CMI V v1.0.4.1287 AAX VSTi VST3 STANDALONE x86 x64 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software audio arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Fairlight, CMI V, CE, AAX

CMI V v1.0.4.1287 WiN

TEAM V.R | January 25 2018 | 272.98 MB

(Win32/64; AAX, VST3, VSTi, STANDALONE)

CMI V PEERLESS SAMPLING CHARACTER

The CMI V is a spot-on reincarnation of the first commercially available digital sampling system in music history—the sonic powerhouse behind numerous early MTV-era megahits. We even went the extra mile and added new creative features that weren’t possible back in the day. In 1980, the Fairlight CMI turned heads with the introduction of digital sampling. Now our software homage lets you turn some heads yourself. With exotic new sound of digital samples, the promise of an all-in-one digital workstation, and a physical design right out of a sci-fi movie, the Fairlight CMI was an object of desire for most self-respecting ‘80s keyboardists. Countless musicians and producers weighed the risks of bank robbery in order to afford one. No need today. Our faithful recreation gives you the same tools that many MTV stars used to make a cannonball splash into the pool. We’ve even made lots of improvements and additions that bring added power to this keyboard legend, including an alternate additive synthesis engine and tons of new modulation options. No vintage keyboard collection is complete without the CMI V. Now it’s your turn to experience the sound and power of the digital workstation that started it all.

CMI V v1.0.4.1287 AAX VSTi VST3 STANDALONE x86 x64 WiN CE V.R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins software audio arturia aax plugins, x86, x64, WiN, VSTi, VST3, V.R, Standalone, Fairlight, CMI V, CE, AAX

The unique musical architecture of the CMI
The CMI V isn’t just a digital instrument. It’s a complete digital workstation.
Our enhanced reproduction of this keyboard superhero lets you work with 10 digital instruments of your choice at once—mixing, layering, splitting and sequencing them as you please. Each instrument can draw from three different means of sound generation. The most obvious is the sampling engine that literally first defined the term in the industry. You can also shape sounds with the original additive synthesis engine where you control each of the component harmonics over time. We’ve even spun up the propellers and introduced a newer, simpler means of exploring additive synthesis like you’ve never heard it before named Spectral Synth. You also get around 300 expertly designed presets to get you going—including the original library of sounds you’ll recognize from countless hit recordings.

The original digital sound design powerhouse
If you want to sculpt sounds in the digital domain, the CMI V brings you a complete artists toolbox.
There are a zillion ways to shape sounds with the CMI. Work with a sample from the included library, or load in one of your own. Set the start and end points for the sample and loop. Modify the resolution to juice some interesting side effects. Resynthesize the sample into the additive synth domain for a harmonic representation. Create custom envelopes to control how each harmonic behaves over time. Change the sine waves that make up those harmonics to more complex waveshapes. Add multiple custom modulations to just about any sonic parameters you can think of. Heck, turn those modified additive harmonics back into a sample and sculpt your sound more back in that domain.

The CMI V gives you limitless creative options and sonic variety that are completely unique to this legendary sound design workstation.

The sound heard around the world
Many cutting edge ‘80s songs were fueled by the equally cutting edge sounds of the CMI. Now you can relive the glory days of MTV.

You know the sound of the CMI because it was everywhere—and still is. Consider the ear candy on Kate Bush’s “Running Up That Hill”. The rhythmic frenzy of Herbie Hancock’s “Rockit”. Peter Gabriel’s exotic “Sledgehammer” shakuhachi. The impossible horn line on Yes’ “Owner of a Lonely Heart”. The breathy vocal-flute on Tears for Fears’ “Shout” and “Everybody Wants to Rule the World”. Trevor Horn’s pulsing Page R bottom-end collage on “Relax” by Frankie Goes to Hollywood. Speaking of Hollywood, there’s Duran Duran’s “View to a Kill” Bond theme. How about Jan Hammer’s pitch-processed drums on his weekly “Miama Vice” TV scores? And MTV favs like “Close (to the Edit)” by Art of Noise and Yello’s “Oh, Yeah” are poster children for all things CMI.

