Creative Filter v3.0.2 VST x86 x64 WiN, x86 x64 windows plugins vst sonalksis vst plugins, x86, x64, WiN, VST, Filter, Creative

Creative Filter v3.0.2 WiN

P2P | 17.08.2018 | 18.5 MB

(Redesigned by Jayn Sadaam)

The Creative Filter is the world’s first ‘Adaptive Resonance’ filter – an entirely new generation of filter that automatically adapts resonance and saturation characteristics according to a psychoacoustic model. It can be used for slow, gentle sweeps; massive screaming distorted sounds, and just about everything in between. Ultimately though, the Creative Filter is simply about creativity. The Creative Filter is designed to be flexible enough to fulfil your needs whenever you reach for a filter, but without forcing you through a complex interface, or requiring time spent calibrating fine detail. It adaptively calibrates itself for you. So whether you want a filter to correct a sound, to make a sonic statement, or to create something completely new, you can achieve what you want directly and with minimal effort.

Creative Filter v3.0.2 VST x86 x64 WiN, x86 x64 windows plugins vst sonalksis vst plugins, x86, x64, WiN, VST, Filter, Creative

Features;
Standard filters require the alteration of resonance with frequency to maintain stable sonic attributes, particularly when resonance or saturation levels are elevated. This can make setup complex, adjustments difficult, and makes obtaining a perfect filter sweep very demanding. However the Creative Filter’s ‘adaptive resonance’ system uses a psychoacoustic model to ensure a faultless sound regardless of filter style, distortion levels, frequency settings or sweep motions. Adaptive Resonance is the technology in the Sonalksis Creative Filter that controls the interaction between frequency, resonance and circuit saturation with respect to this psychoacoustic model, in order to give an improved sonic aesthetic in any circumstances.

Specifications:
– Adaptive Resonance Technology with adaptive saturation algorithm
– Four available ‘modes’ of adaptive resonance
– Midi version available
– Multi-mode filter response types
– High quality, analogue-modelled minimum phase filters
– 64bit floating point precision internal processing throughout
– Ultra efficient processing, with specific optimisations for native processors
– Zero latency throughput – absolutely no internal signal delay whatsoever

+2 New skins

INFO/DEMO/BUY: http://mage.si/SOOT
Creative Filter v3.0.2 VST x86 x64 WiN
http://beelink.in/37287/Creative-Filter-v3.0.2-VST-x86-x64-WiN.html

Presswerk v1.1.2.7669 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst u he aax plugins, x86, x64, WiN, VST3, VST, V.R, Presswerk, CE, AAX

Presswerk v1.1.2 WiN

TEAM V.R | 16.08.2018 | 35.10 MB

AAX* VST2 VST3 x86 x64

Dynamics Processor

Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn’t emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.

Features:
Presswerk has all the features you expect in a compressor…
– Sidechaining: use ducking to create more space in your mixes, or get creative with keying and pumping effects.
– NOTE: For help on how to get Presswerk sidechained in your DAW, please read these instructions compiled by our KVR forum members.
– Adjustable compression curve and envelope. Find the best settings, get the most out of your audio using the soft knee, compression ratio, attack and release and other controls.
– Loud. Oh yes, Presswerk is more than capable of making your tracks louder!
– Soft clip. Roll off those harsh peaks and avoid distortion when output levels get too high.
…plus what we added to enhance Presswerk’s capabilities:
– 6 special views for better workflow: Drum Compressor, Vocal Compressor, M/S Program Compressor, Easy Compressor, Bus Compressor, Limiter
– M/S mode. More detailed stereo signal processing
– DPR: Presswerk’s Dual Phase Rotator option applies a radio broadcaster’s trick to reduce unwanted asymmetries in the signal. It smears phases, increases headroom a little and adds bass ‘oomph’.
– Saturation. This is where Presswerk really shines – adding colour and character to your audio. Apply Saturation sparingly for subtle warmth and transient-taming, or crank it up to create tape overdrive-like effects.
– Internal parallel compression. The Mix controls let you blend the compressed and uncompressed signals. This helps preserve some of the original, natural dynamics.
– Variable detection topologies. With Presswerk you can select one of three detection modes FF (feed-forward), FB (feed-back) or INT (interactive):
– Feed-forward is modern and ‘surgical’, it tracks the input very precisely.
– Feed-back is ‘musical’, loose-sounding and forgiving – like classic hardware.
– Interactive continuously analyzes the signal and blends FF and FB accordingly.
– adjust and store global preferences
– new MIDI learn controls

