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VCL-373 v1.3.0 WiN

TEAM V.R | 12 July 2018 | 3.37 MB

Vintage Comp/Limiter

(Win32/64; AAX*, VST3, VST)

The VCL-373 is a recreation of an early 60s broadcasting limiter/compressor that eventually found its way into many mastering studios. 1963 marks a technological shift in that the famous diode-bridge based gain reduction stage was replaced by a transistor-based circuit that allowed for less THD and more reliable control voltage tracking. The plugin includes a faithful emulation of the audio transformers, the crucial feedback compression circuitry as well as the discrete class A make-up amplifier. Some convenient features including a continuous drive control, gain compensation, GR metering and a dry/wet mix have been added in the digital domain.

Requirements:
•An Intel Pentium 4 compatible CPU
•1GB RAM
•Mac OS 10.8 or newer (Mac users)
•Windows 7 or newer (PC users)
•A display resolution of 1280×1024 pixels or more
•A VST2, VST3, AAX or AudioUnits compatible host

INFO/DEMO/BUY: http://mage.si/41w6
VCL-373 v1.3.0 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/36802/VCL-373-v1.3.0-WiN-CE-V.R.html

SLM2 v1.1.0 AAX VST VST3 RTAS x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst plugins rtas aax plugins, x86, x64, WiN, VST3, VST, V.R, Stereo, Smart, SLM2, RTAS, Maximizer, Loudness, Limiter, CE, AAX

SLM2 v1.1.0 WiN

TEAM V.R | 11 July 2018 | 3.78 MB

(Win32/64; AAX*, RTAS, VST3, VST)

SLM2 is a smart stereo loudness maximizer including “analog spice” and 16x over-sampling. The goal of the design was to maximize the loudness of the audio signal while maintaining transparency. The SLM2 DSP analyses every sample of the incoming stereo signal within a defined time frame and calculates the optimal volume increase. This guarantees maximum possible transparency. The overall loudness can be further increased by the following, optional clipper stage. Signal aliasing can be reduced by enabling over-sampling.

Features:
– Highly transparent brick-wall-limiter
– Saturation of input signal
– Fully control of attack and release
– Switchable look ahead
– Additional drive/clip stage
– Stereo link
– Over-sampling, up to 16x
– Easy to use GUI
– Preset manager
– Large and accurate live meters
– Supports all sample rates

SLM2 is used in all limiting situation like track/bus and master limiting.

INFO/DEMO/BUY: http://mage.si/3fjW
SLM2 v1.1.0 AAX VST VST3 RTAS x86 x64 WiN CE-V.R
http://beelink.in/36997/SLM2-v1.1.0-AAX-VST-VST3-RTAS-x86-x64-WiN-CE-V.R.html

Analog Lab 3 v3.2.0.1509 WiN Rev.2 CE V.R, x86 plugins vsti x64 plugins vsti vsti vst3 plugins software aax plugins, WiN, V.R, Rev, Lab, CE, Analog Lab, Analog

Analog Lab 3 v3.2.0.1519 Rev.2 WiN

Team V.R | 09 Jul 2018 | 491.46 MB

STANDALONE/AAX/VSTi/VST3/x86/x64

Analog Lab gives you streamlined access to 6500+ of the hottest presets from our award-winning V Collection. Featuring sounds from all 21 faithfully modeled vintage keyboards, combining awe-inspiring sound with exceptional ease of use and awesome features. In addition to studying the feedback from the music community, our developers worked hand-in-hand with professional ergonomists to optimize each aspect of this music production & performance dream instrument. It resulted in an intuitive interface, a beautifully organized category based browsing experience, and natural mapping of the sonic parameters, creating a self-contained sonic encyclopedia of legendary sounds.

Discover inspiration at every step on your musical journey.

Keeping it real
You’re all about the sound. So is Analog Lab.
Why settle for samples of classic instruments when you can have faithful reproductions of them? In Analog Lab, you’re surfing the best sounds from award-winning V Collection of 21 classic synths, organs and pianos—all of which are authentic physical models of the originals. There’s simply nothing more true to the organic sound quality of yesteryear available anywhere.

Bring the authentic warmth of analog to your music with Analog Lab.

