Massive v1.5.5 AU VSTi STANDALONE 32Bit 64Bit macOS, x86 plugins vsti x64 plugins vsti vsti native instruments audio software native instruments macos software plugins au for mac, VSTi, Standalone, P2P, Massive v1, Massive, macOS, AU, 64Bit, 32Bit

Massive v1.5.5 MAC

P2P | July 29 2018 | 91 MB

(AU VSTi STANDALONE 32Bit 64Bit)

MASSIVE is a sonic monster – the ultimate synth for basses and leads. The analog concept belies the contemporary, cutting-edge sound it generates. The high-end engine delivers pure quality, lending an undeniable virtue and character to even the most saturated of sounds. The interface is clearly laid out and easy to use, ensuring you will have MASSIVE generating earth-shuddering sounds from the very first note.

Massive 1.5.5 – 2018-07-25
– FIXED an issue in which some Expansion presets did not appear in the browser.
– ADDED user analytics to help improve the product

INFO/DEMO/BUY: http://mage.si/84n0
Massive v1.5.5 AU VSTi STANDALONE 32Bit 64Bit macOS
http://beelink.in/37146/Massive-v1.5.5-macOS.html

Analog Lab 3 v3.3.2.1509 MAC PROPER HEXWARS, x86 plugins vsti x64 plugins vsti vsti vst3 plugins macos software plugins au for mac arturia aax plugins, x86, x64, VSTi, VST3, Standalone, PROPER, MAC, Lab, HEXWARS, AU, Analog Lab, Analog, AAX

Analog Lab 3 v3.3.2.1509 MAC

TEAM HEXWARS | 26 Jul 2018 | 762.15 MB

STANDALONE/AU/AAX/VSTi/VST3/x86/x64

Analog Lab gives you streamlined access to 6500+ of the hottest presets from our award-winning V Collection. Featuring sounds from all 21 faithfully modeled vintage keyboards, combining awe-inspiring sound with exceptional ease of use and awesome features. In addition to studying the feedback from the music community, our developers worked hand-in-hand with professional ergonomists to optimize each aspect of this music production & performance dream instrument. It resulted in an intuitive interface, a beautifully organized category based browsing experience, and natural mapping of the sonic parameters, creating a self-contained sonic encyclopedia of legendary sounds.

Analog Lab 3 v3.3.2.1509 MAC PROPER HEXWARS, x86 plugins vsti x64 plugins vsti vsti vst3 plugins macos software plugins au for mac arturia aax plugins, x86, x64, VSTi, VST3, Standalone, PROPER, MAC, Lab, HEXWARS, AU, Analog Lab, Analog, AAX

Discover inspiration at every step on your musical journey.

Keeping it real
You’re all about the sound. So is Analog Lab.
Why settle for samples of classic instruments when you can have faithful reproductions of them? In Analog Lab, you’re surfing the best sounds from award-winning V Collection of 21 classic synths, organs and pianos—all of which are authentic physical models of the originals. There’s simply nothing more true to the organic sound quality of yesteryear available anywhere.

Bring the authentic warmth of analog to your music with Analog Lab.

All of your favorite go-to sounds at your fingertips
Analog Lab gives you the best of 21 instruments that made music history, all in one convenient place.
Analog synthesizers. Digital synthesizers. Acoustic pianos. Electric pianos. Organs. Strings machines. With the best of 21 vintage instrument reproductions on tap, Analog Lab lets you transcend time and style by arming you with everything from the most iconic sounds of the past to modern sound designs that are cutting edge today. Whether you’re composing, recording or performing, over 6500 sounds cover every song, genre, mood and ambience you can think of—no programming required. Use it standalone or with your favorite DAW.

Unleash the sonic power of keyboard history’s greatest hits for your musical adventures.
Find and recall your favorite sounds instantly
With Analog Lab’s sleek new browser, you can always find just the right sound.
Where’s that sound? Find it in a flash by clicking tags to filter Analog Lab extensive sound library by Types, Characteristics, Instruments and more. Need a fat, funky bass? Just click that combination of tags to get a short list from the across the entire library—or limited to just the virtual instruments you select. Click to designate your favorites for instant recall later. Use Playlists to line up just the sounds you need for gigs or sessions, then access or step through them with MIDI program change mapped to your preferred buttons or pedal.

