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Retrologue v2.2.10 WiN x64

TEAM V.R | 23.12.2018 | 89.86 MB

(Win64; AAX, VST3, VSTi)

The flexible, intuitive Retrologue 2 emulates the warmth and fatness of classic analog synthesizers. Three virtual analog oscillators and a first-class set of filters produce a wealth of rich, inspring sounds; its adaptable arpeggiator, powerful modulation system and FX rack help make Retrologue 2 the first choice for producers everywhere.

– Classic virtual analog synthesizer optimized for low CPU load.
– Over 700 outstanding presets covering classic analog synth sounds and beyond
– Intuitive interface for fast, creative sound design
– 3 oscillators with up to 8 de-tunable voices alongside sub and noise oscillators
– Arpeggiator with up to 32 steps and “Export to host” feature
– 24 first-class filter types
– 4 LFOs plus filter, amp and custom envelopes
– 16-stage drag and drop modulation matrix with Note Expression support
– 5 distortion modes including tube, clip, bit reduction and rate reduction
– FX section with delay, chorus, flanger, phaser, vintage ensemble, reverb and 4-band EQ
– 3-band Resonator with 14 different filter configurations and integrated LFO

New features:
More power
Now offering three oscillators, Retrologue 2 also provides additional oscillator types and adjustable OSC trigger modes for even more creative power. Give your vintage synth sounds extra nuance and expressiveness with the 12 additional filter types, and select from the added distortion modes to add crunch or bite.

More modulation
Adding a completely new 32-step arpeggiator, two additional polyphonic LFOs, a third bipolar envelope and six additional slots in the Modulation Matrix, version 2 turns Retrologue into a veritable modulation powerhouse. Its drag and drop interface design, however, ensures that assigning modulation sources and targets takes only seconds.

More effects
Retrologue 2 introduces an FX section replete with five new effects, adding an energetic Phaser, a lush new algorithmic reverb, a precision four-band EQ, an innovative three-band resonator and the fascinating textures of Vintage Ensemble. All of these new FX modules can be freely routed on the dedicated FX page for unlimited creative freedom.

More presets
Get inspiration from over 400 new Retrologue 2 presets, all painstakingly designed by our expert sound design team. Exploiting the wealth of added sonic possibilities in Retrologue 2, the sounds add arpeggiated patterns, percussive drum sounds, powerful leads, sumptuous pads and rich basses.

Formats: AAX, VST3, VSTi
OS: Windows 7 / 8.x / 10 (x64)

● New feature AAX support allows to run Retrologue in Pro Tools.
● New feature High DPI mode can be deactivated on Windows systems for hosts having
issues with high-resolution monitors or mixed multi-monitor setups.
● New feature Polyphonic Key Mode allows to start and end one and the same note
multiple times independently. If activated, ending one of the notes will not
end the others.
● HALLY-6409 Fixed possible crash when changing presets with locked arpeggiator.
● HALLY-5950 Fixed sound differences after changing the ASIO buffersize.
● HALLY-5738 Fixed position of scrollbars in preset selector.
● HALLY-5737 Fixed “MIDI timeout” message issue in Logic Pro X which occured when
swithing presets with write automation active.
● HALLY-7494 Improved envelope parameter adjustment via mousewheel.


Retrologue v2.2.10 AAX VST3 VSTi WiN x64 CE-V.R

Bolt v1.0 VSTi VST3 x64 WiN CE V.R, x64 plugins vsti windows vsti vst3 plugins, x64, WiN, VSTi, VST3, V.R, Synthesizer, Synth, CE, Bolt

Bolt v1.0 VSTi VST3 x64 WiN

TEAM V.R | 23 Dec 2018| 19.19 MB

(Win64; VST3, VSTi)

Bolt is first foray into the world of virtual instruments. It employs a new form of synthesis with unique sonic character and intuitive user interface. Bolt enables a different and fast approach to sound design with an unusually organic and warm sonic character. Harmonics Synthesis generates and shapes the sound directly in the oscillator: It doesn’t require the dedicated filter section typically found on subtractive synthesizers. By turning just one knob, a wave’s shape can be changed from dark and subtle to bright and overtone-rich.

Bolt v1.0 VSTi VST3 x64 WiN CE-V.R

Esspresso v1.0.1 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, R2R, MAC, Esspresso, de essers, de esser, AU, AAX

Esspresso v1.0.1 WiN MAC

Team R2R| Dec 22 2018 | WiN: 3.2 MB | OSX: 8.1 MB

AAX, AU, VST, VST3, x86, x64

Finally, a de-esser that doesn’t suck.

