Wave Arts Tube Saturator v1.36/v1.38 WiN MAC, x86 x64 windows wavearts plugins vst plugins rtas mas plugins macos plugins au for mac, WiN, Wave Arts, VST, Tube Saturator, Tube, Saturator, RTAS, P2P, MAS, MAC OSX, MAC, AU, AiR

Tube Saturator v1.3x WiN MAC

AiR KGN | 19 February 2019 | WiN v1.36: 37 MB | OSX v1.36: 53.3 MB


Tube Saturator is the world’s most accurate real time tube amp plug-in. Unlike other tube simulators, which use radically simplified models, Tube Saturator uses state of the art circuit simulation technology to capture every nuance of an analog circuit. With circuit simulation, the analog schematic (consisting of the individual resistors, capacitors, tubes, and so on) completely defines the signal processing. The schematic is converted into a system of non-linear differential equations which is solved at each sampling period, in realtime. That’s mathematical talk for “it sounds exactly like the analog circuit”.

The circuit simulation technology is extremely CPU intensive, and hence we are only able to simulate very simple circuits at this time. A fast computer is highly recommended to run the plug-in. Tube Saturator is in fact a basic circuit consisting of a Baxandall type three-band EQ feeding two 12AX7 triode preamp stages. It’s similar to preamp stages you’d find in a guitar amp, but it is by no means a complete guitar amplifier model— that would be way too expensive to simulate even with today’s fast CPUs. However, it is extremely accurate, and hence you can get the same distortion and tonal characteristics that you’d expect from a real tube preamp.

Use Tube Saturator to add a bit of analog warmth to recordings, or increase the drive for some distortion. You can use it as a saturating peak limiter too.

Increasing the Drive control increases the (digital) input gain while decreasing the (digital) output gain, so you can easily adjust distortion levels. The FAT switch changes the bias circuit of the first preamp stage to increase gain.

INFO/DEMO/BUY: http://mage.si/KJW4
Wave Arts Tube Saturator v1.3x AU VST MAS RTAS WiN MAC

Ravage v1.0.1 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos plugins au for mac aax plugins, WiN, VST3, VST, Ravage, R2R, MAC, Audio Units, AU, AAX

Ravage v1.0.1 WiN MAC

P2P | 25.11.2018 | 49.77 MB

AAX • Audio Units (AU) • VST • VST3

Get heated overdrive with added life and movement – choose from six types of distortion, shape your signal with filtering and gain, and modulate the results with custom-drawn LFO shapes. Select from six modelled distortion algorithms: Tube, Digital, Diode, Linear Fold, Zero Sq and Rectify, each with a different personality for adding grit and dirt to audio. Use the Drive control to push the signal harder, and use the Destroy parameter to fully smash up any audio. There are high- and low-pass filters onboard, as well as a Dark/Bright slider to weight the distortion’s energy. Animate your distortion in Ravage’s Movement panel, which lets you assign modulators to one of eight destinations including Drive and Pan. With draw-your-own modulator shapes, you can customize an LFO’s movement using nodes and curves to whip up customised patterns. To take your modulation further, Ravage offers playhead reversal, waveform smoothing and pulse width manipulation.

Ravage v1.0.1 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos plugins au for mac aax plugins, WiN, VST3, VST, Ravage, R2R, MAC, Audio Units, AU, AAX

– Heat things up with 6 distortion types: Digital, Tube, Diode, Lin Fold, Zero Sq and Rectify
– Add movement to parameters using custom-drawn modulation shapes
– Destroy parameter pushes the signal even harder through the distortion processor
– Pan the distortion across the stereo field
– Tailor the distortion response with filtering, input/output gain, and dark/bright weighting
– Reverse, Smooth and adjust Pulse Width for modulator signals
– Auto output control compensates level when Drive is increased
– Oversampling is set intelligently behind the scenes to ensure the best sound quality

INFO/DEMO/BUY: http://mage.si/ry4Z
Ravage v1.0.1 WiN MAC-R2R

Velo2 v1.0.1 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Velo2, R2R, MAC, AU, AAX

Velo2 v1.0.1 WiN MAC

TEAM R2R | 17th Feb 2019 | WiN: 5.3 MB | 22.8 MB

AAX, AU, VST, VST3, x86, x64

After the soaring success of the original Velo, we thought it only right to take things to the next level!! You asked for additional features and we listened! Velo2 has been reworked from the ground up with an improved algorithm and additional sonic features such as lookahead and oversampling, combined with a sleek new retina ready interface, making this update a must have for all producers. The Velo2 is a brick wall limiter for maximizing loudness that features different options to influence colouration and transient preservation. As Velo2’s adaptive release makes the plug-in react quickly to the incoming signal, it’s a well-suited limiter for mastering any style of rhythmical music with pronounced transients, along with bus-processing beats, drums and rhythmical bass, guitar and synth parts.

