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HY-Slicer v1.2.12 WiN MAC

Team R2R | 10 Mar 2019 | WiN: 7.6 MB | OSX: 18.3 MB

PLATFORM : WiN32/64 – VST/VST3 | MacOSX – AU/VST/VST3

Sample slicer + Step sequencer + FX Chain

You can slice loaded sample into max 32 and those slice will be triggered by internal step sequencer. You can set slice index, on/off, division, playhead shape, reverse on/off, pitch, trigger prob, attack, gate and level per step.

Main Features:
– Sample Slicer
– Step sequencer for triggering sliced sample
– File browser
– Groove Editor
– Re-orderable FX Chain
– Pattern chainer
– Re-scalable plugin window
– Randomizer
– Preset manager

INFO/DEMO/BUY: http://mage.si/bfA2
HY-Slicer v1.2.12 AU VSTi VST3 x86 x64 WiN MAC-R2R
http://beelink.in/37054/HY-Slicer-v1.2.12-WiN-MAC-R2R.html

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HY-MPS2 v1.1.23 WiN MAC

Team R2R | 10 Mar 2019 | WiN: 8.3 MB | OSX: 13.3 MB

PLATFORM : WiN32/64 – VSTi/VST3 | MacOSX – AU/VSTi/VST3

Version 2 of HY-MPS, block base sequencer.

There are both free/commercial versions:
– Full: 8 sequencer blocks + 4 modulation units(5 modulation engines).
– Free: 3 sequencer blocks.

Main features:
– 8 sequencer blocks.
– 4 modulation units.
– 5 modulation engines.
– Re-scalable plugin window.
– Randomizer.
– Preset manager.
– wide window mode.

Changes of version2:
– Aux control is replaced to timing shift control
– Added step “Slur”
– Added clock multiplier to each seq block
– Added custom scale mode
– Step size of Block chainer 16 > 64
– Now block chainer can trigger snapshot of seq block
– Modulation units 2 > 4
– Added 4 new modulation engines(Prob LFO, Step LFO, Multipoint Env, Sample&Hold)
– Negative Swing depth
– Improved plugin gui

INFO/DEMO/BUY: http://mage.si/7Rq7
HY-MPS2 v1.1.67 AAX AU VSTi VST3 x86 x64 WiN MAC-R2R
http://beelink.in/37475/HY-MPS2-v1.1.67-WiN-MAC-R2R.html

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CFX Concert Grand v1.0.1.0 WiN MAC

P2P | 09.03.2019 | 13.9 GB

AU, AAX, VSTi, RTAS, x86, x64

Passion Reflected in Every Detail

We placed the awe-inspiring Yamaha CFX Concert Grand Piano in Abbey Road Studio One, where award-winning engineers used the world’s greatest microphones and equipment to create a stunning virtual instrument library. A truly remarkable virtual piano: The Garritan Abbey Road Studios CFX Concert Grand places the user on the bench before the Yamaha CFX, an incredible concert grand piano characterized by a wide palette of tonal colors and the ability to create the most subtle, expressive nuances. This beautiful instrument is matched with the stunning acoustics of Abbey Road Studios’ legendary Studio One and the finest collection of microphones in the world. All facets of this project – the instrument, the room, the mics, and the recording expertise – work together to create the finest sampled piano ever captured. Experience the passion reflected in every detail.

The Yamaha CFX Concert Grand Piano
The CFX piano marks a significant milestone in Yamaha’s celebrated 108-year history as an acclaimed world-class piano maker. In 1991, Yamaha began its most ambitious piano project ever: to create a new generation of grand piano for concert, conservatoire and studio performance.

The result was the CFX Concert Grand Piano, a revolutionary new instrument that embodies the concept of beauty and power. The rich palette of tonal colors and musical voices the piano can produce characterizes its beauty. The power comes from the CFX’s unprecedented tonal projection. The development and evaluation phase of this remarkable instrument took almost 20 years. During this time, a 40-strong team of the world’s most talented piano designers, technicians, craftsmen and, of course, pianists deconstructed the concert grand and began rebuilding it from the ground up. Every aspect of traditional piano design was questioned, evaluated, improved and relentlessly tested. Once the design was nearing completion, multiple prototypes endured thousands of hours of secret testing at concert halls across the globe.

