Dent v1.0.0 WiN MAC R2R, x86 x64 windows vst3 plugins vst plugins macos plugins au for mac aax plugins, x86, x64, Win, VST3, VST, R2R, MAC, Dent, AU, AAX

Dent v1.0.0 WiN MAC

TEAM R2R | 2016.08.16 | WiN: 10.3 MB | OSX: 6.8 MB

AU/x86/x64/VST/VST3/AAX(MODiFiED)

Dent is a radical distortion plugin with sinister intent. You won’t find any sweet-sounding tube and tape emulators here! Great for both music production and cinematic sound design, Dent mutilates sounds at the wave cycle level for a twisted makeover. Six crippling bitcrushers, a sampling-rate mauler and signal clippers are just the tip of Dent’s destructive iceberg. Slash the amplitude of just the negative phase of your clean electric guitar’s signal, use the Shape control to square the signal tops, and jack up the harmonic content with special wavefold processing to launch the track into Beatles “Revolution”-style overload. Not mangled enough? Tune Dent’s Probability control to emulate failing guitar-amp tubes. Or create outrageously rhythmic distortion effects with Dent’s internal sequencer.

But Dent can get even more hardcore if you want. Invert the negative phase of a comping piano on most but not all of the signal’s wave cycles, plunge the built-in lowpass filter’s cutoff and boost resonance to make the keys sound like howitzers detonating in the distance. Four simple control tweaks get the job done in seconds.

Six freely assignable modulators can be patched to most of Dent’s controls. Use LFOs to produce conventional stereo wah wah or to transform heavy distortion processing into auto-panned DJ-scratching effects. Modulate DC offset with an input follower to make a snare drum track with hi hat bleed sound like heavy machinery pounding away in a demonic assembly line.

With Dent, adding interesting harmonic content to any sound is child’s play, mangling tracks beyond recognition can be done with the twist of a few knobs, and reducing a full symphony of digital audio to ones and zeroes is only limited by how many patch cables you can keep track of! The results are new and exciting sounds that keep your productions sounding fresh and contemporary.

Sometimes you need sonic damage to push your track over the top. Don’t just distort it. Dent it.


INFO/DEMO: https://goo.gl/HUQPyS
Dent v1.0.0 WiN MAC-R2R
http://beelink.in/31800/Dent-v1.0.0-WiN-MAC-R2R.html

Repeater v1.1.0 WiN MAC R2R, x86 x64 windows vst plugins macos plugins au for mac aax plugins, x86, x64, Win, VST, vintage digital, Vintage, Tape, Repeater, R2R, Pitch, MAC, ECHO, Delays, Delay, AU, AAX

Repeater v1.1.0 WiN MAC

Team R2R | 24 Mar 2017 | WiN: 9.6 MB | OSX: 8.6 MB

AU/VST/AAX(MODiFiED)/x86/x64

Built-in 23 delay models ranging from classic oil cans and plates to the most famous vintage digital designs. There have been many incredible delay units created over the past 70 years, from tape delays to oil cans to modern digital circuits.

All-in-one

Introducing Repeater – A dual delay powerhouse that features 23 unique authentically modeled delay units ranging from classic oil cans and plates to the most famous vintage digital designs:

  • Cassette Tape – A model of an early 80’s Japanese cassette tape deck. We’d call this one mid-fi
  • Coopy Cube – An early 70’s delay originally made from a garden hose! Great for short delays to add depth, also with stereo Spread option.
  • Digital 42 – One of the most famous modern digital delays, this one has a uniquely early digital tone with a touch of graininess and a slight scoop. Great for guitars and vocals.
  • Digital 42 x 2 – The double option on the Digital 42, it halves the sample rate for an extremely unique lo-fi tone that is great on vocals, guitars, and drums.
  • Digital Delay – A hi resolution digital delay. Use Repeater’s filters and Color to customize the tone.
  • DM-2 – An early bucket brigade analog delay with a warm and rich tone. Amazing on guitars and synths.
  • Mellow Delay – A smooth, subdued delay that is based on several vintage analog topologies.
  • Memory Guy – Lush analog delay with fat vintage tone.
  • Mirky Delay – Based on early bucket brigade analog delays, it is dark and thick. Great as a special effect delay or thickener when used with the Spread option.
  • New Radio – Delay tone with FM radio style scooped hi-fi tone. Try it on vocals.
  • Old Radio – Delay tone with AM radio style grainy lo-fi tone.
  • Pitchy Delays – (3 models) – Delays with slight pitch modulations for extremely spatial and deep effects. Sounds great when both delay lines are set to the same time creating a chorusing mono effect. These can also be used with tight delays with Spread option for widening and thickening effects.
  • Plexy Echo – Based on an old 70s tape delay unit. It’s fat tone, which sounds great on vocals guitars and even drums.
  • Space Delay – Based on the famous magnetic tape delay with warm and gritty tone. A classic on guitars.
  • Tape Delay Ancient – An extremely old 1940’s style tape delay tone.
  • Tape Delay Classic – Early 60’s style tape delay.
  • Tape Delay Modern – Hi-fi tape delay with warm and lush tone.
  • Tape Delay Vintage – 70’s style tape tone, slightly grainy but warm.
  • Telephone 1 – Lo-fi telephone tone, great for special effects or used as an insert on vocal or even full mix.
  • Telephone 2 – Another lo-fi telephone tone with slightly different frequency and distortion tone.
  • TelRay – The analog delay classic made original from a tuna can. Beautifully lo-fi with a rich tone that is perfect for guitars.

