Blue3 v1.3.0 WiN MAC R2R, x86 plugins vsti x64 plugins vsti windows vsti vst plugins macos software audio plugins au for mac aax plugins, x86, x64, Win, VSTi, VST, Standalone, R2R, MAC, Blue3, AU, AAX

Blue3 v1.3.0 WiN MAC

Team R2R | 01.12.2017 | WiN: 34 MB | OSX: 84 MB

AAX AU VST VSTi STANDALONE x86 x64

You know the sound. We’ve all heard it a thousand times. Sweet and angry. Mysterious and powerful. Warm and wonderful. Blue3 recreates the glorious sound of vintage tonewheel organs with amazing attention to detail. Every component of these wonderful instruments has been captured with all their quirks and imperfections.

Features:
– 91 modeled tonewheels with accurate phase synchronization
– Full polyphony for upper, lower and pedal manualsl
– Adjustable tonewheel leakage, crosstalk and flutter
– Selectable foldback for the 16′ drawbar
– 9 contact key and busbar simulation
– Selectable keyboard split function
– Adjustable 3 band output EQ
– Extensive MIDI controller mapping
– 30 tonewheel sets from vintage A100, B3, C3 & L100 instruments
– 6 way tonewheel scaling
– Adjustable drawbar output levels
– Hyper accurate vibrato/chorus scanner
– Completely adjustable percussion & vibrato scanner controls
– Classic 122/147 and “high power” custom rotary speaker simulations
– Guitar amp cabinet simulation
– Accurate manual taper & volume robbing
– Classic 40 watt rotary speaker tube overdrive simulation and high gain British guitar amp overdrive
– Completely adjustable rotary speeds, acceleration & deceleration
– Accurate microphone spread and distance controls
– Rotary horn diffusers on/off
– Front stop & Memphis control for rotary speaker
– Low memory/disk usage
– Low CPU usage

INFO/DEMO/BUY: https://mage.si/T102
Blue3 v1.3.0 WiN MAC-R2R
http://beelink.in/33141/Blue3-v1.3.0-WiN-MAC-R2R.html

MODO BASS v1.5.0 MAC WiN R2R, windows vsti vst plugins macos ik multimedia soft ik multimedia software audio plugins au for mac aax plugins, Win, VST3, VST, Standalone, R2R, MODO, MAC, Bass, AU, AAX

MODO BASS v1.5.0 WiN MAC

TEAM R2R | 01.12.2017 | WiN: 191 MB | OSX: 181 MB

AU/STANDALONE/VST/VST3/AAX

MODO BASS® is the first physically modeled bass virtual instrument that gives you an unprecedented realistic performance for your bass tracks. As a producer, you want the best possible bass sound you can get… you want realism, credibility and authenticity that delivers the most accurate and inspiring performance. Sometimes you just can’t hire the right bass player, and some virtual instruments out there can leave you flat and uninspired. Enter MODO BASS — the industry’s first true physically modeled instrument from the leader in analog modeling technology. 8 years in the making and developed in collaboration with one of Europe’s oldest universities, MODO BASS is a completely new breed of instrument that delivers the best of both worlds: the realism and sound of an instrument being played by a master musician and the convenience of a plug-in virtual instrument.

Features:
– The first physically modeled electric bass virtual instrument
– Groundbreaking real-time modal synthesis technology — no samples used to create sound
– Recreate virtually every electric bass sound imaginable
– 12 iconic bass models that span the history of recorded electric bass
– Models the entire act of playing an electric bass – player, instrument, FX & amp
– Ultra-small memory footprint
– Choose playing style — pluck, slap and pick
– Freely move the playing hand for realistic performance
– Customize string force, fingers used, pick thickness & technique
– Customize string number, scale, tuning, gauge, construction, action, age
– 20 faithfully recreated, interchangeable iconic bass pickups with volume
– Choose active or passive electronics with parametric EQ
– Under-bridge piezo pickup with blend
– 7 bass stomp box effects configurable in 4-slot chain
– 2 iconic bass amps – Solid State and Tube derived from AmpliTube
– FX and amp global bypass for routing
– Optimized resizable interface
– Works as a 64-bit plug-in or standalone instrument for Mac/PC
– Full MIDI control with MIDI learn, keyswitches
– Full DAW automation control support