Each CFX is entirely hand-built by a small team comprising some of the world’s most experienced and skilled craftsmen. All materials are meticulously selected and refined to ensure unprecedented music performance in the most demanding of situations. It offers outstanding expressiveness for a truly musical performance. With enough tonal presence to be heard over the sound of a full symphony orchestra in the largest of concert halls, the CFX is truly one of the greatest pianos ever created.

Abbey Road Studios
Abbey Road Studios is the most famous recording studios in the world and a global music icon. Home to countless landmark recordings and pioneering advances in recording technology, the legendary studio complex has a phenomenal history spanning over 80 years, encompassing celebrated work by many of the world’s most famous recording artists including The Beatles, Pink Floyd, Kanye West, Elton John, Oasis, Elbow, Lady Gaga and Adele. Composers and musicians from around the world turn to Abbey Road Studios when they desire the very best.

Studio One
Abbey Road Studios’ Studio One is one of the largest and most beautiful sounding orchestral studios in the world. The space can easily accommodate a 110 piece orchestra and 100 piece choir simultaneously. Studio One’s acoustics are as famous as its location, offering a supremely warm and clear sound with a reverb time of 2.3 seconds. This makes it perfect for numerous types of recording, from solo piano to large orchestras.

Studio One is Abbey Road’s largest recording space and has enjoyed a remarkable history. Architects Wallis Gilbert and Partners decorated the original walls of Studio One in their distinctive art-deco style, which gave the room a darker sound than its current, superior-sounding incarnation. In 1931 the impressive room hosted Abbey Road’s inaugural recording session with Sir Edward Elgar, and has since hosted historic sessions by the London Symphony Orchestra and luminaries ranging from Yehudi Menuhin, Pablo Casales, Bela Bartok and Jascha Heifetz to Glenn Miller and Fats Waller. In 1967, Studio One played host to The Beatles’ famous performance of ‘All You Need Is Love,’ which was captured as part of the first ever live, international satellite TV broadcast.

When Studio One opened, it was used primarily by EMI’s prestigious His Master’s Voice (HMV) label and it continues to host classical recordings to this day. It is also one of the world’s premiere locations for movie scoring: the long list of blockbuster scores recorded in Studio One includes Raiders of the Lost Ark, Star Wars, the Lord of The Rings Trilogy and Gravity.

Engineering
The sound of the Garritan Abbey Road Studios CFX piano was captured by a team of highly experienced Abbey Road recording engineers, each contributing decades of knowledge in recording pianos for a variety of applications. Microphone set-ups, also referred to as perspectives, have a huge effect on the overall sound of the recorded instrument. Each set of perspectives speaks specifically to various musical settings. The set–ups are a hybrid of classic techniques handed down from generation to generation of balance engineers within Abbey Road Studios since the 1930s, mixed with more contemporary and experiential arrays that perfectly complement each other. These set-ups have been and are continually used by the finest recording artists in the world and have been presented here for use as a sampled instrument for the first time ever.

Microphone Perspectives
To expand your creative possibilities, Abbey Road Studios’ engineers created three discrete microphone perspectives: Classic, Contemporary, and Player.

Classic
The Classic perspective most faithfully captures the natural tonal character, clarity and nuance of the instrument.

Close – 2 x Neumann M49 and 2 x Neumann KM184 Microphones: As every piano, recording venue, repertoire and pianist are different, the M49 and KM184 are used to capture a close detailed sound, which is especially good for chamber music.

Mid Field/Wide – 2 x DPA 4006 Microphones: The DPA 4006’s placed at each end of the piano create a wider and more spacious sound picture.

Main – 2 x Neumann TLM50 Microphones: The Neumann TLM50 are placed 2m away from the instrument and at 2.6m in height. This captures the overall complex frequency response and dynamic range of a grand piano.

Contemporary
The Contemporary perspective creates a piano sound that is bright and hard with lots of attack from the hammers, but also maintains the piano’s warmth with intimate ambience.

Close – AKG C12 & D19 Microphones: The AKG C12 is a bright sounding valve microphone with bite and some nice valve warmth.The mono D19 placed in the centre over the hammers was run via a classic REDD.47 valve microphone preamp, adding central focus and ‘poke’ to the close sound of this set up.

Ambience – Schoeps MK 2H Microphones: For the Ambience microphones Schoeps MK 2H are used in a close position. They are able to bring the sound of the room to the mix, without losing too much of the definition of the piano’s initial attack.

