Battery 4 v4.1.6 WiN and CONTENT Factory WiN MAC R2R, x86 plugins vsti x64 plugins vsti windows vsti presets patches native instruments kontakt battery software audio samples audio apps windows aax plugins, x86, x64, Win, VSTi, Standlone, R2R, MAC, Factory, Content, Battery 4, Battery, AAX

Battery 4 v4.1.6 WiN

Team R2R | 28 Sep 2017 | 150.7 MB


Factory Library v1.1.0 HYBRiD | 2.64 GB

Lightning-fast workflow for maximum creativity, Supercharged library for electronic and urban styles, Inspiring effects, intuitive routing and sidechaining.

BATTERY 4 is the cutting-edge drum sampler – the worldwide studio choice for creative beat production.

BATTERY 4 combines an updated library with a radically-intuitive workflow that keeps the focus on creativity. With a clear, compelling interface, BATTERY 4 launches drum sampling into the future.

The 143 kits in the BATTERY 4 library focus on electronic and hip hop production. 70 cutting-edge kits join all-time BATTERY favorites reprocessed for modern production. Find your drum sound with the easy-to-use, tag-based browser, drag it into a cell, and start playing.

Changes in Battery v4.1.6
– Added: Library favorites; it is now possible to “star” any kit or sample and later filter only for favorite content.
– Added: Usage data tracking.
– Fixed: Sample selection arrows now work as expected even when auto-load is enabled in the browser.
– Fixed: No random sounds are triggered anymore when loading Battery with auto-load enabled.
– Removed: 32-bit versions of Battery for macOS are no longer included.

Battery 4 v4.1.6 WiN and CONTENT Factory WiN MAC-R2R

VPS Avenger v1.2.2 AAX VST3 VSTi x64 CE Rev1 WiN V.R, x64 plugins vsti vsti vst3 plugins presets patches avxp aax plugins, x64, Win, VSTi, VST3, VPS, V.R, CE, Avenger, AAX

VPS Avenger v1.2.2 Rev 1 x64 WiN

TEAM V.R | 26.09.2017 | 22.6 MB | Content: 4.70 GB


Added More EXPANSiONS Today | 3.96 GB

Meet our new alpha and omega of synthesis: VPS Avenger is here! The most versatile and best sounding synth you will ever encounter. There is nothing VPS Avenger can’t do, it offers you tons of features and a gigantic growing library from some of the best sound designers on this planet.

Features :

  • VST / PC & Intel Mac VST / AU & AAX – runs in all compatible hosts
  • 64 Bit and VST3 standard (64Bit is required!)
  • over 900 factory presets
  • 620 multisamples
  • 218 special samples (attacks, noises)
  • 154 resampler waves
  • 168 drumkits, 168 drumsequences
  • 596 wavetables
  • thousands of OSC shapes (waveforms) available
  • 30 fx types (incl. analog chorus, Reverb, Phaser etc. from ArtsAcoustic)
  • 47 Filtertypes
  • up to 1000 playing oscs with one note possible
  • resampling / wavetable generator built in
  • freeform OSCs. Draw your own waveforms
  • alias free OSCs, Wavetables, FM and AM modulation
  • powerful and easy drag and drop mod matrix
  • resizable vectorized GUI (4k ready)
  • undo feature
  • comfortable preset search system / tag cloud
  • 8 arps, drumsequencer, 8 step sqs, 18 envelope generators
  • 16 individually routable sub outs into your DAW’s mixer
  • macro controllers assigned in each preset, for quick sound changes
  • external midi controllers and pedals support
  • free routable fx busses and send effects
  • customizable lfos, 4 shaper modules (distortion units on OSC level)
  • many unisono features: chorder and our own invented “V-Saw” supersaw
  • key- and velocityzones
  • import your own (multi)samples, drums, wavetables or OSC waveforms
  • MIDI learn function (connect your external MIDI gear with Avenger)

VPS Avenger v1.2.2 AAX VST3 VSTi x64 CE Rev.1 WiN-V.R

Complete v9.6 25.9.2017 WiN MAC P2P, x86 x64 windows vsti vst plugins plugins rtas macos plugins au for mac aax plugins, Win, P2P, MAC, Complete, 2017

Complete v9.6 – 25 Sept 2017 WiN MAC

P2P | Sept 26 2017 | WiN: 3.26 GB | MAC: 3.27 GB


What’s new (September 25th, 2017)
– 25th anniversary edition of AudioTrack, Q10 Equalizer and L1 Ultramaximizer with a new design and new features.