All of your favorite go-to sounds at your fingertips
Analog Lab gives you the best of 21 instruments that made music history, all in one convenient place.
Analog synthesizers. Digital synthesizers. Acoustic pianos. Electric pianos. Organs. Strings machines. With the best of 21 vintage instrument reproductions on tap, Analog Lab lets you transcend time and style by arming you with everything from the most iconic sounds of the past to modern sound designs that are cutting edge today. Whether you’re composing, recording or performing, over 6500 sounds cover every song, genre, mood and ambience you can think of—no programming required. Use it standalone or with your favorite DAW.

Unleash the sonic power of keyboard history’s greatest hits for your musical adventures.
Find and recall your favorite sounds instantly
With Analog Lab’s sleek new browser, you can always find just the right sound.
Where’s that sound? Find it in a flash by clicking tags to filter Analog Lab extensive sound library by Types, Characteristics, Instruments and more. Need a fat, funky bass? Just click that combination of tags to get a short list from the across the entire library—or limited to just the virtual instruments you select. Click to designate your favorites for instant recall later. Use Playlists to line up just the sounds you need for gigs or sessions, then access or step through them with MIDI program change mapped to your preferred buttons or pedal.

Whether your writing, recording or gigging, Analog Lab’s elegant browser makes it a breeze to quickly mine the depths of this vast library for the sonic gold you’re looking for.

Main Features
•The original hardware/software hybrid synthesizer
•Updated with sounds from the V Collection 6
•Over 6500 sounds from some of the best sound designers in the industry
•Presets are carefully selected from our V Collection 6 (ARP 2600 V, B-3 V, CS-80 V, Farfisa V, Jup-8 V, Matrix-12 V, Mini V, Modular V, Prophet V, Prophet VS, SEM V, Solina V, Stage-73 V, •Synclavier V, Piano V2, Vox Continental V, Wurli V, Buchla Easel V, Clavinet V, DX7 V and CMI V)
•Updated browser to find your sound quickly: by Type (Bass, Pads, Leads…), by Characteristics (long, bright, dark…), etc.
•Multi mode for creating your own layers, splits and adding effects
•Automatic mapping of parameters for ART keyboards
•Parameters can be mapped easily to other MIDI controllers
•Standalone or plug-in operation (VST, VST3, AU, AAX)
•Full preset editing available for owners of the full versions of our synthesizers (Mini V, Modular V, CS-80V, Wurlitzer V, etc.)
•User interface configures automatically to match your Art controller

INFO/DEMO/BUY: http://mage.si/q3uF
Analog Lab 3 v3.2.0.1509 WiN Rev.2 CE-V.R
http://beelink.in/35259/Analog-Lab-3-v3.2.0.1509-WiN-Rev.2-CE-V.R.html

SEM Filter v1.1.0.389 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, V.R, SEM Filter, SEM, Filter, CE, AAX

SEM-Filter v1.1.0.389 WiN

Team V.R | 07 Jul 2018 | 104.3MB

(Win32/64; AAX, VST3, VST)

Combining simplicity with pure tone-shaping power, SEM-Filter is a futuristic twist on a classic synth filter. Renowned for its pioneering technology in the 70s, we paid tribute not only to its sound but also the SEM’s reputation as a trailblazer. Using the meticulous modelling techniques, and by adding exciting new features, we have created a true modern classic audio filter. No longer confined to a synthesizer, you can now use the era-defining filter tone of Tom Oberheim’s cult synth module on any audio source you wish. Process acoustic instruments in your DAW, shape vocals, perform sweeps on your whole mix, create builds, rises, and drops, even use it to improve a soft-synths stock filter.

Main Features:

  • Virtual recreation of the classic 12dB/oct state variable SEM filter:
    • Mode, cutoff frequency and resonance controls
    • Dry/Wet setting
    • Filter output volume setting
  • Additionnal noise oscillator for feeding the filter with rich spectral content
  • Soft clipping circuit modeling
  • Attack / Hold / Decay envelope
  • Low Frequency oscillator
    • 5 waveforms + Sample and Hold mode
    • Can be synchronized with DAW’s clock
    • Smooth parameter
  • Gate sequencer
    • Program trigs / retrigs for the envelope and LFO to create rythmic content
    • Up to 16 steps
    • Can be synchronized with DAW’s clock
  • Modulation matrix
    • Envelope and LFO as sources
    • 8 destinations for extended sonic possibilities
  • 40 presets from top sound designers
  • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    1GB free hard disk space
    OpenGL 2.0 compatible GPU

INFO/DEMO/BUY: http://mage.si/qKZN
SEM-Filter v1.1.0.389 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35752/SEM-Filter-v1.1.0.389-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

Mini Filter v1.2.0.389 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, V.R, Mini Filter, CE, AAX

Mini-Filter v1.2.0.389 WiN

Team V.R | 07 Jul 2018 | 87.8MB

(Win32/64; AAX, VST3, VST)

Ever wanted to use one of the world’s most famous synth filters in your DAW?

