DX7 V v1.2.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, DX7 V, DX7, CE, AAX, 80s

DX7 V v1.2.0.1391 WiN

TEAM V.R | 27 April 2018 | 201 MB

STANDALONE/AAX/VSTi/VST3/x86/x64

In 1983, the DX7 changed the world of music. Today, the DX7 V gives you the power to change it again. Nothing says ‘80s like the sound of the DX7. Our authentic recreation gives you all the same FM digital technology and sounds that earned the instrument a revered place in the history of both keyboards and contemporary music. We didn’t stop at just replicating it, though —we re-imagined it. New operator waves, extensive modulation additions, arpeggiator and onboard FX chains enhance your sonic possibilities exponentially. For bonus points, an intuitive graphic interface makes what was once a daunting programming task a creative joy today. We put booster rockets on the instrument that created innumerable ‘80s hits. Now you can create the definitive sounds of today and tomorrow.

DX7 V v1.2.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, DX7 V, DX7, CE, AAX, 80s

The inimitable sound of FM
Your music is unique. So is the sound of the DX7 V.
Frequency modulation (FM) synthesis works by modulating one waveform with another to produce much more complex harmonic profiles than its analog brethren. These sounds run the gamut from acoustic and organic to synthetic and mechanical, spanning energies from subtle to radical along the way. Thanks to an extensive preset library, you don’t have to be an expert on FM in order to tap into all this sonic power. The DX7 V comes complete with a library of all the signature 80’s hit-making FM sounds like electric pianos, basses, marimbas, synths and more, plus an extensive battery of hot new sounds from our elite sound design team.

Whether you’re looking for the familiar sounds that put FM synthesis on the map or charting new territory, the DX7 V is the definitive digital synth to have in your keyboard collection.

Unleash your inner sound designer with expanded features
The DX7 V gives you a unique tool for customizing and creating new musical instruments and sound effects.
With its radical departure from analog designs, FM synthesis helps you chart new sonic spaces. The DX7 V is capable of producing an incredible spectrum of sounds ranging from natural-sounding instruments to unique synths to alien worlds—complete with all the crystal clarity and punchy transients uniquely associated with FM. Since having an instrument with such extreme depth and potential is the dream of every sonic explorer, we challenged ourselves to go even further. We added a host of new features including multiple waveforms, a filter and feedback loop on each operator, new modulation sources, a monster unison mode, and more.

The DX7 V is the perfect design tool for designing unique new instruments and ear candy that help you make your own distinct musical statement.

Design elegance meets sound design power
The DX7 V sports a stunning interface allowing intuitive control over all of the instrument’s dramatically expanded features
While retaining the feel of the original design, we’ve streamlined the main interface of the DX7 V to make it much simpler to use and understand. Here you’ll find an uncluttered presentation of only your everyday performance controls, as well as the fundamentals to start visualizing and exploring new sonic structures. When you’re ready to dig deeper and flesh out the detailed character and animation of your sounds, one click presents a programmer’s paradise of incisive controls and displays light years beyond the tedious original hardware interface. Balancing usability and all the added power in the DX7 V, tabbed windows easily put your fingers on logically grouped functions spanning enhanced operators, additional envelopes, matrix modulation, step sequencer, FX architecture, and more.

Whether you just want to play the extensive library sounds or program your own, the DX7 V is a dream to use.

Main Features:
•32 original DX7 algorithm
•All DX7 original parameters
•Original DX7 SysEx import
•25 available waveforms per operators
•6 Operators with multi-mode filter and feedback per operators
•DX7, DADSR and Multi-Segments envelopes (syncable and loopable) per operators
•2 Modulation envelopes
•4 assignable macros
Advanced modulation matrix
•A step sequencer, 2 LFOs with 6 waveforms and an arpeggiator
•4 FXs slots that can be routed in parallel or in serie
•An oscilloscope
•Vintage and Modern DAC Mode for a proper emulation of the DX7 converter
•32 voices of polyphony
•4 voices of unison with unison detune
•436 factory presets

