Echoes T7E v1.2.0 AU AAX VST x86 x64 WiN MAC R2R, x86 x64 windows plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, VST, Vintage, Tube, T7E, R2R, Modeled, Magnetic, MAC, Italian, Echoes, echo plugin, ECHO, AU, Analog, AAX

Echoes T7E v1.2.0 WiN MAC

Team R2R | Oct 16 2018 | WiN: 36 MB | OSX: 236 MB

Analog Modeled Italian Magnetic Echo Plugin. VST, AU and AAX.

Echoes T7E is a faithful recreation of a vintage tube magnetic echo made in Italy in the early ‘60s. This echo effect unit is based on a magnetic spinning drum with both record and playback heads arranged around a recording wire wound around the drum circumference. This solution provides better stability over the usual tape transport with reduced wow and flutter. Since the main “core” of this effect is based on the above mechanism, we modelled both the mechanics and the electronics. Echoes T7E also provides 3 different playback modes allowing you to set different spinning speed or ever synchronize it to your host tempo extending the original delay length from ~310ms up to ~1100ms.

ECHOES T7E SPECIFICATIONS
– Analog Modeled Vintage Tube Echo
– 3 Playback Modes: Classic, Varispeed and Sync
– 4 Playback Heads (equally spaced)
– EM81 “Magic Eye” Tube Level Indicator
– 3 Echo Modes: Echo, Repeat and Swell
– 12 Heads combinations
– Tone, Error and Volume controls for each head
– Magnetic Drum Age and Speed settings
– Internal hum noise (for increased realism and self oscillation)

v1.2.0:
– Version 1.2 fixes an issue with the feedback strength and adds a selectable Pan Law behavior for the heads panning.

INFO/DEMO/BUY: http://mage.si/YsDa
Echoes T7E v1.2.0 WiN MAC-R2R
http://beelink.in/34573/Echoes-T7E-v1.2.0-WiN-MAC-R2R.html

AutoGain PRO MK2 v2.0.5 R2 WiN MAC R2R, windows vst3 plugins plugins vst plugins rtas macos plugins au for mac, WiN, VST2, VST, Pro, MAC, HY2ROG3N, AutoGain, AU

AutoGain PRO MK2 v2.0.5 R2 WiN MAC

Team R2R | Oct 17 2018 | WiN: 2 MB | OSX: 1.1 MB

AAX, AU, VST2.4, VST3, RTAS

AutoGain Pro MK2 is a flexible volume processor with mid/side processing option. The plugin uses the same processing code of the AutoGain Pro but doubles the processing units providing two different detectors and two different processors. The AutoGain Pro MK2 can emulate the behavior of the original AutoGain when set in “classic” mode, but it can also work in stereo or mid/side mode. Each of the detectors can use one of the five different source between internal or external types, each of the processors can use detector one or detector two as it source.

Features:
– Two detectors and two processors
– Five different sources for each detector
– Internal and external sources for detectors
– gate from -60dB to 0dB for each detector
– independent attack and release for each detector and processor
– high pass and low pass filters on the detectors input
– detectors gain adjustable from -30dB to +30dB
– peak or RMS processing
– reverse gain operation for each processor
– “classic”, “stereo” and “mid/side” mode
– can write and read automation
– independent adjustment of minimum and maximum gain range up to 100dB
– relative gain range adjustment
– graphical display for each detector and processor
– Mac OS X (>=10.7) and Windows support
– 64bit compatibility both on Mac and Windows
– Audio Units VST2.4, VST3, AAX and RTAS format

Changelog:
– Fixed noise when using sample rate grater than 88.2K.
– Fixed crash when using “none” as the processor source.
– Improved gain display.

