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GHZ v3.3.0.1 Bundle WiN MAC

TEAM R2R | 16 July 2018 | WiN: 38.1 MB | MAC: 202.7 MB

Simple Interfaces & Good Audio.

GHZ is an audio software company that currently makes audio plugins and licenses audio algorithms.

12 Audio Plug-ins:
Midside
Expressive stereo imaging.

Tiltshift
Superior tone-shaping, from mix to master.

Panpot
New directions in panning.

Faraday Limiter
Peak limiter w/ a big magnetic field.

Lohi
Filter sweeps: lo, hi, & anywhere in between.

Vulf Compressor
Beastly compression by Vulf.

Trem Control
Classic tremolo for the 21st century.

Tone Control
Timeless EQ, taken back to the future.

CanOpener Studio
Conjure speakers from your headphones.

Lossy
Digital artifacts on demand.

Good Dither
World-class dither, simple controls.

Midside Matrix
Easy Mid/Side conversion.

New Features in v3:
– Windows support.
– VST, VST3 added for macOS.
– Custom user presets & user defaults.
– Metering enhancements.
– Korean and Japanese user interfaces.
– Wet Delay control in Wow Control.
– AAX metering support.
– Additional user preferences.

INFO/DEMO/BUY: http://mage.si/2gOX
GHZ v3.3.0.1 Bundle AAX AU VST VST3 WiN MAC-R2R
http://beelink.in/37052/GHZ-v3.3.0.1-Bundle-WiN-MAC-R2R.html

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DeEdger v1.2.0 WiN

Team R2R | July 16 2018 | 5.3 MB

PLATFORM : WiN32/64 – VST/AAX(MODiFiED)

DeEdger introduces a new way of reducing the hardness of audio signals without negatively altering the original signal qualities. The plugin operates in a threshold free manner, thus can comfortably handle any input signal level, type, and dynamic range. Where other plugins might under or over process, DeEdger only applies processing if any hardness is detected. Once detected, the hardness will be smoothed with remarkable elegance. After its initial setup, DeEdger can be left in a “set and forget” configuration without further attention. Intricate time and frequency dependent mechanisms allow DeEdger to provide a very transparent process throughout. The initial concept, developed by a professional mastering engineer, focused on the demands of modern audio mastering and has also turned out to be equally useful for mixing.

Key Features:
– Control the hardness of audio material while preserving dynamic impact and musicality
– Suitable for complex stereo material, including individual tracks and subgroups
– Low CPU load
– Intuitive user interface
– Set and forget

1.2.0
# Increased DEPTH range from 10 to 20

1.1.0
# Added M-only and S-only channel mode option which can be setup by toggle-clicking the M/S button
# Added new “adaptive load” mechanism that dynamically unloads all filters & deactives all processing when there is no input signal
# Fixed bug where frequency change was not assigned under certain cases with “Focus Listen” activated
# Significantly reduced CPU load by further optimizing DSP framework
# Slightly adjusted Q dependent loudness compensation in “Focus Listen” mode

INFO/DEMO/BUY: http://mage.si/RY41
DeEdger v1.2.0 WiN-R2R
http://beelink.in/34995/DeEdger-v1.2.0-WiN-R2R.html

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ARP 2600 V v3.3.0.1391 MAC

TEAM HEXWARS | 18.07.2018 | 207.5 MB

AU/VSTi/VST3/AAX/STANDALONE 32/64

While the original instrument was a wonder to use, we always find ways to innovate and improve. Four revolutionary modulation generators add sonic flexibility and the step sequencer will allow you to animate your sounds. The multimode filter and output audio effects add new possibilities not found in the original….and did we mention it is fully polyphonic?

The Magic Mix
With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool which still takes its place at the heart of today’s music.

A Legend is Back
The Arp 2600 was an iconic sound and Arturia has been faithful in recreating this amazing synthesizer. From the sound of the 3 oscillators to the original ‘grey face’ filter to the vast modulation routing abilities. You get all this and more.

Sonic Explorations
If you’re new to synthesis, no problem: we’ve included hundreds of excellent presets to get you started. The Arp 2600 is a workhorse that can deliver everything from clean leads and sequences to crazy sound effects. When you need something with that extra special character the Arp 2600 is the one to go for.

Going beyond and back
While the original instrument was a wonder to use, we always find ways to innovate and improve. Four revolutionary modulation generators add sonic flexibility and the step sequencer will allow you to animate your sounds. The multimode filter and output audio effects add new possibilities not found in the original….and did we mention it is fully polyphonic?