• Intuitive, easy to navigate user interface
• Designed to work flawlessly with touch controllers such as the Raven by Slate Media
• Adaptive release control
• 4 Style Settings
• Transient Control
• Real-time RMS display
• Real-time Reduction display
• Preset Manager to save & share your settings

System Requirements:
• OS X 10.7 – 10.13 (32 & 64-bit)

• Windows 7, 8 and 10 (32 & 64-bit)

Plugin Formats:
• Audio Units (AU)
• VST3

DAW Compatibility:
• Ableton Live
• Cubase
• Logic Pro
• Nuendo
• Pro Tools 10-12
• Reaper
• Reason
• Sonar
• + many more

INFO/DEMO/BUY: http://mage.si/5q6J
Velo2 v1.0.1 WiN MAC-R2R

Kara v1.0.1 WiN MAC R2R, windows plugins vst macos plugins au for mac aax plugins, WiN, VST3, VST, Trigger, RMS Trigger, RMS, R2R, MAC, Kara, Audio Units, Audio Processor, AU, AAX

Kara v1.0.1 WiN MAC

Team R2R | Feb 17 2019 | WiN: 3.8 MB | OSX: 12.5 MB

• AAX • Audio Units (AU) • VST • VST3

We love pluck sounds…who doesn’t, but often when you start layering different sounds, you find yourself at the bottom of the rabbit hole with the laborious task of going into each synth and tweaking the envelopes to make each sound cohesive. As the KARA is an audio processor and receives no midi information, the first task was to find a way to trigger the cutoff envelope in a stable way. We achieved this by creating an RMS trigger that works much like a compressor, so when the signal hits the user definable threshold, which is set using the Sens parameter, the envelope and filter are triggered creating the pluck sound.

INFO/DEMO/BUY: http://bit.ly/2SeCa2v
Kara v1.0.1 WiN MAC-R2R

Hiku v1.0.1 WiN MAC R2R, x86 x64 windows vst3 plugins plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, Warmth, VST3, VST, R2R, Punch, Presence, MAC, Hiku, AU, AAX

Hiku v1.0.1 WiN MAC

Team R2R | Feb 17 2019 | WiN: 6.5 MB | OSX: 33.3 MB

AAX, AU, VST, VST3, x86, x64

Punch, Warmth and Presence, instantly

Give your masters, buses or individual tracks extra polish with this smart effect. HIKU might only have three controls, but under the hood, there’s a precise mix of processing tailored to add warmth, power and clarity to any audio signal. As well as sounding great on single tracks or groups, HIKU is a vital stage in any mastering chain.

INFO/DEMO/BUY: http://mage.si/6ju2
Hiku v1.0.1 WiN MAC-R2R

AudioFinder v5.9.24 macOS TNT, macos software apps, TNT, macOS, MAC, AudioFinder

AudioFinder v5.9.24 MAC

TNT | 17 February 2019 | 27.28 MB

AudioFinder is the OS X standard in audio; asset management systems, & music production hub AudioFinder can build a catalog of every sound on your system, save it, and search it instantly to find the sounds you need when you need them. Use AudioFinder to create custom sets for sound categories and specific projects, with fast file browsing to audition, analyze, process, convert, and move or copy the samples in your library. AudioFinder features the ability to add Metadata to your library of sounds, making it simple and easy to find the sounds you’re looking for when you need it. AudioFinder can visualize sounds instantly with the waveform overview and preview them at any pitch via MIDI or the built in keyboard, all in real-time. Sounds can even be previewed through your favorite AudioUnits.