 

INFO/DEMO/BUY: http://mage.si/hY7N
AutoGain PRO MK2 v2.0.5 R2 WiN MAC-R2R
http://beelink.in/16956/AutoGain-PRO-MK2-v2.0.5-R2-WiN-MAC.html

DYN500 v2.3.x WiN MAC LiNUX R2R, x86 x64 windows vst3 plugins plugins vst macos linux plugins and software plugins au for mac aax plugins, X11, WiN, R2R, OverTone DSP, OverTone, MAC, Linux, DYN500, DSP, Compressor, Channel, Analogue

DYN500 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.60 MB | MAC: 3.55 MB | LiNUX: 2.77 MB

AU/VST/VST3/AAX/x86/x64

A flexible, console grade channel compressor with analogue warmth and character. The DYN500 plug-in emulates all the desirable qualities of a professional analogue channel compressor, taming dynamics without restricting the natural character of a mix or performance. Styled as a virtual 500-series module, the DYN500 provides soft-knee compression coupled with a gentle tape-saturation overdrive for warmth and character at high signal levels. Just like the best analogue gear, the harder you hit it, the better it sounds. Designed as a ‘one in every channel’ compressor / dynamics plug-in, the DYN500 can be used in mono or stereo channels, delivering professional console grade processing, with efficient use of CPU and system resources. More efficient use of CPU resources allows more plug-in instances in a typical audio workstation project.

System Requirements – Windows PCs:

  • 32Bit Systems: Windows 7 or later and a VST compatible host application.
  • 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

 

System Requirements – Mac:

  • Requires Mac OS X v.10.8 – v.10.12
  • An AudioUnit, VST, VST3 or AAX compatible host.

 

System Requirements – Linux:

  • An X11 compatible Linux distribution.
  • A Linux VST2 compatible host.

 

 

INFO/DEMO/BUY: http://mage.si/3UmH
DYN500 v2.3.x WiN MAC LiNUX-R2R
http://beelink.in/10558/DYN500-v2.3.x-WiN-MAC-LiNUX-R2R.html

EQ500 Series v2.3.x WiN MAC LiNUX R2R, x86 x64 windows vst3 plugins plugins vst macos linux plugins and software plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Series, OverTone DSP, OverTone, MAC OSX, MAC, Linux, EQ500, EQ, Dynamics EQ, DSP, Digital EQ, AU, AAX

EQ500 Series v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.33 MB | MAC: 3 MB | LiNUX: 2.89 MB

AU/VST/VST3/AAX/x86/x64

A natural sounding, versatile, analogue filter modelled EQ, economical with CPU and system resources. Digital EQ no longer has to sound digital. The EQ500 plug-in emulates all the desirable qualities of a professional analogue channel equalizer, while the elegantly simple design makes adding texture and colour – or taming problem frequencies – both intuitive and instinctive. Styled as a virtual 500-series module, the EQ500 uses innovative analogue filter modelling to open up the response and accurately replicate the more natural sound of analogue designs, without additional latency or high CPU demand. More efficient use of CPU and system resources allows more plug-in instances in a typical audio workstation project.

System Requirements – Windows PCs:
– 32Bit Systems: Windows 7 or later and a VST compatible host application.
– 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

System Requirements – Mac:
– Requires Mac OS X v.10.8 – v.10.12
– An AudioUnit, VST, VST3 or AAX compatible host.

System Requirements – Linux:
– An X11 compatible Linux distribution.
– A Linux VST2 compatible host.

INFO/DEMO/BUY: http://mage.si/V46e
EQ500-Series v2.3.x WiN MAC LiNUX-R2R
http://beelink.in/16558/EQ500-Series-v2.3.x-WiN-MAC-LiNUX-R2R.html

FC70 Fairchild 670 Limiter v2.3.x WiN MAC LiNUX R2R, x86 x64 windows vst3 plugins plugins vst macos linux plugins and software plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Vintage Compressor, Vintage, R2R, Plug In, MAC, Linux, Limiter, FC70, Fairchild, Compressor, AU, AAX

FC70 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 3.10 MB | MAC: 8.26 MB | LiNUX: 10.6 MB