The classic filter from our lovingly recreated Mini V software instrument is now in a dedicated plugin. Now you can add the familiar filter tone to warm or smooth out your audio, or to add sweetness to a sensitive recording. Not only that, but Mini-Filter also includes a powerful modulation section which consists of an envelope follower, an LFO, and a step sequencer. A patch manager is also built-in, along with a set of presets to inspire your creativity. An essential, expressive, and creative tool for any producer or performer.

Main Features

  • Virtual recreation of a 24dB/oct Low Pass Ladder filter:
    • Drive parameter
    • Cutoff Frequency and Emphasis
    • Dry/Wet setting
    • Output volume setting
  • Low Frequency Oscillator
    • Can be synchronized with DAW’s clock
    • 4 waveforms + Sample and Hold mode
    • Phase parameter
    • Can modulate the Cutoff, Emphasis and Cutoff modulation amount of the Sequencer
  • Step Sequencer
    • Can be synchronized with DAW’s clock
    • Up to 8 steps
    • Smooth parameter
    • Can modulate the Cutoff, Emphasis and the LFO rate
  • Envelope follower
    • Sensitivity parameter (vertical sensitivity)
    • Attack and Decay time parameters
    • Can modulate the Cutoff, Emphasis and the LFO rate
  • 30 presets from top sound designers
  • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    – 1GB free hard disk space
    – OpenGL 2.0 compatible GPU

INFO/DEMO/BUY: http://mage.si/aBTH
Mini-Filter v1.2.0.389 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35751/Mini-Filter-v1.2.0.389-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

M12 Filter v1.1.0.389 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, V.R, M12 Filter, M12, Filter, CE, AAX

M12-Filter v1.1.0.389 WiN

Team V.R | July 06 2018 | 86 MB

(Win32/64; AAX, VST3, VST)

If you want a filter with depth, character, and complexity; look no further.

M12-Filter is a full-featured recreation of the multi-mode filter found in Oberheim’s iconic Matrix-12, kitted out with awesome updates that make this plugin one of the most powerful, performable sound-shaping tools around. Combining intuitive, gorgeous-sounding modelled analog filter tone control with programmable modulation envelopes, a detailed mod matrix, and bonus random and mod osc parameters, M12-Filter is set to become your go-to choice for creative frequency control. Create anything from smooth sweeps to rhythmic motion, all the way to full-blown, randomized glitch meltdowns: this plugin can handle it all.

The most advanced, adaptable filter of its era
In 1984, audio and electronics legend Tom Oberheim developed a groundbreaking subtractive, analog polyphonic synthesizer; a brave move when the digital synth revolution was taking the industry by storm. Standing the test of time, his brainchild instrument is now considered a classic, and our emulated version takes pride of place in V Collection. One of the main reasons it turned heads in the 80s was its audacity, the sheer power of its signal routing options, and its multi-mode filter. The original synthesizer’s filter employed a single filter per voice, but provides no fewer than 15 different filter modes. This included Low Pass and three High Pass modes, two Band Pass modes, a Notch filter, and a Phase Shift mode. It also included another 4 modes, combining 1-Pole Low Pass filters with other modes. This unique selection of filter options is largely responsible for the immense power and scope of the fabled Matrix sound.

