Vocalise KONTAKT P2P, kontakt samples audio, Vocals, Vocalise, Vocal, P2P, Kontakt

Vocalise KONTAKT

P2P | 30 April 2016 | 2.89 GB

Vocalise is an evocative vocal experience. Has combined the raw character of the human voice with their signature sound design capabilities to create Vocalise, an alluring collection of vocal pads and phrases. Speak emotional textures and musical performance palettes into your next cinematic composition with Vocalise, a truly unique virtual instrument from the makers of GRAVITY: Modern Scoring Tools. With over 4 GB of production-ready content, Vocalise adds an emotional vocal component to the already-diverse GRAVITY family of instruments. Featuring an esteemed roster of professional vocalists, including Siobhan Magnus of American Idol Season 9, Vocalise delivers a sonic sound palette unlike anything else in your cinematic collection.

INSPIRING VOCALISTS
After amassing a talented lineup of professional vocalists, headed into the studio to meticulously capture moving vowels, phrases and ensembles. Leveraging the serene intimacy from Brick Hill Studios in Massachusetts and HQ in NYC, the award-winning sound design team went to work converting this dynamic source material into highly-stylized playable pads and phrases. In their first-ever dedicated vocal instrument, interprets the human voice in the way that only they can — creating a cinematic vocal experience unlike any other. Armed you with a stable of professional singers, and an award-winning sound design team. What will you make?

Expert Sound Design
It’s no secret that prowess for creating cinematic sound design content is unparalleled in the industry, and Vocalise is no exception. With precision processing and creative synthetic manipulation, these already-vibrant organic sound sources were given new life, and a commanding sonic voice. Add a whole new center to GRAVITY, or feel the pull of Vocalise on its own. Either way, inspiration awaits.

INFO/DEMO: http://redi.se/3d03
Vocalise KONTAKT-P2P
http://beelink.in/26871/Vocalise-KONTAKT-P2P.html

Ambient Textures For ELASTiK DiSCOVER, elastik samples audio, Textures, Elastik, DISCOVER, Ambient Textures, Ambient

Ambient Textures For ELASTiK

DiSCOVER | 08 DECEMBER 2014 | 1.30 GB

2 GB and 216 loops

‘Ambient Textures’ contains 2 GB of content consisting of 216 loops. These samples are organized into four different folders for quick navigation and are a must-have for producers and sound designers looking for inspiration.  Inside you’ll find four categories of loops; Harmonic Ambiences, Drum Textures, Percussion FX and Unperfect Loops.  From dreamy, hypnotic musical beds through to dark, menacing moods, ‘Ambient Textures’ is a perfect choice for media composers and sound designers looking for new inspiration. These harmonic ambience loops are organized into small kits of loops designed to be layered, mixed and matched. The loops are long (with many well over 30 seconds) and contain evolving soundbeds.  All of these samples can be augmented with the included drum and percussion textures, all of which have been processed with the powerful time-stretching features of Elastik and can be time-stretched to match any tempo required.  The final element is a series of ‘Unperfect Loops’ with both rhythmic and non-rhythmic sounds, noises and sound FX included. ‘Ambient Textures’ provides an ideal collection of source material for busy sound designers and composers working in film, TV, commercials, games, documentaries, advertising or other background music/audio applications.

Specifications:
• The library contains 2 GB and 216 loops. The samples are organized in four different folders.
• Elastik Soundbank for Mac & Win – AU/VST/AAX/RTAS/Standalone

Harmonic Ambiences:
• This folder contain long ambiences which can be layered to create rich harmonic sounds. Each subfolder offers up to seven different layers.

Drum Textures:
• These folders contain abstract and heavily edited drum loops.

Percussion FX:
• A collection of altered percussion loops.

Unperfect Loops:
• This folder includes a selection of rhythmic and non-rhythmic ambient sounds from static noises to abstract strings and floating harmonies. The subfolders are named to give an idea of the sound, for example „Water“, „Noisy“ or „Static“.