What’s new in version 1.5
– 2 new bass models: Imperial (based on a 6 string Fodera® Custom model); Metal (based on a 5 string Dingwall® Combustion NG2) (A collection of 14 bass models — 2 new members of the family)
– 6 string feature: all models can now be turned into 6 string basses
– Drop A feature: drops the low B String to an A note
– Redesigned, more flexible control section
– Update is free for all current users

INFO/DEMO/BUY: https://mage.si/jhDm
MODO BASS v1.5.0 WiN MAC-R2R
http://beelink.in/33879/MODO-BASS-v1.5.0-MAC-WiN-R2R.html

URS Classic Console Compressors Bundle v1.1 AU VST RTAS TDM MAC OSX INTEL, vst plugins tdm plugins rtas macos plugins au for mac, VST, TDM, RTAS, OSX, MAC, Intel, Compressor, Bus Compressor, Bus, AU, Analog, 1980s, 1970s

URS Classic Console Compressors Bundle v1.1 MAC

P2P | 30.11.2017 | 84.78 MB

AU VST RTAS TDM MAC OSX INTEL

The URS Classic Console Compressor Bundle is a suite of 3 Classic Console Compressor plug-ins. They feature 48-bit Double Precision Processing and support 192K sampling. While digitally recreating the Classic Console analog Bus Compressor sound, we added modern features and found the compressors to be even more powerful on individual tracks.

1970’s Specifications :
* Transformer input stage emulation.
* Input Level.
* Gain Make up Output Control.
* Separate Limiter and Compressor Threshold controls.
* Variable Limiter Attack Time 1ms – 50ms.
* Variable Limiter Release Time 50ms – 1500ms.
* “Brick Wall” Limiter Ratio fixed at 1000:1.
* Variable Compressor Attack Time 1ms – 50ms.
* Variable Compressor Release Time 100ms – 1500ms.
* Selectable Compressor Ratio 1:1, 2:1, 3:1, 4:1. 6:1, 8:1, 10:1, 20:1. Infinity.
* Variable Hi-pass Filter Side chain @ 12dB per Octave 20hz to 5K.
* Variable Lo-pass Filter Side chain @ 12dB per Octave 20Khz to 1k.
* Gain Reduction Meter – selectable Limiter, Compressor or both.
* In / Out Bypass switch.
* Line input Trim offers -10 to +20 gain variable to .1db.
* Plasma Style Input and Output VU Meters.

1980’s Specifications :
* Input Level.
* Gain Make up Output Control.
* Separate Limiter and Compressor Threshold controls.
* Variable Limiter Attack Time 1ms – 50ms.
* Variable Limiter Release Time 50ms – 1500ms.
* “Brick Wall” Limiter Ratio fixed at 1000:1.
* Variable Compressor Attack Time 1ms – 50ms.
* Variable Compressor Release Time 100ms – 1500ms.
* Selectable Compressor Ratio 1:1, 2:1, 3:1, 4:1. 6:1, 8:1, 10:1, 20:1. Infinity.
* Variable Hi-pass Filter Side chain @ 12dB per Octave 20hz to 5K.
* Variable Lo-pass Filter Side chain @ 12dB per Octave 20Khz to 1k.
* Gain Reduction Meter.
* In / Out Bypass switch – selectable Limiter, Compressor or both.
* Line input Trim offers -10 to +20 gain variable to .1db.
* Plasma Style Input and Output VU Meters.

INFO/DEMO/BUY: https://mage.si/gO8P
URS Classic Console Compressors Bundle v1.1 MAC OSX INTEL
http://beelink.in/34624/URS-Classic-Console-Compressors-Bundle-v1.1-MAC.html

T RackS 5 v5.0.1 Complete WiN KGN FiXED MAC R2R, x64 windows vst3 plugins vst plugins macos software audio plugins au for mac apps windows apps aax plugins, x64, Win, VST3, VST, T Racks, reverbs, Reverb, R2R, multiband processors, Multiband, MAC, limiters, Limiter, de essers, de esser, Compressors, Compressor, Complete, AU, App, AAX

T-RackS 5 v5.0.1 Complete WiN MAC

TEAM R2R | 2017.11.30 | KGN FiXED | WiN: 961 MB | MAC: 942 MB

PLATFORM : WiN64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

World-class mixing and mastering plug-ins on demand

Close your eyes and picture a store full of cool, powerful processing gear including compressors, limiters, reverbs, de-essers, multiband processors, and a shelf full of vintage, legendary gear emulations. In short, a dream store for recording musicians, engineers and producers.