Release Notes – 3.3.0.1391
New features:
– Redesigned Preset Browser interface
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/snEo
ARP 2600 V v3.3.0.1391 macOS-HEXWARS
http://beelink.in/35249/ARP-2600-V-v3.3.0.1391-macOS.html

Magesy

CS-80 V v3.3.0.1391 macOS

TEAM HEXWARS | 18.07.2018 | 169.10 MB

STANDALONE/AU/VSTi/AAX/VST3/32Bit/64Bit

SHE’S A REPLICANT: The CS-80V is the reproduction of the legendary Yamaha© CS-80, which was considered by many as the “ultimate polyphonic synthesizer”, back in the late 70’s. The CS-80V is the reproduction of the legendary Yamaha® CS-80, which was considered by many as the “ultimate polyphonic synthesizer”, back in the late 70’s. It has been popularized by artists and groups like Toto, Jean-Michel Jarre, Keith Emerson, Stevie Wonder, Vangelis, Ultravox, Peter Gabriel… to name a few, and they all helped to turn this synthesizer into a real myth. More than twenty five years after its release, the time has come to rediscover a sound that has extensively contributed to the history of music…

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Software Specifications:
All the original parameters of the Yamaha CS-80:
– 2 oscillators
– 4 filters (high pass, low pass)
– 2 LFOs
– 4 envelopes
– 2 VCAs
– 1 sub-oscillator
– 1 ring modulator
– chorus and tremolo
– Digital Delay
– Multi Mode: assign a different sound to each of the 8 voices of polyphony!
– Modulation Matrix: 13 sources, 38 destinations
– More than 500 presets made by some of the world’s best sound designers
– Polyphonic aftertouch response
– 1 arpeggiator
– Full MIDI controller mapping
– Virtual Ribbon controller
– Absolutely pure, top quality sound from TAE® analog modeling

Release Notes – 3.3.0.1391
New Features:
– Added an Empty Midi config
– Playlist export
– More special characters are allowed in the comments section of presets

Bugfixes:
– Polyphony setting is now properly stored and recalled
– Deleted bank are not displayed anymore in the Save As panel
– Cancelling a preset overwrite now brings back to the Save As panel
– GUI is now properly shown after closing and reopening GUI in VST3 in FL
– Program Change message now won’t load an empty playlist
– ASC uninstall now always maintains user presets
– No more horizontal scrolling using a track pad on OSX
– Parameters are now properly shown on a KeyLab Essential screen
– Default KeyLab mapping cannot be deleted anymore
– Empty slots in a playlist can’t be selected with an Arturia MIDI controller
– Preset browser and toolbar preset display are now synchronized
– NKS LEDs to show parts on the keyboard are now properly loaded
– Save/Delete MIDI Configuration window is now properly looked
– Unassigned MIDI buttons are not shown as active anymore
– It is now possible to load presets from a controller in Reaper
– Textboxes for preset info are now editable with a single click

INFO/DEMO/BUY: http://mage.si/wBku
CS-80 V v3.3.0.1391 macOS-HEXWARS
http://beelink.in/19067/CS-80-V-v3.3.0.1391-macOS.html

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SEM V v2.3.0.1391 macOS

TEAM HEXWARS | 14.07.2018 | 338 MB

STANDALONE/AAX/AU/VSTi/VST3/32Bit/64Bit

A giant has returned to life. Oberheim’s legendary SEM – Synthesizer Expander Module – is back for the first time as a high-end software emulation exclusive TAE technology. Faithfully reproducing the warm Oberheim SEM tone, the Oberheim SEM V is also polyphonic, with a full array of innovative sonic features. Favored by top artists and producers such as Goldfrapp, Herbie Hancock and even John Carpenter for its fatness and unique harmonic spectrum, the Oberheim sound is an absolute must have for your studio.

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Analog masterpiece revisited
Accurately recreating the tone, waveshapes, multimode 12dB/octave filter and other detailed characteristics, the Oberheim SEM V delivers all the deep analog sounds that made its grand ancestor so unique and praised among all analog synthesizers. The Oberheim SEM V also expands the possibilities of the original thanks to powerful additional features. Besides polyphony, MIDI control and arpeggiation, a full set of new parameters is available.

8-voice creativity
The SEM V not only excels at growling basses and textured leads, but it also brings the warm brasses, ethereal pads, and amazing sequences possible on the expensive Oberheim 8 Voice model. By using the 8 Voice Programmer module, it becomes extremely intuitive to edit each SEM voice independently to create lively modulations in your sound. But you can even go further in shaping complex sounds, by using the advanced Keyboard Follow and the Modulation Matrix.

