PatchWork v2.3.0 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos blue cats software plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Standalone, R2R, PatchWork, MAC, AU, App, AAX

PatchWork v2.3.0 WiN MAC

Team R2R | 29 Oct 2018 | WiN: 62.2MB | MAC: 381.9 MB

PLATFORM : WiN32/64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

“The virtual patchbay for audio plug-ins”

PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.

For each plug-in slot, latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also stores the position of the window for each plug-in so that the layout is restored with your session or saved with presets.

The plug-in is available as an audio effect or a virtual instrument so that it can be inserted on any type of track, with up to 8 audio channels.

Input and output level meters are also included to monitor the signal that is dispatched to inserted plug-ins.

Main Features:

  • Configurable VST, VST3 or Audio Unit plug-ins rack: host up to 64 third party plug-ins or instruments in series or parallel.
  • Available as an effect, virtual instrument or standalone application.
  • Build your own effects chains: up to 8 “pre” and “post” plug-ins slots to chain plug-ins in series.
  • Parallel processing made easy: up to 8 parallel plug-ins chains, with phase flip, solo and gain controls.
  • Host up to 8 virtual instruments in parallel and mix them within the plug-in.
  • Global Dry/Wet control (“Mix”).
  • Parameters Mapping: map sub plug-ins parameters to automate them or use a control surface.
  • Flexible MIDI routing: connect sub plug-ins together or with the host application.
  • Flexible Audio routing: connect sub plug-ins i/o to any audio channel.
  • External side chain and multiple outputs support.
  • Link pre and post gains for automatic gain compensation.
  • Cut, Copy and paste plug-ins with their settings between slots.
  • Recall complex processing setups and plug-ins layouts with one click and share them between your DAWs.
  • Input and output levels monitoring.
  • Plug-ins Latency compensation.
  • Supports VST Shell plug-ins.
  • Integrated undo/redo.
  • Fully customizable user interface, with multiple sizes.

 


V2.3 (2018/10/22)
– Drag and drop support (see our video):
—- drag and drop plug-ins between slots.
—- hold the alt key on Mac and Ctrl key on windows to copy (duplicate) a plug-in instead of moving it.
—- drop the plug-in before another to insert it in the chain.
—- drag and drop plug-ins between several instances of PatchWork or accross plug-ins (compatible with the latest preview of Late Replies, MB-7 Mixer and Axiom).
—- drag and drop .dll, .vst, .vst3, or .component files directly from the Finder or Explorer onto plug-in slots.
—- drag and drop .plgnfo files (previously saved from the software) directly from the Finder or Explorer onto plug-in slots.
– Built-in EQ plug-in can now load and manipulate impulse responses (IR).
– Fixed: effect tail not processed anymore when just inserted on a track (avoids using CPU when not necessary).
– Fixed: built-in multitap delay plug-in could get out of sync in some host applications.
– Improved performance of the built-in EQ plug-in.
– Improved performance when saving preset/session with many built-in plug-ins.

INFO/DEMO/BUY: http://mage.si/hq06
PatchWork v2.3.0 WiN MAC-R2R
http://beelink.in/37745/PatchWork-v2.3.0-WiN-MAC-R2R.html

ParametrEQ v3.52 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos blue cats plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, R2R, Parametric Equalizer, Parametric EQ, Parametric, ParametrEQ, MAC, Equalizer, AU, AAX

ParametrEQ v3.52 WiN MAC

Team R2R | 29 Oct 2018 | WiN: 9.1 MB | MAC: 46.2 MB

PLATFORM : WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

Parametr’EQ is a 7 bands parametric equalizer combining the advantages of both the digital and analog worlds. Its special non-linear and oversampling features let you easily simulate the compression and distortion that may occur in an analog EQ or on the contrary obtain a very clean and transparent digital EQ. The plug-in includes a low shelf/low cut filter, a high shelf/high cut filter and 5 boost/cut band filters. An optional brickwall limiter has been added to the output to protect your ears and monitors. Its wide range of gain (+/-40 dB per band) and bandwidth (one hundredth to five octaves) makes it suitable for any equalization task, especially with the extra zooming capability that lets you define your own range for the user interface. The included skins let you choose the layout that best suits your needs, and you can completely customize the user interface thanks to Blue Cat’s Skinning language support. The graph displays the computed frequency response of the plug-in, so that you can exactly know how your signal is processed. This is not an approximated or “ideal” response curve based on the controls of the user interface, but the exact computed frequency response of the filter, which makes this plug-in a true WYSIWYG (What You See Is What You Get) equalizer.