T RackS 5 v5.0.1 Complete WiN KGN FiXED MAC R2R, x64 windows vst3 plugins vst plugins macos software audio plugins au for mac apps windows apps aax plugins, x64, Win, VST3, VST, T Racks, reverbs, Reverb, R2R, multiband processors, Multiband, MAC, limiters, Limiter, de essers, de esser, Compressors, Compressor, Complete, AU, App, AAX

Features:
– Free version of T-RackS including the Custom Shop, the Classic EQ and basic Metering functionality
– Standalone workstation, plugin suite and single plugins for Audio Units, VST2, VST3 and AAX formats
– Custom Shop functionality lets you purchase additional modules from inside the program
– T-RackS shell allows for chaining of up to 16 processors
– Standalone integration with ARC System 2.5 processing
– All processors available as individual plug-ins
– 64-bit native support
– High-fidelity oversampling for high-quality audio processing through the entire signal path
– SCC™ technology coupled with IK’s unique DSM™ technology provides the most realistic software emulation of vintage gear to date
– Extremely easy to use, with style-based presets, full chain visualization, one-click single module or chain bypass, “compare” function and more.

What’s new v5.0.1:
– Fixed a problem which may cause some Windows users to not visualise the Standalone application correctly
– Fixed a GUI issue with the EQ-81
– Fixed a problem which may cause the playback to stop when double clicking on the clip
– Fixed a problem which may cause the metering suite to crash in Pro-Tools
– Fixed a problem with the parallel chain inside the suite and in the standalone version
– Fixed a problem which causes the Classic EQ and the Linear Phase EQ to not recall settings correctly
– Fixed a problem which may cause glitches when zooming in the assembly view
– Fixed problem which prevents the playhead from returning to the correct position
– Fixed problem which may cause OpenGL glitches with some GPUs
– Fixed problem which causes the Saturator X to not recall correctly
– Fixed problem which may cause presets to be saved incorrectly
– Fixed problem which may cause incorrect visualisation of the VST3 version of the plug-ins.
– Windows dimensions and layout is now retained.
– The last selected export, import and project folder directories are now retained

INFO/DEMO/BUY: https://mage.si/G40k
T-RackS 5 v5.0.1 Complete WiN MAC-R2R
http://beelink.in/34374/T-RackS-5-v5.0.1-Complete-WiN-MAC.html

808 Bass Module v2.5.0 FULL AU VST VSTi WiN MAC, x86 plugins vsti x64 plugins vsti windows vsti vst plugins macos plugins au for mac, Win, VSTi, VST, Trip Hop, P2P, Module, MAC, Hip Hop, Hip Hop, Full, EDM, Dubstep, Bass, AU, 808 bass, 808

808 Bass Module v2.5.0 FULL WiN MAC

P2P | 29.11.2017 | MAC: VST: 337.14 MB | AU: 337.14 MB

WiN: VST: x64 – 329.78 MB | VST: x86: 329.58 MB

808 Bass Module 2 is a powerful 808 bass ROMpler for Windows and Mac users. 808 Bass Module 2 contains 170 ready-to-use and freshly designed layered presets, to bring grit and rumble to your productions. The sounds are now even more powerful and are ready to play in the key of your project.

Features:

  • Windows & Mac.
  • 32/64 bit.
  • LP/HP Filter. NEW!
  • Pitch Bend Control. NEW!
  • 170 Presets for Electronic music.
  • Fast loading presets.
  • LFO rate and depth controls.
  • LFO waveform, LFO source and LFO destination.
  • Attack & Release.
  • Amplitude Knob.
  • Glide Knob.
  • Free updates.
  • Easy to use.
  • 100% royalty free.
  • Compatible with MacOS Sierra.

 

Changes:
+ New GUI.
+ Added ADSR (100% functional).
+ Added Amplitude range high & low.
+ Added Velocity curve menu.
+ VST3 Support.