Release Notes – 2.3.0.1391
New features:
– Redesigned Preset Browser interface
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/d051
SEM V v2.3.0.1391 macOS-HEXWARS
http://beelink.in/19458/SEM-V-v2.3.0.1391-macOS.html

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CMI V v1.2.0.1391 MAC

TEAM HEXWARS | 17.07.2018 | 408.8 MB

AU/VSTi/VST3/AAX/STANDALONE 32/64

CMI V PEERLESS SAMPLING CHARACTER

The CMI V is a spot-on reincarnation of the first commercially available digital sampling system in music history—the sonic powerhouse behind numerous early MTV-era megahits. We even went the extra mile and added new creative features that weren’t possible back in the day. In 1980, the Fairlight CMI turned heads with the introduction of digital sampling. Now our software homage lets you turn some heads yourself. With exotic new sound of digital samples, the promise of an all-in-one digital workstation, and a physical design right out of a sci-fi movie, the Fairlight CMI was an object of desire for most self-respecting ‘80s keyboardists. Countless musicians and producers weighed the risks of bank robbery in order to afford one. No need today. Our faithful recreation gives you the same tools that many MTV stars used to make a cannonball splash into the pool. We’ve even made lots of improvements and additions that bring added power to this keyboard legend, including an alternate additive synthesis engine and tons of new modulation options. No vintage keyboard collection is complete without the CMI V. Now it’s your turn to experience the sound and power of the digital workstation that started it all.

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The unique musical architecture of the CMI
The CMI V isn’t just a digital instrument. It’s a complete digital workstation.
Our enhanced reproduction of this keyboard superhero lets you work with 10 digital instruments of your choice at once—mixing, layering, splitting and sequencing them as you please. Each instrument can draw from three different means of sound generation. The most obvious is the sampling engine that literally first defined the term in the industry. You can also shape sounds with the original additive synthesis engine where you control each of the component harmonics over time. We’ve even spun up the propellers and introduced a newer, simpler means of exploring additive synthesis like you’ve never heard it before named Spectral Synth. You also get around 300 expertly designed presets to get you going—including the original library of sounds you’ll recognize from countless hit recordings.

The original digital sound design powerhouse
If you want to sculpt sounds in the digital domain, the CMI V brings you a complete artists toolbox.
There are a zillion ways to shape sounds with the CMI. Work with a sample from the included library, or load in one of your own. Set the start and end points for the sample and loop. Modify the resolution to juice some interesting side effects. Resynthesize the sample into the additive synth domain for a harmonic representation. Create custom envelopes to control how each harmonic behaves over time. Change the sine waves that make up those harmonics to more complex waveshapes. Add multiple custom modulations to just about any sonic parameters you can think of. Heck, turn those modified additive harmonics back into a sample and sculpt your sound more back in that domain.

The CMI V gives you limitless creative options and sonic variety that are completely unique to this legendary sound design workstation.

The sound heard around the world
Many cutting edge ‘80s songs were fueled by the equally cutting edge sounds of the CMI. Now you can relive the glory days of MTV.

You know the sound of the CMI because it was everywhere—and still is. Consider the ear candy on Kate Bush’s “Running Up That Hill”. The rhythmic frenzy of Herbie Hancock’s “Rockit”. Peter Gabriel’s exotic “Sledgehammer” shakuhachi. The impossible horn line on Yes’ “Owner of a Lonely Heart”. The breathy vocal-flute on Tears for Fears’ “Shout” and “Everybody Wants to Rule the World”. Trevor Horn’s pulsing Page R bottom-end collage on “Relax” by Frankie Goes to Hollywood. Speaking of Hollywood, there’s Duran Duran’s “View to a Kill” Bond theme. How about Jan Hammer’s pitch-processed drums on his weekly “Miama Vice” TV scores? And MTV favs like “Close (to the Edit)” by Art of Noise and Yello’s “Oh, Yeah” are poster children for all things CMI.

Release Notes – 1.2.0.1391
New features:
– Redesigned Preset Browser interface
– NKS compatibility
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/fJHi
CMI V v1.2.0.1391 macOS-HEXWARS
http://beelink.in/35252/CMI-V-v1.2.0.1391-macOS.html

Magesy

DX7 V v1.2.0.1391 MAC

TEAM HEXWARS | 14.07.2018 | 289.46 MB

AU, AAX, VSTi, VST3, STANDALONE, 32Bit, 64Bit

In 1983, the DX7 changed the world of music. Today, the DX7 V gives you the power to change it again. Nothing says ‘80s like the sound of the DX7. Our authentic recreation gives you all the same FM digital technology and sounds that earned the instrument a revered place in the history of both keyboards and contemporary music. We didn’t stop at just replicating it, though —we re-imagined it. New operator waves, extensive modulation additions, arpeggiator and onboard FX chains enhance your sonic possibilities exponentially. For bonus points, an intuitive graphic interface makes what was once a daunting programming task a creative joy today. We put booster rockets on the instrument that created innumerable ‘80s hits. Now you can create the definitive sounds of today and tomorrow.