Last but not least, this equalizer has absolutely no latency, which make it perfect for real time applications.

Features:
– True WYSIWYG 7 bands parametric equalizer.
– Filters designed after analog circuits.
– Non linear modeling: add some warmth or analog distortion to each EQ stage.
– Output brickwall limiter.
– Output peak meter.
– Oversampling for optimal sound quality, whatever your sampling rate.
– +-40 dB range for each band with customizable effective range.
– Automatic gain compensation.
– No latency.
– Real time display of the frequency response with precise measurement and zooming capabilities.
– Window Opacity Control: make the plugin window transparent.

V3.52 (2014/03/20)
– Fixed 64-bit VST MIDI Events not sent for the first output parameter in the list.
– Windows VST installer now detects the VST plug-ins path and remembers previous install location for updates.
– Fixed Audio Unit validation issue on OSX Mavericks/Logic Pro X.
– Fixed VST plug-in window frame not showing in Cubase 7.5 (32-bit) on Mac.
— Fixed VST version that could not be loaded in Audio HiJack Pro (Mac).

INFO/DEMO/BUY: http://mage.si/Vp4X
ParametrEQ v3.52 WiN MAC-R2R
http://beelink.in/37744/ParametrEQ-v3.52-WiN-MAC-R2R.html

Oscilloscope Multi v2.20 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos blue cats plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, R2R, Oscilloscope, MULTI, MAC, AU, AAX

Oscilloscope Multi v2.20 WiN MAC

Team R2R | 29 Oct 2018 | WiN: 11.5 MB | MAC: 48.7 MB

PLATFORM : WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

Oscilloscope Multi is a unique multiple tracks real time waveform renderer and comparator: it lets you visualize the content of several audio tracks on the same screen and compare them thanks to its X-Y view. The plugin offers stereo or mid-side channels waveform extraction as well as several synchronization modes. The zooming and precise measurement capabilities let you analyze the waveforms in details, and the XY phase scope view will help you track phase issues within an effect chain or while recording with multiple microphones. The additional histogram display complements the toolset to check the distribution of the values in the waveform and get an idea of the average peak level.

The four memory slots let you store any waveform in memory: it helps you make comparisons between several setups or portions of your audio project very easily. Thanks to Blue Cat’s skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow.

Main Features:
– Multiple tracks real time oscilloscope: visualize and compare the waveform of several audio tracks on the same screen.
– Waveform display with loop, flow and trigger modes.
– Histogram display.
– Dual channel XY phasescope view (Lissajous) for easy phase cancelation and mono compatibility issues detection on multiple tracks or within an effect chain.
– Latency compensation capability to align waveforms.
– Choose a name for each curve for easier sharing.
– Animated zoom for all displays.
– Precise measurement capabilities.
-Save the curves for easy A/B comparison.
– Left-Right or Mid-Side operation modes
– Unique data sharing technology with multi-core processors support.
– Opacity control for the user interface.

V2.2 (2016/03/03)
– VST3 plug-in format support.

INFO/DEMO/BUY: http://mage.si/Wx8q
Oscilloscope Multi v2.20 WiN MAC-R2R
http://beelink.in/11976/Oscilloscope-Multi-v2.20-WiN-MAC-R2R.html

MB 7 Mixer 3 v3.10 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos blue cats plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, RTAS, R2R, Multiband, Mixer, MB 7 Mixer, MB 7, MAC, DXi, Blue Cat, AU, AAX

MB-7 Mixer 3 v3.10 WiN MAC

TEAM R2R | 2017.03.03 | WiN: 39.4 MB | MAC: 200.6 MB

PLATFORM : WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks. Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the “stereoness” and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility. The plug-in can also operate as a multiband VST and Audio Unit host: you can process each band independently with your favorite VST or Audio Unit plug-ins! Up to four plug-ins can be loaded on each band, pre or post fader. Latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also proposes unique linking and grouping options thanks to our multi-instances technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several

Main Features:
– Multiband mixing console: adjust the levels, panning and “stereoness” of each band separately.
– Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.
– 28 built-in effects for multiband processing: EQ, filters, pitch & frequency shifter, delays, reverb, modulation effects, compressor, gate, bit crusher, wave shaper and more.
– External side chain support for sub plug-ins on each band.
– Parameters Mapping: map sub plug-ins parameters to automate them or use a control surface.
– Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.
– Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.
– Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.
– Multiple instances linking: group bands within a single instance or between multiple instances of the plug-in. Modify the spectrum on multiple tracks with a single slider.
– Bypass, mute, solo on every band.
– Mono switch on master for mono compatibility check.
– Dual Mode: independent left and right or mid and side channels control.
– Complete visual feedback with real time response curves, spectrogram, and levels display for each band.
– Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.
– No additional latency.