INFO/DEMO/BUY: https://mage.si/xcq6
808 Bass Module FULL v2.5.0 AU VST VSTi WiN MAC
http://beelink.in/30099/808-Bass-Module-FULL-v2.5.0-AU-VST-VSTi-WiN-MAC.html

Deep Matter MASCHiNE EXPANSiON WiN MAC, windows presets patches massive maschine macos samples audio, Win, Techno, Melodic Techno, Melodic, Matter, Maschine Expansion, Maschine, MAC, Expansion, Deep

Deep Matter MASCHiNE

P2P | Nov 27 2017 | 892 MB

DEEP MELODIC TECHNO

Captures the authentic vibes of Berlin’s underground sound, Features found sound percussion and atmospheric field recordings. Includes MASSIVE and MONARK presets for perfect-sounding bass, chords, and leads

EUPHORIC DARKNESS
DEEP MATTER pulses with moody bass, melancholic pads, atmospheric field recordings, and crisp percussion to bring the euphoric darkness of Berlin’s ethereal techno to MASCHINE.

THE SOUND OF BERLIN
Amid the dust of the Berlin Wall’s collapse, a stark, cold techno sound was forged. It ruled Berlin until its hard edges were stripped away in favor of minimal techno’s lean layers and abstracted elements. Minimal developed, too, and its sparse percussion melded with polished grooves and pulsing synths to create the atmospheric, ethereal techno of contemporary Berlin. DEEP MATTER delivers precisely this sound – one embodied by labels like Steyoyoke, Crossfrontier Audio, and Stil vor Talent.

POLISHED AND POWERFUL
DEEP MATTER layers warm melodic chords, with reverb and delay for creating effervescent grooves and hypnotic, trance-like tracks. Found sounds from empty cans, marbles and more provide texture, while reamped hand drums convey richness and depth for emotive soundscapes. Tuned drum sounds and production-ready patterns converge with MASSIVE and MONARK sub-bass, drone presets and analog synth pads to pack a powerful punch, while field recordings from Berlin give the expansion an authentic atmosphere.

AT A GLANCE: DEEP MATTER
– Kits 48
– Projects 6
– Instruments 35
– MASSIVE presets 10
– MONARK patches 15
– Drum Synth patches 143
– Total number of patterns 272
– Sample breakdowns 305 drums, 21 loops & 229 oneshots
– Library Size 892 MB
– System requirements Hardware: MASCHINE STUDIO, MASCHINE, MASCHINE JAM or MASCHINE MIKRO

Software: MASCHINE 2.6.8 or higher.
Additionally: Please update to the latest versions of MONARK, MASSIVE, and REAKTOR 6 or the REAKTOR 6 PLAYER ALSO FOR iMASCHINE 2

INFO/DEMO/BUY: https://mage.si/8UM0
Deep Matter MASCHiNE EXPANSiON WiN MAC
http://beelink.in/34611/Deep-Matter-MASCHiNE-EXPANSiON-WiN-MAC.html

Decoded Forms MASCHiNE EXPANSiON WiN MAC, windows reaktor presets patches massive maschine macos samples audio, Win, Maschine Expansion, Maschine, MAC, Forms, Expansion, Decoded

Decoded Forms MASCHiNE

P2P | Nov 27 2017 | 339 MB

DECONSTRUCTED BREAKBEAT FUSION

Features iconic drum breaks, meticulously recorded and reimagined for MASCHINE, Exclusive MASSIVE and MONARK presets designed for rich, melodic bass

ASYMMETRIC SOUND
DECODED FORMS blazes with deconstructed breaks, evolving pads, disruptive bass, and crisp drums to bring the post-jungle kaleidoscope to MASCHINE.

ALL ABOUT THAT BREAK
Popularized in funk songs of the 60s and 70s, the break was reimagined by the hip hop stylings of DJs and b-boys who sampled the sounds in their sets. Dancefloors in the UK soon caught on, with chopped up breaks as the sped-up backbone of jungle tracks. Then came Autonomic, footwork, and the shifting 80/160 and 85/170 tempos of slow/fast, embraced by artists rejecting the machismo of drum and bass. A new form of music — post jungle — emerged, a synergetic fusion of all that came before.

SPACE AND SOUL
At the core of DECODED FORMS are four iconic drum breaks from the 70s, chosen for their contextual versatility. Each drum break was meticulously recorded to capture the flavor and sonic character of the original. After extending the original loops with improvised phrases, kits were created with each sound deconstructed, dissected, and dismantled into mix-and-match pieces. Additionally, spacey pads and warm chords give the expansion lush, atmospheric textures.