Magesy

The inimitable sound of FM
Your music is unique. So is the sound of the DX7 V.
Frequency modulation (FM) synthesis works by modulating one waveform with another to produce much more complex harmonic profiles than its analog brethren. These sounds run the gamut from acoustic and organic to synthetic and mechanical, spanning energies from subtle to radical along the way. Thanks to an extensive preset library, you don’t have to be an expert on FM in order to tap into all this sonic power. The DX7 V comes complete with a library of all the signature 80’s hit-making FM sounds like electric pianos, basses, marimbas, synths and more, plus an extensive battery of hot new sounds from our elite sound design team.

Whether you’re looking for the familiar sounds that put FM synthesis on the map or charting new territory, the DX7 V is the definitive digital synth to have in your keyboard collection.

Unleash your inner sound designer with expanded features
The DX7 V gives you a unique tool for customizing and creating new musical instruments and sound effects.
With its radical departure from analog designs, FM synthesis helps you chart new sonic spaces. The DX7 V is capable of producing an incredible spectrum of sounds ranging from natural-sounding instruments to unique synths to alien worlds—complete with all the crystal clarity and punchy transients uniquely associated with FM. Since having an instrument with such extreme depth and potential is the dream of every sonic explorer, we challenged ourselves to go even further. We added a host of new features including multiple waveforms, a filter and feedback loop on each operator, new modulation sources, a monster unison mode, and more.

The DX7 V is the perfect design tool for designing unique new instruments and ear candy that help you make your own distinct musical statement.

Design elegance meets sound design power
The DX7 V sports a stunning interface allowing intuitive control over all of the instrument’s dramatically expanded features
While retaining the feel of the original design, we’ve streamlined the main interface of the DX7 V to make it much simpler to use and understand. Here you’ll find an uncluttered presentation of only your everyday performance controls, as well as the fundamentals to start visualizing and exploring new sonic structures. When you’re ready to dig deeper and flesh out the detailed character and animation of your sounds, one click presents a programmer’s paradise of incisive controls and displays light years beyond the tedious original hardware interface. Balancing usability and all the added power in the DX7 V, tabbed windows easily put your fingers on logically grouped functions spanning enhanced operators, additional envelopes, matrix modulation, step sequencer, FX architecture, and more.

Whether you just want to play the extensive library sounds or program your own, the DX7 V is a dream to use.

Main Features:
•32 original DX7 algorithm
•All DX7 original parameters
•Original DX7 SysEx import
•25 available waveforms per operators
•6 Operators with multi-mode filter and feedback per operators
•DX7, DADSR and Multi-Segments envelopes (syncable and loopable) per operators
•2 Modulation envelopes
•4 assignable macros
Advanced modulation matrix
•A step sequencer, 2 LFOs with 6 waveforms and an arpeggiator
•4 FXs slots that can be routed in parallel or in serie
•An oscilloscope
•Vintage and Modern DAC Mode for a proper emulation of the DX7 converter
•32 voices of polyphony
•4 voices of unison with unison detune
•436 factory presets

Release Notes – 1.2.0.1391
New features:
– Redesigned Preset Browser interface
– NKS compatibility
– Added 50% zoom size
– Added maximize height button

Bugfixes
– When multiple operators are selected, it is now possible to edit the focused envelope in the Envelopes screen
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/uftM
DX7 V v1.2.0.1391 macOS-HEXWARS
http://beelink.in/35250/DX7-V-v1.2.0.1391-macOS-HEXWARS.html

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Modular V v3.3.0.1391 MAC

TEAM HEXWARS | 17.07.2018 | 719.33 MB

STANDALONE/AU/VSTi/VST3/32Bit/64Bit/AAX

THE REVIVAL OF A LEGEND: Whether recreating the abstract tonal qualities of the classic electronic soundtracks, or pushing forward the sonic boundaries of today, the Modular V is the synthesizer of choice for sound exploration, anywhere, anytime. Arturia, in partnership with Bob Moog, has made a faithful reproduction of one of the most famous series of synthesizers: Moog Modular. Whether recreating the abstract tonal qualities of the classic electronic soundtracks, or pushing forward the sonic boundaries of today, the Moog Modular V is the synthesizer of choice for sound exploration, anywhere, anytime. It has all the vibe and the fat sound of the original, cleverly combined with important contemporary features like polyphony, MIDI control, loading and saving of patches…