Player
The Player perspective offers the experience of playing the CFX, from the piano bench, in Studio One, particularly when reproduced over high quality headphones.

Close – 2 x Neumann KM84 Microphones: This is a straight forward stereo pair placed closely and directly over the hammers. It provides an immediate sound of the piano with little coloration from the room.

Player – Neumann KU100 Dummy Head: The Binaural KU100 Dummy Head was placed directly behind the musicians head. This provides an intimacy to the instrument mixed with the unmistakable sense of playing the instrument in the acoustics of Studio One.

Presets
Garritan has worked closely with Abbey Road Studios to develop presets that are both functionally useful and inspiring to play. Research included artists and genres as well as notable recordings, cinematic settings and live performance examples to make the CFX as flexible and versatile a musical instrument as possible.

Classic
– Default – This is the default preset for the Classic microphone perspective of the CFX.
– Classic Rock – The M49s and KM184s combine with some EQ and a custom velocity curve to make a “Close” solid rock piano sound with depth for the classic perspective.
– Dark Cinema – This preset is designed to emphasize a darker tonal pallet. This has been paired with the “Dark Pad” convolution preset to add a moody and ethereal flavour to the piano.
– Dull Resonance – This highly resonant sound is muted with a closed lid position. Minimal dynamic range and a custom velocity curve give this muted sound some sudden timbre changes.
– Glimmer – The piano has been set to have a sharp cutoff when a note is released. This has been combined with “Vintage Algo” convolution reverb to create a glimmering after effect in the reverb.
– Goldberg1981– A famous recording of Bach’s Goldberg Variations was used as a reference. There is a clear and direct mic position mixed with a more distant and quiet ambient response. Paul’s Perfect Piano – Both sustain and sympathetic resonance are boosted in this very ambient preset.
– Solo Piano 1 – A slight emphasis on the Close Mic make this an ideal setting moody classical pieces.
– Solo Piano 2 – Both close and ambient channels are set with short releases give a different shade of the CFX classic tone.
– Solo Piano 3 – This is a classic sound with the soft pedal engaged and a slight emphasis on the Ambient Mics.
– Vintage Evans – Smooth, balanced and classic vintage jazz piano.

Contemporary
– Default – This is the default preset for the Contemporary microphone perspective of the CFX.
– BBBBennie – This lively preset puts you on stage for a 70’s style pop hit.
– Big and BOLD – Saturation and ambient bass are pushed to limit in this bombastic sound.
– Bright Poke – The D19 and C12 microphones in the close channel with some eq boost create a hot saturated pop sound good for comping and stabs.
– Brighton Rock – Set up to bright and taught, this preset has a light touch and is EQ’d to cut through the mix.
– Chicken Wire – An alternate tuning, a slightly lighter touch and a closed lid give the piano a raw, moody flavor.
– Dark and Distant – This spooky preset is darkened with EQ and given extra space for a lingering suspenseful haunting sound.
– Mirek’s Rock Sound – Saturation and lower dynamic range with an easy velocity curve puts this piano right in your face.
– Newman Beauty – A melodic and ambient preset that is useful for a cinematic sound.
– Paul’s Pokey Piano – This whimsical preset cuts the bass and decreases stereo width while placed in a jazz club ambience. Great for that in the other room sound.
– Soft and moody – A warm atmosphere is created with the D19/C12 combination. Hi EQ is pulled back and a custom velocity curve restricts play to the quietest samples.

Player
– Default – This is the default preset for the Player microphone perspective of the CFX.
– Big Head Space – The KU100 dummy head is soloed here with cuts in mid and low EQ. A light sound is created that echoes through a deep reflective reverb.
– Soft Player – This is KU100 with the soft pedal engaged for a soft and delicate touch and some “Deep Space” optional reverb loaded.
– Mad Hatter – A very dynamic and spritely feel that is great for various jazz and dance styles.
– CutnRun – Release Decay and Release Volume are set to 0, Release Crossfade is set to 3 and EQ’s are sculpted to give the piano a tight and lively flavor.
– Edward’s Reflection – Only the KU100 is engaged to capture the most natural ambience of Studio One from the bench of the CFX.
– Jamamatsu – Highs, Lows and Mids are sculpted with an adjustment to the velocity curve to give the piano a warm and open characteristic.
– Lately – The piano is set up to have a warm tone for chords and a shine for stronger lines.
– Village Grinder – An emphasis on the KM84 over the KU100 with a “half-stick” combined with some saturation and convolution reverb give this preset the flavor of a “working” piano in a Manhattan jazz club.
– Wendyhouse – Featuring a dramatic Scala tuning, this preset has an erie effect perfect for texture and mood.