INFO/DEMO/BUY: http://mage.si/K32s
Presswerk v1.1.2.7669 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/37281/Presswerk-v1.1.2.7669-WiN-CE-V.R.html

ColourCopy v1.0.0.7675 AAX VST VST3 x86 x64 WiN CE VR, x86 x64 windows vst3 plugins plugins vst u he aax plugins, x86, x64 WiN, VST3, VST, VR, Delay Plugin, Delay, ColourCopy, CE, AAX

ColourCopy v1.0.0.7675 WiN

TEAM V.R | 16 August 2018 | 18 MB

Colour Copy: a bucketful of delay

(Win32/64; AAX*, VST3, VST)

A virtual analog effect inspired by classic bucket-brigade delays (bbd), but extended with modern features. We called our new baby “Colour Copy” because it can deliver the kind of colouration people still love in classic bbd units, but with a wider variety of colours. Colour Copy started life as the little delay unit called “Lyrebird” we built into Repro-1, but the sound was too good not to be developed further and become an fx plug-in.

INFO/DEMO/BUY: http://mage.si/xfjd
ColourCopy v1.0.0.7675 AAX VST VST3 x86 x64 WiN CE-VR
http://beelink.in/37280/ColourCopy-v1.0.0.7675-WiN-CE-VR.html

Grind Machine II v1.2 WiN v1.3 MAC RETAiL SYNTHiC4TE, x86 x64 windows vst3 plugins plugins vst macos plugins au for mac aax plugins, WiN, SYNTHiC4TE, RETAIL, Machine, MAC, Grind

Grind Machine II v1.x WiN MAC RETAiL

SYNTHiC4TE | August 16 2018 | WiN: 22 MB | MAC: 19 MB

Grind Machine II is the reincarnation of our legendary metal tone monster “Grind Machine”! Reconstructed from the ground up, Grind Machine II delivers a streamlined workflow and improved realism! Our proprietary IMPACT engine emulates the microdynamic movements of real speakers, adding a sense of realism not commonly found in amp modelers. The included assortment of brutal amps can be paired with the included cabinet collection, allowing you to hone your perfect tone quickly!

Grind Machine II v1.2 WiN v1.3 MAC RETAiL SYNTHiC4TE, x86 x64 windows vst3 plugins plugins vst macos plugins au for mac aax plugins, WiN, SYNTHiC4TE, RETAIL, Machine, MAC, Grind

Layout
– Grind Machine II’s streamlined GUI places all controls at your fingertips in one screen. This keeps you focused on dialing in the right tone, and helps you avoid getting lost in a sea of options. The intuitive layout mimics the familiar workflow of most guitar amps, making Grind Machine II easy to use right out of the box.

Input Section
The input section features a noise gate and preamp bypass section.
– The included Gate has a default threshold of -150dbfs, but can reach as high as 0dbfs to suit all your creative gating needs.
– The PRE switch bypasses the preamp section, allowing use of Grind Machine II’s Cab section. This allows you to use Grind Machine as an IR loader, allowing you to take advantage of our proprietary Impact Engine with any amp sim you wish to use!
– The TIGHT switch turns on a booster circuit, tightening the low end and smoothing the high gain.