Complete v9.6 – 25 Sept 2017 WiN MAC-P2P

Vintage Keyboard FX v2.2.17 WiN CE V.R, x86 x64 windows vst plugins plugins rtas aax plugins, x86, x64, Win, VST, Vintage, V.R, RTAS, Keyboard, FX, CE, AAX

Vintage Keyboard FX v2.2.17 WiN

Team V.R | 25 Sep 2017| 4.4 MB

Win32/64, AAX, RTAS, VST

VKFX is a virtual rack packed with models of vintage analog effect processors, especially suited for keyboard players. It captures the sound of the original masters, which were often the key element in defining a classic instrument’s unique ‘voice’.

Model List:
– VKFX includes 8 effect processors: electric piano preamp with stereo pan/tremolo.
– Opto-compressor.
– Envelope and Dynamic Filter (Wah).
– Phase shifter.
– Analog Chorus.
– Overdrive.
– Tape multitap delay.
– Tube amplifier.

Key Features:
– Highly CPU efficient coding and module layout means that users can load many instances of VKFX without the fear of watching a system’s processor overloud appear, in the certain knowledge that processing quality is first class.
– Simultaneous editing of all processors is available via a friendly and intuitive interface presented in the form of a rack of independent modules.
– Module order can be rearranged by simply dragging and dropping modules to where they’re needed, giving users fast and total control over the effects.
– All rates and times can be sync’d to the DAW or internally timed, or left independent for a more ‘analog’ approach.
– All parameters are automatable. All parameters are assigned to MIDI controllers.
– A flexible file management system allows one, several or all modules to be loaded and saved – enabling easy mixing and matching of module presets saved from different sessions.

Vintage Keyboard FX v2.2.17 WiN CE-V.R

SpringAge v1.5.4 WiN CE V.R, x86 x64 windows vst plugins plugins rtas aax plugins, x86, x64, Win, VST, V.R, Spring, RTAS, CE, Age, AAX

SpringAge v1.5.4 WiN

Team V.R | 25 Sep 2017 | 7.2 MB

(AAX RTAS VST) [x86 x64]

New reference in the simulation of spring reverbs. Based on a mixed convolution and algorithmic technology, SpringAge can give the advantages of the two worlds. If you have never been able to get the real tone and dynamic of a spring reverb out of a plugin, then you need to check it out. With three spring models, taken from the most standard and acclaimed vintage and modern gears, SpringAge always gives you the perfect tone on any kind of instrument, ranging from guitars to vocals, keyboards and synthesizer. Your recordings will have that vintage and dynamic reverb tone, that you cannot get from a digital reverberation unit.

– SpringAge offers three top-quality spring models
– AQTX is the most classic spring, which takes the best out of your guitar and vocal tracks
– S201 is perfect for any keyboard, synth and lead instrument
– ANGEL really rocks out your tracks

– Drive control let’s you push into saturation the tube stage which drives the spring
– Full control over any characteristic of the spring tone
– Boingy knob controls the amount of the typical “boingg…” spring response to transients
– Two band multifunction fully parametric EQ for perfectly shape the spring tone
– Stereo mixing matrix of dry and wet is able to create any stereo panorama
– Ultra low CPU usage

SpringAge v1.5.4 WiN CE-V.R

Mark Studio v2.0.13 WiN CE V.R, x86 x64 windows vst plugins plugins rtas aax plugins, x86, x64, Win, VST, V.R, Studio, RTAS, Mark Studio, Mark, CE, AAX

Mark Studio v2.0.13 WiN

V.R | 25.9.2017 | 18.93 MB

(Win32/64; AAX*, RTAS, VST)


This exciting software gives you:
– 6 Markbass heads
– 9 Markbass cabinets
– and a rich pedalboard to complete your rig and unleash your creativity.

