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ARPOLOGY: Cinematic Dimensions KONTAKT

P2P | 08.03.2019 | 22.16 GB

Back in 2012 SL developed a game-changing arpeggiator that shook up the industry and left all other arpeggiators in the shade. This ground-breaking piece of scripting was named the “Step Animator” and it became the driving force behind a fantastic multi-genre sample library, the original ARPOLOGY. This library conjured magic from single instruments with incredibly versatile step animation. Fast forward to 2018 and Sample Logic is shaking things up again, but this time taking arpeggiators to a whole new level. The team has spent an entire year developing ARPOLOGY: CINEMATIC DIMENSIONS which quadruples the power of the original ARPOLOGY with the addition of an all new 4-core performance engine, individually animating 4 instruments to create one cohesive sound. This allows users to blend up to 4 instruments while using different arp patterns at the same time, yielding amazingly creative results. This new iteration of ARPOLOGY is not only more powerful, but includes 23+GB of recorded instruments (from the original ARPOLOGY and newly recorded content). The library boasts over 1,200 presets designed to deliver flexible sequencing and arpeggiated grooves for all types of cinematic productions.

STEP INTO THE FUTURE: Infinite Randomization
Built from the ground up, this is an entirely new product which has been specifically designed for musical motion. Each of the presets are uniquely diverse in style and scope and that’s just the start. CINEMATIC DIMENSIONS features powerful built-in randomization functions which can automatically inspire in an infinite number of ways. With these randomization features users can remix fragments of presets to forge together uniquely original cinematic sequences never heard before; all at the click of a button. Feeling lucky? Roll the dice with “Random”!

LEVEL UP: Dynamic Preset Browsing
Sample Logic has gone to great lengths to consider the end user’s needs. Time is money and deadlines abound! Dialing in the perfect sound quickly and easily is paramount, so ARPOLOGY CINEMATIC DIMENSIONS makes that happen. This is the main purpose of the built-in preset browsing system; an intuitive, dynamic one-stop solution for choosing presets and playback manipulation. The browser lets users explore any sound available in the library from one central location. Access sound sources, sound cores and instrument presets with the ability to solo and bypass cores and activate step animators while browsing or performing. Choose to filter through sources, effects, patterns or any combination of these. Even isolate specific attributes of a preset while sorting through each preset, one by one. Looking for a step animator pattern or sound source only? Then choose it in the browser and leave the other parameters as they were. Alternatively, just keep it simple and load whole sound core presets that combine into one complete 4-core instrument. Decide which elements of the presets to use to create unique combinations. Finding sounds and presets is a breeze when using the multi-tag browser system. Each source, core, and multi tagged with descriptive genre driven IDs. From there, favorite presets to save them for future use.

INTUITIVE INFRASTRUCTURE
As the product title implies, there are many different dimensions to ARPOLOGY: CINEMATIC DIMENSIONS. Beyond the browsing system, Sample Logic has designed a straightforward approach for digging deep into presets and customizing them. The framework of the interface is divided into 4 main sections: CORE, STEP, MIX & MASTER

CORE: Use this section to load individual sound core presets or sound sources into any of the 4 cores. At the center of the CORE interface is a XY controller used to visually blend the mix of the 4 cores. The XY controller movements can be assigned to a hardware controller or animated with a preset automaton pattern. Additionally, record custom XY movements to play back each time a note is triggered right inside the interface.

STEP: This is where the magic happens…programming animation to all 4 cores. In this section, add movement in 2 ways: through the Step Animator and or via the Dynamic FX Animator, which allows for easy FX automation. The Step Animator gives each core a unique arp sequence. This isn’t just a run-of-the-mill arpeggiator as it has many more customizable functions and performance parameters than just a standard arpeggiator. Set the length and attributes of each step independently with up to 128 steps. The STEP section has over 300 unique animation presets, all randomizable to conjure up new patterns on the fly. In addition, use the dynamic browser to load up just the step pattern of any of the main presets via the browser filter section, resulting in limitless combinations of sounds and animations. The lower half of the expanded STEP section has 6 effects slots with over 25 different effects to choose from and each of these can be animated. The Step Animator and Dynamic FX Animators are on separate internal clocks, allowing even more freedom to create syncopated and polyrhythms between each core.