V 1.2.0:
New Features:
– Redesigned Preset Browser interface
– NKS compatibility
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/uftM
DX7 V v1.2.0.1391 WiN CE-V.R
http://beelink.in/34959/DX7-V-v1.2.0.1391-WiN-CE-V.R.html

CS 80 V3 v3.3.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins,

CS-80 V3 v3.3.0.1391 WiN

TEAM V.R | 27 April 2018 | 71.45 MB

STANDALONE/AAX/VSTi/VST3/x86/x64

CS-80 V is our modeled version of the legendary Yamaha™ CS-80, considered by many to be the ultimate polyphonic synthesizer of the late ‘70s. Huge in size and price tag, the CS-80 was a flagship synthesizer of the 1970’s. It’s unique dual voice layout allowed for rich and full sounds that have not been matched to this day. It was popularized by artists such as Toto, Jean-Michel Jarre, Klaus Schulze, Stevie Wonder, Vangelis, Ultravox and Peter Gabriel, to name a few. Hit song after hit song has turned this synthesizer into a true legend. More than three decades after its release, the time has come to rediscover a sound that has contributed extensively to the history of music.

CS 80 V3 v3.3.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins,

Software Specifications:
•All the original parameters of the Yamaha CS-80:
•2 oscillators
•4 filters (high pass, low pass)
•2 LFOs
•4 envelopes
•2 VCAs
•1 sub-oscillator
•1 ring modulator
•chorus and tremolo
•Digital Delay
•Multi Mode: assign a different sound to each of the 8 voices of polyphony!
•Modulation Matrix: 13 sources, 38 destinations
•More than 500 presets made by some of the world’s best sound designers
•Polyphonic aftertouch response
•1 arpeggiator
•Full MIDI controller mapping
•Virtual Ribbon controller
•Absolutely pure, top quality sound from TAE® analog modeling

V 3.2.0:
New Features:
– Added an Empty Midi config
– Playlist export
– More special characters are allowed in the comments section of presets

Bugfixes.
– Polyphony setting is now properly stored and recalled
– Deleted bank are not displayed anymore in the Save As panel
– Cancelling a preset overwrite now brings back to the Save As panel
– GUI is now properly shown after closing and reopening GUI in VST3 in FL
– Program Change message now won’t load an empty playlist
– ASC uninstall now always maintains user presets
– No more horizontal scrolling using a track pad on OSX
– Parameters are now properly shown on a KeyLab Essential screen
– Default KeyLab mapping cannot be deleted anymore
– Empty slots in a playlist can’t be selected with an Arturia MIDI controller
– Preset browser and toolbar preset display are now synchronized
– NKS LEDs to show parts on the keyboard are now properly loaded
– Save/Delete MIDI Configuration window is now properly looked
– Unassigned MIDI buttons are not shown as active anymore
– It is now possible to load presets from a controller in Reaper
– Textboxes for preset info are now editable with a single click

INFO/DEMO/BUY: http://mage.si/E1M6
CS-80 V3 v3.3.0.1391 WiN CE-V.R
http://beelink.in/36357/CS-80-V3-v3.3.0.1391-WiN-CE-V.R.html

CMI V v1.2.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Fairlight, CMI V, CE, AAX

CMI V v1.2.0.1391 WiN

TEAM V.R | 27 April 2018 | 304.34 MB

STANDALONE/AAX/VSTi/VST3/x86/x64

CMI V PEERLESS SAMPLING CHARACTER

The CMI V is a spot-on reincarnation of the first commercially available digital sampling system in music history—the sonic powerhouse behind numerous early MTV-era megahits. We even went the extra mile and added new creative features that weren’t possible back in the day. In 1980, the Fairlight CMI turned heads with the introduction of digital sampling. Now our software homage lets you turn some heads yourself. With exotic new sound of digital samples, the promise of an all-in-one digital workstation, and a physical design right out of a sci-fi movie, the Fairlight CMI was an object of desire for most self-respecting ‘80s keyboardists. Countless musicians and producers weighed the risks of bank robbery in order to afford one. No need today. Our faithful recreation gives you the same tools that many MTV stars used to make a cannonball splash into the pool. We’ve even made lots of improvements and additions that bring added power to this keyboard legend, including an alternate additive synthesis engine and tons of new modulation options. No vintage keyboard collection is complete without the CMI V. Now it’s your turn to experience the sound and power of the digital workstation that started it all.