 

AT A GLANCE: DECODED FORMS
– Kits 42
– Projects 8
– Instruments 33
– MASSIVE presets 19
– MONARK patches 5
– REAKTOR PRISM patches 1
– Drum Synth patches 26
– Total number of patterns 166
– Sample breakdowns 230 drums, 170 loops & 169 oneshots
– Library Size 339 MB
– System requirements Hardware: MASCHINE STUDIO, MASCHINE, MASCHINE JAM or MASCHINE MIKRO

Software: MASCHINE 2.6.8 or higher.
Additionally: Please update to the latest versions of MONARK, MASSIVE, REAKTOR PRISM and REAKTOR 6 or the REAKTOR 6 PLAYER

INFO/DEMO/BUY: https://mage.si/ftQ7
Decoded Forms MASCHiNE EXPANSiON WiN MAC
http://beelink.in/34610/Decoded-Forms-MASCHiNE-EXPANSiON-WiN-MAC.html

Amadeus PRO v2.4.3.1978 macOS TNT, macos software audio apps, TNT, Pro, OSX, macOS, MAC OSX, MAC, Amadeus Pro, Amadeus

Amadeus Pro v2.4.3 macOS

TNT | Nov 27 2017 | 18.7 MB

Amadeus Pro is a powerful multitrack audio editor supporting a variety of formats including MP3, AAC, Ogg Vorbis, Apple Lossless, AIFF, Wave and many others. Each track can have its volume adjusted independently from the others. Amadeus Pro fully supports multitrack WAVE files and allows you to render sound on up to 5 different loudspeakers simultaneously.

Amadeus PRO v2.4.3.1978 macOS TNT, macos software audio apps, TNT, Pro, OSX, macOS, MAC OSX, MAC, Amadeus Pro, Amadeus

Multitrack Editor
Amadeus Pro is a fully featured multitrack editor. Each track can have its volume and panning adjusted independently from the others. Each track can be split into multiple audio clips that can easily be dragged independently of each other. Furthermore, Audio Units can be applied to individual tracks in real-time without requiring any destructive editing.

Batch Processing
There’s that whole collection of files that you wanted to convert to Mp3, but you first wanted to normalize them and make them fade in and out nicely. Several hours of work in perspective? Let Amadeus Pro do the work for you! The powerful batch processor allows you not only to convert large numbers of files between any of the supported formats, but you can also instruct Amadeus Pro to apply any sequence of sound effects.

Repair Centre
The handy repair centre allows you to find and to repair cracks with a simple click of the mouse. Furthermore, Amadeus Pro’s powerful denoising functions allow you to easily get rid of that annoying hiss on your old tape recordings or of that 50Hz hum picked up by a badly insulated microphone.

Amadeus Pro also features:
– Tracks can be split into multiple clips for easy placement
– Audio Units can be applied to tracks non-destructively in real-time
– Smart editing
– Scheduled recordings
– Easy editing of audio tracks in QuickTime movies
– Powerful batch processor
– Direct recording from internet streams
– A full range of real-time and offline sound analysis tools

What’s New in Version 2.4.2
Bug fixes. Version 2.4 includes:
– Much faster display on computers supporting Metal on OS X 10.11 and up
– Touchbar support

INFO/DEMO/BUY: https://mage.si/SsGZ
Amadeus Pro v2.4.3 macOS
http://beelink.in/13958/Amadeus-Pro-v2.4.3-macOS.html

QLab Pro 4.1.5 Pro Bundle macOS TNT, macos software audio apps, TNT, QLab, Pro, OSX, macOS, MAC OSX, MAC, Bundle

QLab Pro 4.1.5 macOS

TNT | Nov 16 2017 | 20.4 MB

QLab makes it simple to create rich multimedia designs for live performances and installations. From Broadway to the West End, in churches, museums, store fronts, concert halls, and theaters around the world, people use QLab to bring their audio and video to life.

QLab Pro 4.1.5 Pro Bundle macOS TNT, macos software audio apps, TNT, QLab, Pro, OSX, macOS, MAC OSX, MAC, Bundle

Design Tools
– Unlimited Cue Lists with unlimited cues
– Unlimited Cue Carts with 1 to 64 buttons per cart
– Design in Edit Mode and run your performance in Show Mode
– Non-destructive design tools never modify your media files
– Undo any edits
– “Audition” cues locally without sending audio, video, or lighting output to the stage
– Cue templates and Workspace templates
– “Record cue sequence” tool, to capture timing and play it back again the same way later
– “Paste cue properties” tool, to selectively paste properties from one or more cues onto other cues in your workspace
– Text search of cue lists and cue carts
– Extensive AppleScript and OSC APIs
– A comprehensive Status Window to guide troubleshooting
– Powerful and painless remote editing via QLab Remote