– Six top-class Markbass amp models: TA501, R500, Classic 300, TTE500, Little Mark Tube and MoMark
– Nine Markbass cabinets: STD 151HR (rear-ported 1×15″), STD 152HR (rear-ported 2×15″), STD 104HR (rear-ported 1×15″), STD 104HF (front-ported 4×10″), STD 106HF (front-ported 6×10″), Classic 108 (sealed 8×10″), Traveler 121H (front-ported 1×12″), New York 804 (front-ported 4x”) and New York 122 (front-ported 2×12″)
– Full pedalboard including: octave, envelope filter, bass chorus, distortion and compressor
– Choice of 6 microphones, plus a preset combination of 2 front microphones
– Faithful reproduction of every characteristic and nuance of Markbass amps and cabinets
– Ultra-flexible signal path makes it easy to balance the Direct (plugin) input, Line Out (amp direct Out) and Mic Output levels

Mark Studio v2.0.13 WiN CE-V.R

BREVERB v2.1.10 WiN CE Rev 4 V.R, x86 x64 windows vst3 plugins vst plugins plugins rtas aax plugins, x86, x64, VST3, VST, V.R, Spaces small, Spaces large, Sources, Room, Reverb, Plate, Inverse, Hall, AAX, 80s

BREVERB v2.1.10 Rev 4 WiN

Team V.R | Sept 24 2017 | 7.2 MB

AAX, VST, VST3, x86, x64, RTAS

Think of your ideal studio…

Of course, it would have all of the best reverb units used by the most famous engineers: a classic white ’80s unit with its smooth and creamy tone that has been used on thousands of famous hits;
a modern reverb unit with crisp and punchy tone, to forge your own unique sounding room; a dedicated post-production unit and thousands of ready-to-use presets created by some of the most respected people in the music and film industry to speed up your workflow. Or… think of BREVERB 2

– 7 main Algorithms: Hall, Room, Plate, Inverse, Spaces small, Spaces large and Sources.
– Algorithms for any application: from mixing to post-production or from classic tones to modern and creative tones.
– More than 50 ambient spaces recreated.
– More than 270 factory presets, covering any kind of ambience or application, designed by top-notch sound engineers.
– Modeled after the most sought-after hardware units.
– Each algorithm is engineered with no compromises in the sound for maximum quality.
– Full EQ section to tailor the frequency response of the reverb.
– Extended Nonlinear section to creatively shape your reverberation.

rev.3 – added more presets
rev.4 – excluded wrong VST3s

BREVERB v2.1.10 WiN CE Rev 4-V.R

MJUC Variable Tube Compressor v1.2.0 WiN MAC RETAiL SYNTHiC4TE, x86 x64 windows vst plugins plugins rtas macos plugins au for mac aax plugins, Win, VST, Variable, Tube Compressor, Tube, SYNTHiC4TE, RTAS, RETAIL, MJUC, MAC, Compressor, AU, AAX


SYNTHiC4TE | Sept 24 2017 | 38 MB

Variable-Tube Compressor

MJUC is the most effortful plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.

MJUC is the first Klanghelm plugin, that’s built with the help of a new framework. That’s brings a lot of new usability features such as GUI-resizing, AB-ing and a feature-rich platform independent preset browser with save/copy/paste/save-as-default functionality. Furthermore it’s possible to tweak the knob behavior, enable tooltips, show/hide value labels and more. All these features will find their way to the existing Klanghelm plugin as soon as possible.