CMI V v1.2.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Fairlight, CMI V, CE, AAX

The unique musical architecture of the CMI
The CMI V isn’t just a digital instrument. It’s a complete digital workstation.
Our enhanced reproduction of this keyboard superhero lets you work with 10 digital instruments of your choice at once—mixing, layering, splitting and sequencing them as you please. Each instrument can draw from three different means of sound generation. The most obvious is the sampling engine that literally first defined the term in the industry. You can also shape sounds with the original additive synthesis engine where you control each of the component harmonics over time. We’ve even spun up the propellers and introduced a newer, simpler means of exploring additive synthesis like you’ve never heard it before named Spectral Synth. You also get around 300 expertly designed presets to get you going—including the original library of sounds you’ll recognize from countless hit recordings.

The original digital sound design powerhouse
If you want to sculpt sounds in the digital domain, the CMI V brings you a complete artists toolbox.
There are a zillion ways to shape sounds with the CMI. Work with a sample from the included library, or load in one of your own. Set the start and end points for the sample and loop. Modify the resolution to juice some interesting side effects. Resynthesize the sample into the additive synth domain for a harmonic representation. Create custom envelopes to control how each harmonic behaves over time. Change the sine waves that make up those harmonics to more complex waveshapes. Add multiple custom modulations to just about any sonic parameters you can think of. Heck, turn those modified additive harmonics back into a sample and sculpt your sound more back in that domain.

The CMI V gives you limitless creative options and sonic variety that are completely unique to this legendary sound design workstation.

The sound heard around the world
Many cutting edge ‘80s songs were fueled by the equally cutting edge sounds of the CMI. Now you can relive the glory days of MTV.

You know the sound of the CMI because it was everywhere—and still is. Consider the ear candy on Kate Bush’s “Running Up That Hill”. The rhythmic frenzy of Herbie Hancock’s “Rockit”. Peter Gabriel’s exotic “Sledgehammer” shakuhachi. The impossible horn line on Yes’ “Owner of a Lonely Heart”. The breathy vocal-flute on Tears for Fears’ “Shout” and “Everybody Wants to Rule the World”. Trevor Horn’s pulsing Page R bottom-end collage on “Relax” by Frankie Goes to Hollywood. Speaking of Hollywood, there’s Duran Duran’s “View to a Kill” Bond theme. How about Jan Hammer’s pitch-processed drums on his weekly “Miama Vice” TV scores? And MTV favs like “Close (to the Edit)” by Art of Noise and Yello’s “Oh, Yeah” are poster children for all things CMI.

V 1.2.0:
New Features:
– Redesigned Preset Browser interface
– NKS compatibility
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/fJHi
CMI V v1.2.0.1391 WiN CE-V.R
http://beelink.in/34961/CMI-V-v1.2.0.1391-WiN-CE-V.R.html

Buchla Easel V v1.2.0.1396 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Modular Synthesis, Easel, CE, Buchla, AAX, 70s

Buchla Easel V v1.2.0.1396 WiN

TEAM V.R | 27 April 2018 | 118.05 MB

STANDALONE/AAX/VSTi/VST3/x86/x64

WEST COAST SOUND DESIGN PLAYGROUND

The Buchla Easel V is the first recreation of Don Buchla’s iconic instrument that helped define experimental West Coast modular synthesis in the early ‘70s. Our enhancements translate to vastly expanded possibilities for sound design and avant-garde music. You’ve always wanted to paint with sound. Now you can with the Buchla Easel V. One look at the Buchla Easel V and you know this is a different beast. In fact, it makes you think differently about sound right from the start—and the soundscapes you can design with it are as unique as the front panel array. To put that experience at your fingertips, we meticulously recreated the rare 1973 Buchla Music Easel right down to the component level. As you’ve come to expect from our other V-series instruments, we’ve gone the extra mile by designing in an enhanced feature set including polyphony, innovative new modulation/control sources, step sequencer, effects, and more. If you like to paint outside the lines, Buchla Easel V is the perfect artistic tool for you.