Release Notes – 1.0.4.1287
CMI V
– Improvements
– MIDI Synchronization enhancement

INFO/DEMO/BUY: https://mage.si/fJHi
CMI V v1.0.4.1287 AAX VSTi VST3 STANDALONE x86 x64 WiN CE-V.R
http://beelink.in/34961/CMI-V-v1.0.4.1287-WiN-CE-V.R.html

CMI V v1.0.4.1287 MAC, x86 plugins vsti x64 plugins vsti vsti vst3 plugins macos software audio plugins au for mac arturia aax plugins, x86, x64, VSTi, VST3, Standalone, PlatenseSoul, MAC, CMI V, CMI, AU, AAX, 64Bit, 32Bit

CMI V v1.0.4.1287 MAC

PlatenseSoul | 25.01.2018 | 385.89 MB

AU/VSTi/VST3/AAX/STANDALONE 32/64

CMI V PEERLESS SAMPLING CHARACTER

The CMI V is a spot-on reincarnation of the first commercially available digital sampling system in music history—the sonic powerhouse behind numerous early MTV-era megahits. We even went the extra mile and added new creative features that weren’t possible back in the day. In 1980, the Fairlight CMI turned heads with the introduction of digital sampling. Now our software homage lets you turn some heads yourself. With exotic new sound of digital samples, the promise of an all-in-one digital workstation, and a physical design right out of a sci-fi movie, the Fairlight CMI was an object of desire for most self-respecting ‘80s keyboardists. Countless musicians and producers weighed the risks of bank robbery in order to afford one. No need today. Our faithful recreation gives you the same tools that many MTV stars used to make a cannonball splash into the pool. We’ve even made lots of improvements and additions that bring added power to this keyboard legend, including an alternate additive synthesis engine and tons of new modulation options. No vintage keyboard collection is complete without the CMI V. Now it’s your turn to experience the sound and power of the digital workstation that started it all.

CMI V v1.0.4.1287 MAC, x86 plugins vsti x64 plugins vsti vsti vst3 plugins macos software audio plugins au for mac arturia aax plugins, x86, x64, VSTi, VST3, Standalone, PlatenseSoul, MAC, CMI V, CMI, AU, AAX, 64Bit, 32Bit

The unique musical architecture of the CMI
The CMI V isn’t just a digital instrument. It’s a complete digital workstation.
Our enhanced reproduction of this keyboard superhero lets you work with 10 digital instruments of your choice at once—mixing, layering, splitting and sequencing them as you please. Each instrument can draw from three different means of sound generation. The most obvious is the sampling engine that literally first defined the term in the industry. You can also shape sounds with the original additive synthesis engine where you control each of the component harmonics over time. We’ve even spun up the propellers and introduced a newer, simpler means of exploring additive synthesis like you’ve never heard it before named Spectral Synth. You also get around 300 expertly designed presets to get you going—including the original library of sounds you’ll recognize from countless hit recordings.

The original digital sound design powerhouse
If you want to sculpt sounds in the digital domain, the CMI V brings you a complete artists toolbox.
There are a zillion ways to shape sounds with the CMI. Work with a sample from the included library, or load in one of your own. Set the start and end points for the sample and loop. Modify the resolution to juice some interesting side effects. Resynthesize the sample into the additive synth domain for a harmonic representation. Create custom envelopes to control how each harmonic behaves over time. Change the sine waves that make up those harmonics to more complex waveshapes. Add multiple custom modulations to just about any sonic parameters you can think of. Heck, turn those modified additive harmonics back into a sample and sculpt your sound more back in that domain.

The CMI V gives you limitless creative options and sonic variety that are completely unique to this legendary sound design workstation.

The sound heard around the world
Many cutting edge ‘80s songs were fueled by the equally cutting edge sounds of the CMI. Now you can relive the glory days of MTV.