Speaking of Plug-Ins, AudioFinder features an advanced Plug-In manager and slew of other studio necessities that will make your workflow flow. Necessities like audio editing with built-in beat detection and tools for fast trimming, fading, slicing and dicing your sounds. You can even convert your audio sample CDs into individual files with just a few clicks of the mouse.

Version 5.9.24:
•Improved Tags UI to make it more ledgible and easier to use.
•Improved performance of playback start time.
•Bug Fixs.


INFO/DEMO/BUY: http://mage.si/9Oso
AudioFinder v5.9.24 macOS

Toned MAX v2.0.0 AU 64Bit macOS DDP, x64 macos plugins au for mac, Toned, Plugin, Max, macOS, equalizer plugin, Equalizer, EQ, DDP, AU, Analog, 64Bit

Toned-MAX v2.0.0 AU 64Bit macOS

DDP | 17 February 2019 | 5.9 MB

Easy & Creative Tone: Toned-MAX is a versatile digital equalizer plugin with analog modeling. Although Toned-MAX can be used creatively on individual tracks, it shines at mastering and bus tracks. More than a basic EQ, Toned-MAX includes many different visual features for monitoring the signal, and controls for shaping the output.

Intuitive and Flexible EQ
Toned-MAX includes 15 different filter types including standard high pass, low pass, shelf, and bell filters. Toned-MAX also includes a tilt filter, a constant-q bell filter, a band shelf filter, and filter types that mimic analog shelf filters. Filters include additional options such as a “Q-Link” control for further mimicking of analog filter types, and two different dynamic EQ options for dead-simple dynamic equalization. All filters can function in stereo, left, right, mid, or side mode.

Analog Sound
Beyond the various analog filter types that can be accomplished with combining different filters and the Q-Link feature, Toned-MAX includes LVC-Audio’s analog modeling as found in PreAMPed and T-Chain (preamp models and vintage compressors). Toned-MAX includes separate input and output analog modeling of clean analog gear. There are 7 distinct input models and 6 output models. An overall Drive control can be used for gently increasing saturation and dynamic aspects of the analog models.

Standard Controls
– Stereo controls: Controls for shaping low and high width, balance, and a stereo vectorscope view for monitoring
– Output Soft Clipper for controlling the signal without traditional hard clipping
– Oversampling modes: Minimal and Linear phase, HQ and LQ modes, and selectable rates (2x, 4x, 8x, 16x)
– Configurable colors and options for Spectrum Analyzer, Waveform View, and Stereo Vectorscope
– Knob controllers with fine- and superfine- control, built-in A-B comparison, and selectable limited ranges for fine control under mastering conditions (e.g., +/- 3dB or 6dB for EQ gains)

Changes in Version 2.0.0:
– Major redesign of graphical interface, including resizable GUI
– Redesign of EQ features to include selectable filter types, selectable slope,
– selectable stereo channel, dynamic EQ, and maximum of 20 different filters
– Improved stereo controls and stereo phase vectorscope
– Improved analog models, with additional output model (LMP-01)
– Minimum phase and linear phase oversampling options (up to 16x)
– New output soft clipper algorithm

INFO/DEMO/BUY: http://mage.si/ULH2
Toned-MAX v2.0.0 AU 64Bit macOS-DDP

Electroacoustics Toolbox v3.9.1 MAC OSX DDP, macos software, ToolBox, OSX, MAC OSX, MAC, Electroacoustics, DDP

Electroacoustics Toolbox v3.9.1 MAC OSX

DDP | 17 February 2019 | 12.6 MB

Electroacoustics Toolbox is a modularized, multi-channel dynamic signal analyzer and data acquisition platform for Mac. It brings powerful new tools to the Macintosh platform for multi-channel, audio-band data acquisition and real-time analysis of electrical, acoustical, and electroacoustic signals and systems. It enables precise measurements of acoustic quantities, such as equivalent and time-weighted sound levels, as well as acoustic and electroacoustic systems, such as listening rooms and loudspeakers. The software is designed to work with any Mac-compatible audio hardware and supports multiple channels of 8, 16, 24, or 32-bit data with sample rates as high as the hardware will support.