Whether your writing, recording or gigging, Analog Lab’s elegant browser makes it a breeze to quickly mine the depths of this vast library for the sonic gold you’re looking for.

Main Features
•The original hardware/software hybrid synthesizer
•Updated with sounds from the V Collection 6
•Over 6500 sounds from some of the best sound designers in the industry
•Presets are carefully selected from our V Collection 6 (ARP 2600 V, B-3 V, CS-80 V, Farfisa V, Jup-8 V, Matrix-12 V, Mini V, Modular V, Prophet V, Prophet VS, SEM V, Solina V, Stage-73 V, •Synclavier V, Piano V2, Vox Continental V, Wurli V, Buchla Easel V, Clavinet V, DX7 V and CMI V)
•Updated browser to find your sound quickly: by Type (Bass, Pads, Leads…), by Characteristics (long, bright, dark…), etc.
•Multi mode for creating your own layers, splits and adding effects
•Automatic mapping of parameters for ART keyboards
•Parameters can be mapped easily to other MIDI controllers
•Standalone or plug-in operation (VST, VST3, AU, AAX)
•Full preset editing available for owners of the full versions of our synthesizers (Mini V, Modular V, CS-80V, Wurlitzer V, etc.)
•User interface configures automatically to match your Art controller

READ PROPER NOTES: https://paste2.org/46OcWagE
INFO/DEMO/BUY: http://mage.si/q3uF
Analog Lab 3 v3.3.2.1509 MAC PROPER-HEXWARS
http://beelink.in/31802/Analog-Lab-3-v3.3.2.1509-MAC-PROPER.html

Classic Piano Collection KONTAKT, windows ni sounds macos kontakt samples, Piano, P2P, NI, Kontakt, Collection, Classic Piano, Classic

Classic Piano Collection KONTAKT

P2P | 13.11.2015 | KONTAKT | 14 GB

The world’s most revered pianos are based on the award-winning and extremely powerful NI sampling engine, guaranteeing a completely realistic and reliable reproduction of the originals. The keys, including the full sustain and release phases, were sampled at ten different velocities. A specially designed recording technique ensured that the different velocities remained uniform throughout the recording process, delivering exceptionally linear results. High-end microphones and audio equipment delivered the best possible quality of recorded material while the Layer Morphing Technology generates a seamless dynamic gradient across the different velocity layers.

Classic Piano Collection KONTAKT, windows ni sounds macos kontakt samples, Piano, P2P, NI, Kontakt, Collection, Classic Piano, Classic

NEW YORK CONCERT GRAND
The intonation of the NEW YORK CONCERT GRAND is optimized for an easy playing style. Even with very fine keystrokes an impressive sound spectrum is generated, with perfect pianissimo nuances and rich variations. The NEW YORK CONCERT GRAND offers a particularly clear rendition with an amazing degree of flexibility in timbre and dynamics, and is perfect for solo piano, jazz, classical and many other styles.

VIENNA CONCERT GRAND
Overwhelming power, a ‘singing’ sound and a resonance that never quite ends are all characteristics of VIENNA CONCERT GRAND. These sound qualities stem from the unique design of the original. Different strengths of the soundboard in the different layers of bass to treble ensure optimum transfer of string vibrations and allow full power and the finest nuances in all registers – from thundering piano concertos to the softest whisper.

BERLIN CONCERT GRAND
International pianists and designers created the foundations for the BERLIN CONCERT GRAND. Its unique freshness, strength and musicality established new standards worldwide. Utilizing the standard duplex scale, the BERLIN CONCERT GRAND provides enormously expressive power right to the top of the highest treble- truly a charming, magical instrument, vibrant and full of life.

UPRIGHT PIANO
The UPRIGHT PIANO is a traditional, quality piano with a warm, charismatic and compact sound. Time and time again, original artists and critics alike have hailed it as the “Best Concert Piano”. In comparison with the real piano, it easily stands up – the UPRIGHT PIANO reveals a decay and rich sound full of nuances, power and poetry.

A collection of world-class pianos for the KONTAKT engine.

FEATURES
Four classic piano instruments for the KONTAKT player
Recorded with high-end equipment and sophisticated techniques
Sounds indistinguishable from the original
Four of the world’s most classsic piano sounds for your home studio. Order today!