Buchla Easel V v1.2.0.1396 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Modular Synthesis, Easel, CE, Buchla, AAX, 70s

Welcome to West Coast school of synthesis
Your music breaks from the pack. So does the Buchla Easel V.
The Buchla Easel V faithfully reproduces Buchla’s Music Easel that helped define West Coast synthesis’ focus on experimentation and breaking musical norms. We’ve applied our award-winning TAE™ modeling technology from the front panel to the resistors to capture it all with incredible realism. Complex oscillator design, AM and FM synthesis, uniquely percussive gate/filter combos, and numerous ways to modulate and clock just about every parameter, all drop you right in the middle of a sonic sandbox. Design and perform soundscapes that burble, shimmer, pulse and evolve without ever touching a keyboard or pad—unless you want to add even more control. Nearly 300 presets by expert sound designers get you started with timbres ranging from hauntingly beautiful sonorities to clangorous pokes in the ear.

Whether you’re looking to experiment with simple sounds or build complex evolving passages, the Buchla Easel V is a constant source of inspiration for sonic adventurers.

Create sounds no one has ever heard before
In addition to faithfully reproducing a classic, we’ve infused the Buchla Easel V with even more of that vintage goodness to love.
We’ve made patching even more fun and foolproof. When you drag a color-coded patchcord between patch points, only valid targets light up, saving you the frustration of making invalid connections that do nothing. The original Music Easel lacked a noise source, so we’ve added one to the preamp—handy for introducing rhythmic elements. We’ve also designed a feedback loop into the preamp, so you can really get things howling. Up to four-voice polyphony greatly enhances your performance capabilities, too.*

With our extensions to Buchla’s original design, you now have an even more intuitive programming experience paired with additional sonic options.
* Note that while our extreme modeling at the component level on the Buchla Easel V delivers insanely great analog sound, each voice of polyphony requires significant processing power to pull it off—approximately 20 percent of an i7 CPU per voice.

New control, new inspiration
Electronic music is as much about expression as it is about sound generation—and Buchla Easel V delivers new expressive capabilities beyond your wildest dreams.
We’ve dramatically expanded the functionality of the original Music Easel while respecting the instrument’s unique personality and design philosophy. One click reveals all the new additions. The Left Hand section provides five full-featured Function Generators individually routable to any of 76 modulation targets. The Right Hand section gives you a modern step sequencer with innovative options. Gravity is an X/Y grid that uses the physics of a bouncing ball influenced by attraction, repulsion and collision with objects to generate unique, unexpected modulation signals. There’s also a two-slot Effects section for additional processing and animation right inside Buchla Easel V.

New additions to Buchla Easel V give you the power to create and perform complex, exotic sounds that were simply impossible until now.

V 1.2.0:
New Features:
– Redesigned Preset Browser interface
– NKS compatibility
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/8397
Buchla Easel V v1.2.0.1396 WiN CE-V.R
http://beelink.in/34960/Buchla-Easel-V-v1.2.0.1396-WiN-CE-V.R.html

Clavinet V v1.2.0.1397 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Clavinet V, Clavinet, AAX

Clavinet V v1.2.0.1397 WiN

TEAM V.R | 27 April 2018 | 257.65 MB

STANDALONE/AAX/VSTi/VST3/x86/x64

THE FUNKIEST ELECTRIC KEYBOARD EVER

The Clavinet V faithfully models the electric keyboard that put the funk in many ‘70s hits. This vintage instrument’s unmistakable sound will help your music jump right out of the speakers. No keyboard collection is complete without it. The “Clav” sound is so iconic that most keyboards have a patch that tries to emulate it. Why settle for an approximation? From the first note you play on the Clavinet V, you know this is no sample or synth. You feel that organic grit that only comes from a physical instrument, reproduced in minute detail by our award-winning modeling technology. We recreated the iconic Clavinet D6—including lightning response, multiple pickups, EQ rockers and variable mute. You can even tech your own customizations to age your instrument to taste. Dial in the rest of that coveted vintage sound you’re looking for with the built-in virtual guitar amp and stompbox rig—or just hit the extensive preset library.