You know the sound of the CMI because it was everywhere—and still is. Consider the ear candy on Kate Bush’s “Running Up That Hill”. The rhythmic frenzy of Herbie Hancock’s “Rockit”. Peter Gabriel’s exotic “Sledgehammer” shakuhachi. The impossible horn line on Yes’ “Owner of a Lonely Heart”. The breathy vocal-flute on Tears for Fears’ “Shout” and “Everybody Wants to Rule the World”. Trevor Horn’s pulsing Page R bottom-end collage on “Relax” by Frankie Goes to Hollywood. Speaking of Hollywood, there’s Duran Duran’s “View to a Kill” Bond theme. How about Jan Hammer’s pitch-processed drums on his weekly “Miama Vice” TV scores? And MTV favs like “Close (to the Edit)” by Art of Noise and Yello’s “Oh, Yeah” are poster children for all things CMI.

Release Notes – 1.0.4.1287
CMI V
– Improvements
– MIDI Synchronization enhancement

INFO/DEMO/BUY: https://mage.si/fJHi
CMI V v1.0.4.1287 MAC
http://beelink.in/35252/-CMI-V-v1.0.4.1287-MAC.html

DX7 V v1.0.1.1278 MAC, x86 plugins vsti x64 plugins vsti vsti vst3 plugins macos software audio plugins au for mac arturia aax plugins, x86, x64, VSTi, VST3, Standalone, PlatenseSoul, MAC, DX7 V, DX7, AU, AAX

DX7 V v1.0.1.1278 MAC

PlatenseSoul | January 26 2018 | 243.41 MB

AU, AAX, VSTi, VST3, STANDALONE, x86, x64

In 1983, the DX7 changed the world of music. Today, the DX7 V gives you the power to change it again. Nothing says ‘80s like the sound of the DX7. Our authentic recreation gives you all the same FM digital technology and sounds that earned the instrument a revered place in the history of both keyboards and contemporary music. We didn’t stop at just replicating it, though —we re-imagined it. New operator waves, extensive modulation additions, arpeggiator and onboard FX chains enhance your sonic possibilities exponentially. For bonus points, an intuitive graphic interface makes what was once a daunting programming task a creative joy today. We put booster rockets on the instrument that created innumerable ‘80s hits. Now you can create the definitive sounds of today and tomorrow.

DX7 V v1.0.1.1278 MAC, x86 plugins vsti x64 plugins vsti vsti vst3 plugins macos software audio plugins au for mac arturia aax plugins, x86, x64, VSTi, VST3, Standalone, PlatenseSoul, MAC, DX7 V, DX7, AU, AAX

The inimitable sound of FM
Your music is unique. So is the sound of the DX7 V.
Frequency modulation (FM) synthesis works by modulating one waveform with another to produce much more complex harmonic profiles than its analog brethren. These sounds run the gamut from acoustic and organic to synthetic and mechanical, spanning energies from subtle to radical along the way. Thanks to an extensive preset library, you don’t have to be an expert on FM in order to tap into all this sonic power. The DX7 V comes complete with a library of all the signature 80’s hit-making FM sounds like electric pianos, basses, marimbas, synths and more, plus an extensive battery of hot new sounds from our elite sound design team.

Whether you’re looking for the familiar sounds that put FM synthesis on the map or charting new territory, the DX7 V is the definitive digital synth to have in your keyboard collection.

Unleash your inner sound designer with expanded features
The DX7 V gives you a unique tool for customizing and creating new musical instruments and sound effects.
With its radical departure from analog designs, FM synthesis helps you chart new sonic spaces. The DX7 V is capable of producing an incredible spectrum of sounds ranging from natural-sounding instruments to unique synths to alien worlds—complete with all the crystal clarity and punchy transients uniquely associated with FM. Since having an instrument with such extreme depth and potential is the dream of every sonic explorer, we challenged ourselves to go even further. We added a host of new features including multiple waveforms, a filter and feedback loop on each operator, new modulation sources, a monster unison mode, and more.

The DX7 V is the perfect design tool for designing unique new instruments and ear candy that help you make your own distinct musical statement.