MIX: Similar in layout to the CORE window, the MIX window is tailored towards mixing each core. Adjust attack, release, EQ, energizer and more.

MASTER: This is where everything gets summed into a stereo mix. The master section houses 8 dynamic effect inserts that allow for custom master effects chain, applying the parameters to all 4 cores. This is extremely handy for polishing the entire instrument as a seamless whole. From compression and saturation to delay and reverb, use the many and varied controls to instantly make presets production-ready.

SYSTEM REQUIREMENTS: Full retail version of Kontakt 5.8 or higher

INFO/DEMO/BUY: http://mage.si/3y5z
ARPOLOGY: Cinematic Dimensions KONTAKT
http://beelink.in/39022/ARPOLOGY-Cinematic-Dimensions-KONTAKT.html

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Mastering Suite v1.0.6 WiN MAC

Team R2R | Feb 24 2019 | WiN: 18.3 MB | OSX: 64 MB

AU, VST, VST3, AAX, x86, x64

AD Mastering Suite consists of five plug-ins for audio mastering that were designed for ultimate signal transparency…

Dynamics is a combined compressor, expander or gate. The look-ahead can be set anywhere from 0 to 30 milliseconds and the intelligent algorithm ensures a band-limited gain signal which reduces potential distortion to a minimum even with minimal attack and release times. You can use up to 4 times oversampling to further reduce distortion. The side chain signal can be either internal or external and there’s a full blown side chain equalizer integrated with low cut, low shelf, peak, high shelf and high cut filters. The complexity of algorithms is not reflected in the intuitive user interface which provides graphical visualizations of all aspects of the processing.

Multiband Dynamics is the multiband extension of Dynamics which allows dynamic processing in up to four separate bands. You can freely set the cross-over frequencies and even the filter slopes can be set freely in the range 6 and 48 dB per octave. Multiband Dynamics operates in linear phase mode to avoid phase issues between the processed bands.

Limit is a transparent limiter with intelligent look-ahead in the range 0 to 30 milliseconds that reduces distortion to a minimum. The limiting is performed in a two step process with a pre-compressor follower by the actual peak limiting algorithm. You can use up to 4 times oversampling for true peak limiting and to further reduce distortion.

Equalize is a parametric equalizer. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. You can operate Equalize as a zero latency plug-in when using the minimum phase mode, choose to preserve the phase relationships in the linear phase mode or use the unique mixed phase mode. The mixed phase mode allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering.

Dither is a dithering plug-in with flexible perceptual noise shaping. You can adjust the maximum gain and the filter length of the frequency response of the noise shaping filter is visualized graphically.

INFO/DEMO/BUY: http://mage.si/C8i1
AD Mastering Suite v1.0.6 WiN MAC-R2R
http://beelink.in/37709/AD-Mastering-Suite-v1.0.6-WiN-MAC-R2R.html

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Shinechilla v1.1 WiN MAC

Team R2R | Feb 24 2019 | WiN: 7 MB | OSX: 20 MB

PLATFORMS: WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

Shinechilla allows you to generate and blend 2nd, 3rd and 4th harmonics with the original dry sound. The harmonic generation process offered by Shinechilla is quite unique on the plugin market since it produces almost no intermodulation distortion. Shinechilla is mainly usable for solo instrument processing where it literally “shines” by producing convincing and full-bodied harmonic coloration. Shinechilla is also unique in that it is able to add harmonic coloration on top of the sound instead of distorting the whole sound. However, the option to saturate the whole sound is also available. The strength of harmonic coloration added by Shinechilla can be flexibly adjusted over the whole frequency range, for each harmonic. In overall, Shinechilla is a great tool for contemporary electronic music producers and sound designers looking for impressive timbres and sounds.