Main Features

  • Virtual recreation of the Matrix 12 multimode filter
    • 2 instances of the Matrix 12 filter within one plugin instance
    • 15 disctincts filter modes available per filter instance
    • Cutoff frequency, resonance, pan and out volume controls for each instance
    • Master cutoff control for controlling both instances’ cutoff at once
    • 4 audio routing configurations
    • Global dry / Wet and output filter controls
  • Random values genrator
    • Can be synchronized with DAW’s clock
  • 3 advanced multi-segments envelopes
    • 2 modes: loop or triggered by audio
    • Synchronized with DAW’s clock
    • Can be used as LFOs, step sequencer or envelopes
    • Predefined presets
  • Modulation oscillator
    • Audio range modulatotion source for parameters frequency modulation
    • 5 waveforms
  • Modulation matrix
    • Envelope, random generator and mod oscillator as sources
    • 8 assignable destinations slots with 22 reachable parameters
  • 40 presets from top sound designers
  • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    1GB free hard disk space
    OpenGL 2.0 compatible GPU


INFO/DEMO/BUY: http://mage.si/udf2
M12-Filter v1.1.0.389 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35753/M12-Filter-v1.1.0.389-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

V76 Pre v1.1.0.388 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, Vintage Tube, Vintage, V76 Pre, V.R, Tube, Preamp, Pre Amps, Pre Amp, Finest, CE, AAX

V76-Pre v1.1.0.388 WiN

Team V.R | July 06 2018 | 49 MB

(Win32/64; AAX, VST3, VST)

Finest vintage tube preamp

From its broadcast origins to its use on some of the best-selling, most enduring records of all time, the V76 preamp has played a pivotal supporting role in the story of pop music. Loved by the engineers and technicians at Abbey Road, and incorporated into their iconic REDD mixing consoles, the V76 coveted for that “White Album” sound, every major studio in the world wanted a piece of the action, and tens of thousands of Telefunken preamps were created to meet the demand. These days, due to scarcity and cost, it’s practically impossible for most musicians and producers to pick up one of these legendary preamps. In the same way Arturia built its reputation on recreating legendary, rare synths and keyboards through advanced modelling, we decided to use our TAE® technology to give everyone the chance to experience that legendary V76 sound.

Main Features

  • Virtual recreation of vintage German valve preamp
    • 73 dB virtual continuous input gain
    • +/- 24 dB Output trim level
  • Germanium EQ & filter section emulation
    • Include bypass & phase Inversion switch
  • High Tone Filter
    • High Shelf band
    • +/- 10dB gain
    • 5kHz fixed frequency
  • Low Tone Filter
    • Low Shelf band
    • +/- 10dB gain
    • 100Hz fixed frequency
  • High Pass Filter
    • Cut frequency at 80Hz, 300Hz and 80+300Hz for steeper slope
  • 1 & 2 channels plugin versions
  • 3 stereo modes
    • Stereo Link
    • Dual Mono Channels
    • Mid/side (M/S) encoding-decoding for advanced stereo processing
  • Vintage glowing output meter
    • 3 sensibility mode (-18dBFs, -12dBS, -8 dBFs)
    • Analog clipping indicated by bright red color
  • Comprehensive set of presets
  • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    1GB free hard disk space
    OpenGL 2.0 compatible GPU


INFO/DEMO/BUY: http://mage.si/VMLp
V76-Pre v1.1.0.388 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35754/V76-Pre-v1.1.0.388-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

TridA Pre v1.1.0.388 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, V.R, TridA Pre, Preamp, Pre Amps, Pre Amp, CE, AAX

TridA-Pre v1.1.0.388 WiN

Team V.R | July 06 2018 | 54 MB

(Win32/64; AAX, VST3, VST)

Prized and rare musical EQ

For decades, the concept of pop music was synonymous with Trident Studios, the pioneering facility in the heart of London’s Soho district. Their client list reads like a who’s who of pop: The Beatles, Elton John, David Bowie, the Bee Gees, Genesis, Frank Zappa, Joe Cocker, Kiss, Lou Reed, Peter Gabriel, Marc Almond, Soft Cell, Queen, the Rolling Stones, Thin Lizzy, Tina Turner, T-Rex, and Yes. At the heart of the studio’s sound was the Trident A Range console. It became so well known for its gorgeous, musical EQ and the full, rich tone it imparted soon, studios around the world were placing orders for an A Range of their own. Although only 13 were ever made, they created a legacy that continues to this day.