Clavinet V v1.2.0.1397 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Clavinet V, Clavinet, AAX

V 1.2.0:
New Features:
– Redesigned Preset Browser interface
– NKS compatibility
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/AGd6
Clavinet V v1.2.0.1397 WiN CE-V.R
http://beelink.in/36356/Clavinet-V-v1.2.0.1397-WiN-CE-V.R.html

B 3 V v1.3.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti vsti vst3 plugins software aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, CE, B 3 V, B 3, AAX

B-3 V v1.3.0.1391 WiN

TEAM V.R | 27 April 2018 | 223.77 MB

STANDALONE/AAX/VSTi/VST3/x86/x64

The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities. Monarch of electronic organs, the rich sounding B3 has been a staple of jazz, gospel, rock, reggae and R&B—not to mention pro studios everywhere—for over a half century. Its electromagnetic tonewheel design gave it a beefy quality not found on later transistor organs. Our faithful homage includes an authentic rotary speaker and an array of stomp boxes, plus inspiring updates like analog circuit mods and drawbar modulation for new animated and syncopated effects.

B 3 V v1.3.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti vsti vst3 plugins software aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, CE, B 3 V, B 3, AAX

V 1.3.0:
New features:
– Redesigned Preset Browser interface
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/647N
B-3 V v1.3.0.1391 WiN CE-V.R
http://beelink.in/36355/B-3-V-v1.3.0.1391-WiN-CE-V.R.html

ARP 2600 V v3.3.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, ARP 2600 V, ARP 2600, ARP, AAX, 2600

ARP 2600 V v3.3.0.1391 WiN

TEAM V.R | 27 April 2018 | 120.81 MB

STANDALONE/AAX/VSTi/VST3/x86/x64

While the original instrument was a wonder to use, we always find ways to innovate and improve. Four revolutionary modulation generators add sonic flexibility and the step sequencer will allow you to animate your sounds. The multimode filter and output audio effects add new possibilities not found in the original….and did we mention it is fully polyphonic?

The Magic Mix
With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool which still takes its place at the heart of today’s music.

A Legend is Back
The Arp 2600 was an iconic sound and Arturia has been faithful in recreating this amazing synthesizer. From the sound of the 3 oscillators to the original ‘grey face’ filter to the vast modulation routing abilities. You get all this and more.

Sonic Explorations
If you’re new to synthesis, no problem: we’ve included hundreds of excellent presets to get you started. The Arp 2600 is a workhorse that can deliver everything from clean leads and sequences to crazy sound effects. When you need something with that extra special character the Arp 2600 is the one to go for.

Going beyond and back
While the original instrument was a wonder to use, we always find ways to innovate and improve. Four revolutionary modulation generators add sonic flexibility and the step sequencer will allow you to animate your sounds. The multimode filter and output audio effects add new possibilities not found in the original….and did we mention it is fully polyphonic?

V 3.3.0:
New features:
– Redesigned Preset Browser interface
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/snEo
ARP 2600 V v3.3.0.1391 WiN CE-V.R
http://beelink.in/36354/ARP-2600-V-v3.3.0.1391-WiN-CE-V.R.html

Solina V v2.3.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Solina V, Solina, CE, AAX

Solina V v2.3.0.1391 WiN

TEAM V.R | 27 April 2018 | 132.97 MB

STANDALONE/AAX/VSTi/VST3/x86/x64

The Solina V is our latest vintage keyboard recreation bringing back the classic Arp/Eminent Solina string machine. The Solina V is our latest venture into classic keyboards. We have modeled and faithfully reproduced the classic Arp/Eminent Solina string ensemble to generate those warm and fuzzy string sounds that graced so many hit records.