Design elegance meets sound design power
The DX7 V sports a stunning interface allowing intuitive control over all of the instrument’s dramatically expanded features
While retaining the feel of the original design, we’ve streamlined the main interface of the DX7 V to make it much simpler to use and understand. Here you’ll find an uncluttered presentation of only your everyday performance controls, as well as the fundamentals to start visualizing and exploring new sonic structures. When you’re ready to dig deeper and flesh out the detailed character and animation of your sounds, one click presents a programmer’s paradise of incisive controls and displays light years beyond the tedious original hardware interface. Balancing usability and all the added power in the DX7 V, tabbed windows easily put your fingers on logically grouped functions spanning enhanced operators, additional envelopes, matrix modulation, step sequencer, FX architecture, and more.

Whether you just want to play the extensive library sounds or program your own, the DX7 V is a dream to use.

Main Features:
•32 original DX7 algorithm
•All DX7 original parameters
•Original DX7 SysEx import
•25 available waveforms per operators
•6 Operators with multi-mode filter and feedback per operators
•DX7, DADSR and Multi-Segments envelopes (syncable and loopable) per operators
•2 Modulation envelopes
•4 assignable macros
Advanced modulation matrix
•A step sequencer, 2 LFOs with 6 waveforms and an arpeggiator
•4 FXs slots that can be routed in parallel or in serie
•An oscilloscope
•Vintage and Modern DAC Mode for a proper emulation of the DX7 converter
•32 voices of polyphony
•4 voices of unison with unison detune
•436 factory presets

Changues:
– Bug Fixes
– No more crash when browsing presets
– No more stuck notes when using sustain pedal with unison
– Moduilation/Pitch Looping Envelopes are now reset on “AllNoteOff” message
– Improved SysEx support

INFO/DEMO/BUY: https://mage.si/uftM
DX7 V v1.0.1.1278 MAC
http://beelink.in/35250/DX7-V-v1.0.1.1278-MAC.html

ARP 2600 V v3.2.1.1216 MAC, x86 plugins vsti x64 plugins vsti vsti vst3 plugins macos software audio plugins au for mac arturia aax plugins, x86, x64, VSTi, VST3, Standalone, PlatenseSoul, MAC, AU, ARP 2600 V, ARP 2600, ARP, AAX, 64Bit, 32Bit

ARP 2600 V v3.2.1.1216 MAC

PlatenseSoul | 25.01.2018 | 215.41 MB

AU/VSTi/VST3/AAX/STANDALONE 32/64

While the original instrument was a wonder to use, we always find ways to innovate and improve. Four revolutionary modulation generators add sonic flexibility and the step sequencer will allow you to animate your sounds. The multimode filter and output audio effects add new possibilities not found in the original….and did we mention it is fully polyphonic?

The Magic Mix
With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool which still takes its place at the heart of today’s music.

A Legend is Back
The Arp 2600 was an iconic sound and Arturia has been faithful in recreating this amazing synthesizer. From the sound of the 3 oscillators to the original ‘grey face’ filter to the vast modulation routing abilities. You get all this and more.

Sonic Explorations
If you’re new to synthesis, no problem: we’ve included hundreds of excellent presets to get you started. The Arp 2600 is a workhorse that can deliver everything from clean leads and sequences to crazy sound effects. When you need something with that extra special character the Arp 2600 is the one to go for.

Going beyond and back
While the original instrument was a wonder to use, we always find ways to innovate and improve. Four revolutionary modulation generators add sonic flexibility and the step sequencer will allow you to animate your sounds. The multimode filter and output audio effects add new possibilities not found in the original….and did we mention it is fully polyphonic?

