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F-59 v1.3.0 WiN x64

TEAM V.R | 12 July 2018 | 3.68 MB

(Win64; AAX*, VST3, VST)

Analog Emulation / Guitar Amp and FX Modeling

The F-59 is a recreation of the ’58 – ’60 era classic that set the course for decades of guitar amplification technology. Offering a wide range of tones the plugin tries to stay true to the original vibe while adding some convenient features in the digital domain. The F-59 comprises a faithful emulation of both preamplifier channels, the legendary tone stack network as well as the power amplifier including the revision A presence filter feedback circuit. A cabinet simulation and a linear level control have been added to meet the demands of ITB work flow. The cabinet stage can be bypassed for use with your preferred IR or cabinet emulation suite.

INFO/DEMO/BUY: http://mage.si/3wTQ
F-59 v1.3.0 AAX VST VST3 WiN x64 CE-V.R
http://beelink.in/36584/F-59-v1.3.0-AAX-VST-VST3-WiN-x64-CE-V.R.html

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VCL-373 v1.3.0 WiN

TEAM V.R | 12 July 2018 | 3.37 MB

Vintage Comp/Limiter

(Win32/64; AAX*, VST3, VST)

The VCL-373 is a recreation of an early 60s broadcasting limiter/compressor that eventually found its way into many mastering studios. 1963 marks a technological shift in that the famous diode-bridge based gain reduction stage was replaced by a transistor-based circuit that allowed for less THD and more reliable control voltage tracking. The plugin includes a faithful emulation of the audio transformers, the crucial feedback compression circuitry as well as the discrete class A make-up amplifier. Some convenient features including a continuous drive control, gain compensation, GR metering and a dry/wet mix have been added in the digital domain.

Requirements:
•An Intel Pentium 4 compatible CPU
•1GB RAM
•Mac OS 10.8 or newer (Mac users)
•Windows 7 or newer (PC users)
•A display resolution of 1280×1024 pixels or more
•A VST2, VST3, AAX or AudioUnits compatible host

INFO/DEMO/BUY: http://mage.si/41w6
VCL-373 v1.3.0 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/36802/VCL-373-v1.3.0-WiN-CE-V.R.html

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Bitspeek v1.x.x WiN MAC

TEAM R2R | 2015.05.25 | v1.5.0:WiN+ v1.0.2: MAC: 15 MB

Bitspeek is a real-time pitch-excited linear prediction codec effect. Right now you are probably thinking, “oh, another one of those”? Or perhaps not. Chances are that you have never heard about “linear prediction”, although most of us use it daily when we talk on our cell phones. Linear prediction coding is a voice compression technology that appeared in commercial products in the seventies and was implemented in some well-known speaking toys of the early eighties. We have applied this technology to create a VST / AU effect plug-in that analyzes audio, extracts a number of parameters (including pitch, volume and formant data) and then resynthesizes the audio using a simple oscillator, noise and filter architecture. We have added a number of playback parameters that adjusts the pitch and tonal quality of the sound as well as support for MIDI and a beat-synchronized “formant freezing effect”. Despite having only a few simple controls, this box can produce a broad range of sounds from cheap speaking toys to high-end vocoder and talkbox effects.

INFO/DEMO/BUY: http://mage.si/kp5P
Bitspeek v1.x.x AU VST x86 x64 WiN MAC
http://beelink.in/22014/Bitspeek-v1.x.x-AU-VST-x86-x64-WiN-MAC.html

Clariphonic DSP mkII v1.1.1 AU VST x64 MAC OSX OPENSSH, x64 plugins vst macos plugins au for mac, x64, VST, OPENSSH, MKII, MAC OSX, DSP, Clariphonic, AU

Clariphonic DSP mkII v1.1.1 MAC

OPENSSH | 10.07.2018 | 7.9 MB

AU VST x64

After 3 years of using the original Clariphonic DSP, I’d compiled quite a list of improvements I wanted to make. So I made them all, and the result is the Clariphonic DSP mkII, modeled from the ground up by me using all new algorithms and filters. To my ears, the mkII sounds markedly smoother than the original, and it’s considerably more powerful in use. It has 3 modes: classic Stereo, Dual Mono so I can eq each side differently, or Mid-Side for advanced sweetening. I overhauled the GUI as well, it’s a little easier on the eye and a lot easier to use. Between the smoother sound, the 3 operational modes, and the enhanced interface, I’m more proud of this design than any I’ve done to date, and that’s coming from the guy who recently dropped the Tweaker.