Esspresso is a fast, beautiful & powerful de-esser for everyone doing audio recording. De-essers have previously been aimed towards highly professional audio producers that needs full control over the sibilance (high frequency noises) in their mix. These noises can bring trouble to your overall sound – for example if you want a ”crisp” tone to the voice and add the EQ, the S’s will eventually distort and make it hard to balance the mix. The uniqueness of Esspresso is that the detection frequency range isn’t coupled with the suppressors frequency range. That means you can listen to a specific frequency and compress another one, which is often what you’ll want from a professional de-esser. With a fast and accurate frequency response view, you will easily get full control over annoying S-sounds that otherwise can ruin the mix.

– Visual reduction RMS
– Visual detector RMS
– Detector sensitivity gain
– Solo switch for the detector signal
– Suppressor has three filter modes (all, band & high)
– Intuitive and unique user interface

Esspresso v1.0.1 WiN MAC-R2R

Gaffel v1.0.1 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos plugins au for mac, x86, x64, WiN, VST3, VST, Splitters, Splitter, R2R, MAC, Gaffel, AU

Gaffel v1.0.1 WiN MAC

Team R2R | 22 Dec 2018 | WiN: 3.6 MB | OSX: 6.8 MB

AU, VST, VST3, x86, x64

Synced Band Splitter

Gaffel is a tool that splits audio into different frequency bands. Using it on multiple channels lets the user create multiband effect(s) out of any other plugin installed. Frequency parameters are globally synchronized between different instances of the plug in if they’re set to the same group, which makes it really convenient to work with in any DAW.

– Linkwitz-Riley cross over filter algorithm
– Frequency parameters are synchronised globally between instances
– Supports up to 8 different groups
– Audio Units version, compatible with most Mac OS X DAW’s
– VST version, compatible with most Mac & Windows DAW’s
– AAX version, compatible with Pro Tools on Mac & Windows
– System requirements: Mac OS X 10.7+ / Windows 7+ with SP1 or higher

Gaffel v1.0.1 WiN MAC-R2R

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Grand Finale v1.0.2 WiN MAC

Team R2R | 22 Dec 2018 | WiN: 9.2 MB | OSX: 13.9 MB

AU, AAX, VST, VST3, x86, x64

Audio Finalizer

A powerful tool designed for quickly finalizing complete mixes, stems, buses and/or individual audio tracks. Grand Finale is a multi effect plug-in designed for finalizing complete mixes, stems, buses and/or individual audio tracks. The plug-in offers several modules in a pre-routed configuration. Each module has parameters to alter, and most modules offer a set of algorithms to select. These features come together to make Grand Finale a powerful tool for quickly finalizing a track, bus or mix.

Trim the input signal, add your desired amount of compression, multi-band compression, stereo width, EQ, blend in some add compression and/or distortion, and glue it all together by balancing the input and output trim. Use the meters to monitor and and adjust your output level to whatever destination (for example, YouTube recommends -14 LUFS)

– High quality effects, trimmed for high-precision audio finalizing
– LUFS and RMS output metering
– Fine tuned algorithms for each effect module Parallel signal in aligned phase
– UI optimized for a quick and creative workflow

Grand Finale v1.0.2 WiN MAC-R2R

DAW LP v1.0.2 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Vinyl Player Simulation, Vinyl Player, Vinyl, Simulation, R2R, Player, MAC, LP, DAW, AU, AAX

DAW LP v1.0.2 WiN MAC

Team R2R| Dec 22 2018 | WiN: 6.4 MB | OSX: 17.7 MB

AU, AAX, VST, VST3, x86, x64

Get the point of a needle, without the needle.

DAW LP is a vinyl player simulation plug-in for Mac & Windows (AU/VST/AAX), and iPad (AUv3). It simulates various artifacts associated with vinyl – all the way from the vinyl record surface, to the output cable of the RIAA amplifier. Tune in anything from an old 78:s player to a modern HiFi sound.

– Set the level of hum, scratches & noise along with the quality of amp, needle & cable. Fine-tune using the in, out & mix level.

DAW LP v1.0.2 WiN MAC-R2R

Baervaag v1.1.0 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, R2R, MAC, FM Synthesizers, FM Synthesizer, Baervaag, AU, AAX

Baervaag v1.1.0 WiN MAC

Team R2R | Dec 22 2018 | WiN: 14.6 MB | OSX: 33.2 MB

AU, AAX, VST, VST3, x86, x64

Get carried away.