Two is better than one
At first glance, Repeater appears to be your typical stereo delay effect processor with independent control of the processing path for the left and right channels. In actuality, it features independent re-panning and dry/wet mixing for each of two stereo channels, which makes it a very flexible double delay line effect. You’ll be surprised and delighted by all the capabilities this approach can offer over the typical, fixed-panned one.

Repeater has been updated to version 1.1.0.
This is a maintenance update including fixes for bugs and issues reported and confirmed so far:
– Fixed – Wrong I/O configuration when channel mode changed on bus – Logic Pro
– Fixed – GUI freeze when tweaking with controls – OS X ElCapitan
– Fixed – Parameter flickering with linked parameters automation – Pro Tools
– Fixed – Disabling host’s automation – Ableton Live
– Fixed – State parameters’ automation (Phase Inv. L / R, P. Pong, Analog Feedback).
– Changed – Improvements in linked parameters automation and linkage.

INFO/DEMO: https://goo.gl/YbwqAA
Repeater v1.1.0 WiN MAC-R2R
http://beelink.in/29976/Repeater-v1.1.0-WiN-MAC-R2R.html

IIEQ Pro v3.3.6 WiN MAC R2R, x86 x64 windows vst plugins plugins rtas macos ddmf vst plugins plugins au for mac aax plugins, Win, R2R, Pro, Plugin, MAC, IIEQPro, IIEQ Pro, IIEQ, equalizer plugin, Equalizer, EQ

IIEQ Pro v3.3.6 WiN MAC

Team R2R | 24 Mar 2017 | WiN: 4.4 MB | OSX: 10.9 MB

AU AAX VST RTAS

IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island.

What is it?
IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island. Its features are:

  • 24 fully parametric bands, with 27 state-of-the-art filter types per band
  • Adjusted for digital artefacts at high frequencies (don’t use any equalizer that doesn’t offer this!)
  • Seven Butterworth filter types with variable slopes from 6 to 60 dB/oct
  • Multitrack editing in one user interface
  • Very efficient user interaction (just one click to dial in a band)
  • Autolisten option
  • Sound processing in series or parallel
  • A/B option for quick comparison of alternative EQing choices
  • Very low CPU consumption but not at the expense of sound quality
  • High precision frequency analyzer (pre/post) with zoom and scroll functionality
  • Switchable to two-channel mode operation (L/R or Mid/Side)
  • Available in Windows VST (32/64 bit), Windows/Mac RTAS, Windows/Mac AAX and Mac VST/AU (32/64 bit, Intel OSX 10.5 and higher) format

INFO/DEMO: http://redi.se/3gj8
IIEQPro v3.3.6 WiN MAC-R2R
http://beelink.in/31393/IIEQPro-v3.3.6-WiN-MAC-R2R.html

Pivot v1.3.0 AU VST AAX VST3 WiN MAC R2R, x86 x64 windows vst plugins macos plugins au for mac aax plugins, Win, VST3, VST, R2R, Pivot, MAC, EQ, AU, AAX

Pivot v1.3.0 WiN MAC

Team R2R | March 24 2017 | WiN: 4.5 MB | OSX: 11.1 MB

AU VST AAX VST3

Pivot is a tilt equaliser, with adjustable slope and mid/side modes. Powerful EQ, made simple.

Control Your Spectrum
Simple to use tilt EQ with an adjustable curve lets you easily get the tone you want.