DEMO/PREViEW:

INFO/DEMO: http://goo.gl/1I4Kmt
Ambient Textures For ELASTiK-DiSCOVER
http://beelink.in/19203/Ambient-Textures-For-ELASTiK-DiSCOVER.html

Ascension Loop Kit MiDi WAV MiDi, wav midi patterns samples audio, WAV, MIDI, Loop, Kit, Ascension

Ascension Loop Kit MiDi WAV MiDi

P2P | Dec 23 2016 | 556 MB

Ascension is our debut Loop Kit, and we really wanted to give you something really special, with a little cherry on top. This being the perfect pack to get you started with Melodic, Ambient, and Hard Hitting Melodies. You won’t have to worry about layering these loops, since all of our Loops are labeled correctly, and includes 75+ MIDI. Ascension has arrived, and it’s time to jump start your creative flow!

Kit Includes:
– 75 Loops
– 30+ Bonus Loops
– 75+ MIDI
– 100% Royalty Free
– Labeled by BPM & Key
– Compatible with any DAW (Logic, FL Studio, Ableton, Etc,

Ascension Loop Kit MiDi WAV MiDi
http://beelink.in/32162/Ascension-Loop-Kit-MiDi-WAV-MiDi.html

FL Studio 12 MAC OSX ALPHA v0.9p, macos software audio, Studio, OSX, MAC OSX, MAC, FLS, FL Studio 12, FL Studio, FL, Alpha

FL Studio 12 MAC OSX ALPHA v0.9p

P2P | 04.04.2017 | 615.5 MB

FLS 12 is a complete software music production environment, representing more than 14 years of innovative developments and our commitment to Lifetime Free Updates. Everything you need in one package to compose, arrange, record, edit, mix and master professional quality music. FLS 12 is the fastest way from your brain to your speakers.

READ THIS BEFORE INSTALLING
ALPHA Software is for TESTING & SOFTWARE DEVELOPMENT, not music production. It will crash and behave in unexpected ways. It is missing features.

BUGS
You can report them (although we are aware of many already), but don’t expect us to act on them for a while, we are still in heavy development ;)

This is a Native OS X version of FL Studio 12. It is not a Windows application in disguise.

Requirements:
1. OSX 10.7 or later
2. You must be admin user to install and run

Notable things that DO NOT WORK yet:

Rewire.
Plugins: That return ‘Can’t be found’ message when you try to open them.

ALPHA 0.9P WHAT’S NEW (12-April-2017)
– Updated all sources for new bugfixes from Build 33
– Scaling errors in dialogs fixed
– Scaling in general options works now
– Crashes dragging from Edison fixed
– Fixed Arpeggiator default pattern name
– Fixed extra clicks needed for right-click context menus
– Pattern picker included (open/close ALT+P) – macOS BONUS!

INFO/DEMO: http://goo.gl/bb0YXm
FL Studio 12 MAC OSX ALPHA v0.9p
http://beelink.in/22902/FL-Studio-12-MAC-OSX-ALPHA-v0.9p.html

Addictive Drums 2 v2.1.5 Complete WiN R2R, xln audio vsti x86 plugins vsti x64 plugins vsti windows vsti software audio aax plugins, Win, R2R, NEW YEAR, HAPPY NEW YEAR, HAPPY, Drums, Complete, Addictive Drums, Addictive

Addictive Drums 2 v2.1.5 Complete WiN

Team R2R | Jan 02 2017 | 8.14 GB

VSTi AAX x86 x64 / HAPPY NEW YEAR

Addictive Drums 2: Complete Collection is for professionals that want the total package. This package takes the guess work out of AD2 and gives you all the amazing drum kits, all the professionally played MIDI content, all the specialty kit piece expansions, and every single preset. If you want it all, this is for you.

Addictive Drums 2 v2.1.5 Complete WiN R2R, xln audio vsti x86 plugins vsti x64 plugins vsti windows vsti software audio aax plugins, Win, R2R, NEW YEAR, HAPPY NEW YEAR, HAPPY, Drums, Complete, Addictive Drums, Addictive

IT’S ALL ABOUT SOUND
YOU’RE SERIOUS ABOUT YOUR SOUND. SO IS AD2.
Tweak any of the professionally designed presets or build up a custom kit from scratch, it’s your choice. Addictive Drums 2 is packed with mixing and sound-shaping features that let you transform the raw sounds in amazing ways. Whether you need your drums to sound open and crystal-clear, or produced and radio-ready, or grungy and heavily distorted, AD2 has studio-grade tools to get the job done.