SPECIFICATIONS
Classic Piano Collection
Product type: KOMPLETE Instrument
For use with: Free KONTAKT 5 PLAYER (included in free KOMPLETE 8 PLAYERS), or KONTAKT 5
Sound Category: Three Concert Grand Pianos & one Upright Piano
Download size: (Mac / PC): approx. 11.5GB
System requirements: FREE KONTAKT 5 PLAYER or KONTAKT 5
See KONTAKT 5 PLAYER system requirements and the KONTAKT 5 PLAYER FAQ for more details

INFO/DEMO/BUY: DiSCONTiNUED
Classic Piano Collection KONTAKT
http://beelink.in/24646/Classic-Piano-Collection-KONTAKT.html

Soundminer Pro v4.2fc81 MAC OSX UNiON, macos software, UNION, Soundminer, Pro, OSX, MAC OSX, MAC

Soundminer Pro v4.2fc81 MAC

Team UNiON | 11/25/10 | 38 MB

What is Soundminer? It is an advanced search engine for both Macintosh and Windows users, a highly advanced batch conversion engine, an integrated metadata management tool, an advanced sound design tool, a DSP processing host, a scalable server for multiple users, a web publishing vehicle, and a tracking and metrics system

Soundminer Pro v4.2fc81 MAC OSX UNiON, macos software, UNION, Soundminer, Pro, OSX, MAC OSX, MAC


INFO/DEMO/BUY: http://mage.si/crKo
Soundminer Pro v4 2fc81 MAC OSX-UNiON
http://beelink.in/2191/Soundminer-Pro-v4-2fc81-MAC-OSX.html

VPROM v2.0.3 AU VSTi VST3 macOS HEXWARS, x86 plugins vsti x64 plugins vsti vsti vst3 plugins macos plugins au for mac, VSTi, VST3, VPROM, macOS, HEXWARS, AU

VPROM v2.0.3 macOS

TEAM HEXWARS | 25.07.2018 | 20.3 MB

Vintage Legendary Drums VSTi

A legend never dies!

The VProm was originally based on THE killer drum machine in town back in the early 80s, this expensive drum computer was also the first to include real drum samples back in the days!
Early sample based drum machines used samples of acoustic drum sounds recorded on the fly through some basic hardware. The way they were recorded without any kind of anti-aliasing makes them cut better in a mix than anything available at the time, they sounded so great that they became an alternative to the analog drum sounds of that era. To this day, the unique sound of this vintage machine is highly regarded because only using samples of the analog output is not enough to reproduce the wide range of sound and character of this beast. One DAC(converter)and clock per voice and yummy filters! Yes it is a historical piece of gear that take a huge place in the 80s sound picture. Only around 500 of these things are out there so don’t count on finding a working one easily and forget for cheap.

VPROM v2.0.3 AU VSTi VST3 macOS HEXWARS, x86 plugins vsti x64 plugins vsti vsti vst3 plugins macos plugins au for mac, VSTi, VST3, VPROM, macOS, HEXWARS, AU

It has been used by major acts like:
Prince, Phil Collins, Thompson Twins, Stevie Wonder, Gary Numan, Depeche Mode, The Human League, Jean-Michel Jarre, Vangelis, John Carpenter, Todd Rundgren,The Art of Noise…

VPROM accurately reproduces the internal circuitry and filtering of the first legendary Drum Machine but is also perfectly able to read and import original, custom or vintage EPROMs from other Drum Machines of that era, legendary 80s machines such as the Linndrum, DMX, DrumTraks etc.(.bin files that you can find on the net) An EPROM is an integrated circuit that was used to store short audio sample data in a compressed format. VPROM is the closest thing to the real deal – reading and decoding original EPROM data images in real time using the exact decode table from the AM6070 DAC at a variable sample rate. VPROM also allow experimenting with your own sample database. You can convert samples with external tools and load compatible ULaw companded images (see manual for more info).

INFO/DEMO/BUY: http://mage.si/9guK
VPROM v2.0.3 AU VSTi VST3 macOS-HEXWARS
http://beelink.in/37114/VPROM-v2.0.3-AU-VSTi-VST3-macOS.html

LAMA v1.5.0 MAC OSX, mac ub plugins macos software apps, UB, P2P, OSX, Measurement, MAC OSX, MAC, LAMA, Audio Measurement, Audio

LAMA v1.5.0 MAC OSX

P2P | 24 July 2018 | 6.48 MB

LAMA is the Audio Measurement Application that tells you what you do and not what to do! It is a toolbox of audio-measurement instruments that allow fast & easy setup, designed for live sound-reinforcement but also suitable for all other needs of audio-engineering.