Preamps
Grind Machine II provides a wide variety of high gain amp flavors!
– 90210 emulates the legendary american high gain of choice.
– Acutronix is an original designed clean preamp tone which compresses naturally at higher gain settings while still retaining a clean tone.
– Ak-45 is an original design high gain preamp tone that can drive you down the Rocky Mountain Way straight to the Highway To Hell!
– Bassmaster is based on a legendary bass amp adopted by guitarists in the 60’s. This same amp inspired Jim Marshall’s JTM45 amp.
– BRT 880 is based on an amp that can be considered nothing short of Rock Royalty.
– Butterton is an original design high gain preamp that delivers a buttery midrange that’s perfect for filling out a mix!
– Demoniac emulates the great german high octane amp.
– Lil Monster is the byproduct of an alchemist and a mad scientist competing in a battle to the death.
– Mod 37 is based on rock royalty with the coveted #34 mod
– PVGL Fire is an inspired hybrid of German and American high gain legends!
– Raptor is based on the single tube amp that reformed our expectations of what rock guitar should be!
– The Knife is an original design high gain preamp with a tone that can cut like a knife…or a machete!
– The Sonic is inspired by a popular German amplifier known for its high headroom that keeps the mud away!
– Triceratop is based on the triple pronged monster from the same line as the Raptor.
– UV35 is based on another German legend popular for its face melting tones!

Cabinets
Grind Machine II comes loaded with 15 custom cabinet IR’s in its expandable IR section!
– Choose between cabs freely
– Add your own cabs to the IR folder
– Cabs loaded into Grind Machine II can benefit from our proprietary Impact control, which emulates the microdynamic response of a speaker!
– “Impact” controls the amount of speaker movement being emulated. Zero provides no movement modeling, while 100% emulates the dynamic movement of an extremely loud speaker.
– Cab switch bypasses the cab loader and Impact section completely, allowing you to use any IR loader you wish with Grind Machine II’s preamps!

Preamp Controls
Grind Machine II’s on board controls provide a familiar workflow for effortless use.
– Controls for Gain, Bass, Mid, Treble, Presence, and Master Output
– Each parameter can be automated, allowing for customization and flexibility!

Changelog:
– This product fixed not found errors on OS X
– Gate Hard on/off error fixed
– Brighter GFX

No changes to the WiN version that is still at 1.2


INFO/DEMO/BUY: http://mage.si/JUZY
Grind Machine II v1.x WiN MAC RETAiL-SYNTHiC4TE
http://beelink.in/35817/Grind-Machine-II-v1.x-WiN-MAC-RETAiL.html

GrainSpace v2.0 VST AAX x86 x64 WiN V.R, x86 x64 windows plugins vst aax plugins, x86, x64, WiN, VST, V.R, Smear, Reverb, Processor, Granular, GrainSpace, Grain, AAX

GrainSpace v2.0 WiN

Team V.R | 14 August 2018 | 19.94 MB

PLATFORM : WiN32/64 – VST/AAX(MODiFiED)

GrainSpace is a granular processor focused on real-time granularization and reverberation of the incoming audio signal. GrainSpace provides dynamic grain generation (up to 32 per channel), 7 grain parameters, 3 grain modulators (including an 11 waveforms LFO), smearing and reverb to create crazy sound effects, rich textures and much more.

SPECIFICATIONS
– Real-Time Granular Engine
– Recording Buffer of 2 seconds
– Playback modes: Stereo, Mono (L+R), Side
– Up to 32 grains per channel
– Grain Size up to 500ms
– 7 Grain Parameters (Size, Distance, Pitch, Feedback, Freeze, Position and Stretch)
– 3 Grain Modulators (LFO, Random Size, Random Pitch)
– Tempo sync’d LFO with 11 waveforms
– Smearing
– Reverb

v2.0 (August 2018)
– NEW: Reworked graphic interface
– NEW: Grain Filters
– NEW: HQ interpolation (switch on toolbar)
– NEW: More modulations
– NEW: Chord Resonator
– NEW: Resizable GUI

 