V3.1 (2018/06/18)
– The GUI can now be zoomed from 70% to 200%.
– Added 28 built-in plug-ins borrowed from the Late Replies plug-in.
– New spectral manipulation and sound design presets using the built-in effects.
– Last loaded preset is now remembered in session and displayed in the presets menu.
– Plug-in state can now be reverted to the last loaded preset.
– Default preset now also saves the state of locks (when using “save as user default”).
– Major presets loading improvements: hosted plug-ins are now reloaded only when changed, and updated otherwise. Improves performance and audio rendering when loading presets using the same plug-ins.
– Faster GUI loading / instantaneous GUI display after it has been opened once.
– New option to keep plug-ins windows always on top.
– Performance and memory usage improvements.
– Mac: new installer.
– VST3: factory presets are not exposed to the host application anymore.
– Fixed minor compatibility issues with Mac OS High Sierra.
– Fixed host keyboard shortcuts lost when a sub plug-in is opened (in several host applications).
– Fixed sub-plug-ins automation overwritten when using touch mode in some hosts.
– Fixed: changing bypass in the Audio Unit version did not update host application’s bypass state.
– Fixed: bypass buttons are now in sync with the hosted plug-ins’ state.
– Win: fixed copy/paste that sometimes stopped working until next app restart.
– Dropped support for legacy RTAS and DirectX plug-ins formats.

INFO/DEMO/BUY: http://mage.si/TGw5
MB-7 Mixer 3 v3.10 WiN MAC-R2R
http://beelink.in/31461/MB-7-Mixer-3-v3.10-WiN-MAC-R2R.html

Liny EQ v5.10 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos blue cats plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, MAC, Liny EQ, Liny, equalizer plugin, Equalizer, EQ, AU, AAX

Liny EQ v5.10 WiN MAC

TEAM R2R | 29 OCtober 2018 | WiN: 26 MB | MAC: 159 MB

PLATFORM : WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

Liny EQ is an 8 bands linear phase equalizer with very low latency and comprehensive visual feedback: thanks to its highly optimized linear phase kernel, it processes the signal without phase distortion, with an unusually short latency (less than 3 milliseconds). Its wide range of gain (+-40dB) and multiple filter shapes make it very flexible for a graphic EQ, letting you create unique EQ curves. The dual channels version offers independent settings for the left/right or mid/side channels, with flexible linking capabilities for an optimal workflow. The highly customizable user interface includes a first class spectrum analyzer and spectrogram viewer. It lets you choose the best layout and display options to adapt the plug-in to your own workflow.

Thanks to its ability to update the EQ curve continuously using MIDI or automation and its additionnal “Mix” control, dynamic equalization tasks can be performed easily when used together with any of our control generation plug

Main Features:
– Linear phase graphic equalizer
– very short latency (less than 3 ms: 128 samples at 44,1 kHz), with minimal pre-ringing artefacts.
– customizable range (+/- 40 dB).
– Exact EQ curve display.
– Four EQ shapes.
– Automatic gain compensation.
– Real time spectrum analyzer display.
– High resolution color and greyscale spectrogram display.
– High resolution color peak meter.
– Single and dual channel versions.
– Left/right or mid/side processing for spectral stereo widening or narrowing.
– Advanced channels linking capabilities.
– Multiple display sizes.
– Highly customizable user interface: display what you need, the way you need.

V5.1 (2016/03/03)
– VST3 plug-in format support.
– Custom skins can be selected directly from the main menu.
– Presets can now be selected using MIDI Program change and bank select messages (optional).
– Last loaded preset can now be saved directly from the presets menu without having to select the file.