Solina V v2.3.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Solina V, Solina, CE, AAX

This Years Super Model
We began by modeling the original Solina MK1 from Eminent making sure that the Violin, viola, cello, horn and trumpet sounds was as rich and warm as the original. The renowned ENSEMBLE effect was carefully modeled and is a thing of beauty that cannot be found in any of the sample based string machines.

One step beyond
Besides the original features of the Solina that we recreated we took a step further and expanded the sonic pallet beyond anything the original designers could have imagined. Additions like the Vox Humana and Resonators from the Polymoog synthesizer, original paraphonic and new polyphonic modes of operation, a 24dB per octave filter on the bass section, LFO, Arpeggiator, etc. all add up to creating the biggest and baddest string machine ever.

V 2.3.0:
New features:
– Redesigned Preset Browser interface
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/W76w
Solina V v2.3.0.1391 WiN CE-V.R
http://beelink.in/36353/Solina-V-v2.3.0.1391-WiN-CE-V.R.html

SEM V v2.3.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, SEM V, SEM, CE, AAX

SEM V v2.3.0.1391 WiN

TEAM V.R | 27 April 2018 | 225.06 MB

STANDALONE/AAX/VSTi/VST3/x86/x64

A giant has returned to life. Oberheim’s legendary SEM – Synthesizer Expander Module – is back for the first time as a high-end software emulation exclusive TAE technology. Faithfully reproducing the warm Oberheim SEM tone, the Oberheim SEM V is also polyphonic, with a full array of innovative sonic features. Favored by top artists and producers such as Goldfrapp, Herbie Hancock and even John Carpenter for its fatness and unique harmonic spectrum, the Oberheim sound is an absolute must have for your studio.

SEM V v2.3.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, SEM V, SEM, CE, AAX

Analog masterpiece revisited
Accurately recreating the tone, waveshapes, multimode 12dB/octave filter and other detailed characteristics, the Oberheim SEM V delivers all the deep analog sounds that made its grand ancestor so unique and praised among all analog synthesizers. The Oberheim SEM V also expands the possibilities of the original thanks to powerful additional features. Besides polyphony, MIDI control and arpeggiation, a full set of new parameters is available.

8-voice creativity
The SEM V not only excels at growling basses and textured leads, but it also brings the warm brasses, ethereal pads, and amazing sequences possible on the expensive Oberheim 8 Voice model. By using the 8 Voice Programmer module, it becomes extremely intuitive to edit each SEM voice independently to create lively modulations in your sound. But you can even go further in shaping complex sounds, by using the advanced Keyboard Follow and the Modulation Matrix.

V 2.3.0:
New features:
– Redesigned Preset Browser interface
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/OQVo
SEM V v2.3.0.1391 WiN CE-V.R
http://beelink.in/36352/SEM-V-v2.3.0.1391-WiN-CE-V.R.html

Prophet V v3.3.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Prophet V, Prophet, CE, AAX

Prophet V v3.3.0.1391 WiN

TEAM V.R | 27 April 2018 | 288.40 MB

STANDALONE/AAX/VSTi/VST3/x86/x64

THE WHOLE IS BETTER THAN THE SUM OF THE PARTS: We have taken the first and the last synthesizers created by Sequential Circuitsª and brought them to you in an easy to use software instrument format. As with all other soft synths created by Arturia, we bring you replicas of the Prophet-5 and Prophet VS both visually and sonically. Using the Prophet V will be second nature for the connoisseurs. And if you are new to these synths, the only thing you will miss by not having the hardware versions is the workout from transporting them to the studio. Finally, since the Prophet V is designed with Arturia’s TAE® technology, you can be sure you will not give up sound quality.

Prophet V v3.3.0.1391 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Prophet V, Prophet, CE, AAX

V 3.3.0
New features:
– Redesigned Preset Browser interface
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/78Kw
Prophet V v3.3.0.1391 WiN CE-V.R
http://beelink.in/36351/Prophet-V-v3.3.0.1391-WiN-CE-V.R.html

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