AU/VST/VST3/AAX/x86/x64

The effortless control and uniquely musical character of one of the best-known vintage compressor / limiters. Inspired by the legendary smooth, effortless dynamic control and uniquely musical character of the classic Fairchild 670 limiter, the FC70 tames dynamics without robbing the mix of power and detail. The FC70 uses state of the art processing to emulate a fully balanced transformer-coupled signal path, combined with an innovative delay-free feedback algorithm which accurately mirrors equivalent analogue behaviour. In addition, the sidechain includes fast attack and program dependent release settings, combined with Lateral / Vertical, Independent and Linked stereo channel modes.

System Requirements – Windows PCs:
– 32Bit Systems: Windows 7 or later and a VST compatible host application.
– 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

System Requirements – Mac:
– Requires Mac OS X v.10.8 – v.10.12
– An AudioUnit, VST, VST3 or AAX compatible host.

System Requirements – Linux:
– An X11 compatible Linux distribution.
– A Linux VST2 compatible host.

INFO/DEMO/BUY: http://mage.si/gJcX
FC70 Fairchild 670 Limiter v2.3.x WiN MAC LiNUX-R2R
http://beelink.in/23897/FC70-Limiter-v2.3.x-WiN-MAC-LiNUX-R2R.html

RVB500 v2.3.x WiN MAC LiNUX R2R, x86 x64 windows vst3 plugins plugins vst macos linux plugins and software plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Stereo Plate Reverb, Stereo, RVB500, Reverb, R2R, Plug In, Plate Reverb, Plate, OverTone, MAC, Linux, DSP, AU, AAX

RVB500 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.60 MB | MAC: 4.0 MB | LiNUX: 2.99 MB

AU/VST/VST3/AAX/x86/x64

A stereo plate reverb plug-in capable of a rich variety of effects, with intuitive controls and efficient use of CPU and system resources. The RVB500 plug-in algorithmically emulates a mechanical plate reverb, still regarded as a mainstay of many recording studios, for a diverse range of effects including drum enhancement or vocal ambience – while complementing more complex or resource intensive convolution models. Economical with system resources, the RVB500 is ideal for classic reverb effects while still leaving sufficient power available for the most complex audio workstation projects. Intuitive controls including a sub-sample resolution pre-delay, variable time and damping, coupled with virtual reverb plate transducer amplifiers for enhanced harmonic drive at high levels and a Wet-only switch, for use on a dedicated reverb buss, enable a wide variety of processing options.

System Requirements – Windows PCs:
– 32Bit Systems: Windows 7 or later and a VST compatible host application.
– 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

System Requirements – Mac:
– Requires Mac OS X v.10.8 – v.10.12
– An AudioUnit, VST, VST3 or AAX compatible host.

System Requirements – Linux:
– An X11 compatible Linux distribution.
– A Linux VST2 compatible host.

INFO/DEMO/BUY: http://mage.si/973G
RVB500 v2.3.x WiN MAC LiNUX-R2R
http://beelink.in/17354/RVB500-v2.3.x-WiN-MAC-LiNUX-R2R.html

Blue Cat Plugins Bundle 2018.10 WiN V.R, x86 x64 windows vst3 plugins plugins vst plugins rtas blue cats software aax plugins, x86, x64, WiN, VST3, VST, V.R, Standalone, RTAS, Plugins, Bundle, Blue Cat, AAX, 2018

Blue Cat Plugins-Bundle 2018.10 WiN

Team V.R | 10 October 2018 | 245.09 MB

(Win32/64; AAX*, RTAS, VST3, VST, STANDALONE)

A complete professional digital audio processing environment in a single bundle: the Blue Cat’s PatchWork standalone application and the complete collection of Blue Cat Audio’s commercial audio plug-ins: a total of 20 products, including 6 award-winning unique audio analysis tools, 3 powerful dynamics processors, 4 premium equalizers, and a unique scripting plug-in to build your own effects or virtual instruments.