 

Main Features

  • Virtual recreation of rare and prized classic preamp
    • 40 dB virtual continuous input gain
    • +/- 24 dB Output trim level
  • Complete switchable EQ section
    • Include bypass & phase Inversion switch
  • 3 Switchable Low Pass Filters
    • Cut frequency at 9kHz, 12kHz and 15kHz
    • -12 dB/oct slope
    • distinct filter cut combinations with unusual curves when 2 or 3 filters are combined
  • High Shelf Filter
    • +/- 15dB gain
    • 4 selectable frequencies : 8kHz, 10kHz, 12kHz, 15kHz
  • High Midrange Bell Filter
    • +/- 15dB gain
    • 4 selectable frequencies : 3kHz, 5kHz, 7kHz, 9kHz
  • Low Midrange Bell Filter
    • +/- 15dB gain
    • 4 selectable frequencies : 250Hz, 500Hz, 1kHz, 2kHz
  • Low Shelf Filter
    • +/- 15dB gain
    • 4 selectable frequencies : 50Hz, 80Hz, 100Hz, 150Hz
  • High Pass Filter
    • Cut frequency at 25Hz, 50Hz and 100Hz
    • -18dB/oct. Slope
    • distinct filter cut combinations with unusual curves when 2 or 3 filters are combined
  • 1 & 2 channels plugin versions
  • 3 stereo modes
    • Stereo Link
    • Dual Mono Channels
    • Mid/side (M/S) encoding-decoding for advanced stereo processing
    • Output Analog VU meter
      • 3 calibrations mode (-18dBFs, -12dBS, -8 dBFs)
      • Analog clipping LED indicator
    • Comprehensive set of presets
    • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    1GB free hard disk space
    OpenGL 2.0 compatible GPU

 


INFO/DEMO/BUY: http://mage.si/jyuq
TridA-Pre v1.1.0.388 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35755/TridA-Pre-v1.1.0.388-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

DC8C Advanced Compressor v3.0.1 WiN MAC SYNTHiC4TE, x86 x64 windows vst3 plugins plugins vst macos software plugins au for mac aax plugins, WiN, SYNTHiC4TE, MAC, DC8C, Compressor, Advanced

DC8C v3.0.1 WiN MAC

SYNTHiC4TE | July 06 2018 | 115 MB

Advanced Compressor

DC8C is one of the most flexible compressors around.

While making a lot of different compression styles possible, it’s general nature may be described as: clear, smooth, open, distinct.The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost unevitable artefacts/distortion. This way you can achieve almost invisible compression for your most demanding mastering sessions, when you want to avoid coloration. If you aim for colour you can choose between two saturation models. From opto style, peak compression, RMS compression, Feedback, Feedforward compression (and everything inbetween) to negative ratios, zero latency brickwall limiting, from snappy transient treatment to smooth transient rounding – everything is possible.

Feature List
detector network and gain reduction smoothing for extra smooth operation

  • • choose between two different attack and two release curves
  • • clean mode (100% clean compression with no intermodulation, no distortion, no aliasing)
  • • up to 8x oversampling
  • • sidechain filter with high pass & low pass filter plus tilt control, which let’s you shift the frequency response
  • of the detector
  • • customize the program dependency of the compressor seperately for Attack and Release
  • • GR-smoothing control to dertermine, how sensitive the compressor reacts to changes in the computed gain
  • reduction, great to emulate opto style compression
  • • hold control for heavy pumping compression effects
  • • pre comp control to delay the start of the attack to leave transients completely alone or radically shape the attack
  • • calibration control not only to set the reference level for the meters but also for the whole signal path.
  • the higher the value, the softer the compression characteristics and the lower the saturation amount
  • • unique Feedback-Mix-Control, which lets you determine, how much of the compressor’s output is fed back into the detector.
  • This way it is possible to morph between Feedback and Feedforward Compression topologies
  • • zero latency limting mode
  • • true zero attack (0.0 ms)
  • • negative ratios possible
  • • parallel compression, peak-compression, RMS-compression
  • • easy mode which features 4 different compression styles
  • • lots of comprehensive presets to keep you started

 

DC8C now includes:
– A platform independent preset browser with easy copy/paste/save-as-default.
– AB-ing.
– GUI-resizing.
– Meter can now operate as a peak meter with peak hold indicator, on stereo tracks the peak meter shows both left and right channel information separately. – AGC (automatic gain reduction).
– Linear phase oversampling filters.
– Overhauled compression algorithms for smoother operation and more natural attack.
– and much more…