INFO/DEMO/BUY: http://mage.si/Br6f
Liny EQ v5.10 WiN MAC-R2R
http://beelink.in/11966/Liny-EQ-v5.10-WiN-MAC-R2R.html

RVB500 v2.3.x WiN MAC LiNUX R2R, x86 x64 windows vst3 plugins plugins vst macos linux plugins and software plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Stereo Plate Reverb, Stereo, RVB500, Reverb, R2R, Plug In, Plate Reverb, Plate, OverTone, MAC, Linux, DSP, AU, AAX

RVB500 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.60 MB | MAC: 4.0 MB | LiNUX: 2.99 MB

AU/VST/VST3/AAX/x86/x64

A stereo plate reverb plug-in capable of a rich variety of effects, with intuitive controls and efficient use of CPU and system resources. The RVB500 plug-in algorithmically emulates a mechanical plate reverb, still regarded as a mainstay of many recording studios, for a diverse range of effects including drum enhancement or vocal ambience – while complementing more complex or resource intensive convolution models. Economical with system resources, the RVB500 is ideal for classic reverb effects while still leaving sufficient power available for the most complex audio workstation projects. Intuitive controls including a sub-sample resolution pre-delay, variable time and damping, coupled with virtual reverb plate transducer amplifiers for enhanced harmonic drive at high levels and a Wet-only switch, for use on a dedicated reverb buss, enable a wide variety of processing options.

System Requirements – Windows PCs:
– 32Bit Systems: Windows 7 or later and a VST compatible host application.
– 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

System Requirements – Mac:
– Requires Mac OS X v.10.8 – v.10.12
– An AudioUnit, VST, VST3 or AAX compatible host.

System Requirements – Linux:
– An X11 compatible Linux distribution.
– A Linux VST2 compatible host.

INFO/DEMO/BUY: http://mage.si/973G
RVB500 v2.3.x WiN MAC LiNUX-R2R
http://beelink.in/17354/RVB500-v2.3.x-WiN-MAC-LiNUX-R2R.html

FC70 Fairchild 670 Limiter v2.3.x WiN MAC LiNUX R2R, x86 x64 windows vst3 plugins plugins vst macos linux plugins and software plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Vintage Compressor, Vintage, R2R, Plug In, MAC, Linux, Limiter, FC70, Fairchild, Compressor, AU, AAX

FC70 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 3.10 MB | MAC: 8.26 MB | LiNUX: 10.6 MB

AU/VST/VST3/AAX/x86/x64

The effortless control and uniquely musical character of one of the best-known vintage compressor / limiters. Inspired by the legendary smooth, effortless dynamic control and uniquely musical character of the classic Fairchild 670 limiter, the FC70 tames dynamics without robbing the mix of power and detail. The FC70 uses state of the art processing to emulate a fully balanced transformer-coupled signal path, combined with an innovative delay-free feedback algorithm which accurately mirrors equivalent analogue behaviour. In addition, the sidechain includes fast attack and program dependent release settings, combined with Lateral / Vertical, Independent and Linked stereo channel modes.

System Requirements – Windows PCs:
– 32Bit Systems: Windows 7 or later and a VST compatible host application.
– 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

System Requirements – Mac:
– Requires Mac OS X v.10.8 – v.10.12
– An AudioUnit, VST, VST3 or AAX compatible host.

System Requirements – Linux:
– An X11 compatible Linux distribution.
– A Linux VST2 compatible host.

INFO/DEMO/BUY: http://mage.si/gJcX
FC70 Fairchild 670 Limiter v2.3.x WiN MAC LiNUX-R2R
http://beelink.in/23897/FC70-Limiter-v2.3.x-WiN-MAC-LiNUX-R2R.html

EQ500 Series v2.3.x WiN MAC LiNUX R2R, x86 x64 windows vst3 plugins plugins vst macos linux plugins and software plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Series, OverTone DSP, OverTone, MAC OSX, MAC, Linux, EQ500, EQ, Dynamics EQ, DSP, Digital EQ, AU, AAX

EQ500 Series v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.33 MB | MAC: 3 MB | LiNUX: 2.89 MB

AU/VST/VST3/AAX/x86/x64

A natural sounding, versatile, analogue filter modelled EQ, economical with CPU and system resources. Digital EQ no longer has to sound digital. The EQ500 plug-in emulates all the desirable qualities of a professional analogue channel equalizer, while the elegantly simple design makes adding texture and colour – or taming problem frequencies – both intuitive and instinctive. Styled as a virtual 500-series module, the EQ500 uses innovative analogue filter modelling to open up the response and accurately replicate the more natural sound of analogue designs, without additional latency or high CPU demand. More efficient use of CPU and system resources allows more plug-in instances in a typical audio workstation project.