Release Notes – 3.2.1.1216
ARP 2600 V

Bugfixes
– Resizing GUI using bottom-right corner is now properly working for MAC users

INFO/DEMO/BUY: https://mage.si/snEo
ARP 2600 V v3.2.1.1216 MAC
http://beelink.in/35249/ARP-2600-V-v3.2.1.1216-MAC.html

Modular V v3.2.1.1217 macOS, vsti vst3 plugins macos software audio plugins au for mac arturia aax plugins, VSTi, Standalone, PlatenseSoul, P2P, Modular V, Modular, macOS, MAC OSX, MAC, AU, AAX

Modular V v3.2.1.1217 MAC

PlatenseSoul | 25.01.2018 | 720.51 MB

STANDALONE/AU/VSTi/VST3/32Bit/64Bit/AAX

THE REVIVAL OF A LEGEND: Whether recreating the abstract tonal qualities of the classic electronic soundtracks, or pushing forward the sonic boundaries of today, the Modular V is the synthesizer of choice for sound exploration, anywhere, anytime. Arturia, in partnership with Bob Moog, has made a faithful reproduction of one of the most famous series of synthesizers: Moog Modular. Whether recreating the abstract tonal qualities of the classic electronic soundtracks, or pushing forward the sonic boundaries of today, the Moog Modular V is the synthesizer of choice for sound exploration, anywhere, anytime. It has all the vibe and the fat sound of the original, cleverly combined with important contemporary features like polyphony, MIDI control, loading and saving of patches…

Modular V v3.2.1.1217 macOS, vsti vst3 plugins macos software audio plugins au for mac arturia aax plugins, VSTi, Standalone, PlatenseSoul, P2P, Modular V, Modular, macOS, MAC OSX, MAC, AU, AAX

MAIN FEATURES:

  • 5000 sounds from some of the best sound designers in the industry
  • TAE® Sounds are selected from the Mini V, Modular V, CS-80V, Arp2600V, Jupiter 8V, Prophet V, Prophet VS, Oberheim SEM V and Wurlitzer V.
  • Graphic Studio view of synths
  • Detailed sound browser and filtering for finding your sounds fast.
  • Multi mode for creating your own layers, splits and adding effects.
  • Effects include: Analog Chorus, Analog Delay, Phaser, Overdrive, Vocal Filter, Pitch-shift Chorus, Leslie, Flanger, Reverb, Digital Delay, Compressor, Sub-generator, Bit Crusher, Parametric EQ, Destroy, Limiter.
  • Automatic mapping of parameters for Arturia keyboards.
  • MIDI mapable parameters
  • Standalone or Plug-in operation (VST, VST3, AU, RTAS, AAX coming soon)
  • Full editing of sounds for owners of any of the Arturia Classic Keyboard products (Mini V, Modular V, CS-80V, Wurlitzer V, etc.).
  • 64 bit operation
  • Interface automatically changes to match your Arturia Keyboard that is connected.


Release Notes – 3.2.1.1217
Modular V

Bugfixes
– Resizing GUI using bottom-right corner is now properly working for MAC users

INFO/DEMO/BUY: https://mage.si/OX45
Modular V v3.2.1.1217 macOS
http://beelink.in/10009/Modular-V-v3.2.1.1217-macOS.html

VCL 4 v1.0.1 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, x86, x64, WiN, VST3, VST, Vintage Leveler, Vintage, VCL 4, V.R, Opto Compression, opto, Leveler, Compression, Classic Compressor, CE, AAX, 60s

VCL-4 v1.0.1 WiN

TEAM V.R | January 24 2018 | 3.5 MB

(Win32/64; AAX*, VST3, VST)

VCL-4 is a faithful emulation of the silver face revision of the op-amp-based successor of THE classic late 60s opto leveler. It provides you with unintrusive to extreme program dependent and musical opto compression. The switchable ratio option makes for a flexible solution over a wide range of source material. During the modeling process Fuse Audio Labs rebuilt the entire original circuit on strip board, however replacing the original opto-cells that were made up of an LED and an photoresistor with suitable Vactrols. Every part of the circuit including the receiver stage, the side-chain and Vactrol LED driver circuit, the Vactrol itself as well as the push-pull driver stage and the output transformer has been accurately modeled.