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MAIN FEATURES:

  • 5000 sounds from some of the best sound designers in the industry
  • TAE® Sounds are selected from the Mini V, Modular V, CS-80V, Arp2600V, Jupiter 8V, Prophet V, Prophet VS, Oberheim SEM V and Wurlitzer V.
  • Graphic Studio view of synths
  • Detailed sound browser and filtering for finding your sounds fast.
  • Multi mode for creating your own layers, splits and adding effects.
  • Effects include: Analog Chorus, Analog Delay, Phaser, Overdrive, Vocal Filter, Pitch-shift Chorus, Leslie, Flanger, Reverb, Digital Delay, Compressor, Sub-generator, Bit Crusher, Parametric EQ, Destroy, Limiter.
  • Automatic mapping of parameters for Arturia keyboards.
  • MIDI mapable parameters
  • Standalone or Plug-in operation (VST, VST3, AU, RTAS, AAX coming soon)
  • Full editing of sounds for owners of any of the Arturia Classic Keyboard products (Mini V, Modular V, CS-80V, Wurlitzer V, etc.).
  • 64 bit operation
  • Interface automatically changes to match your Arturia Keyboard that is connected.

 

V 3.3.0
New features:
– Redesigned Preset Browser interface
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/OX45
Modular V v3.3.0.1391 macOS
http://beelink.in/10009/Modular-V-v3.3.0.1391-macOS.html

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Mini V v3.3.0.1391 MAC

TEAM HEXWARS | 14 July 2018 | 307 MB

STANDALONE/AAX/AU/VSTi/VST3/32Bit/64Bit

TECHNOLOGY MEETS HISTORY: From the starship funk lead lines of the 70’s, to the gangster whine of mid 90’s hip-hop, the ever present Minimoog has been making its phat presence felt for over 3 decades. In partnership with Bob Moog, we decided to reproduce the legendary interface with the same look and feel than the original because of its particular “mood”, and because many musicians wish to use the same interface they used in the past. But the reproduction of this synthesizer does not stop to the look and feel, we also recreated its inside characteristics… A good thing made better: The Mini V has kept all of the original characteristics of the award winning minimoog soft-synth. Powerful and rich bass , faithfully reproduced ‘free-running’ waveforms thanks to TAE® exclusive technology, added effects, an arpeggiator, an extra modulation oscillator and above all polyphony.

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V 3.3.0
New features:
– Redesigned Preset Browser interface
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Filter’s cutoff smoothing has been decreased too allow for fast variations and automations
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/HpN2
Mini V v3.3.0.1391 macOS-HEXWARS
http://beelink.in/37051/Mini-V-v3.3.0.1391-macOS.html

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Matrix-12 V v2.3.0.1391 MAC

TEAM HEXWARS | 14.07.2018 | 263.62 MB

STANDALONE/AAX/AU/VSTi/VST3/32Bit/64Bit

ENTER THE MATRIX | The massively powerful Oberheim Matrix 12 has been resurrected at last. Using our TAE™ modeling techonology. we are able to recapture and bring you this beast of a synthesizer. Often coveted, rarely found for sale, and known as one of the greatest analog synths ever made, the Oberheim Matrix 12 was the crowning pinnacle of Oberheim products. Used by the likes of Joe Zawinul, Michael Brecker, Keith Emerson, Vince Clarke, Tangerine Dream, Nitzer Ebb, and many more, it is now available to you too.

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Recreation
We recreated the tonal aspects of the original 2 oscillators and their waveforms but more importantly we modeled the 15 filter modes! The Matrix 12’s complex sound was defined by its multiple filter modes and by the amazing number of modulation sources and destinations. With nearly endless possibilities of modulation routings you can create sounds with very organic qualities not found in other synthesizers.

Release Notes – 2.3.0.1391
New features:
– Redesigned Preset Browser interface
– Added 50% zoom size
– Added maximize height button

Bugfixes:
– Improved GUI integration in DAWs
– Improved retina / multi-screen GUI support
– Instruments user interfaces now open properly on case sensitive OS
– It is now possible to process audio at different sample rates with RME Babyface audio interfaces
– No more crash happens when deleting two tracks with the same instrument in a DAW
– Sharp automations applied to on/off type parameters now work properly in AAX

INFO/DEMO/BUY: http://mage.si/X600
Matrix-12 V v2.3.0.1391 macOS-HEXWARS
http://beelink.in/37050/Matrix-12-V-v2.3.0.1391-macOS.html

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