuance of the instrument.

Close – 2 x Neumann M49 and 2 x Neumann KM184 Microphones: As every piano, recording venue, repertoire and pianist are different, the M49 and KM184 are used to capture a close detailed sound, which is especially good for chamber music.

Mid Field/Wide – 2 x DPA 4006 Microphones: The DPA 4006’s placed at each end of the piano create a wider and more spacious sound picture.

Main – 2 x Neumann TLM50 Microphones: The Neumann TLM50 are placed 2m away from the instrument and at 2.6m in height. This captures the overall complex frequency response and dynamic range of a grand piano.

Contemporary
The Contemporary perspective creates a piano sound that is bright and hard with lots of attack from the hammers, but also maintains the piano’s warmth with intimate ambience.

Close – AKG C12 & D19 Microphones: The AKG C12 is a bright sounding valve microphone with bite and some nice valve warmth.The mono D19 placed in the centre over the hammers was run via a classic REDD.47 valve microphone preamp, adding central focus and ‘poke’ to the close sound of this set up.

Ambience – Schoeps MK 2H Microphones: For the Ambience microphones Schoeps MK 2H are used in a close position. They are able to bring the sound of the room to the mix, without losing too much of the definition of the piano’s initial attack.

Player
The Player perspective offers the experience of playing the CFX, from the piano bench, in Studio One, particularly when reproduced over high quality headphones.

Close – 2 x Neumann KM84 Microphones: This is a straight forward stereo pair placed closely and directly over the hammers. It provides an immediate sound of the piano with little coloration from the room.

Player – Neumann KU100 Dummy Head: The Binaural KU100 Dummy Head was placed directly behind the musicians head. This provides an intimacy to the instrument mixed with the unmistakable sense of playing the instrument in the acoustics of Studio One.

Presets
Garritan has worked closely with Abbey Road Studios to develop presets that are both functionally useful and inspiring to play. Research included artists and genres as well as notable recordings, cinematic settings and live performance examples to make the CFX as flexible and versatile a musical instrument as possible.

Classic
– Default – This is the default preset for the Classic microphone perspective of the CFX.
– Classic Rock – The M49s and KM184s combine with some EQ and a custom velocity curve to make a “Close” solid rock piano sound with depth for the classic perspective.
– Dark Cinema – This preset is designed to emphasize a darker tonal pallet. This has been paired with the “Dark Pad” convolution preset to add a moody and ethereal flavour to the piano.
– Dull Resonance – This highly resonant sound is muted with a closed lid position. Minimal dynamic range and a custom velocity curve give this muted sound some sudden timbre changes.
– Glimmer – The piano has been set to have a sharp cutoff when a note is released. This has been combined with “Vintage Algo” convolution reverb to create a glimmering after effect in the reverb.
– Goldberg1981– A famous recording of Bach’s Goldberg Variations was used as a reference. There is a clear and direct mic position mixed with a more distant and quiet ambient response. Paul’s Perfect Piano – Both sustain and sympathetic resonance are boosted in this very ambient preset.
– Solo Piano 1 – A slight emphasis on the Close Mic make this an ideal setting moody classical pieces.
– Solo Piano 2 – Both close and ambient channels are set with short releases give a different shade of the CFX classic tone.
– Solo Piano 3 – This is a classic sound with the soft pedal engaged and a slight emphasis on the Ambient Mics.
– Vintage Evans – Smooth, balanced and classic vintage jazz piano.

Contemporary
– Default – This is the default preset for the Contemporary microphone perspective of the CFX.
– BBBBennie – This lively preset puts you on stage for a 70’s style pop hit.
– Big and BOLD – Saturation and ambient bass are pushed to limit in this bombastic sound.
– Bright Poke – The D19 and C12 microphones in the close channel with some eq boost create a hot saturated pop sound good for comping and stabs.
– Brighton Rock – Set up to bright and taught, this preset has a light touch and is EQ’d to cut through the mix.
– Chicken Wire – An alternate tuning, a slightly lighter touch and a closed lid give the piano a raw, moody flavor.
– Dark and Distant – This spooky preset is darkened with EQ and given extra space for a lingering suspenseful haunting sound.
– Mirek’s Rock Sound – Saturation and lower dynamic range with an easy velocity curve puts this piano right in your face.
– Newman Beauty – A melodic and ambient preset that is useful for a cinematic sound.
– Paul’s Pokey Piano – This whimsical preset cuts the bass and decreases stereo width while placed in a jazz club ambience. Great for that in the other room sound.
– Soft and moody – A warm atmosphere is created with the D19/C12 combination. Hi EQ is pulled back and a custom velocity curve restricts play to the quietest samples.