INFO/DEMO/BUY: http://mage.si/4Qom
GrainSpace v2.0 VST AAX x86 x64 WiN-V.R
http://beelink.in/34318/GrainSpace-v2.0-VST-AAX-x86-x64-WiN-V.R.html

mixIR2 v1.1.185 AU VST RTAS x86 x64 WiN MAC ASSiGN, x86 x64 windows plugins vst plugins rtas macos plugins au for mac, x86, x64, WiN, VST, RTAS, mixIR2, MAC, AU, ASSiGN

mixIR2 v1.1.185 WiN MAC

TEAM ASSiGN | 1 January 2014 | WiN: 11.12 MB | MAC: 21.8 MB

The mixIR2 allows you to mix multiple IRs with minimal fuss and no loss of performance as you stack IRs. Now you have the power to sculpt your guitar sound like never before. Mix mics, cabinets, reverb, EQ curves, and more with ease at levels of performance unrivaled by any other convolution plug-in.

Features at a Glance:

  • Efficient, no-nonsense, drag-and-drop IR browser
  • Zero latency, so it adds no delay to the signal
  • Run one IR or 30 with the same unmatched performance
  • Efficient, optimized convolution engine with low CPU usage let’s you run more plug-ins.
  • Powerful internal routing allows you to mix IRs without messing with busses and sends
  • Mix IRs in stereo with pan controls
  • Upload, download, share and rate presets on redwirez.com
  • 32-bit and 64-bit Windows VST
  • 32-bit and 64-bit OSX VST and AU
  • RTAS for Pro Tools 9, 10 Windows/OSX
  • AAX Native 64-bit for Pro Tools 11
  • No authorization, activation or licensing scheme to get in the way
  • Neve 1073 EQ impulse responses included
  • Buy it solo, or get it free with the purchase of the complete BIGBox library.

 

INFO/DEMO/BUY: http://mage.si/6R83
mixIR2 v1.1.185 AU VST RTAS x86 x64 WiN MAC-ASSiGN
http://beelink.in/37239/mixIR2-v1.1.185-WiN-MAC-ASSiGN.html

iZ Trash 2 v2.05d AU VST VST3 RTAS 32Bit 64Bit PROPER macOS, x86 x64 vst3 plugins plugins vst plugins rtas macos plugins au for mac, x86, x64, VST3, VST, Trash, RTAS, macOS, MAC, Distortion Plugin, Distortion, Cashmere, AU, 64Bit, 32Bit

Trash 2 v2.05d macOS

CASHMERE | 8 August 2018 | 155 MB

AU VST VST3 RTAS 32Bit 64Bit

Distort. Mangle. Transform.

Take mangling your audio to the next level. Combine the power of multi-band, dual-stage distortions and advanced post-filtering for immediate sonic transformation. Give your low end some thump, get a warm crunch on the midrange, and let your high end soar. Trash any track: not just guitars and basses, but drums, synths, pads, vocals, brass, woodwinds, and more.

iZ Trash 2 v2.05d AU VST VST3 RTAS 32Bit 64Bit PROPER macOS, x86 x64 vst3 plugins plugins vst plugins rtas macos plugins au for mac, x86, x64, VST3, VST, Trash, RTAS, macOS, MAC, Distortion Plugin, Distortion, Cashmere, AU, 64Bit, 32Bit

Key Features
Distort in ways you never dreamed with the Trash module’s 60+ distortion algorithms, perfect for transforming your sound into something never before heard. Design your own unique distortions, from massive to mild and everything in between, with a new, customizable, multiband Waveshaper. Let your tracks inhabit any space or object with the new Convolve module. Choose from over 100 impulse responses or load your own to put your bass in a washing machine or your keys in a cave. Find a new voice: make your audio speak and growl with two redesigned Filter modules, each one featuring new vowel formant filters, screaming peaks, node modulations, and more. Start trashing your audio immediately with an extensive new preset library and an ear-friendly Limiter that ensures you can play without fear.

Trash and burn
Not all distortions are created equal. Trash 2 combines the power of multi-band, dual-stage distortions and advanced post-filtering for immediate sonic transformation. Give your low end some thump, get a warm crunch on the midrange, and let your high end soar—all without the over-hyped side effects (unless, of course, that’s what you want). Trash any track: not just guitars and basses, but drums, synths, pads, vocals, brass, woodwinds, and more. A distortion engine like no other, this is Trash 2.