INFO/DEMO/BUY: http://mage.si/Ku8Z
CFX Concert Grand v1.0.1.0 AU AAX VSTi RTAS WiN MAC RETAiL
http://beelink.in/39025/CFX-Concert-Grand-v1.0.1.0-WiN-MAC-RETAiL.html

Magesy

Komplete Kontrol v2.1.1 MAC

iND | 08 March 2019 | 404 MB

STANDALONE/AU/VST/64Bit

KOMPLETE KONTROL opens up the full potential of KOMPLETE. Feel the world’s most advanced software instruments come to life under your fingertips – more intuitive, expressive, and inspirational than ever before.

KOMPLETE BROWSER™
Browse and load sounds with the push of a button – KOMPLETE KONTROL manages the entire KOMPLETE universe in a single plug-in, thanks to the tag-based browsing system.

NATIVE MAP™
Don’t lose time mapping parameters to the keyboard. Native Map™ technology automatically maps all key parameters for each KOMPLETE Instrument to the touch-sensitive controller knobs. Everything you need to sculpt your sound – at your fingers and ready for your creativity.

LIGHT GUIDE™
The innovative Light Guide™ shows you key switches, zones and more in full color, depending on the instrument – key color corresponds to cell color in BATTERY 4, for example. The lights also provide performance feedback – see scales, chords, and arpeggios light up across the keyboard.

TRUE PERFORMER
Play chords with single keys or map the entire keyboard to musical scales. Create melodies at the touch of a button with the advanced arpeggiator – optimized for hands-on performance. And bend, warp and automate sounds like never before with the highly flexible touch strips.

2.1.1 — 2019-03-06
Maintenance release.

  • ADDED Support for KOMPLETE KONTROL M32 Hardware
  • FIXED Hardware Integration Agent losing contact to controllers when hosted in 3rd party DAWs
  • FIXED An issue where a popup would report “invalid Plugin ID” when a Plugin was not found
  • IMPROVED Stability improvements for using NKS sync via Sounds.com

 

 

INFO/DEMO/BUY: http://mage.si/g22p
Komplete Kontrol v2.1.1 STANDALONE AU VST MAC OSX
http://beelink.in/17999/Komplete-Kontrol-v2.1.1-STANDALONE-AU-VST-MAC.html

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Maschine 2 v2.8.1 MAC

iND | 08 March 2019 | 591 MB

STANDALONE/AU/VST 32/64

POWER OF SOFTWARE

The included MASCHINE 2 software is exploding with cutting-edge technology. Improved browsing, arranging, and sampling, plus a new mixer, plug-in strip, and exclusive drum synths. Get ready for the most responsive, fluid, and musical beatmaking experience ever.

 

VARIATION ENGINE: RANDOMIZATION AND HUMANIZATION
The new Variation Engine helps add variety and spontaneity to your patterns. Humanize lets you shake off the shackles of quantization and loosen up a drum beat or melody. And Randomize kickstarts new tracks by creating new patterns with random velocities and positions–the perfect tool for spawning new ideas.

LOCK AND MORPH SNAPSHOTS
Whether you want to experiment creatively or just want to add some improvisation during a live performance, Lock has you covered. Simply freeze your current settings, tweak a sound’s characters, change an envelope, open a filter, and when you’re ready, return back to your initial settings at the press of a button, for up to 64 snapshots. And with the new Morph function, MASCHINE blends seamlessly from one snapshot to the next, making it easy to discover new transitions.

CONTROL EXTERNAL GEAR WITH MIDI CC
With new MIDI CC capabilities, you can control your MIDI-capable external instruments, like your favorite Roland groovebox or Korg synth, as if they were plugins. Simply load the controller template for your device in your MASCHINE software, and you can play with any MIDI-enabled parameters, like tweaking a filter or adjusting a sound’s attack, directly from MASCHINE’s ultra-responsive pads and knobs. To get you started, we’ve built a library of presets for popular devices, which you can find on our Downloads page–and if you can’t find a preset for your favorite synth, it’s easy to build your own.