Player
– Default – This is the default preset for the Player microphone perspective of the CFX.
– Big Head Space – The KU100 dummy head is soloed here with cuts in mid and low EQ. A light sound is created that echoes through a deep reflective reverb.
– Soft Player – This is KU100 with the soft pedal engaged for a soft and delicate touch and some “Deep Space” optional reverb loaded.
– Mad Hatter – A very dynamic and spritely feel that is great for various jazz and dance styles.
– CutnRun – Release Decay and Release Volume are set to 0, Release Crossfade is set to 3 and EQ’s are sculpted to give the piano a tight and lively flavor.
– Edward’s Reflection – Only the KU100 is engaged to capture the most natural ambience of Studio One from the bench of the CFX.
– Jamamatsu – Highs, Lows and Mids are sculpted with an adjustment to the velocity curve to give the piano a warm and open characteristic.
– Lately – The piano is set up to have a warm tone for chords and a shine for stronger lines.
– Village Grinder – An emphasis on the KM84 over the KU100 with a “half-stick” combined with some saturation and convolution reverb give this preset the flavor of a “working” piano in a Manhattan jazz club.
– Wendyhouse – Featuring a dramatic Scala tuning, this preset has an erie effect perfect for texture and mood.

INFO/DEMO/BUY: http://mage.si/Ku8Z
CFX Concert Grand v1.0.1.0 AU AAX VSTi RTAS WiN MAC RETAiL
http://beelink.in/39025/CFX-Concert-Grand-v1.0.1.0-WiN-MAC-RETAiL.html

Magesy

Komplete Kontrol v2.1.1 MAC

iND | 08 March 2019 | 404 MB

STANDALONE/AU/VST/64Bit

KOMPLETE KONTROL opens up the full potential of KOMPLETE. Feel the world’s most advanced software instruments come to life under your fingertips – more intuitive, expressive, and inspirational than ever before.

KOMPLETE BROWSER™
Browse and load sounds with the push of a button – KOMPLETE KONTROL manages the entire KOMPLETE universe in a single plug-in, thanks to the tag-based browsing system.

NATIVE MAP™
Don’t lose time mapping parameters to the keyboard. Native Map™ technology automatically maps all key parameters for each KOMPLETE Instrument to the touch-sensitive controller knobs. Everything you need to sculpt your sound – at your fingers and ready for your creativity.

LIGHT GUIDE™
The innovative Light Guide™ shows you key switches, zones and more in full color, depending on the instrument – key color corresponds to cell color in BATTERY 4, for example. The lights also provide performance feedback – see scales, chords, and arpeggios light up across the keyboard.

TRUE PERFORMER
Play chords with single keys or map the entire keyboard to musical scales. Create melodies at the touch of a button with the advanced arpeggiator – optimized for hands-on performance. And bend, warp and automate sounds like never before with the highly flexible touch strips.

2.1.1 — 2019-03-06
Maintenance release.

  • ADDED Support for KOMPLETE KONTROL M32 Hardware
  • FIXED Hardware Integration Agent losing contact to controllers when hosted in 3rd party DAWs
  • FIXED An issue where a popup would report “invalid Plugin ID” when a Plugin was not found
  • IMPROVED Stability improvements for using NKS sync via Sounds.com

 

 

INFO/DEMO/BUY: http://mage.si/g22p
Komplete Kontrol v2.1.1 STANDALONE AU VST MAC OSX
http://beelink.in/17999/Komplete-Kontrol-v2.1.1-STANDALONE-AU-VST-MAC.html

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Maschine 2 v2.8.1 MAC

iND | 08 March 2019 | 591 MB

STANDALONE/AU/VST 32/64

POWER OF SOFTWARE

The included MASCHINE 2 software is exploding with cutting-edge technology. Improved browsing, arranging, and sampling, plus a new mixer, plug-in strip, and exclusive drum synths. Get ready for the most responsive, fluid, and musical beatmaking experience ever.

 

VARIATION ENGINE: RANDOMIZATION AND HUMANIZATION
The new Variation Engine helps add variety and spontaneity to your patterns. Humanize lets you shake off the shackles of quantization and loosen up a drum beat or melody. And Randomize kickstarts new tracks by creating new patterns with random velocities and positions–the perfect tool for spawning new ideas.

LOCK AND MORPH SNAPSHOTS
Whether you want to experiment creatively or just want to add some improvisation during a live performance, Lock has you covered. Simply freeze your current settings, tweak a sound’s characters, change an envelope, open a filter, and when you’re ready, return back to your initial settings at the press of a button, for up to 64 snapshots. And with the new Morph function, MASCHINE blends seamlessly from one snapshot to the next, making it easy to discover new transitions.

CONTROL EXTERNAL GEAR WITH MIDI CC
With new MIDI CC capabilities, you can control your MIDI-capable external instruments, like your favorite Roland groovebox or Korg synth, as if they were plugins. Simply load the controller template for your device in your MASCHINE software, and you can play with any MIDI-enabled parameters, like tweaking a filter or adjusting a sound’s attack, directly from MASCHINE’s ultra-responsive pads and knobs. To get you started, we’ve built a library of presets for popular devices, which you can find on our Downloads page–and if you can’t find a preset for your favorite synth, it’s easy to build your own.

2.8.1 — 2019-03-06
Maintenance release.

  • ADDED Support for KOMPLETE KONTROL M32 Hardware
  • FIXED Hardware Integration Agent losing contact to controllers when hosted in 3rd party DAWs
  • FIXED An issue where a popup would report “invalid Plugin ID” when a Plugin was not found
  • IMPROVED Stability improvements for using NKS sync via Sounds.com

 

INFO/DEMO/BUY: http://mage.si/T9rw
Maschine 2 v2.8.1 UNLOCKED MAC
http://beelink.in/22159/Maschine-2-v2.8.1-UNLOCKED-MAC.html

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