WARNING!!!: Before doing anything, make sure you do a backup of your lib
– Replace original lib at /usr/lib/ with provided lib for your OS

To locate /usr/lib/ got to “Go” menu in Finder, once there click “Go to folder” and type it exactly as it reads.

INFO/DEMO/BUY: http://mage.si/kj9y
Clariphonic DSP mkII v1.1.1 AU VST x64 MAC OSX-OPENSSH
http://beelink.in/22034/Clariphonic-DSP-mkII-v1.1.1-AU-VST-x64-MAC-OSX.html

SLM2 v1.1.0 AAX VST VST3 RTAS x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst plugins rtas aax plugins, x86, x64, WiN, VST3, VST, V.R, Stereo, Smart, SLM2, RTAS, Maximizer, Loudness, Limiter, CE, AAX

SLM2 v1.1.0 WiN

TEAM V.R | 11 July 2018 | 3.78 MB

(Win32/64; AAX*, RTAS, VST3, VST)

SLM2 is a smart stereo loudness maximizer including “analog spice” and 16x over-sampling. The goal of the design was to maximize the loudness of the audio signal while maintaining transparency. The SLM2 DSP analyses every sample of the incoming stereo signal within a defined time frame and calculates the optimal volume increase. This guarantees maximum possible transparency. The overall loudness can be further increased by the following, optional clipper stage. Signal aliasing can be reduced by enabling over-sampling.

Features:
– Highly transparent brick-wall-limiter
– Saturation of input signal
– Fully control of attack and release
– Switchable look ahead
– Additional drive/clip stage
– Stereo link
– Over-sampling, up to 16x
– Easy to use GUI
– Preset manager
– Large and accurate live meters
– Supports all sample rates

SLM2 is used in all limiting situation like track/bus and master limiting.

INFO/DEMO/BUY: http://mage.si/3fjW
SLM2 v1.1.0 AAX VST VST3 RTAS x86 x64 WiN CE-V.R
http://beelink.in/36997/SLM2-v1.1.0-AAX-VST-VST3-RTAS-x86-x64-WiN-CE-V.R.html

Reference 4 Studio Edition v4.1.2.14 AAX RTAS VST x86 x64 WiN V.R, x86 x64 windows plugins vst plugins rtas aax plugins, x86, x64, WiN, VST, V.R, Studio, RTAS, Reference, Edition, AAX

Reference 4 Studio Edition v4.1.2.14 WiN

Team V.R | July 07 2018 | 22 MB

Finally you can work with confidence on the setup you have. Reference 4 removes unwanted coloration from your studio speakers and headphones, so you can trust that you hear your mix accurately. Reference 4 Studio Edition offers the full package of highly powerful software, providing consistent reference sound both in the studio and on the go. Measure your studio with a measurement mic, it takes around 10 minutes. Reference 4 then creates a calibration profile. For headphones select a pre-made profile, and you’re ready to go. Calibration can be run in DAW via plugin for lowest latency or via Systemwide for maximum versatility.

Reference 4 Studio Edition includes:
Speaker measurement software – find out where your monitors need help
DAW plugin – reference sound combined with zero latency for any musical endeavor
Systemwide – apply calibration to all outgoing audio


INFO/DEMO/BUY: http://mage.si/7Zpk
Reference 4 Studio Edition v4.1.2.14 WiN-V.R
http://beelink.in/35499/Reference-4-Studio-Edition-v4.1.2.14-WiN-V.R.html

SEM Filter v1.1.0.389 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, V.R, SEM Filter, SEM, Filter, CE, AAX

SEM-Filter v1.1.0.389 WiN

Team V.R | 07 Jul 2018 | 104.3MB

(Win32/64; AAX, VST3, VST)

Combining simplicity with pure tone-shaping power, SEM-Filter is a futuristic twist on a classic synth filter. Renowned for its pioneering technology in the 70s, we paid tribute not only to its sound but also the SEM’s reputation as a trailblazer. Using the meticulous modelling techniques, and by adding exciting new features, we have created a true modern classic audio filter. No longer confined to a synthesizer, you can now use the era-defining filter tone of Tom Oberheim’s cult synth module on any audio source you wish. Process acoustic instruments in your DAW, shape vocals, perform sweeps on your whole mix, create builds, rises, and drops, even use it to improve a soft-synths stock filter.