Built-in Tools:

  • Dual FFT Analyzer (TF/IR analyzer)
  • FFT Analyzer
  • Meter Bridge
  • Octave Analyzer (RTA)
  • Oscilloscope
  • Signal Generator
  • Sound Level Meter
  • Spectrogram
  • X/Y Plotter


Additional Measurements:

  • Frequency response magnitude and phase
  • Impulse response
  • Auto and cross correlation
  • Time delay (latency)
  • Group delay
  • Signal-to-noise ratio (SNR)
  • Total harmonic distortion (THD, THD+N)
  • Coherence
  • Crest factor and rms, peak, and peak-to-peak signal levels
  • Signal mean, variance, and standard deviation values
  • Flat, A, and C-weighted equivalent (Leq), time-weighted (Lp), and percentile-exceeded (Lx) sound levels
  • And more


Electroacoustics Toolbox is a project-based application, which allows you to configure and save project files. Projects may contain one or more tools available in the toolbox, along with any captured data associated with those tools. Electroacoustics Toolbox allows for the creation of an arbitrary number of tools of a certain type, or tools of different types. For example, a project may contain an oscilloscope, two FFT analyzers, and two signal generators. The oscilloscope and FFT analyzers may each simultaneously analyze multiple input channels of a single device. However, there is no requirement that all tools must work with the same device. The Toolbox also offers advanced capabilities for configuring input and output device parameters and assigning labels, units, and transducer sensitivities to individual input and output channels.



  • Hardware-accelerated OpenGL graphics for fast real-time plotting
  • Quartz-based graphics for high-resolution still images and prints
  • Advanced control over input and output devices
  • Whole device and individual channel sensitivity (level) calibration
  • Support for units, including Volts, Amps, pascals, and Engineering Units
  • Saving complete configurations and data in project files
  • Exporting data to ascii text or MAT-files for easy import into other applications
  • Work with multiple independent audio devices simultaneously
  • No arbitrary limits on how many devices or channels are used, or on sample rates or signal formats–these are limited only by your hardware
  • AppleScript support for measurement automation and remote control


New in version v3.9.1:
– Bug fixes for AppleScript access to the Dual FFT Analyzer tool.

INFO/DEMO/BUY: http://mage.si/vY5q
Electroacoustics Toolbox v3.9.1 MAC OSX

PTM 5A v3.0.0 AU VST VST3 AAX MAC iND, x86 x64 vst3 plugins plugins vst macos plugins au for mac aax plugins, VST3, VST, Vintage, Pultec, PTM 5A, Mid Range, MAC, iND, EQ, AU, AAX

PTM-5A v3.0.0 MAC

iND | 17 February 2019 | 5.1 MB

Vintage Pultec Mid Range EQ Plug-in

Emulating the classic vintage Pultec MEQ-5 mid-range EQ, the PTM-5A replicates the sought-after passive filter character of the original, providing a versatile equalizer capable of subtle sonic enhancement or adding more obvious bite to the mid-range to help elements of the mix stand out. Ideal for acoustic instruments, drums and vocals, the PTM-5A perfectly complements the more familiar PTC-2A vintage Pultec EQ, much the same as the hardware MEQ-5 and EQP-1A units.

PTM 5A v3.0.0 AU VST VST3 AAX MAC iND, x86 x64 vst3 plugins plugins vst macos plugins au for mac aax plugins, VST3, VST, Vintage, Pultec, PTM 5A, Mid Range, MAC, iND, EQ, AU, AAX

INFO/DEMO/BUY: http://mage.si/H5M5

Premiere Pro CC 2019 v13.0.3 MULTiLANG WiN MAC, windows multimedia macos apps windows apps, WiN, Pro, Premiere Pro CC, Premiere Pro, Premiere, MULTILANG, macOS, MAC, CC, 2019

Premiere Pro CC 2019 v13.0.3 WiN MAC

P2P | 16.02.2019 | WiN: 1.53 GB | MAC: 1.77 GB

Premiere Pro CC is the leading video editing software for film, TV, and the web. Creative tools, integration with other Adobe apps and services, and the power of Adobe Sensei help you craft footage into polished films and videos in one seamless workflow. And Premiere Rush, our new app, is included with your subscription so you can capture footage and start editing on all your devices, anywhere.

Smart tools. Better storytelling.
Premiere Pro is used by Hollywood filmmakers, TV editors, YouTubers, videographers — anyone with a story to tell, including you.