Transfer Measurements
LAMA has source independent Transfer Measurements – simply connect your desk-output as reference signal and a microphone as measurement signal and see frequency response and coherence – since it is source independent you can do this during your show, and see things like “what happened since soundcheck?” or “what is going on on the balcony above me?”

Frequency Analysis
The Spectrum Analyzer and Spectral History (Spectrogram) instrument are used to monitor the audio-spectrum of every signal you are interested in, and of course they have various types of display -like iso-octaves or continuous- to customize the view to your personal likings.

Sound Pressure Level Meter
Once calibrated, you can use the Sound Pressure Level Meter to show current SPL in different weightings and response times and also watch the LEQ and predict it. Sound Pressure Levels can also be logged and exported into a CSV-file later for further processing in a spreadsheet-application.

HTTP Server
LAMA comes with an integrated HTTP Server that allows to deliver current SPL data and long-term log data over LAN or WAN to every Web-browser.

SPL Alerts
In case you are not allowed to exceed a certain SPL-Limit, the SPL Traffic Light helps you to do so. You prefer to be alarmed with a GROWL Notification? No problem, LAMA can do so!

Level History Instrument
The Level History Instrument shows the peak and RMS audio level of the recent past and the integrated Level Distribution indicates the perceived loudness, which helps to produce your audio-program with a constant level.

Goniometer
The Goniometer shows the stereo-image and correlation of a source. A must-have when recording and also very useful in sound-reinforcement to monitor playback sources from CD or video.

Recorder
Need to record, quickly, without a hassle? LAMA has an integrated audio-recorder that does so! Record your show without a lot of configuration!

Oscilloscope
The Oscilloscope shows the waveform of two different signals – of course with adjustable level-threshold and time settings.

INFO/DEMO/BUY: http://mage.si/CEKW
LAMA v1.5.0 MAC OSX
http://beelink.in/1914/LAMA-v1.5.0-MAC-OSX.html

Quanta v1.0.13 AAX AU VSTi VST3 x86 x64 WiN MAC RETAiL SYNTHiC4TE, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins macos audio damage vsti plugins au for mac aax plugins, x86, x64, WiN, VSTi, VST3, SYNTHiC4TE, Synthesizer, RETAIL, Quanta, MAC, Granular, AU, AAX

Quanta v1.0.13 WiN MAC RETAiL

SYNTHiC4TE | July 24 2018 | 221 MB

AAX AU VSTi VST3 x86 x64

Quanta, a new Granular Synthesizer plug-in for macOS and Windows (with an iOS version coming soon)

Feature Highlights:
Granulate!
Quanta is a full-featured ten-voice true stereo granular synthesizer, with up to a hundred 1000ms grains per voice, and full control over the grain state, with direct randomization and modulation of most parameters. Drag-and-drop a sample (WAV, AIFF, Ogg, or FLAC) on to the window and go to work.

Synthesize!
With two multi-mode filters (with LP, HP, BP and notch in 2-pole and 4-pole topologies), and a “sidecar” virtual-analog oscillator and noise generator that can be used in addition to, or injected into, the grain engine, Quanta is a fully capable subtractive synth in its own right, and will work as a granular or subtractive (or both) synth without any sample at all.

Modulate!
Quanta has mod coming out its ears. First up are four of our new FEGs (Flexible Envelope Generator), a 99-point looping function generator with optional host tempo sync. Then add two arbitrary-waveshape LFOs, a multi-source sample-and-hold module, and fully user-controllable MIDI assignments, with nearly every control on the panel as a destination.

Control!
Quanta is customizable to your taste and playing style. With full MPE support, it can take advantage of the extended control set of your Linnstrument, Seaboard, Soundplane, Continuum, or other MPE controller, and support for TUN files lets you use tuning tables. The resizable Hi-DPI GUI lets you adjust the size to match your visual needs, and the cross-platform preset mechanism lets you share your creations with your friends and collaborators, no matter what system they are using.