Shinechilla features:
– 2nd, 3rd, 4th harmonics generator
– Spectral saturation
– Spectral harmonic level control
– Spectral threshold control
– Stereo and multi-channel processing
– Internal channel routing
– Channel grouping
– Mid/side processing
– Up to 8x oversampling
– 64-bit floating point processing
– Preset manager
– Undo/redo history
– A/B comparisons
– Contextual hint messages
– All sample rates support
– 60 ms compensated processing latency
– User interface color schemes
– Resizable user interface
– Retina and HighDPI support

Version 1.1 includes the following changes:
– Added VST3 support.
– Added AAX support.
– Implemented a fast Shift+Click insertion of control points.
– Implemented a more flexible way to copy envelopes.
– Implemented color scheme editor with load and save functions.
– Redesigned the infrastructure controls.
– Added Retina support on macOS, and automatic high-resolution UI size adjustment on Windows.
– 40% to 55% lower CPU usage on AVX2-capable processors (in 64-bit mode).

INFO/DEMO/BUY: http://mage.si/TzUJ
Shinechilla v1.1 WiN MAC-R2R
http://beelink.in/6071/Shinechilla-v1.1-WiN-MAC-R2R.html

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SPAN Plus v1.5.0 WiN MAC

TEAM R2R | 24.02.2019 | WiN: 8.36 MB | MAC: 26.41 MB

AU AAX VST VST3 x86 x64

SPAN Plus is a real-time “fast Fourier transform” audio spectrum analyzer plug-in for professional music and audio production applications. For the most part it was derived from Voxengo GlissEQ dynamic parametric equalizer and reproduces its spectrum analysis functionality. SPAN Plus is an extended version of the freeware SPAN plug-in: SPAN Plus provides several additional features such as PNG file export, real-time spectrum import/export and static spectrums display. SPAN Plus provides you with a very flexible “mode” system which you can use to setup your spectrum analyzer preferences. You may specify Fourier block size in samples, FFT window overlap percentage, spectrum’s visual slope. Beside that you can choose to display secondary spectrum of a desired type (e.g. real-time maximum, all-time maximum). Spectrum can be smoothed out visually for an easier examination.

SPAN Plus supports multi-channel analysis and can be set to display spectrums from two different channels or channel groups at the same time. Spectrum’s color can be chosen to taste. SPAN Plus also features output level metering with adjustable ballistics and integration time, K-metering (including calibration K-metering). SPAN Plus displays level metering statistics, headroom estimation and clipping detection. Correlation metering is available as well

SPAN Plus features:
– Real-time spectrum import/export
– PNG file export
– Static spectrums display
– Output signal power statistics
– Spectrum smoothing
– User interface window resizing
– Clipping statistics
– Correlation meter
– K-metering
– Stereo and multi-channel analysis
– Mid/side analysis
– Internal channel routing
– Channel grouping
– Preset manager
– Undo/redo history
– A/B comparisons
– Contextual hint messages
– All sample rates support
– Retina and HighDPI support

Version 1.5 includes the following changes:
– Fixed issue with “Spectrum Offset” display modes.
– Fixed display “notching” of high-resolution spectrum.
– Added Retina support on macOS, and automatic high-resolution UI size adjustment on Windows.
– Added “anti-aliasing” spectrum display mode.