Baervaag is a fairly simple FM synthesizer with one carrier and one modulator. The oscillator waveforms can be modified seamlessly between sine wave to pure square wave with PWM (pulse width modulation)

– FM Feedback, Filter, ADSR Attack and Volume can be modulated by velocity
– Oscillators can be shaped between sine, square and PWM
– One ADSR for each oscillator.
– Controllable wobble factor that adds analogue unpredictability.
– 50+ handcrafted presets created by professional musicians

Baervaag v1.1.0 WiN MAC-R2R

Brusfri v1.1.2 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos plugins au for mac aax plugins, x86, x64, VST3, VST, AU, AAX

Brusfri v1.1.2 WiN MAC

Team R2R| Dec 22 2018 | WiN: 8 MB | OSX: 31 MB

AU, AAX, VST, VST3, x86, x64

Floor the noise.

Brusfri is a highly advanced audio noise reducer, packed into a simple and straight-forward interface. It is very well suited for cleaning up noisy audio recordings, while retaining sound quality. Unlike many other noise reducers on the market, Brusfri doesn’t mess with audio phasing to suppress noise (a technique that often comes with audible side effects). Instead, multiple fine-tuned gates are used to silence unwanted noise.

Select and hold LEARN for a second, during input of the unwanted noise, to create a noise profile. Make sure to only feed the reducer with isolated noise when it’s learning what is noise, since it will use it to suppress the noise. Most of the time, using LEARN is all that is needed, but there is also a handful of parameters to fine-tune the reduction.

Brusfri v1.1.2 WiN MAC-R2R

REAMP v1.0.1 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Spectral, Saturation, REAMP, R2R, Modeler, MAC, Gear, Audio Gear, Audio, AU, Analog, AAX

REAMP v1.0.1 WiN MAC

Team R2R | 22 Dec 2018 | WiN: 6.6 MB | OSX: 21.4 MB

AU, AAX, VST, VST3, x86, x64

Audio Gear Modeler

Analog gear simulation with a unique & efficient spectral saturation algorithm. REAMP is a complex spectral saturation processor, simulating a set of different analog gear in a new and unique way. Benefits of this algorithm is that it is highly CPU efficient and adds (almost) no latency. The seven models available are based on real analog gear, individually measured in two dimensions; gain responses (-inf dB to +6 dB) at the frequency spectrum 20Hz to 20kHz. This data is used to transform input audio to output audio. A four-band spectral drive allows you to let the unit work even more. With several models available, REAMP can be used on almost any type of audio in any genre. The character can span from lo-fi to professional high-end gear. One approach can be to put it on a bus, or a whole mix. Another is to put it on several tracks with a more subtle setting, which makes the essence of the simulated gear add up.

– Seven handpicked profiles based on gear we love.
– Spectral drive (four bands)
– Dry / Wet mix
– Plenty of factory presets
– Ultra low latency

REAMP v1.0.1 WiN MAC-R2R

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GotoEQ v1.0.1 WiN MAC

Team R2R | 22 Dec 2018 | WiN: 3.7 MB | OSX: 5.5 MB

AU, AAX, VST, VST3, x86, x64

Premium Equalizer

GotoEQ is a new evolution of a vintage passive tube-based program equalizer, expanding on that classic sound with dynamic EQ bands. GotoEQ performs the classic ‘low-end trick’ with dual Boost and Attenuate controls for its low shelf, but it also offers the ability to perform a ‘high-end trick’, with a similar formulation of high shelving. With continuous frequency selection, you can tune each band as you like. But most importantly of all, GotoEQ’s two mid bands offer dynamic attenuation, bringing a musical approach to the classic EQ unit. Simultaneously boost and cut the low shelf to create that low-mid scoop on bass tracks. De-ess vocals or de-harsh overheads by engaging dynamic attenuation and tuning the high-mid band. Add air to signals with the high shelf filter, and ‘scoop’ the high-mids using a ‘high-end trick’. Get control over the ‘nose’ of bass tracks with dynamic attenuation of the Low Mid and High Mid bands. Subtly EQ a whole mix or bus using light settings and mild compression.

– Low- and High Shelf filters, with detailed modelling of a classic passive EQ unit.
– Two parametric dynamic filters.
– High-pass filter: 20/40/80 Hz.
– Preset library.
– Continuous frequency selection for all four bands.
– Boost and Attenuation for the Low and High shelving bands.
– Gain, Q and Dynamic Attenuation for the two mid bands.
– Finely-tuned compression algorithm makes mid bands react dynamically to the signal.
– Global Input and Output Gain controls (+/-24dB)
– Global bypass and individual band bypass.
– Peak metering for the input or output

GotoEQ v1.0.1 WiN MAC-R2R


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