Main Features:

  • Virtual recreation of the classic 12dB/oct state variable SEM filter:
    • Mode, cutoff frequency and resonance controls
    • Dry/Wet setting
    • Filter output volume setting
  • Additionnal noise oscillator for feeding the filter with rich spectral content
  • Soft clipping circuit modeling
  • Attack / Hold / Decay envelope
  • Low Frequency oscillator
    • 5 waveforms + Sample and Hold mode
    • Can be synchronized with DAW’s clock
    • Smooth parameter
  • Gate sequencer
    • Program trigs / retrigs for the envelope and LFO to create rythmic content
    • Up to 16 steps
    • Can be synchronized with DAW’s clock
  • Modulation matrix
    • Envelope and LFO as sources
    • 8 destinations for extended sonic possibilities
  • 40 presets from top sound designers
  • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    1GB free hard disk space
    OpenGL 2.0 compatible GPU

INFO/DEMO/BUY: http://mage.si/qKZN
SEM-Filter v1.1.0.389 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35752/SEM-Filter-v1.1.0.389-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

Mini Filter v1.2.0.389 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, V.R, Mini Filter, CE, AAX

Mini-Filter v1.2.0.389 WiN

Team V.R | 07 Jul 2018 | 87.8MB

(Win32/64; AAX, VST3, VST)

Ever wanted to use one of the world’s most famous synth filters in your DAW?

The classic filter from our lovingly recreated Mini V software instrument is now in a dedicated plugin. Now you can add the familiar filter tone to warm or smooth out your audio, or to add sweetness to a sensitive recording. Not only that, but Mini-Filter also includes a powerful modulation section which consists of an envelope follower, an LFO, and a step sequencer. A patch manager is also built-in, along with a set of presets to inspire your creativity. An essential, expressive, and creative tool for any producer or performer.

Main Features

  • Virtual recreation of a 24dB/oct Low Pass Ladder filter:
    • Drive parameter
    • Cutoff Frequency and Emphasis
    • Dry/Wet setting
    • Output volume setting
  • Low Frequency Oscillator
    • Can be synchronized with DAW’s clock
    • 4 waveforms + Sample and Hold mode
    • Phase parameter
    • Can modulate the Cutoff, Emphasis and Cutoff modulation amount of the Sequencer
  • Step Sequencer
    • Can be synchronized with DAW’s clock
    • Up to 8 steps
    • Smooth parameter
    • Can modulate the Cutoff, Emphasis and the LFO rate
  • Envelope follower
    • Sensitivity parameter (vertical sensitivity)
    • Attack and Decay time parameters
    • Can modulate the Cutoff, Emphasis and the LFO rate
  • 30 presets from top sound designers
  • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    – 1GB free hard disk space
    – OpenGL 2.0 compatible GPU

INFO/DEMO/BUY: http://mage.si/aBTH
Mini-Filter v1.2.0.389 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35751/Mini-Filter-v1.2.0.389-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

M12 Filter v1.1.0.389 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, V.R, M12 Filter, M12, Filter, CE, AAX

M12-Filter v1.1.0.389 WiN

Team V.R | July 06 2018 | 86 MB

(Win32/64; AAX, VST3, VST)

If you want a filter with depth, character, and complexity; look no further.

M12-Filter is a full-featured recreation of the multi-mode filter found in Oberheim’s iconic Matrix-12, kitted out with awesome updates that make this plugin one of the most powerful, performable sound-shaping tools around. Combining intuitive, gorgeous-sounding modelled analog filter tone control with programmable modulation envelopes, a detailed mod matrix, and bonus random and mod osc parameters, M12-Filter is set to become your go-to choice for creative frequency control. Create anything from smooth sweeps to rhythmic motion, all the way to full-blown, randomized glitch meltdowns: this plugin can handle it all.