Shape shifter
Invent a distortion that the world has never heard. Design your own distortion algorithms with Trash 2’s new customizable Waveshaper. If the physics of waveshaping have your brain in a knot—not to worry. With Trash 2 it’s easy: simply draw in, tweak, and create infinite distortions. Don’t know where to start? Load one of Trash 2’s 60+ distortion algorithms and adjust at will. Trash has shaped everything from major music releases to film and game sound effects over the past decade. Your audio is next.

Follow your impulses
The power to morph sound from one object to another is yours with the new Convolve module. Melt your synth bass into a metal bowl, push your electric piano into a vintage cabinet, or play your guitar tone through a human voice box. Convolve includes over 100 impulse responses—a collection of amps, objects, animal sounds and mouth shapes that are ready and waiting to transform your sound. Or, concoct a unique convolution and load any .wav or .aiff file into Trash 2. Impress the sonic characteristics of your wildest imagination onto any track or instrument. A single mouse click is all you need.

Beyond distortion
Explore new sonic dimensions with the Filter, Delay and Dynamics modules. Breathe life and movement into your audio using the dual Filters, each with 20+ evocative filter types to shape your tone. Modulate, invigorate and apply exotic filter sounds, then control and manipulate each node with LFOs, envelopes and side-chaining. A filter bank unlike any other, you’re free to custom-design your ultimate filter styles and reach the bleeding edge of sound design. Polish it all off with Trash 2’s rich, organic Delay options and a new analog-modeled compressor worth turning up to 11. Throughout the wild ride, the ear-friendly Limiter keeps you and your speakers safe.

INFO/DEMO/BUY: http://mage.si/LjQG
iZ Trash 2 v2.05d AU VST VST3 RTAS 32Bit 64Bit PROPER macOS
http://beelink.in/32016/Trash-2-v2.05d-AU-VST-VST3-RTAS-32Bit-64Bit-macOS.html

TrackSpacer v2.5.2 AU VST VST3 RTAS AAX MAC OFFSET, x86 x64 vst3 plugins plugins vst plugins rtas macos plugins au for mac aax plugins, VST3, VST, TrackSpacer, RTAS, OFFSET, MAC, AU, AAX

TrackSpacer v2.5.2 MAC

TEAM OFFSET | 07.08.2018 | 218 MB

AU/VST/VST3/RTAS/AAX 32/64Bit

“The fight for frequencies is over” TrackSpacer is a 32-band EQ that analyses a track via an external sidechain and then applies the opposing frequency curve to the track you place the plug-in on in real time. As implied by name, TrackSpacer cleverly creates space or room in a mix for any instrument, voice, or other audio source by performing automatic, multi-band equalisation on a per track basis. But how, exactly, does it do that, then? Quite simply, it analyses the audio frequency content in a track/bus via Sidechain, and applies an intelligent 32-band EQ to subtract those frequencies from the channel/bus where TrackSpacer is inserted — giving room or space to a specific track by reducing its frequencies on another track in realtime, in other words! It is not a multiband compressor, it is not a dynamic EQ, it’s a completely new approach.

In the mix:
TrackSpacer is versatile and can be used in many different situations. For example, a very basic use is to duck on the bass the frequencies that the kick drum is using. Simply insert TrackSpacer in the bass track and have it listen to the kick track via sidechain, adjust the filters and set the ratio knob. Decide if you want TrackSpacer to subtract frequencies in the entire stereo, or only in the mid channel. Another use is for post production, when a voiceover has to speak on the top of a background music. Set the plugin so it reduces the frequencies that the voice uses to the background music. There are many more uses like “acoustic guitar – electric guitars”, “snare drum – overheads”, “snare – synths”.

System Requirements:
– WiN ALL / Mac (OSX 10.4 or later).
– VST, VST3, AU, RTAS, AAX. Both 32 and 64 bit.
– DAW with sidechain functionality.