System Requirements – Windows PCs:
– 32Bit Systems: Windows 7 or later and a VST compatible host application.
– 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

System Requirements – Mac:
– Requires Mac OS X v.10.8 – v.10.12
– An AudioUnit, VST, VST3 or AAX compatible host.

System Requirements – Linux:
– An X11 compatible Linux distribution.
– A Linux VST2 compatible host.

INFO/DEMO/BUY: http://mage.si/V46e
EQ500-Series v2.3.x WiN MAC LiNUX-R2R
http://beelink.in/16558/EQ500-Series-v2.3.x-WiN-MAC-LiNUX-R2R.html

DYN500 v2.3.x WiN MAC LiNUX R2R, x86 x64 windows vst3 plugins plugins vst macos linux plugins and software plugins au for mac aax plugins, X11, WiN, R2R, OverTone DSP, OverTone, MAC, Linux, DYN500, DSP, Compressor, Channel, Analogue

DYN500 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.60 MB | MAC: 3.55 MB | LiNUX: 2.77 MB

AU/VST/VST3/AAX/x86/x64

A flexible, console grade channel compressor with analogue warmth and character. The DYN500 plug-in emulates all the desirable qualities of a professional analogue channel compressor, taming dynamics without restricting the natural character of a mix or performance. Styled as a virtual 500-series module, the DYN500 provides soft-knee compression coupled with a gentle tape-saturation overdrive for warmth and character at high signal levels. Just like the best analogue gear, the harder you hit it, the better it sounds. Designed as a ‘one in every channel’ compressor / dynamics plug-in, the DYN500 can be used in mono or stereo channels, delivering professional console grade processing, with efficient use of CPU and system resources. More efficient use of CPU resources allows more plug-in instances in a typical audio workstation project.

System Requirements – Windows PCs:

  • 32Bit Systems: Windows 7 or later and a VST compatible host application.
  • 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

 

System Requirements – Mac:

  • Requires Mac OS X v.10.8 – v.10.12
  • An AudioUnit, VST, VST3 or AAX compatible host.

 

System Requirements – Linux:

  • An X11 compatible Linux distribution.
  • A Linux VST2 compatible host.

 

 

INFO/DEMO/BUY: http://mage.si/3UmH
DYN500 v2.3.x WiN MAC LiNUX-R2R
http://beelink.in/10558/DYN500-v2.3.x-WiN-MAC-LiNUX-R2R.html

AutoGain PRO MK2 v2.0.5 R2 WiN MAC R2R, windows vst3 plugins plugins vst plugins rtas macos plugins au for mac, WiN, VST2, VST, Pro, MAC, HY2ROG3N, AutoGain, AU

AutoGain PRO MK2 v2.0.5 R2 WiN MAC

Team R2R | Oct 17 2018 | WiN: 2 MB | OSX: 1.1 MB

AAX, AU, VST2.4, VST3, RTAS

AutoGain Pro MK2 is a flexible volume processor with mid/side processing option. The plugin uses the same processing code of the AutoGain Pro but doubles the processing units providing two different detectors and two different processors. The AutoGain Pro MK2 can emulate the behavior of the original AutoGain when set in “classic” mode, but it can also work in stereo or mid/side mode. Each of the detectors can use one of the five different source between internal or external types, each of the processors can use detector one or detector two as it source.

Features:
– Two detectors and two processors
– Five different sources for each detector
– Internal and external sources for detectors
– gate from -60dB to 0dB for each detector
– independent attack and release for each detector and processor
– high pass and low pass filters on the detectors input
– detectors gain adjustable from -30dB to +30dB
– peak or RMS processing
– reverse gain operation for each processor
– “classic”, “stereo” and “mid/side” mode
– can write and read automation
– independent adjustment of minimum and maximum gain range up to 100dB
– relative gain range adjustment
– graphical display for each detector and processor
– Mac OS X (>=10.7) and Windows support
– 64bit compatibility both on Mac and Windows
– Audio Units VST2.4, VST3, AAX and RTAS format

Changelog:
– Fixed noise when using sample rate grater than 88.2K.
– Fixed crash when using “none” as the processor source.
– Improved gain display.

 

INFO/DEMO/BUY: http://mage.si/hY7N
AutoGain PRO MK2 v2.0.5 R2 WiN MAC-R2R
http://beelink.in/16956/AutoGain-PRO-MK2-v2.0.5-R2-WiN-MAC.html

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