2.8.1 — 2019-03-06
Maintenance release.

  • ADDED Support for KOMPLETE KONTROL M32 Hardware
  • FIXED Hardware Integration Agent losing contact to controllers when hosted in 3rd party DAWs
  • FIXED An issue where a popup would report “invalid Plugin ID” when a Plugin was not found
  • IMPROVED Stability improvements for using NKS sync via Sounds.com

 

INFO/DEMO/BUY: http://mage.si/T9rw
Maschine 2 v2.8.1 UNLOCKED MAC
http://beelink.in/22159/Maschine-2-v2.8.1-UNLOCKED-MAC.html

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ArcSyn v3.0.0 VSTi WiN MAC

Team R2R | March 07 2019 | WiN: 4.4 MB | OSX: 9.1 MB

PLATFORM : WiN32/64 – VSTi | MacOSX – AU/VSTi

ArcSyn is a 16-voice polyphonic virtual analogue synthesizer plug-in… ArcSyn Synthesizer v2.0 – The synth offers unusual waveforms, dividers, logic functions, frequency shifters, as well as LFO wave sequencing, allowing extremely complex modulation patterns. ArcSyn is laid out approximately like a MiniMoog, so it shouldn’t be too difficult to start editing programs and creating interesting sounds, although if you take the time to work out how the LFOs and modulation matrix operate, you’ll be able to create much more complex programs.

…with many unusual features:

  • No samples—all oscillator waveforms are generated from scratch.
  • Many unique waveforms including Sub-harmonics, Bit-Noise and FM Crossfade.
  • Unique LFOs feature wave sequencing and hundreds of unusual waveforms including many random types.
  • Powerful, self-oscillating filters based on the Oberheim Matrix 12.
  • Many unusual filter types like Frequency Shifter, Scramble and Multi-Alias.
  • Smooth, natural sound quality throughout—Oscillators and filters are 4X oversampled, all audio processing is done in 64-bit arithmetic and control signals are updated at 5500Hz or higher.
  • Comes with over 450 preset programs.
  • MIDI controller learn.

 

ArcSyn v3.0.0 has the following changes:

  • Unison mode with up to 16 oscillator copies.
  • 25 new programs which use unison mode.
  • Demo mode no longer produces random noise, it gives 20 minutes of uninterrupted use instead. Reload for another 20 minutes

 

INFO/DEMO/BUY: http://mage.si/37v5
ArcSyn v3.0.0 AU VST VSTi WiN MAC-R2R
http://beelink.in/25461/ArcSyn-v3.0.0-AU-VST-VSTi-WiN-MAC-R2R.html

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Devine Machine VST & VSTi Pack

TEAM ArCTiC | 06-23-2003 | 22 MB

Devine.Machine.Lucifer.VST.v2.1.incl.K-AiR
Devine.Machine.Pro.VSTi.v1.1.FIXED-ArCTiC
Devine.Machine.V-Minion.VST.v1.0.incl.K-AiR

Devine.Machine.Lucifer.VST.v2.1.incl.K-AiR
Lucifer is a VST FX plugin designed for manipulating audio tracks in realtime with control from a MIDI keyboard/notes from host.

Features:

  • * Host BPM / manual Tap BPM sync.
  • * 6 Incarn graphs (pan/vol/scratch/distort/cut/res).
  • * Scratch/stutter/reverse audio on-the-fly.
  • * 99 new DSP effect types in Lucifer 2.
  • * Additional FX (spread/groove/bounce/gate).
  • * Secondary SVF filter with 4 filter modes (LPF, BPF, HPF, Notch).
  • * Infinite Lock-repeat.
  • * Stereo in, and routable 4 stereo outs with DJ-type crossfader.
  • * Load and Save wav files; capture sounds, manipulate them, and export.
  • * Graph data (and knob values) save in host song (note: demo prevents loading saved settings).

 

Devine.Machine.Pro.VSTi.v1.1.FIXED-ArCTiC
Devine Machine Pro; Devine Machine’s first classic If certain software could now be classified as “vintage”, based on the innovation it brought on release and how it still remains at the cutting edge today, DM proudly belongs to that much heralded group. Born from the minds of two music professionals who were dissatisfied with current loop software, DM was developed to enable you to spontaneously and effortlessly explore possibilities from loops you already own.