Lighting
– Control unlimited Art-Net DMX universes.
– Create unlimited light instruments (like channels, but can be named anything, not just numbers).
– Create unlimited light groups to collect related instruments together, like “all”, “stage right”, “LEDs”, “floor”, or “floor front left”.
– Use both conventional dimmers and more complex lights with multiple parameters (includes support for percentage-based parameters, as well as both 8-bit and 16-bit direct DMX parameters.)
– QLab-style levels fading: it’s simple to build looks and effects that you can layer and reuse. A Light cue changes only the levels you set in the cue, and leaves the rest unchanged.
– Build sophisticated lighting designs by chaining Light cues together to build complex cue sequences out of simpler parts, then trigger the sequence with a single “GO” like a chain of dominoes.
– As with all cues in QLab, Light cues can be copied, pasted, reordered, paused, resumed, and stopped at any time
– All QLab fade curves are available for Light cues; including linear, s-curve, or totally custom shape fades.
– See and manipulate the current levels of all your lights using the Light Dashboard.
– If you need to sneak in live edits from the Dashboard, you can optionally tell QLab to apply the new values “over time” so they’ll fade in smoothly.
– Open the Audition Window to view the effects of light cues “blind” in the dashboard. Close the Audition Window, and the dashboard will instantly revert back to show the live state of your lights.
– Adjust your lights in the dashboard, then:
-Create a new cue with just the changes,
-Create a new cue with all instruments,
-Update the last-run light cue with the changes, or
– Trace back the edits to each cue that most recently modified each instrument.
– Map your favorite MIDI controller to light commands, for editing either the light dashboard or individual cues.
– For motorized MIDI hardware, QLab supports MIDI “feedback” from the light dashboard and individual light cues. (Aka “flying faders”.)
– Use QLab’s powerful light command language, with autocompletion, instrument or group parameter addressing, ranges, ad-hoc groups, and command history, to efficiently edit both the light dashboard and individual light cues.
– View light cues as sliders, tiles, or raw command text at any time.
– View the Light Dashboard as sliders or tiles.
– Edit lights via keyboard entry (on the command line) or with the mouse (via clicking and dragging.)
– Easily delete individual light commands from any cue, and of course undo any edits.
– In slider view, expand group commands into all the individual instruments currently in the group.
– In slider view, indicators show the current live value of each light in a cue.
– In slider view, select multiple commands to temporarily “gang” them, so you can adjust them up or down together.
– Quickly see when a group of instruments is set to all the same level or a mix of different levels.
– Batch-edit multiple light cues by selecting them and then simply editing any light command they all share. (Or adding a new command to all of them at once.)
– Use AppleScript, either externally or via Script cues, for advanced programming techniques like algorithmically generating a series of Light cues.
– Control both the Light Dashboard and individual Light cues via OSC messages.

Audio
– Support for up to 64 channels of audio output
– Support for up to 24-channel audio files
– Support for up to 24 channels of live audio input
– Audio waveform view
– Unlimited slices of your media files for looping and vamping
– Sample-accurate playback synchronization across multiple cues
– Audio panning and volume fading
– Customize output channel names
– Edit audio device routing
– Audio effects on any cue
– Audio effects on cue outputs
– Audio effects on device outputs
– Fade audio effects dynamically

Video
– Full-screen or custom geometry for Video cues
– Fade and animate videos
– 1000 layers of video
– Masking and edge-blending across multiple projectors
– Warping and keystone correction
– Basic video effects
– Live camera input with the Camera cue
– Syphon input & output
– Blackmagic input & output
– Text & titles with the Text cue

Show Control
– Send OSC or UDP messages using the Network cue
– Fade your OSC messages over time, in 1D or 2D
– Inject live values from your workspace into outgoing OSC messages
– Send all MIDI and MIDI Show Control messages with the MIDI cue
– Send MIDI messages by playing MIDI files with the MIDI File cue
– Run your own AppleScripts with the Script cue
– Generate LTC or MTC output with the Timecode cue
– Trigger cue lists from incoming LTC or MTC timecode
– Remote control via OSC and MIDI

What’s New

Version 4.1.5:

New

  • Additional compatibility when importing shows created in Go Button 3.1 and newer.
  • A “Reset Origin” button in the surface editor, shown when there is no video license installed.
  • Workspaces now respond to the new AppleScript commands: movePlayheadUp, movePlayheadDown, movePlayheadUpASequence, movePlayheadDownASequence
  • Group cues now respond to the new AppleScript commands: expand and collapse. (Which changes their displayed state in the cue list.)