LIGHTNING–FAST WORKFLOW
GET PROFESSIONAL RESULTS. FAST.
The best sounds and features are useless if you can’t find and use them quickly when inspiration strikes. Addictive Drums 2 really excels in this area. Every detail – from drag-and-drop audio and MIDI, to rapid linking and layering, to near-instant kitpiece swapping–is designed to keep you in the creative zone. The clean layout and lighting-fast workflow include hundreds of individual features that make AD2 fast and familiar – even for first-time users.

Contents:
– Addictive Drums 2: Complete Collection
– Addictive Drums 2. Fully loaded with ALL expansions
– ALL amazing drum kits
– ALL professionally-played MIDI
– ALL kitpiece expansions

Contains all expansions until the end of 2016. You need to download full contents because some structure has been changed.

INFO/DEMO: http://redi.se/3g0f
Addictive Drums 2 v2.1.5 Complete WiN-R2R
http://beelink.in/19504/Addictive-Drums-2-v2.1.5-Complete-WiN.html

NI The Mouth v1.3.0 WiN MAC R2R, windows reaktor presets patches macos software audio, Win, The Mouth, R2R, NI, Mouth, MAC, ASSiGN

The Mouth v1.3.0 WiN MAC

FULL ASSiGN | October 2011 | WiN+MAC: 22 MB

UPDATE: R2R | 12.11.2013 | WiN: 14.63 MB | MAC: 4.3 MB

THE MOUTH! Designed to generate melodies and harmonies out of whatever audio material you feed it, THE MOUTH is a unique and exciting way to get creative results on the fly. Sing, beatbox or send a drum loop into it and THE MOUTH comes to life as a tweakable synthesizer, bass, vocoder or talkbox-like effect. A playful interface provides you with plenty of room to shape your results as you go. – Advanced integration in Maschine 2.0 host software.

INFO/DEMO: http://redi.se/bsa
NI The Mouth v1.3.0 WiN MAC-R2R
http://beelink.in/13546/NI-The-Mouth-v1.3.0-WiN-MAC.html

AudioFinder 5.9.7 macOS, macos software audio apps, P2P, macOS, MAC, AudioFinder

AudioFinder 5.9.7 MAC

P2P | April 12th 2017 | 9 MB

AudioFinder is the OS X standard in audio; asset management systems, & music production hub AudioFinder can build a catalog of every sound on your system, save it, and search it instantly to find the sounds you need when you need them. Use AudioFinder to create custom sets for sound categories and specific projects, with fast file browsing to audition, analyze, process, convert, and move or copy the samples in your library. AudioFinder features the ability to add Metadata to your library of sounds, making it simple and easy to find the sounds you’re looking for when you need it. AudioFinder can visualize sounds instantly with the waveform overview and preview them at any pitch via MIDI or the built in keyboard, all in real-time. Sounds can even be previewed through your favorite AudioUnits.

Speaking of Plug-Ins, AudioFinder features an advanced Plug-In manager and slew of other studio necessities that will make your workflow flow. Necessities like audio editing with built-in beat detection and tools for fast trimming, fading, slicing and dicing your sounds. You can even convert your audio sample CDs into individual files with just a few clicks of the mouse.

What’s new in version 5.9.7:
– Fixed a potential crash in the Sample tool
– Bug fixes

INFO/DEMO: http://goo.gl/mBqY5
AudioFinder 5.9.7 macOS
http://beelink.in/17981/AudioFinder-5.9.7-macOS.html

StudioStation v2.3.0 WiN x86 CE V.R, windows software audio apps windows, x86, Win, V.R, StudioStation, CE

StudioStation v2.3.0 WiN x86

TEAM V.R | 24.05.2012 | 16.9 MB

StudioStation is a database application suggesting total solution for studios management. It is designed to support all types of production studios including home, recording, video or post production. StudioStation offers total management solution by covering all aspects of studio activities. It includes sections for projects management, supplied services, advance accounting, marketing tools, office tools, reports generator, professional media library section and much more.