The most advanced, adaptable filter of its era
In 1984, audio and electronics legend Tom Oberheim developed a groundbreaking subtractive, analog polyphonic synthesizer; a brave move when the digital synth revolution was taking the industry by storm. Standing the test of time, his brainchild instrument is now considered a classic, and our emulated version takes pride of place in V Collection. One of the main reasons it turned heads in the 80s was its audacity, the sheer power of its signal routing options, and its multi-mode filter. The original synthesizer’s filter employed a single filter per voice, but provides no fewer than 15 different filter modes. This included Low Pass and three High Pass modes, two Band Pass modes, a Notch filter, and a Phase Shift mode. It also included another 4 modes, combining 1-Pole Low Pass filters with other modes. This unique selection of filter options is largely responsible for the immense power and scope of the fabled Matrix sound.

Main Features

  • Virtual recreation of the Matrix 12 multimode filter
    • 2 instances of the Matrix 12 filter within one plugin instance
    • 15 disctincts filter modes available per filter instance
    • Cutoff frequency, resonance, pan and out volume controls for each instance
    • Master cutoff control for controlling both instances’ cutoff at once
    • 4 audio routing configurations
    • Global dry / Wet and output filter controls
  • Random values genrator
    • Can be synchronized with DAW’s clock
  • 3 advanced multi-segments envelopes
    • 2 modes: loop or triggered by audio
    • Synchronized with DAW’s clock
    • Can be used as LFOs, step sequencer or envelopes
    • Predefined presets
  • Modulation oscillator
    • Audio range modulatotion source for parameters frequency modulation
    • 5 waveforms
  • Modulation matrix
    • Envelope, random generator and mod oscillator as sources
    • 8 assignable destinations slots with 22 reachable parameters
  • 40 presets from top sound designers
  • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    1GB free hard disk space
    OpenGL 2.0 compatible GPU


INFO/DEMO/BUY: http://mage.si/udf2
M12-Filter v1.1.0.389 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35753/M12-Filter-v1.1.0.389-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

1973 Pre v1.1.0.388 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 plugins vst aax plugins, x86, x64, WiN, VST3, VST, Vintage, V.R, Preamps, Preamp, Pre Amps, Pre Amp, Pre, CE, AAX, 70s, 1973 Pre, 1973

1973-Pre v1.1.0.388 WiN

Team V.R | 07 Jul 2018 | 111 MB

(Win32/64; AAX, VST3, VST)

British iconic sound of the 70’s

The subtle nuance and tonal flavor added by a vintage preamp can have an amazing overall effect on the music you create. For years, top producers have coveted the sound of the venerable 1073 preamp. Now – through the power of Arturia’s advanced TAE modelling – you too can have a taste of that harmonically rich, classic tone in your DAW. Devised by visionary electronics engineer and pro audio legend Rupert Neve, the preamp became a staple of the world’s top studios, and added its unique tonal flavor to countless hits. It was a revolution in 1970, pioneering the use of reliable high-efficiency transistors to replace the temperamental vacuum tube technology of the time. The sound of the preamp became an instant hit with record producers, sound engineers, and artists the world over, cementing its place in music history.

Main Features

  • Virtual recreation of famed classic British preamp
    • 60 dB virtual continuous input gain
    • 2 type of output transformers
    • +/- 24 dB Output trim level
  • Complete switchable EQ section
    • Include bypass & phase Inversion switch
  • High Shelf Filter
    • +/- 18dB gain
    • Fixed frequency of 12kHz
  • Midrange Bell Filter
    • +/- 18 dB gain
    • Continuous frequency range from 360Hz to 7.2kHz
  • Low Shelf Filter
    • +/- 18dB gain
    • Continuous frequency range from 35Hz to 220Hz
  • High Pass Filter
    • -18dB/oct. Slope
    • Continuous frequency range from 50Hz to 300Hz
  • 1 & 2 channels plugin versions
  • 3 stereo modes
    • Stereo Link
    • Dual Mono Channels
    • Mid/side (M/S) encoding-decoding for advanced stereo processing
  • Output Analog VU meter
    • 3 calibrations mode (-18dBFs, -12dBS, -8 dBFs)
    • Analog clipping LED indicator
  • Comprehensive set of presets
  • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    1GB free hard disk space
    OpenGL 2.0 compatible GPU


INFO/DEMO/BUY: http://mage.si/uoL4
1973-Pre v1.1.0.388 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35756/1973-Pre-v1.1.0.388-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

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