# Version 2.5.2 – 29 / 05 / 2018
– Fixed: attack and release ballistics matched with the ones in version 2.0.
– Fixed: license folder is created if it’s not found in the system. This fixes the authorisation issues that were sometimes present on macOS.


INFO/DEMO/BUY: http://mage.si/zq2s
TrackSpacer v2.5.2 AU VST VST3 RTAS AAX MAC
http://beelink.in/33102/TrackSpacer-v2.5.2-AU-VST-VST3-RTAS-AAX-MAC.html

SLM2 v1.3.1 AAX VST VST3 RTAS x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst plugins rtas aax plugins, x86, x64, WiN, VST3, VST, V.R, Stereo, Smart, SLM2, RTAS, Maximizer, Loudness, Limiter, CE, AAX

SLM2 v1.3.1 WiN

TEAM V.R | 06 Aug 2018 | 3.8 MB

(Win32/64; AAX*, RTAS, VST3, VST)

SLM2 is a smart stereo loudness maximizer including “analog spice” and 16x over-sampling. The goal of the design was to maximize the loudness of the audio signal while maintaining transparency. The SLM2 DSP analyses every sample of the incoming stereo signal within a defined time frame and calculates the optimal volume increase. This guarantees maximum possible transparency. The overall loudness can be further increased by the following, optional clipper stage. Signal aliasing can be reduced by enabling over-sampling.

Features:
– Highly transparent brick-wall-limiter
– Saturation of input signal
– Fully control of attack and release
– Switchable look ahead
– Additional drive/clip stage
– Stereo link
– Over-sampling, up to 16x
– Easy to use GUI
– Preset manager
– Large and accurate live meters
– Supports all sample rates

SLM2 is used in all limiting situation like track/bus and master limiting.

Changelog 1.3.1:
– Clipper: bug fixed

INFO/DEMO/BUY: http://mage.si/3fjW
SLM2 v1.3.1 AAX VST VST3 RTAS x86 x64 WiN CE-V.R
http://beelink.in/36997/SLM2-v1.3.1-AAX-VST-VST3-RTAS-x86-x64-WiN.html

Mobius Filter v1.00a AAX AU RTAS VST2 VST3 macOS CASHMERE, x86 x64 vst3 plugins plugins vst plugins rtas plugins au for mac aax plugins, VST3, VST2, RTAS, OSX, Mobius, macOS, MAC OSX, MAC, Filter, Cashmere, AU, AAX

Mobius Filter v1.00a MAC

CASHMERE | 05.08.2018 | 122 MB

AAX AU RTAS VST2 VST3

Perpetual Motion Machine

Add movement and emotion to your music with Mobius Filter’s infinitely ascending or descending filter sweeps. Find the sweet spot for your track quickly and fluidly, to push to extreme heights or add subtle hints of motion. Create fresh filter effects for any genre—massive filter swells, psychedelic alternatives to flange effects, or fresh inspiration for adventurous soundscapes. Based on the auditory illusion of the Shepard tone, Mobius Filter creates perpetually rising or falling effects while maintaining full-frequency bandwidth. Add it to any source audio to instantly create fresh energy for your tracks.

Drag it around: Draw your own expressive sweeps with the X/Y pad, making fluid adjustments to both Center Frequency and Resonance using a single control.
Get in sync: Get a rapid, pulsing effect or slower motion by adjusting the Host Tempo Sync to anything from eighth notes to eight bars.
Immerse yourself: Create an immersive environment with the Stereo slider, which widens the stereo field in an amount of your choosing.
Put it on hold: Create a static filter effect by pausing the filter motion with the Pause function. Or, pause when it feels right and then automate to create custom sweeps.

INFO/DEMO/BUY: http://mage.si/Tt1z
Mobius Filter v1.00a AAX AU RTAS VST2 VST3 macOS-CASHMERE
http://beelink.in/26449/Mobius-Filter-v1.00a-macOS.html

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