CHANGES IN V1.0.13:
> Waveform display re-written to be much lower CPU usage.
> Bug when adjusting envelopes that caused hard crash is fixed.
> Bug when loading a new sample that caused hard crash is fixed.
> Many small optimizations added and bugs dealt with.
> Codebase synced among all versions (iOS, macOS, and Windows)



INFO/DEMO/BUY: http://mage.si/y3KG
Quanta v1.0.13 WiN MAC RETAiL-SYNTHiC4TE
http://beelink.in/36951/Quanta-v1.0.13-WiN-MAC-RETAiL.html

STA Delay v2.1.0 AAX AU VST VST3 WiN MAC, x86 x64 windows vst3 plugins plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, STA, P2P, MAC, Delay, AU, AAX

STA Delay v2.1.0 WiN MAC

P2P | 22.07.2018 | WiN: 33.28 MB | 34.11 MB

AAX AU VST VST3 x86 x64

“Warm Delay for Everyone”

A classic effect creating delayed repetitions of the incoming signal enriched with the warmth of the Summing Tube. The STA Effects are primarily designed for using as insert effects as the tube summing process is inside the plug-in. In addition it offers the same 5 types of valve saturation as do all the STA Effects series.

5 Valve Circuit Modes available
The valve saturation colour of the STA Effects depends on the Mode selection. Changing the type of the tube circuit, affects the tube working point and frequency response.

  • P – Presence – a higher amount of mid-high frequencies allows better cutting through the mix.
  • V – Vintage – has smoother highs and more even harmonics.
  • B – Brown – has an almost flat response with only light high frequencies rolling off and nice higher harmonics punch.
  • W – White – has a higher amount of higher frequencies and a balanced ratio between the even and odd harmonics.
  • L – LoFi – contains less low and high frequencies. We make our plug-ins as real as possible with all the natural analog feeling and side effects.

 

INFO/DEMO/BUY: http://mage.si/8WeB
STA Delay v2.1.0 AAX AU VST VST3 WiN MAC
http://beelink.in/37089/STA-Delay-v2.1.0-AAX-AU-VST-VST3-WiN-MAC.html

Valhalla VintageVerb v1.7.1 WiN MAC R2R HEXWARS, x86 x64 windows plugins vst plugins rtas macos plugins au for mac, x86, x64, WiN, VST, VintageVerb, Vintage, Verb, Valhalla, RTAS, Reverb, R2R, MAC, HEXWARS, AU, 64Bit, 32Bit

VintageVerb v1.7.1 WiN MAC

R2R/HEXWARS | 22.07.2018 | WiN: 3 MB | MAC: 7.31 MB

AU/VST/RTAS 32/64

ValhallaVintageVerb is a postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s. New in ValhallaVintageVerb 1.7.1: Two new reverb modes, Chaotic Hall and Chaotic Chamber!