Model Mk1 is based on the very early variable-mu* designs from the 50s. Due to its extremely high control voltage it doesn’t impart any audible “thumping”, most other variable-mu* designs suffer from at high GR and fast timing constants. Also it has a very simple signal path, where the compression happens directly in the audio path. The result is a very natural compression character with very little distortion. The arrangement of four(!) variable-mu* stages add to the incredibly dense and thick nature of Mk1. Mk1 is the most colored of MJUC’s models.

Model Mk2 is built upon the more complex designs of the 175 and 176 from the early 1960s, the all-tube-predecessors of the classic 1176 FET compressor. It offers four ratios, a density switch, that enables a second variable-mu* stage and reduces the program dependence of the attack and recovery timings to a minimum. Furthermore, it lets you activate the interstage transformer to reduce overall noise and distortion and making the compression more accentuated. Compared to Mk1 the second model is less Jazz and more Rock’n’Roll with enhanced generated harmonics and a more forward sounding character.

Model Mk3 is the least colored and most Hi-Fi-sounding model in MJUC. It is Klanghelm’s modern interpretation of this compression topology. The only design idea derived from another modern famous variable-mu* comp is, that it’s circuitry is done entirely differential, making the unit very quiet and almost distortion-free. But the real special thing about this model is, that the actual compression is done by two different variable-mu* stages, which kind of work against each other, one works feedforward, while the other in a feedback configuration. This results in a attack accentuating, punchy compression, surprisingly closer to a British G type bus comp than to a 670.

all formats included in a single license: AU (32&64Bit) – Mac only, VST (32&64Bit), AAX (32&64Bit), RTAS

MJUC 1.2.0 released
Friday, September 15, 2017
MJUC has been updated to version 1.2.0. – FIX: Logic Pro X: when used on a stereo bus, the right channel had sporadic dropouts, when only a dead centered mono signal was fed into that bus channel
– FIX: AAX only: partial reset of controls when moving an instance to another slot in the mixer or when deactivated and then activated again
– FIX: FLStudio: when using FLStudio’s own preset management instead of MJUC’s preset manager to save presets, not all settings were restored properly.
– CHANGE: the AB-States are now saved with the session
– CHNAGE: new Mac-installer

MJUC Variable-Tube Compressor v1.2.0WiN MAC RETAiL-SYNTHiC4TE

Eos v2.0.2 AAX AU VST VST3 WiN MAC V.R, x86 x64 windows vst3 plugins vst plugins macos audio damage plugins au for mac aax plugins, x86, x64, Win, VST3, VST, V.R, MAC, Eos, AU, AAX

Eos v2.0.2 WiN MAC

Team V.R | 24.09.2017 | 14.7 MB

(Win32/64, MacOSX; AAX, AU, VST3, VST)

Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs

Eos v2.0.2 AAX AU VST VST3 WiN MAC-V.R

Dopamine v1.0.0 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 vst3 plugins vst plugins aax plugins, x86, x64, Win, VST3, VST, V.R, Dopamine, CE, AAX

Dopamine v1.0.0 WiN

Team V.R | Sept 24 2017 | 69 MB

AAX* VST VST3 x86 x64

DOPAMINE: the new way to enhance your tracks

DOPAMINE is the emulation of two classic tape encoding processors, used as enhancers. It is designed to revive individual tracks as well as complex mixes while preserving their natural tone. DOPAMINE does not introduce unpleasant artefacts like the exciters do: in fact it dynamically balances the harmonics that naturally exist in the original audio rather than generating non-existent harmonics by synthesizing them.

– Replicates the enhancing side of the tape noise reduction units
– Simulates two classic processors: the 180 and the 361
– Simulates two cartridges: the A-Type and the Stressor
– Naturally enhances the audio by balancing the harmonic content
– Allows to tweak the dynamic action of the effect
– Very low cpu usage: you can open the plugin on each track of the session with a negligible cpu load
– Lots of presets designed in real mixing sessions

Dopamine v1.0.0 AAX VST VST3 x86 x64 WiN CE-V.R


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