Mid/Side Modes
Adjust the mid signal, the sides, or everything to get the best sound from your stereo signal.

Non-Tilt Modes
In addition to the tilt mode, Pivot lets you simply cut or boost if you’re already happy with one side of the spectrum.

Cross Platform
Coded from the ground up in optimised C++ for both Mac OSX and Windows. You can even share your presets between different operating systems.

In Detail
Pivot is a powerful tilt equaliser, allowing you to quickly shift the spectral content of your audio. Mid/Side modes allow you to adjust the stereo content of your audio separately, allowing you to clean up muddy stereo bass, or crisp up the wide treble in your master tracks.

Changes for 1.3.0:
– Added VST3 versions for OS X/Windows 32/64-bit.
– Added a button to open the manual from the GUI.
– Fixed a problem with the preset list sometimes not opening in Windows 32-bit.
– Optimised the EQ algorithm to improve speed.

INFO/DEMO: http://redi.se/3ey5
Pivot v1.3.0 AU VST AAX VST3 WiN MAC-R2R
http://beelink.in/28883/Pivot-v1.3.0-AU-VST-AAX-VST3-WiN-MAC-R2R.html

Q American Series v1.1.1 WiN MAC R2R, x86 x64 windows vst3 plugins vst plugins macos plugins au for mac aax plugins, x86, x64, Win, VST3, VST, Series, R2R, MAC, EQ, AU AAX, American Series, American

Q American Series v1.1.1 WiN MAC

TEAM R2R | March 25 2017 | WiN: 7.7 MB | MAC: 36.3 MB

Win32/64; AU AAX, VST3, VST

Q American Series Digitally Recreates Legendary API 550a, 550b and 560 Vintage American Console Equalizers* The equalizers allow you to chisel your signals with surgical precision. They have a modern, easy-to-use user interface. You’ll love their aggressive structure and proportional Q feature. QA, QB and QG vintage American console equalizer plug-ins support VST, VST3, AU and AAX plugin formats.

QA Features:
– Low Frequency Shelving/Peaking.
– Five selectable center frequencies: 50Hz, 100Hz, 200Hz, 300Hz and 400Hz.
– Mid Frequency Peaking
– Five selectable center frequencies: 400Hz, 800Hz, 1.5kHz, 3kHz and 5kHz.
– High Frequency Shelving/Peaking
– Five selectable center frequencies: 5kHz, 7kHz, 10kHz, 12.5kHz and 15kHz.
– Band Pass Filter: Fixed bandwidth: 50Hz to 15kHz.
– The amount of boost or attenuation is continuously variable from -12 dB to 12 dB.

QB Features:
– Low Frequency Shelving/Peaking.
– Seven selectable center frequencies: 30Hz, 40Hz, 50Hz, 100Hz, 200Hz, 300Hz and 400Hz.
– Low Mid Frequency Peaking.
– Seven selectable center frequencies: 75Hz, 150Hz, 180Hz, 240Hz, 500Hz, 700Hz and 1kHz.
– High Mid Frequency Peaking.
– Seven selectable center frequencies: 800Hz, 1.5kHz, 3kHz, 5kHz, 8kHz, 10kHz and 12.5kHz.
– High Frequency Shelving/Peaking.
– Selectable filter type: Shelving or Peaking. Seven selectable center frequencies: 2.5kHz, 5kHz, 7kHz, 10kHz, 12.5kHz, 15kHz and 20kHz.
– The amount of boost or attenuation is continuously variable from -12 dB to 12 dB.

QG Features:
– The QG plug-in is a ten-band fixed frequency graphic equalizer divided into one octave increments. The center frequencies of each band are set at 31Hz, 63Hz, 125Hz, 250Hz, 500Hz, 1kHz, 2kHz, 4kHz, 8kHz and 16kHz. The amount of boost or attenuation is continuously variable from -12 dB to 12 dB on all bands.
QA, QB and QG Common Features
– Extremely High Processing Efficiency.
– “Proportional Q” narrows filter bandwidth.
– Proprietary topology which is optimized for low latency, low noise and high dynamic range.
– Built-in reference-quality upsampling algorithm which can be enabled at sampling frequencies 44.1 kHz and 48 kHz to achieve bell shape symmetry at high frequencies.
– Supports sampling frequencies up to 384 kHz.
– Clickless parameter update.

INFO/DEMO: http://redi.se/3gm2
Q American Series v1.1.1 WiN MAC-R2R
http://beelink.in/31795/Q-American-Series-v1.1.1-WiN-MAC-R2R.html

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