17 Reverb Algorithms:

  • Concert Hall. Based on the hall algorithms of the late 1970s and early 1980s. Huge spatial image, echo density that can be adjusted from very sparse to very dense, and lush chorusing modulation.
  • Bright Hall. Similar to the Concert Hall algorithm, but with a brighter initial sound, and deeper and lusher modulation.
  • Plate. Inspired by early 1980s plate algorithms. Highly diffuse, bright initial sound, high echo density, lush chorused modulation.
  • Room. Emulates the sound of early 1980s room algorithms. Medium diffusion/early echo density, somewhat darker sound, chorused modulation.
  • Chamber. A transparent and dense algorithm. Highly diffuse, high echo density, less coloration than Plate/Room algorithms, chorused modulation.
  • Random Space. This generates DEEP and WIDE reverbs, with a slow attack, and more diffusion than the late 1980s algorithms that inspired it. The modulation uses internal delay randomization, to reduce metallic artifacts without the pitch change that can occur in the algorithms with chorused modulation.
  • Chorus Space. Same as Random Space, but with the delay randomization replaced with lush chorused modulation.
  • Ambience. Combines time varying randomized early reflections with a full-featured reverb tail, with the balance between early and late reverb controlled by the Attack knob. Useful for adding “air” to drums, vocals, and any place where a reverb should be felt but not heard.
  • Sanctuary. Inspired by a classic German digital reverberator from the 1970s. Discrete early reflections, a dense late reverb that rapidly builds in echo density, lush detuned modulation. Sanctuary incorporates the bit reduction and floating-point gain control used in the A/D and D/A convertors of the early digital hardware.
  • Dirty Hall. A fresh look at the Concert Hall algorithm, with the goal being to emulate the strange fixed point and convertor artifacts of early 80s reverb hardware. Lusher and denser than the Concert Hall algorithm, with loads of warmth and grit on tap, for a roughly hewn beauty. Plug in your analog synth and send yourself into retro sci-fi heaven.
  • Dirty Plate. All the warm and gritty artifacts of Dirty Hall, applied to an old-school digital plate algorithm. High echo density, wide stereo image, and just the right amount of metallic sheen. Drums come alive when sent through Dirty Plate.
  • Smooth Plate. The complete opposite of Dirty Plate. Smooth decay at all settings, from short to near-eternal. Lush chorusing, with none of the metal found in Dirty Plate. The most transparent and naturalistic reverb in ValhallaVintageVerb. Crank up the Size parameter, and float off into space!
  • Smooth Room. A smooth and transparent room reverb, in the Smooth Plate style. Useful for emulating the Room/Hall algorithms of late 1980s hardware, as well as getting clear reverberation with low amounts of coloration.
  • Smooth Random. A random room/hall algorithm, with transparent decays that can be adjusted from tiny to huge. Randomized delay modulation, similar to Random Space, but with a much tighter initial attack and smoother decay. A good “jack of all trades” reverb algorithm.
  • Nonlin. Gated, reverse, and nonlinear reverbs are all on tap here. Use Size to control the duration of the reverb, and Attack to smoothly interpolate between a truncated reverb, a “flat” gated decay, and huge reverse reverbs. Lush chorusing modulation on tap, for your shoegazing needs.
  • Chaotic Hall (new in 1.7.1). A chaotic take on the Concert Hall algorithm, with modulation and saturation artifacts inspired by classic tape echoes. Lush and warm, with subtle wow and flutter chorusing that adds depth without making your reverb seasick.
  • Chaotic Chamber (new in 1.7.1). Smooth and chaotic at the same time. A relatively “dimensionless” reverb algorithm, that adds depth to your sound. Wow and flutter modulation, subtle tape saturation. Use this algorithm on pretty much any input, and it will sound good.

 

3 Color Modes for dialing in the tone color and sonic artifacts of a specific reverb era:

  • 1970s. Replicates the reduced bandwidth of the earliest digital reverberators (10 kHz maximum output frequency). Downsampled internally, to reproduce the artifacts of running at a lower sampling rate. The modulation is dark and noisy, and can produce strange and random sidebands with sustained notes. This is intentional.
  • 1980s. Full bandwidth / sampling rate, for a brighter sound than the 1970s. The modulation is still dark and noisy, but will produce different artifacts than the 1970s mode as it is running at the full sampling rate.
  • NOW. Full bandwidth / sampling rate. The modulation is clean and colorless, versus the funky artifacts of the 1970s/1980s modes.

 

The interface has been designed to be instantly accessible and user friendly:

  • Streamlined set of powerful parameters, organized into logical categories.
  • All controls on one panel. No menu diving required.
  • Tooltips at the bottom of the plugin window, that describe the currently selected reverb mode and color mode, as well as any parameters the user is adjusting. The goal is for the plugin to be self-documenting.
  • A powerful cross-platform preset menu, with the ability to copy and paste presets in a text format. Share presets via emails, forum posts, etc.
  • Continuously resizable – just click on the lower right corner and drag to the desired size.
  • Modernist, minimalist 2D graphic design.

 

New in 1.7.1:
– Click on the “GUI Mode” text in the upper right corner of the NOW color mode, to switch between the original black-on-white color scheme, and the brand new white-on-black GUI.