INFO/DEMO/BUY: https://mage.si/5f7M
VCL-4 v1.0.1 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35225/VCL-4-v1.0.1-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

Thorn v1.0.6 AU AAX VSTi VST3 32Bit 64Bit WiN MAC UNiON, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins macos plugins au for mac aax plugins, x86, x64, WiN, VSTi, VST3, UNION, Thorn, MAC, AU, AAX, 64Bit, 32Bit

Thorn v1.0.6 WiN MAC

Team UNiON | 24 Jan 2018 | OSX: 131.8 MB | WiN: 118.1 MB

AAX AU VSTi VST3 32Bit 64Bit

Thorn is a software synthesizer that was designed to be easy to use and deliver awesome sound. In Thorn, being simple means to be straightforward and provide advanced sonic control at the same time. Intuitive workflow, high quality processing modules, light on the CPU, Thorn is ready to be put at the heart of your mix, in any genre of modern electronic music production.

Features:
Thorn offers 3 oscillators that utilize spectral synthesis method. This gives you control over all harmonics involved into the generation process of your sound. The oscillator provides sets of spectral and real-time effects to shape harmonics further. Of course FM, RM, PWM, Hard Sync implemented too.

Sound sources organized as spectrum tables of 16 frames with ability to edit and morph harmonics. The spectral synthesis gives ability to “post-process” all the generated harmonics with a special filter to colorize the output.

Two multi-mode, analog modeled filters with sensitive saturation stages available to charge your sounds and make it shine through the mix. There are 9 high quality effects, 3x ADSR envelopes, 3x LFOs, 2x multistage envelopes at your service in Thorn. 16-step flexible arpeggiator with MIDI output to generate rhythmic sequences available as well.

Additionally, Thorn provides a grid-based Glitch sequencer for maximum fun. Chop your sounds with the sequencer to get modern glitchy, stuttering effects.

Version 1.06:
– Fixed preset file sorting issue on OSX High Sierra

 

INFO/DEMO/BUY: https://mage.si/MLZd
Thorn v1.0.6 AU AAX VSTi VST3 32Bit 64Bit WiN MAC-UNiON
http://beelink.in/35222/-Thorn-v1.0.6-AU-AAX-VSTi-VST3-32Bit-64Bit-WiN-MAC-UNiON.html

Goliath v1.0.0 AAX AU VST x86 x64 WiN MAC R2R, x86 x64 windows vst plugins macos plugins au for mac aax plugins, x86, x64, WiN, VST, Tube, Transformer, Tape, Saturation, R2R, MAC, Goliath, EQ, DYNAMiCS, AU, AAX

Goliath v1.0.0 WiN MAC

Team R2R | 23 Jan 2018 | WiN: 18.8 MB | OSX: 93.2 MB

(Win32/64; AAX*,  AU, VST)

The signal path of analog audio running through solid state , tube and tape gear yields what we call a “Dimensional Analog Sound”. Besides the saturation that occurs in the analog world, the sounds also get naturally “compressed” and bumped or reduced in certain frequencies. Hence in order to accurately model analog outboard , we modeled and provide on this plugin , the ability to choose type of saturation, an envelope shaper and an analog modelled equalizer. This makes Goliath a true “Analog Mojo Box”

Tone Colors
Choose from Solid State (Silver) , Tube (Gold) & Tape (Titanium) saturation with the Tone selector. Silver brings a clean style saturation, with Gold you get more grit and edge, and Titanium brings the tape harmonics and punchy saturation to your audio. You can go from very subtle sounding to edgy. Increase apparent loudness without raising peak levels, and make your sounds cut through in a mix, or add a nice warm glow. These 3 very distinct flavors give you plenty of tone control additionally with the “Input/Drive” control and the “Roof” control. Easy to dial in the sweet spot and details you want.

Envelope + EQ
The Envelope and EQ become the final but invaluable piece of tone shaping tools . Looking for aggressive drums with punchy sustained sound ? or hard edged “attacky” vocals. This section lets you mould the sound shape you desire using the “Motion” control going from “splat” to “sharp”. Thin out pianos , strings & guitars with presence and air, or thicken up synths, bass guitar , kick drums etc. Detailed tweaking allowed on this one to dial in the sweet spots. Blend in this processing with your dry sounds using the wet/dry mix control.