06/27/18 version 3.0.1:
– FIX: attack and release labels on the GUI of SMOOTH, PUNCH and SNAP Easy modes to match their actual ranges
– FIX: latency reporting in the VST3 version in Studio One
– NEW: added option to the global settings to disable dynamic latency reporting
– USE CASE: some hosts do not adjust latency for offline rendering separately. So when you have your Realtime OS set to eg. 1x and the Offline OS to 2x some hosts might not adjust the changed latency correctly during rendering.
— Currently I’m only aware of Studio One is behaving like that when the VST3 version of a plugin is being used. So if you’re encountering issues like that, you can use this new option in the global settings.
— If dynamic latency reporting is disabled, DC8C always reports the maximum possible introduced latency (128 samples) regardless of the oversampling settings. To stay in sync differences between reported and actual latency are compensated by an internal delay.
– NEW: added option to the global settings to have equal OS settings for realtime and offline(render) processing
– USE CASE: If your hosts doesn’t adapt to latency changes when rendering, you can optionally apply equal OS factors for both realtime and offline processing to keep things in sync.
– The advantage to the aforementioned option is, that you still can use DC8C with 0 latency when no OS is being used instead of the fixed 128 samples. The downside is, that you can’t set a separate OS factor for offline processing, hence the realtime factor is being applied during render too.

INFO/DEMO/BUY: http://mage.si/RR7s
DC8C Advanced Compressor v3.0.1 WiN MAC-SYNTHiC4TE
http://beelink.in/36830/DC8C-Advanced-Compressor-v3.0.1-WiN-MAC.html

Waldorf Largo v1.7.x AU VST VSTi VST3 AAX WiN MAC R2R, x86 x64 windows waldorf vsti vst3 plugins plugins vst macos plugins au for mac aax plugins, Waldorf Largo, Waldorf, VST, OSX, MAC OSX, MAC, Largo, AU

Waldorf Largo v1.7.x WiN MAC

TEAM R2R | July 08 2018 | WiN: 14.10 MB | MAC: 135 MB

AU VST VSTi VST3 AAX x86 x64

Many producers and synthesizer enthusiasts asked for a full-blown Waldorf Synthesizer for their virtual rack. We listened, and now we proudly present Largo. Largo is the first pure software synthesizer with Waldorf DNA. And again – it is the cutting edge sound that makes the big difference. No wonder, as Largo mirrors the technology used in Blofeld and Q hardware synthesizers. As for every Waldorf instrument, ergonomics are a core feature on screen as well. Your eyes will be pleased with a clearly structured, graphical user interface that supports your workflow intuitively. Largo offers three fat oscillators, two of them with sub oscillators. These oscillators include models of classic analog waveforms as well as a selection of waves from the PPG and Waldorf Wave stored in two Wavetables. All these run through two Waldorf multimode filters with steep cutoff, resonance up to self-oscillation and a drive stage to add even more punch and grainyness to the sound. Ultra-fast envelope generators and flexible LFOs as well as an easy to understand, yet extremely versatile modulation matrix make for a sound designer’s dream.

Waldorf Largo v1.7.x AU VST VSTi VST3 AAX WiN MAC R2R, x86 x64 windows waldorf vsti vst3 plugins plugins vst macos plugins au for mac aax plugins, Waldorf Largo, Waldorf, VST, OSX, MAC OSX, MAC, Largo, AU


The filters have always been a core part of any Waldorf instrument. With outstanding expertise in both analog and digital synthesis, our developers took utmost care in developing the filters. And you can hear a significant difference when working with a Waldorf filter – they just sound right! Use the comb filters for plucked, stringed or blown sounds. Band pass, high pass, low pass and notch filters are all available with 12 dB and 24 dB slope. All of them sound extremely accurate and add pure sonic quality to the sound of your music.

Largo contains a flexible arpeggiator with 16 freely programmable steps as known from the exclusive Q synthesizer line plus an array of high quality effects such as Chorus, Flanger, Phaser, Overdrive, Delay and Reverb.

The clearly arranged user interface helps you to create your own powerful synthesizer sounds in a breeze. Oscillators and filters are always in direct access while the submodules are only a mouse click away. It has the same exclusive voice architecture as the Q and Blofeld synthesizer line, fully integrated into the total recall system of your Digital Audio Workstation.

INFO/DEMO/BUY: http://mage.si/vJH0
Waldorf Largo v1.7.x AU VST VSTi VST3 AAX WiN MAC-R2R
http://beelink.in/24868/Waldorf-Largo-v1.7.x-WiN-MAC.html

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