INFO/DEMO/BUY: http://mage.si/qCLN
Valhalla VintageVerb v1.7.1 WiN MAC-R2R-HEXWARS
http://beelink.in/32513/Valhalla-VintageVerb-v1.7.1-WiN-MAC.html

ValhallaRoom v1.5.1 WiN MAC R2R HEXWARS, x86 x64 windows plugins vst plugins rtas macos plugins au for mac, x86, x64, WiN, VST, Valhalla Room, Valhalla, RTAS, Room, Reverb, R2R, HEXWARS, AU, 64Bit, 32Bit

ValhallaRoom v1.5.1 WiN MAC

R2R/HEXWARS | 21.07.2018 | WiN: 3.46 MB | MAC: 6.8 MB

AU/VST/RTAS 32/64

An algorithmic vision of perfection and precision. It’s Grade A class, Number One in its division. ValhallaRoom is a versatile, true stereo algorithmic reverb. It features twelve original reverberation algorithms (including the latest Dark reverb modes, Nostromo, Narcissus, Sulaco and LV-426), and produces a wide range of natural reverberation sounds. Sounds range from tight ambiences and rooms, through traditional hall and plate sounds, all the way up to vast modulated spaces. The algorithm designs have been influenced by some of the “classic” room simulation boxes, as well as state of the art modern theory.

Description:

  • Unique Early reverb section allows user to dial in subtle and short bursts of early reverberation energy, as well as gated reverbs up to 1 second in length.
  • The Late section produces natural reverb decays ranging from 0.1 seconds to 100 seconds. The decay can be controlled in 3 adjustable frequency bands.
  • Both Early and Late reverb sections have adjustable modulation, to produce sounds ranging from lush chorusing, to subtle and natural long decays.
  • ValhallaRoom is true stereo. The Early and Late reverb sections are both stereo-in, stereo-out. The spread of energy between the stereo channels can be controlled over time, which helps preserve the input spatial image.
  • The GUI has been designed for easy navigation, and is inspired by Joseph Müller-Brockmann, NASA control panels, and Sesame Street.
  • Resizable GUI. Make it really big, or really tiny, or whatever suits you best.
  • New in 1.5.1: Redesigned GUI! Better use of space, and 2 user-selectable color schemes (Electric Blue and Old School).
  • A comprehensive preset browser makes saving, recalling and sharing settings easy.
  • Fully compatible with 32 and 64 bit DAWs (32/64 bit VST for OSX and Windows, 32/64 bit Audio Units for OSX, 32-bit RTAS for OSX and Windows, 64-bit AAX for OSX and Windows).
  • Twelve original reverberation algorithms:
    • Large Room. Designed to emulate big rooms with a wide spatial impression, with smooth “detuning” modulation.
    • Medium Room. Sparser than Large Room, with a more random modulation.
    • Bright Room. A lush, shinier-than-life reverb, with deep modulation and a somewhat slower attack.
    • Large Chamber. Smooth decay with consistent high echo density and subtle detuning modulation.
    • Dark Room. A hybrid between the grungy early digital reverbs and the modern algorithms found in ValhallaRoom, with reduced high frequency content, noisy yet lush randomized modulation, a HUGE spatial image, echo density ranging from grungy to dense while retaining clarity, and tons of mojo.
    • Dark Chamber. Similar to the original Large Chamber algorithm, but bigger and darker, with deeper detuning modulation.
    • Dark Space. A HUGE dark space, with a somewhat sparser early echo density and deep detuning modulation.
    • Nostromo. Deep, dark, echoing reverb. Very sparse early echo density, slow density build, random modulation, wide spatial image.
    • Narcissus. Dark, lush, wide, with random modulation that quickly builds into rich chorusing. The little sibling of Nostromo, but it is still big. Designed for low CPU consumption.
    • Sulaco. Dark with lush modulation, and a well-centered stereo image. The Late Size control can sweep the reverb from tight rooms to vast echoing spaces.
    • LV-426. A dark, deep space reverb, with the wide spatial image of Nostromo and Narcissus, but with a much higher initial echo density than either of those reverbs. LV-426 has a somewhat slower attack than the other modes, and has highly diffuse random modulation for lush decays.
    • Dense Room. Similar to Large Room, but with a denser distribution of early echos, and a tone that is brighter while still having the “darkness” of the Dark algorithms. Great for snare drums!

 

New in 1.5.1:
– Redesigned GUI! Better use of space, and 2 user-selectable color schemes (Electric Blue and Old School).

INFO/DEMO/BUY: http://mage.si/Ydp4
ValhallaRoom v1.5.1 WiN MAC-R2R-HEXWARS
http://beelink.in/32512/ValhallaRoom-v1.5.1-WiN-MAC-R2R-HEXWARS.html

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