Included:
– Axiom v1.1.0
– Destructor v1.4.0
– DP Meter Pro v4.1.0
– Dynamics v4.1.0a
– FreqAnalyst Multi v2.2.0
– FreqAnalyst Pro v1.9.5
– Late Replies v1.2.0
– Liny EQ v5.1.0
– MB-5 Dynamix v1.2.1
– MB-7 Mixer v3.1.0
– Oscilloscope Multi v2.2.0
– ParametrEQ v3.5.2
– PatchWork v2.2.0
– Plug’n Script v3.0.1
– Protector v2.1.0
– Remote Control v2.3.2
– StereoScope Multi v2.2.0
– StereoScope Pro v1.9.1

INFO/DEMO/BUY: http://mage.si/jEcG
Blue Cat Plugins-Bundle 2018.10 WiN-V.R
http://beelink.in/13691/Blue-Cat-Plugins-Bundle-2018.10-WiN-V.R.html

QLab Pro 4.3.3 Pro macOS TNT, macos software apps, TNT, QLab, Pro, OSX, macOS, MAC OSX, MAC, Bundle

QLab Pro 4.3.3 macOS

TNT | 10 October 2018 | 13.22 MB

QLab makes it simple to create rich multimedia designs for live performances and installations. From Broadway to the West End, in churches, museums, store fronts, concert halls, and theaters around the world, people use QLab to bring their audio and video to life.

QLab Pro 4.3.3 Pro macOS TNT, macos software apps, TNT, QLab, Pro, OSX, macOS, MAC OSX, MAC, Bundle

Design Tools
– Unlimited Cue Lists with unlimited cues
– Unlimited Cue Carts with 1 to 64 buttons per cart
– Design in Edit Mode and run your performance in Show Mode
– Non-destructive design tools never modify your media files
– Undo any edits
– “Audition” cues locally without sending audio, video, or lighting output to the stage
– Cue templates and Workspace templates
– “Record cue sequence” tool, to capture timing and play it back again the same way later
– “Paste cue properties” tool, to selectively paste properties from one or more cues onto other cues in your workspace
– Text search of cue lists and cue carts
– Extensive AppleScript and OSC APIs
– A comprehensive Status Window to guide troubleshooting
– Powerful and painless remote editing via QLab Remote

Lighting
– Control unlimited Art-Net DMX universes.
– Create unlimited light instruments (like channels, but can be named anything, not just numbers).
– Create unlimited light groups to collect related instruments together, like “all”, “stage right”, “LEDs”, “floor”, or “floor front left”.
– Use both conventional dimmers and more complex lights with multiple parameters (includes support for percentage-based parameters, as well as both 8-bit and 16-bit direct DMX parameters.)
– QLab-style levels fading: it’s simple to build looks and effects that you can layer and reuse. A Light cue changes only the levels you set in the cue, and leaves the rest unchanged.
– Build sophisticated lighting designs by chaining Light cues together to build complex cue sequences out of simpler parts, then trigger the sequence with a single “GO” like a chain of dominoes.
– As with all cues in QLab, Light cues can be copied, pasted, reordered, paused, resumed, and stopped at any time
– All QLab fade curves are available for Light cues; including linear, s-curve, or totally custom shape fades.
– See and manipulate the current levels of all your lights using the Light Dashboard.
– If you need to sneak in live edits from the Dashboard, you can optionally tell QLab to apply the new values “over time” so they’ll fade in smoothly.
– Open the Audition Window to view the effects of light cues “blind” in the dashboard. Close the Audition Window, and the dashboard will instantly revert back to show the live state of your lights.
– Adjust your lights in the dashboard, then:
-Create a new cue with just the changes,
-Create a new cue with all instruments,
-Update the last-run light cue with the changes, or
– Trace back the edits to each cue that most recently modified each instrument.
– Map your favorite MIDI controller to light commands, for editing either the light dashboard or individual cues.
– For motorized MIDI hardware, QLab supports MIDI “feedback” from the light dashboard and individual light cues. (Aka “flying faders”.)
– Use QLab’s powerful light command language, with autocompletion, instrument or group parameter addressing, ranges, ad-hoc groups, and command history, to efficiently edit both the light dashboard and individual light cues.
– View light cues as sliders, tiles, or raw command text at any time.
– View the Light Dashboard as sliders or tiles.
– Edit lights via keyboard entry (on the command line) or with the mouse (via clicking and dragging.)
– Easily delete individual light commands from any cue, and of course undo any edits.
– In slider view, expand group commands into all the individual instruments currently in the group.
– In slider view, indicators show the current live value of each light in a cue.
– In slider view, select multiple commands to temporarily “gang” them, so you can adjust them up or down together.
– Quickly see when a group of instruments is set to all the same level or a mix of different levels.
– Batch-edit multiple light cues by selecting them and then simply editing any light command they all share. (Or adding a new command to all of them at once.)
– Use AppleScript, either externally or via Script cues, for advanced programming techniques like algorithmically generating a series of Light cues.
– Control both the Light Dashboard and individual Light cues via OSC messages.