Hundreds of presets allow you to create variations on any loop with a single click. Drum mode allows you to have loops match precisely with independent control over groove, tempo, and score. A “Loop Workstation” using loops as input.

It follows a different type of paradigm that allows you to create interesting manipulations and textures from drumloops. It is a VSTi product that offers a unique and innovative control over loop manipulation and performance for the stage or studio. It allows you to manipulate and jam on loops with a lot of control..

 

Features:

  • * 24 synchronized Live Tracks triggered from MIDI notes which offer flexible play and trigger modes.
  • * 12 Realtime MIDI-Triggered Effects (including Ringmod, 16th and 8th Sync-Gate, LPF, quantize-buffer repeats, crossfade, realtime random remixer).
  • * 20 unique edit sliders, which allow for powerful permutations of the graphic edit effects.
  • * Drum Colour Mapping, which allows for slice definition and autoremapping (to easily make different drum loops play the same pattern, and get effortless musical variations).
  • * Pre-Quantize of Loops, which prevents having to look at notes offset visually on the graph.
  • * Jog Wheel.
  • * Region/Slice Editor.
  • * 3 LiveLoop Triggering modes (including the ability to load 1-shot WAVs with input quantize on deployment).
  • * Loop Recorder.
  • * Innovative Wave Database (remembers slice info even if you move and rename your WAV loops).
  • * Multiple Outputs (Auxiliary).
  • * 8 Stereo 32-bit tracks.
  • * 7 graphic edit effects, including a Fat Resonant LPF and Distortion panel, sync-delay effect, Pitch Editor with 35 scales.
  • * 400 loop-variation presets (allowing for manipulations with a single mouse click).
  • * Groove Editor, which also contains presets and allows you to easily extract the groove from any drum loop.
  • * DJ type cross fader (MIDI controllable).
  • * Sample Editor.
  • * MIDI or QWERTY for Live Loop triggering.
  • * Automated Crossfades on up to 24 loops together.
  • * Preset Bank Manager.
  • * MIDI BeatClock Sync.
  • * VSTi 28 outs , with live routing of up to 32 loops via MIDI.

 

Devine.Machine.V-Minion.VST.v1.0.incl.K-AiR
vMinion VST is an advanced tempo-based filter/delay multi-effect.

 

Features:

  • * (4) Stereo 64-bit effect modules, configurable in series or parallel.
  • * Over 100 effect types to choose from for each module.
  • * Internally-modulated effect parameters from tempo-based LFOs/Step Sequencer/Envelope Follower.
  • * Step Sequencer can snap to a variety of scales and can be remotely automated (MIDI/VSTParams).
  • * MIDI out ability – generate MIDI CCs or Monophonic Notes from any ball/axis.
  • * MIDI in ability – retrigger LFOs and/or set Filter Frequency from MIDI notes. (Jam on a flanger).
  • * Dedicated delays for each module with 4 delay modes (Recursive / Post, regular / X-delay).
  • * Native C++ coding with Intel-Mac support.
  • * 60+ presets.
  • * Simple registration key file – no intrusive copy protection: no installers, run it on multiple computers, etc.
  • * Bonus – 1×4 (one stereo in, four stereo out) and 4×1 (four stereo in, one stereo out).

 

INFO/DEMO/BUY: DiSCONTiNUED
Devine Machine VST And VSTi Pack for Windows
http://beelink.in/4687/Devine-Machine-VST-And-VSTi-Pack-for-Windows.html

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DUNE v3.0.7 WiN

Team V.R | 04 March 2019 | 243.7 MB

(Win32/64; AAX*, VSTi)

DUNE 3 builds on the award-winning DUNE 2 synthesizer, adding frequently requested features and innovative ideas, to create the best DUNE experience ever! DUNE 3 comes with many new patches crafted by expert sound designers. Since DUNE 3 is fully patch-compatible with DUNE 2, it includes its presets as well, doubling the factory library size to more than 1000 patches.  The revised filter section in Dune 3 now sports a dual multimode filter plus an insert effect. Different routing modes like serial/parallel and seamless blend via the Balance knob allow for unlimited creative input! New filter types have been added as well, and include zero-delay feedback filters derived from our latest analog modeling technology. For creative applications, new insert effects like the formant/vowel filter or phaser greatly increase the range of sound design possibilities.