Changed

  • Improved filtering for the Art-Net Lighting Interface preference to avoid confusing USB DMX devices with Art-Net devices.
  • Removed the option to hold down the shift key to insert new cues before instead of after selection. This feature interfered with existing workflows in a number of cases, and caused more trouble than it was worth.

Fixed

  • Don’t lose edits in certain inspector text views (Script, OSC, MIDI SysEx, etc) if switching focus to another application.
  • When viewing a cue list in a separate window, resizing the “number” or “target” column will now stick.
  • Some cases where the “move to next/previous cue sequence” commands would not do the right thing.
  • A bug that prevented being able to set the current playback time on a Text cue in the Active Cues List.
  • Don’t allow dragging a cue or a file on to a cue list or cue cart, thus potentially retargeting every cue in the list or cart.
  • Don’t show the “loaded” status icon if a cue is broken.
  • A bug in the OSC “/patchList” command that caused QLab Remote to show the audio slider “live” status on the wrong audio channels if an audio patch used customized Device Routing.
  • A bug that caused cues that should not respond to a given OSC command to return an invalid response when that command was sent to multiple cues at once.
  • An issue that caused Audio cues to drop samples when started using the Cart play button or the the Time & Loops inspector tab “Preview” button.
  • A bug where QLab would beachball when viewing a cart with many cues in it in a separate window.
  • A bug that would cause the inspector to show the wrong cue if you clicked with the mouse to change the selection while in show mode and then switched to edit mode. (Yes, it’s…sort of confusing. But now: fixed.)
  • Video surfaces with active Syphon output will now properly publish changes to the surface name.
  • Various additional bug fixes, some which prevent crashes.

Requirements

  • Intel, 64-bit processor
  • OS X 10.10 or later

 

INFO/DEMO/BUY: https://mage.si/k5Eb
QLab Pro 4.1.5 macOS-TNT
http://beelink.in/25876/QLab-Pro-4.1.5-macOS-TNT.html

Myriad 4.2.1 MAC OSX SHARK, macos software audio apps, Shark, OSX, Myriad, MAC OSX, MAC

Myriad 4.2.1 MAC

Shark | Nov 25 2017 | 15.6 MB

Myriad is, simply put, one of the best audio batch processors. Totally redesigned, it looks beautiful and delivers incredible performance. Let Myriad do the heavy lifting while you get back to doing what you do best: creating great sounds and music.

Features:
– One powerful productivity tool – Myriad packs a serious punch in a beautiful interface. With more than 100 Actions and many other great features, Myriad helps you work more efficiently, saving you countless hours that you can spend creating.
– Goodhertz SRC – The Goodhertz Sample Rate Converter has the ideal balance between frequency response and transient response – two of the most important characteristics of any sample rate converter. This means that it does its job with the least possible sonic impact, preserving crystal-clear high end while also maintaining sharp transients. The Goodhertz SRC has virtually zero aliasing with performance better than -192 dB, meaning it is error-free at lowest amplitudes.
– Good Dither – When reducing the bit depth for the destination format, the application of dither noise prevents distortion and quantization error. Compared to some long-standing dither algorithms, Goodhertz Good Dither produces better noise reduction without excessive noise shaping. Good Dither also has a wider, flatter noise reduction region which contributes to higher performance in the most critical areas.
– AppleScript – Robust support for AppleScript ensures that Myriad plays well with others.
– Notifications – Now that Myriad fully supports Notification Center, you can let it work behind the scenes.
– Commands – All keyboard commands in Myriad can be customized, saved and shared.
– File Naming – Rename files with ease with Myriad’s new drag-and-drop file naming tokens.

What’s New Version 4.1.0:
– Administrative changes for the move to Aurchitect Audio Software

INFO/DEMO/BUY: https://mage.si/pVL7
Myriad 4.2.1 MAC OSX-SHARK
http://beelink.in/27613/Myriad-4.2.1-MAC-OSX-SHARK.html

Poll

Please, rate your DAW

Other polls...