StudioStation holds a unique combination of features that all together supply comprehensive solution for the requirements of modern production studios. It is built in a straight forward manner with great emphasis on usability and unique look.

StudioStation highlights:

  • Project management solution
  • Services management
  • Studio accounting
  • Marketing support with integrated mailing lists management
  • Reports generator
  • Invoicing
  • Advance media libraries management
  • Advance studio calendar
  • Billboard section includes tasks and reminders support
  • Detailed songs documentation
  • Advance contacts book
  • Studio inventory
  • Fully customizable login & authorization engine

INFO/DEMO: http://redi.se/3h05
StudioStation v2.3.0 WiN x86 CE-V.R
http://beelink.in/32097/StudioStation-v2.3.0-WiN-x86-CE-V.R.html

QLab Pro 4.0.10 Pro Bundle macOS P2P, macos software audio, QLab, Pro, P2P, OSX, macOS, MAC OSX, MAC, Bundle

QLab Pro 4.0.10 macOS

P2P | 10 April 2017 | 19 MB

QLab makes it simple to create rich multimedia designs for live performances and installations. From Broadway to the West End, in churches, museums, store fronts, concert halls, and theaters around the world, people use QLab to bring their audio and video to life.

Design Tools
– Unlimited Cue Lists with unlimited cues
– Unlimited Cue Carts with 1 to 64 buttons per cart
– Design in Edit Mode and run your performance in Show Mode
– Non-destructive design tools never modify your media files
– Undo any edits
– “Audition” cues locally without sending audio, video, or lighting output to the stage
– Cue templates and Workspace templates
– “Record cue sequence” tool, to capture timing and play it back again the same way later
– “Paste cue properties” tool, to selectively paste properties from one or more cues onto other cues in your workspace
– Text search of cue lists and cue carts
– Extensive AppleScript and OSC APIs
– A comprehensive Status Window to guide troubleshooting
– Powerful and painless remote editing via QLab Remote

Lighting
– Control unlimited Art-Net DMX universes.
– Create unlimited light instruments (like channels, but can be named anything, not just numbers).
– Create unlimited light groups to collect related instruments together, like “all”, “stage right”, “LEDs”, “floor”, or “floor front left”.
– Use both conventional dimmers and more complex lights with multiple parameters (includes support for percentage-based parameters, as well as both 8-bit and 16-bit direct DMX parameters.)
– QLab-style levels fading: it’s simple to build looks and effects that you can layer and reuse. A Light cue changes only the levels you set in the cue, and leaves the rest unchanged.
– Build sophisticated lighting designs by chaining Light cues together to build complex cue sequences out of simpler parts, then trigger the sequence with a single “GO” like a chain of dominoes.
– As with all cues in QLab, Light cues can be copied, pasted, reordered, paused, resumed, and stopped at any time
– All QLab fade curves are available for Light cues; including linear, s-curve, or totally custom shape fades.
– See and manipulate the current levels of all your lights using the Light Dashboard.
– If you need to sneak in live edits from the Dashboard, you can optionally tell QLab to apply the new values “over time” so they’ll fade in smoothly.
– Open the Audition Window to view the effects of light cues “blind” in the dashboard. Close the Audition Window, and the dashboard will instantly revert back to show the live state of your lights.
– Adjust your lights in the dashboard, then:
-Create a new cue with just the changes,
-Create a new cue with all instruments,
-Update the last-run light cue with the changes, or
– Trace back the edits to each cue that most recently modified each instrument.
– Map your favorite MIDI controller to light commands, for editing either the light dashboard or individual cues.
– For motorized MIDI hardware, QLab supports MIDI “feedback” from the light dashboard and individual light cues. (Aka “flying faders”.)
– Use QLab’s powerful light command language, with autocompletion, instrument or group parameter addressing, ranges, ad-hoc groups, and command history, to efficiently edit both the light dashboard and individual light cues.
– View light cues as sliders, tiles, or raw command text at any time.
– View the Light Dashboard as sliders or tiles.
– Edit lights via keyboard entry (on the command line) or with the mouse (via clicking and dragging.)
– Easily delete individual light commands from any cue, and of course undo any edits.
– In slider view, expand group commands into all the individual instruments currently in the group.
– In slider view, indicators show the current live value of each light in a cue.
– In slider view, select multiple commands to temporarily “gang” them, so you can adjust them up or down together.
– Quickly see when a group of instruments is set to all the same level or a mix of different levels.
– Batch-edit multiple light cues by selecting them and then simply editing any light command they all share. (Or adding a new command to all of them at once.)
– Use AppleScript, either externally or via Script cues, for advanced programming techniques like algorithmically generating a series of Light cues.
– Control both the Light Dashboard and individual Light cues via OSC messages.