Dual Arpeggiator
Two arpeggiator units instead of just one greatly increase the sound design capabilities of DUNE 3. The Arpeggiators can be programmed independently and support both classic Up/Down arps, as well as playing back different sequences or even MIDI files. Furthermore, new features like the Random mode or programmable Arp Hold make the arpeggiator more powerful than ever before!

Improved oscillators
At the heart of DUNE 3 are its powerful oscillator blocks. DUNE 3 supports VA, FM and Wavetable synthesis. With a maximum reserve of 8320 oscillators at full polyphony, DUNE 3 is a true unison monster, unlikely to ever run out of oscillators. New in DUNE 3 is the “Swarm” mode, an evolution of the classic Supersaw oscillator.
Each oscillator gets its own subtle modulation in this mode, breathing a lot more life into the sound than possible previously!

New effects algorithms
DUNE 3 offers many new effect algorithms in all categories like Distortion, Chorus, Phaser, EQ, Delay and Reverb. One of the most important additions is the new Equalizer, which sports technology from our GQ-7 Graphic Equalizer rack extension.  Designed as a professional mixing and mastering equalizer, the new EQ offers four bands with high-quality parametric and shelving EQs, plus two additional low- and high cut filters with variable slopes. All filters in the EQ are designed to handle modulation without artifacts, such that the EQ can be used for creative purposes outside the realm of traditional EQ applications. Another great new effect algorithm is the new Shimmer Hall, an exclusive feature of DUNE 3 – ideal for lush ambient sounds, wonderful pads and leads!

Wavetable Editor
The new Wavetable editor introduced in DUNE 3 is one of the most powerful around. Waveforms can be created via free-hand drawing, segments, a dedicated partial editor or by entering formulas. A variety of functions like morphing, fade in/out, normalize, DC remove, Invert/Reverse make creating new wavetables a breeze. Waveforms and Wavetables can be imported and exported in WAV format and are thus compatible with a wide range of third party software.

DUNE 3 Features Summary:
•VA, Wavetable and FM Synthesis
•Two oscillator stacks with 32 oscillators each
•Third oscillator and white/pink noise generator
•8x Unison = up to 520 oscillators per note!
•Comprehensive Wavetable Editor
•Full version comes with 1000 patches
•Patch-compatible with DUNE 2
•Dual filter with Balance and serial/parallel routing
•Analog-modeled zero-delay feedback filters
•Four graphical envelopes (MSEG)
•Three low-frequency oscillators (LFO)
•Modulation matrix for synth and FX parameters
•Two Master FX busses with 9 high-quality effects each
•Dual Arpeggiator with MIDI import

[Update 3.07]:
– Improved compatibility with Reason 10 and Bitwig 2.5 beta.

INFO/DEMO/BUY: http://mage.si/bw40
DUNE v3.0.7 AAX VSTi x86 x64 WiN CE-V.R
http://beelink.in/38230/DUNE-v3.0.7-AAX-VSTi-x86-x64-WiN-CE-V.R.html

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Poizen v1.0.1 WiN MAC RETAiL

SYNTHiC4TE | March 01 2019 | 23.2 GB

“Poizen”. Loaded with hundreds of instruments and after market expansions this tool is a must have for any producer making music as its inspiried by artist such as Drake, Wiz Khalifa, The Weekend, Gucci and inspired by producers such as Johnny Julianno, Cardo Got Wings, Boi-1da, we are confident you will find many gems within in monster plugin that you will find yourself using time and time again, over and over! It contains musical instruments ranging from Sub Low Bass, 808’s, Bells, Grand Pianos, Plucks,Pads and much much more, not to mention the after market expansions that we will be providing you all. Those expansions are ranging from Drum Expansions, 808 Expansions, Hit Expansions, and more playable instrument expansions! There is also 4 layers to add even more uniqueness to the sounds that consist of a vinyl crackle sound, a microphone room hissing sound,an impulse reverb response, and a sine wave to add and mix over the selected sound.