INFO/DEMO/BUY: http://mage.si/E9q1
SPAN Plus v1.5.0 WiN MAC-R2R
http://beelink.in/17770/SPAN-Plus-v1.5.0-WiN-MAC-R2R.html

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DMG Plugin Bundle 2019-3 WiN

Team V.R | 01 March 2019 | 28.28 MB

(Win32/64; AAX*, RTAS, VST3, VST)

Included:
– Compassion v1.17
– Dualism v1.07
– Equality v1.31
– Equick v1.13
– Equilibrium v1.56
– Essence v1.05
– Expurgate v1.03
– Limitless v1.06
– Multiplicity v1.01
– Pitchfunk v1.12
– Trackcomp v1.02
– Trackcontrol v1.01
– TrackDS v1.01
– Trackgate v1.01
– Tracklimit v1.01
– Trackmeter v1.01

INFO/DEMO/BUY: http://mage.si/pu05
DMG Plugin Bundle 2019-3 WiN CE-V.R
http://beelink.in/11025/DMG-Plugin-Bundle-2019-3-WiN-CE-V.R.html

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TBPA Plugins Pack 2019-3 WiN

Team V.R | 01 March 2019 | 35.60 MB

(Win32/64; AAX*, RTAS, VST3, VST, STANDALONE)

Included:
– AB_LM v1.6.4 – AB Loudness Match
– CS-3301 v1.5.7b – Channel Strip
– dEQ6 v2.1.0 – Dynamic Equalizer / Multiband Compressor
– dpMeter 3 v1.3.4 – Free Multi Channel Meter

– dpMeterXT v1.3.5 – Broadcast Loudness Meter
– DynaRide v1.1.4 – Vocal & Bass Riding Leveller
– Euphonia v2.0.3 – Spectrum Balancing
– FinalLoud v1.0.8 – Loudness & True Peak Finalizer Tool
– GainRider 2 v1.0.10 – Vocal Gain Riding Leveller
– gEQ12 v2.2.0 – 12-Band Graphic Equalizer
– Impress v1.9.15 – Compressor
– ISOL8 v1.0.8 – Free Mix Monitoring Tool
– LA xLimit II v1.3.4 – Limiter
– mvMeter2 v1.0.15 – Free Multivariable Meter
– SLM2 v1.3.5 – Smart Loudness Maximizer
– ST1 v1.0.3 – Spatial Tool
– sTilt v1.4.4 – Free Spectrum Tilt Filter

INFO/DEMO/BUY: http://mage.si/3wfM
TBPA Plugins Pack 2019-3 WiN CE-V.R
http://beelink.in/37507/TBPA-Plugins-Pack-2019-3-WiN-CE-V.R.html

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UBK-1 v1.2.6 AAX VST x86 x64 WiN

Team R2R | 03 Mar 2019 | 5.9MB

PLATFORM : WiN32/64 – VST/AAX(MODiFiED)

The UBK-1 is a texturizing, dynamics-shaping animal of a plugin that will surprise and inspire you in ways that typically require expensive analog hardware, because it was painstakingly designed and meticulously tweaked for 18 months by an unapologetic analog snob. The heart of the UBK-1 is a ferocious Compressor that goes beyond mere transient shaping and into the realm of completely redefining the groove of your sounds. When it Saturates, it also softens any harsh digital edges and makes unruly or uninteresting tracks harmonically richer and easier to mix. Top it off with the mysterious Density engine, and the result is a color palette rife with highly musical textures and rich, euphonic distortions.

Gently subtle, downright rude, or completely obliterated… whatever you can envision for your music, this plugin can bring to life.

Features:

  • Movement Generating Plugin Dynamics Shaper
  • 5 unique Compression algorithms tuned by ubk
  • Saturation with a distinctly tapey vibe
  • Harmonic Distortion generator tuned by UBK
  • Density engine for additional thickness and leveling
  • Headroom knob controls all processors simultaneously

 

INFO/DEMO/BUY: http://mage.si/Q2Ty
UBK-1 v1.2.6 AAX VST x86 x64 WiN
http://beelink.in/12230/UBK-1-v1.2.6-AAX-VST-x86-x64-WiN.html

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Turbine v1.1.1 AAX VST x64 WiN

Team R2R | 03 Mar 2019 | 19.2 MB

PLATFORM: WiN64 – VST/AAX(MODiFiED)

TURBINE is a new type of sound design plug-in that gives you access to a wide range of authentic virtual engines based on their real-world counterparts. You can change and automate all parameters in real-time, giving you full control over the final result. Create authentic flight paths and jet engine sounds Over the last 4 years of intense research and development we shaped a breakthrough software tool that revolutionizes the way we do sound design. TURBINE is here to blow your mind and to simplify your work in so many ways. TURBINE is a revolutionary sound design plug-in that gives you access to a wide range of authentic virtual engines based on their real-world counterparts. You can change and automate all parameters in real-time, giving you full control over the final result.