INFO/DEMO/BUY: https://mage.si/3O8D
Goliath v1.0.0 AAX AU VST x86 x64 WiN MAC-R2R
http://beelink.in/35220/Goliath-v1.0.0-AAX-AU-VST-x86-x64-WiN-MAC-R2R.html

Goliath v1.0.0 AAX VST x86 x64 WiN CE V.R, x86 x64 windows vst plugins aax plugins, x86, x64, WiN, VST, V.R, Goliath, CE, AAX

Goliath v1.0.0 WiN

TEAM V.R | January 21 2018 | 18.39 MB

(Win32/64; AAX*, VST)

The signal path of analog audio running through solid state , tube and tape gear yields what we call a “Dimensional Analog Sound”. Besides the saturation that occurs in the analog world, the sounds also get naturally “compressed” and bumped or reduced in certain frequencies. Hence in order to accurately model analog outboard , we modeled and provide on this plugin , the ability to choose type of saturation, an envelope shaper and an analog modelled equalizer. This makes Goliath a true “Analog Mojo Box”

Tone Colors
Choose from Solid State (Silver) , Tube (Gold) & Tape (Titanium) saturation with the Tone selector. Silver brings a clean style saturation, with Gold you get more grit and edge, and Titanium brings the tape harmonics and punchy saturation to your audio. You can go from very subtle sounding to edgy. Increase apparent loudness without raising peak levels, and make your sounds cut through in a mix, or add a nice warm glow. These 3 very distinct flavors give you plenty of tone control additionally with the “Input/Drive” control and the “Roof” control. Easy to dial in the sweet spot and details you want.

Envelope + EQ
The Envelope and EQ become the final but invaluable piece of tone shaping tools . Looking for aggressive drums with punchy sustained sound ? or hard edged “attacky” vocals. This section lets you mould the sound shape you desire using the “Motion” control going from “splat” to “sharp”. Thin out pianos , strings & guitars with presence and air, or thicken up synths, bass guitar , kick drums etc. Detailed tweaking allowed on this one to dial in the sweet spots. Blend in this processing with your dry sounds using the wet/dry mix control.

INFO/DEMO/BUY: https://mage.si/3O8D
Goliath v1.0.0 AAX VST x86 x64 WiN CE-V.R
http://beelink.in/35195/Goliath-v1.0.0-AAX-VST-x86-x64-WiN-CE-V.R.html

GHZ v3.1.0 Bundle AAX VST VST3 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, WiN, VST3, VST, V.R, GHZ, CE, Bundle, AAX

GHZ v3.1.0 Bundle WiN

TEAM V.R | 20 January 2017 | 56.02 MB

Simple Interfaces & Good Audio.

GHZ is an audio software company that currently makes audio plugins and licenses audio algorithms.

12 Audio Plug-ins:
Midside
Expressive stereo imaging.

Tiltshift
Superior tone-shaping, from mix to master.

Panpot
New directions in panning.

Faraday Limiter
Peak limiter w/ a big magnetic field.

Lohi
Filter sweeps: lo, hi, & anywhere in between.

Vulf Compressor
Beastly compression by Vulf.

Trem Control
Classic tremolo for the 21st century.

Tone Control
Timeless EQ, taken back to the future.

CanOpener Studio
Conjure speakers from your headphones.

Lossy
Digital artifacts on demand.

Good Dither
World-class dither, simple controls.

Midside Matrix
Easy Mid/Side conversion.

New Features in v3:
– Windows support.
– VST, VST3 added for macOS.
– Custom user presets & user defaults.
– Metering enhancements.
– Korean and Japanese user interfaces.
– Wet Delay control in Wow Control.
– AAX metering support.
– Additional user preferences.

Release notes:
3.1.0 Jan 18, 2018
– Minor bugfixes

INFO/DEMO/BUY: https://mage.si/2gOX
GHZ v3.1.0 Bundle AAX VST VST3 WiN CE-V.R
http://beelink.in/34029/GHZ-v3.1.0-Bundle-AAX-VST-VST3-WiN-CE-V.R.html

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