Details:
– Unzipped File Size: +40 GB W/ALL EXPANSIONS
– Zipped File Size: +23.8  GB W/ALL EXPANSIONS
– Windows/Mac Compatible
– Works In Most D.A.W.S  (Excluding Pro Tools)

On Board Effects:

  • ADSR Envelopes
  • Reverb
  • LFO Parameters
  • Glide
  • Amps Low & High
  • Filter
  • Fine Tune Pitch
  • Panner
  • Volume
  • Sample Quality
  • Velocity Curve
  • 4 Texture Layers w/ Panning

 

Layer 1.) Vinyl Crackle
Layer 2.) Microphone Hissing
Layer 3.) Roomy Impulse Response
Layer 4.) Sine Wav

Expansion List:
– XP Factory: 10 Bass/11 Bells/5 Guitars/10 Keys/10 Leads/5 Misc/10 Pads/10 Pianos/10 Plucks/10 Strings/6 Synths/8 Textures
– XP Hit: 60 Hits
– XP 808 : 60 808s
– XP Drums: 10 Chants/19 FX/35 Kicks/11 Crashes/40 Hats/7 Open Hats/7 Rev Hats/47 Percussion/37 Snares/34 Special Percussions
– XP Flame: 11 Bass/10 Bells/10 Keys/12 Leads/11 Misc/17 Pads/10 Plucks/10 Strings/18 Synths
– XP Amazynth: 20 808s/19 Ambient/16 Bass/23 Bells/5 Choirs/20 Keys/13 Misc/11 Organs/19 Pads/13 Plucks/11 Reversed/20 Strings/20 Synths/10 Textures/10 Woodwinds
– XP Xpectre: 15 Atmos/20 Bass/10 Bells/3 Choirs/ 20 Keys/19 Leads/16 Misc/20 Pads/15 Plucks/16 Strings/19 Synths/12 Textures


INFO/DEMO/BUY: http://mage.si/FrLp
Poizen v1.0.1 WiN MAC RETAiL-SYNTHiC4TE
http://beelink.in/38978/Poizen-v1.0.1-WiN-MAC-RETAiL-SYNTHiC4TE.html

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U-he Hive v1.2.1.8296 WiN

Team V.R | 22 February 2019 | 281.99 MB

(Win32/64; AAX*, VST3, VSTi)

Hive: lightweight synth, heavyweight sound Sleek, streamlined and super fast. Hive was built for speed. An effortless workflow, low cpu use and a single page interface means you can build your tracks in no time. Being ‘fast and simple’ does not mean sacrificing sound quality or creative control. Hive is packed with features, controls and enough flexibility to deliver stunning sounds. A lightweight synth with a heavyweight sound.

Features:

  • CPU-friendly VA synthesizer
  • Single page design
  • Each panel offers presets in a drop-down menu
  • Solo buttons for each oscillator and filter panel
  • Skinnable UI
  • Over 2700 factory presets
  • 3 different synth engine characters
  • 2 pairs of stereo oscillators and sub-oscillators with 9 different waveforms each
  • Polyphonic (up to 16 voices), duophonic, mono and legato modes
  • Up to 16× unison per oscillator
  • 2 multimode filters: lowpass, highpass, bandpass, bandreject or peaking
  • Flexible oscillator and filter routing
  • Common clock for arpeggiator and sequencer, with strict host-sync option
  • 2 LFOs with various shapes, sync options and unipolar switch
  • Extra vibrato oscillator
  • 2 pairs of ADSR envelopes, each stage can be individually modulated
  • Glide control, constant rate or constant time mode
  • 12-slot modulation matrix with 2 targets per slot, countless targets including all FX parameters
  • Drag and drop modulation assignment
  • 7 quality effects on board: distortion, chorus, delay, phaser, EQ, plate reverb, compressor
  • On-screen keyboard
  • Resizable UI from 70% to 200%
  • Arpeggiator with direction, order, octave and frame/restart controls
  • 16-step sequencer to drive notes or modulation
  • MIDI learn page and editable list
  • Global preferences page

 

Changes in version 1.2:
– 2D wavetables implemented, .wav or .uhm (scripts)
– added 4 X/Y controls with automapping of macros
– added mod matrix modifiers (curve, quantize, rectify, slew)
– smoother ‘Wet’ modulation for the Chorus and Phaser
– replaced previous init sound
– fixed various minor bugs

INFO/DEMO/BUY: http://mage.si/thqU
U-he Hive v1.2.1.8296 AAX VSTi VST3 x86 x64 WiN CE-V.R
http://beelink.in/36836/U-he-Hive-v1.2.1.8296-WiN-CE-V.R.html

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