Stay in your creative flow.
Premiere Pro is the industry leader for editing everything from fast-turn TV series to feature films. Integrated, efficient workflows let you polish your work without leaving your timeline. And automated tools powered by Adobe Sensei speed up time-consuming tasks, so you can focus on your story.

Any camera. Any format. Any platform.
Edit footage in any modern format, from 8K to virtual reality. Broad native file support and simple proxy workflows make it easy to work with your media, even on mobile workstations. Delivering content that’s optimized for any screen or platform is faster than ever.

Everything you need. Right where you need it.
Along with tools for color, audio, and graphics, Premiere Pro works seamlessly with other apps and services, including After Effects, Audition, and Adobe Stock. Open a Motion Graphics template from After Effects or download one from Adobe Stock and customize it — all without leaving the app. And Premiere Pro integrates with hundreds of partner technologies.

Precise and simple color grading
Take the guesswork out of curve adjustments with innovative Lumetri Color tools. Each curve has two axes with paired values making selective color grading easy and accurate.

Improve audio instantly
New sliders in the Essential Sound panel let you dial down or remove background noise and reverb for incredible results.

Infographics with Motion Graphics templates
Drag and drop spreadsheets into new infographics Motion Graphics templates to quickly generate visualizations of your data. Any updates to your spreadsheets are automatically updated in your infographic.

End-to-end VR 180
Jump into immersive video with support for VR 180, including optimized ingest and effects. Publish your videos in the Google VR180 format on YouTube or other platforms.

What’s New in Premiere Pro CC 2019:
Mobile editing with all-new Premiere Rush
Extend your video editing platform with Premiere Rush, our all-new, all-device app. Shoot, edit, and publish videos from any device — mobile to desktop. You can also send your work straight into Premiere Pro if you want to do more.

Intelligent audio cleanup
Instantly dial down or remove background noise or reverb with new DeNoise and DeReverb sliders in the Essential Sound panel.

Selective color grading
Take the guesswork out of curve adjustments with innovative new Lumetri Color tools for selective color grading. Each curve has two axes with paired values, making it easy to fine-tune colors accurately.

Data-driven infographics Motion Graphics templates
Drag and drop spreadsheets into new infographic Motion Graphics templates to generate animated visualizations. Any updates to your spreadsheets are automatically updated on your infographics.

End-to-end VR 180
Jump into immersive video support for 180 VR, including optimized ingest and effects. Publish finished videos in the Google VR 180 format on YouTube or other platforms.

Spatial markers for immersive media
Instead of removing your headset when reviewing media in the Adobe Immersive Environment, now you can place a spatial marker for reference when you return to the desktop timeline.

Adobe Stock enhancements
Search and sort cinematic footage and professionally-designed Motion Graphics templates from Adobe Stock right in the Essential Graphics panel.

Group invites for Team Projects
Invite groups and team members from your enterprise address book — without typing in addresses — for more efficient communications.

Display color management
Get accurate color representations and maintain color fidelity across your workflow, from After Effects to Premiere Pro and on rec709, rec2020, and P3 displays.

Performance improvements
Hardware-based encoding and decoding for H264 and HEVC improves performance on MacBook Pro workstations. And improved image processing delivers more responsive playback, rendering, and Lumetri Color performance.

Expanded format support
New native format support includes ARRI Alexa LF, Sony Venice v2, and the HEIF (HEIC) capture format used by iPhone 8 and iPhone X.

Creative Cloud Library improvements
Drag and drop assets such as Illustrator or Photoshop files into your CC Libraries panel to quickly access your Premiere sequences. Share your Libraries with team members or export and store them with your project.

Australian closed-captioning standard
Support for the Australian OP4T2 closed-captioning standard is now available.

Language support for keyboard shortcuts
Localized languages are now supported in the keyboard shortcut layout menu.

Theater Mode in Adobe Immersive Environment
Access a virtual screening room for collaborating with directors or producers on 2D or immersive content —or a combo of both.

Adobe Premiere Pro CC is available in the following languages:
– Deutsch, English, Español, Français, Italiano, Português (Brasil), Русский, 日本語, 한국어, 简体中文

INFO/DEMO/BUY: http://mage.si/ECsv
Premiere Pro CC 2019 v13.0.3 MULTiLANG WiN MAC


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