KEY FEATURES:
– Control Engines in Real-Time
– Create realistic Flight Paths and Fly-bys in seconds
– More than 50 versatile Presets
– Go Far Beyond Engine Sounds and Use Turbine for: WHOOSHES, PRESSURE RELEASES, ROBOTICS, SIRENS, MUSICAL FX, SCI-FI ELEMENTS, FUTURISTIC ENGINES, HOME APPLIANCES, ELECTRIC TOOLS, FLAME BURSTS and more…

INFO/DEMO/BUY: http://mage.si/5r0D
Turbine v1.1.1 AAX VST x64 WiN-R2R
http://beelink.in/38988/Turbine-v1.1.1-AAX-VST-x64-WiN-R2R.html

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Enforcer v1.2.0 WiN

Team R2R | 03 Mar 2019 | 12.1 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

ENFORCER, a bass plug-in that adds irresistible punch, powerful body and a rigorous low-end bass impulse to your samples. You can heavily beef up sounds or add only a hint of weight. You can use it as a kick-drum synth, exchange kick drum tails and tune them easily using semitones or you can completely exchange given source sounds. ENFORCER – A scalpel for punch with unmatched precision.

WHAT IS ENFORCER?
Ever wasted your time adding sub sweeteners to every single shot of a fully automatic weapon? Ever got stuck layering a kick drum with controllable and tunable low-end or enhance live drums with well defined punch? Having a hard time adding steady weight to every single footstep? Look no further, Enforcer is the Swiss Army Knife for punch, low-end, sub power, kick… you name it.

KEY FEATURES:
– Add power and punch to your mix.
– Triggered by source audio material – no need to manually synch it to your tracks.
– Trigger can be adjusted with surgical precision – enforce exactly and only what you want.
– Tune kick drums and snares using semitones.
– Duck source frequencies for an absolutely clean & professional mix.
– Easy-to-use bass plug-in.

INFO/DEMO/BUY: http://mage.si/fG4d
Enforcer v1.2.0 AAX VST VST3 x64 WiN-R2R
http://beelink.in/38989/Enforcer-v1.2.0-AAX-VST-VST3-x64-WiN-R2R.html

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Couture v1.2.0 WiN MAC

SYNTHiC4TE | March 04 2019 | 9.4 MB

AAX AU VST2 x86 x64

Couture gives you exquisite control over your dynamics, and particularly attacks. Raw Efficiency. Increase or decrease dynamics. Get a usable result, now. Fully Volume-independent. Keep the freedom to change input gain when needed. Including the Saturation stage. Laser-sharp. Couture’s 2-bands, half-spectral, RMS, program-dependent detector finds each and every transient. No internal thresholds.

Couture is unusually versatile:

  • Make individual drum tracks a lot more dynamic and punchy
  • Remove the “click” out of a kick drum sample
  • Make a whole bus more or less dynamic in a single click
  • Give glue to a mix with light compression and saturation
  • Use a subtle saturation that preserve dynamics
  • Deess the very start of notes for vocals
  • Give life to inane lead synths

 




INFO/DEMO/BUY: http://mage.si/99EJ
Couture v1.2.0 AAX AU VST2 x86 x64 WiN MAC RETAiL-SYNTHiC4TE
http://beelink.in/37328/Couture-v1.2.0-WiN-MAC-RETAiL.html

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