Audio
– Support for up to 64 channels of audio output
– Support for up to 24-channel audio files
– Support for up to 24 channels of live audio input
– Audio waveform view
– Unlimited slices of your media files for looping and vamping
– Sample-accurate playback synchronization across multiple cues
– Audio panning and volume fading
– Customize output channel names
– Edit audio device routing
– Audio effects on any cue
– Audio effects on cue outputs
– Audio effects on device outputs
– Fade audio effects dynamically

Video
– Full-screen or custom geometry for Video cues
– Fade and animate videos
– 1000 layers of video
– Masking and edge-blending across multiple projectors
– Warping and keystone correction
– Basic video effects
– Live camera input with the Camera cue
– Syphon input & output
– Blackmagic input & output
– Text & titles with the Text cue

Show Control
– Send OSC or UDP messages using the Network cue
– Fade your OSC messages over time, in 1D or 2D
– Inject live values from your workspace into outgoing OSC messages
– Send all MIDI and MIDI Show Control messages with the MIDI cue
– Send MIDI messages by playing MIDI files with the MIDI File cue
– Run your own AppleScripts with the Script cue
– Generate LTC or MTC output with the Timecode cue
– Trigger cue lists from incoming LTC or MTC timecode
– Remote control via OSC and MIDI

What’s new in QLab 4.0.10
– FIXED: A regression that prevented Audio, Mic, and Video cues from being unloaded if stopped when not running.

Requirements: Intel, 64-bit processor OS X 10.10 or later

INFO/DEMO: http://redi.se/3brt
QLab Pro 4.0.10 macOS-P2P
http://beelink.in/25876/QLab-Pro-4.0.10-macOS-P2P.html

Diamond Cut Forensics 10 Audio Laboratory v10.03 WiN CRD, windows software audio, Win, Laboratory, Forensics, Diamond Cut, Diamond, Cut, CRD, Audio Laboratory, Audio

Diamond Cut Forensics v10.03 WiN

Team CRD | April 08 2017 | 54.2 MB

Audio Laboratory

We’re now proud to announce DC Forensics 10 This powerful Forensics software product has all of the power previous versions of DC LIVE/Forensics but with some major new features! You’ll still have the best odds on the planet of pulling a voice out of the recording muck.

Diamond Cut Forensics 10 Audio Laboratory v10.03 WiN CRD, windows software audio, Win, Laboratory, Forensics, Diamond Cut, Diamond, Cut, CRD, Audio Laboratory, Audio

New Features:

  • Free One Year Support!
  • VST Hosting (VST Plug-in Support) Added It’s finally here! No you can incorporate dozens of filters made by other companies directly DC Forensic 10. The can be used like other DC filters, and they can even be used in the multifilter!
  • Forensics Audio Whisper Enhancer Filter added (including 15 factory presets)This is much more than a tricked out expander. The new Whisper Enhancer takes a completely novel approach to digging out these quiet signals that drive you crazy. It’s especially useful for otherwise decent quality recordings that have not suffered from several rounds of aggressive compression.
  • Subsonic Explorer This new tool presents the operator with a clear indication of energy at 30Hz and below and allow him or her to correlate its presence to the time domain waveform. This can be very useful in certain authenticity studies, especially ones that invoice analog edits.
  • Added a Forensics Histogram Comparator
  • Forensics Auto Silence Chop-Out function This is great for those hours long surveillance recordings where 90% of it is silence. With this new tool, you just define the level of sound you want to keep and the program automatically marks all those silent passages. It will remove them too and product a CSV file with the exact spots the silence was removed.
  • Spectral Frequency Tracking to aid in Audio Authentication
  • Low Frequency Shelf option added to the Paragraphic EQ
  • 32 New Paragraphic EQ Factory Presets Added
  • Sampling Rate support extended from 192 kHz up to as high as 210 kHz
  • Improved the audio quality of the Stretch and Squish (pitch and tempo change) system
  • Updated GUI Appearance
  • One-Click Switch between Fast & Classic Edit Modes
  • Added Hr. indicator to record time display
  • Added docking windows for History Dialog box, Vu Meter and File Information dialog boxes
  • Added File Viewer Docking window to access file system more readily
  • Forensics Histogram vs Time display added for analyzing entire files in a histogram domain.
  • Comparative Histogram allows comparison of statistical distribution of two file portions with each other.
  • File Statistics Feature (calculated on highlighted area of file)
  • Changed the software application “look” to follow various flavors of Windows.

Over 1,950 Descriptive Factory Presets are now provided for ease in “getting started” with any given function.DC LIVE/Forensics was released in 2000 and and filled an important gap that was missing from the Audio Forensics world at that time. Previously, all Forensics solutions were based on expensive hardware that was difficult to use, hard to repair and even harder to upgrade. For the first time, Forensics customers were able to analyze, enhance and improve difficult recordings using only a PC with a sound card. Today, though you can still purchase tres expensive solutions, there is little that cannot be matched by the power of DC Forensics 10. There is also a very popular 3 day training class associated with this product that allows members of the law enforcement community, private citizens and other Forensics professionals access to thorough information on not only the product itself but full details relating to preserving, securing, and testifying to Audio Forensics methods.

These features were added in our most recent version!

  • Auto Voice tool – This is a Major new tool. It has two independent math processes that adapt in real time. One finds noise and the other finds human speech. These are then separated. This is a tool you should try first with any voice recording as it’s so quick and easy.
  • Cell Phone Noise filter – This new tool allows you to “teach” the program what a cell impulse looks like. It’s then search out those impulses and remove them and replace the pulse with interpolated good audio. You’ll find this is useful on a wide variety of cell noises that are picked up by nearby recorders.
  • Spectrogram functionality – The tool has many enhancement but retains its super high resolution and fast speed. You can even scroll the spectrogram while playing audio. This is now a great tool to do authenticity studies.
  • DeClipper Tool – now includes Two methods of repair of clipped and distorted signals. One has an adjustable strength and the other uses a method of frequency domain interpolation. The result is much more distortion is removed.
  • Voice ID function – uses industry standard approach to allow you to see and rank the speech formants of a selected word, syllable or other speech. It also shows a frequency response plot and a Cepstrum graph. It provides the tools necessary for an expert analysis of speech characteristics.
  • Overtone and sub-harmonic synthesizer – allow the operator to add some “fidelity” into muffled or otherwise hard to understand speech.
  • Support for Flac, Ogg Vorbis and Broadcast Wave audio file formats.
  • And much more!!!

 

New in version 10.03 (released April 7, 2017)
– New Feature: Vocal Wind Noise reduction
– Improved tracking of all editing functions in classic editing mode between source and destination files
– Added offset capability to the overtone and sub-harmonic synthesizer filters for a more natural sound.
– Added power spectrum display to the Spectrum Analyzer.
– Added “Delete All Filters” right menu option to the Multifilter
– New presets
– Bug fixes.
– Gain Normalize would have incorrect final gain levels
– CNF crash when running in “keep residue” mode at high FFT sizes
– Fixed overall gain of RIAA filter at 96kHz sample rate.
– Fixed crash opening some video file types

INFO/DEMO: http://redi.se/3c8s
Diamond Cut Forensics 10 Audio Laboratory v10.03 WiN-CRD
http://beelink.in/26300/Diamond-Cut-Forensics-10-Audio-Laboratory-v10.03-WiN-CRD.html

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