Audio
– Support for up to 64 channels of audio output
– Support for up to 24-channel audio files
– Support for up to 24 channels of live audio input
– Audio waveform view
– Unlimited slices of your media files for looping and vamping
– Sample-accurate playback synchronization across multiple cues
– Audio panning and volume fading
– Customize output channel names
– Edit audio device routing
– Audio effects on any cue
– Audio effects on cue outputs
– Audio effects on device outputs
– Fade audio effects dynamically

Video
– Full-screen or custom geometry for Video cues
– Fade and animate videos
– 1000 layers of video
– Masking and edge-blending across multiple projectors
– Warping and keystone correction
– Basic video effects
– Live camera input with the Camera cue
– Syphon input & output
– Blackmagic input & output
– Text & titles with the Text cue

Show Control
– Send OSC or UDP messages using the Network cue
– Fade your OSC messages over time, in 1D or 2D
– Inject live values from your workspace into outgoing OSC messages
– Send all MIDI and MIDI Show Control messages with the MIDI cue
– Send MIDI messages by playing MIDI files with the MIDI File cue
– Run your own AppleScripts with the Script cue
– Generate LTC or MTC output with the Timecode cue
– Trigger cue lists from incoming LTC or MTC timecode
– Remote control via OSC and MIDI

Changes from 4.3.3
– FIXED: A regression in 4.3.2 that could cause QLab to crash when viewing audio waveforms.

Requirements:

  • Intel, 64-bit processor
  • OS X 10.10 or later

 

INFO/DEMO/BUY: http://mage.si/k5Eb
QLab Pro 4.3.3 macOS-TNT
http://beelink.in/25876/QLab-Pro-4.3.3-macOS-TNT.html

Acoustica v7.1.1 WiN MAC R2R, windows macos software, x86, x64, WiN, R2R, MAC, Acoustica

Acoustica v7.1.1 WiN MAC

Team R2R | Oct 10 2018 | WiN: 92 MB | OSX: 289 MB

Re-implemented from scratch for the highest quality demands and cross-platform support, Acoustica 7 is now the perfect tool for editing, mastering and restoration work on both Mac and PC (32 and 64 bit). The new spectral editing mode available in the Premium Edition allows more precise restoration work while you have access to processing tools from our award winning plug-ins such as Equalize, Verberate and Restoration Suite.

CHANGUES: http://mage.si/S426
INFO/DEMO/BUY: http://mage.si/m2X4
Acoustica v7.1.1 WiN MAC-R2R
http://beelink.in/33115/Acoustica-v7.1.1-WiN-MAC-R2R.html

Amadeus PRO v2.5.0 macOS TNT, macos software apps, TNT, Pro, OSX, macOS, MAC OSX, MAC, Amadeus Pro, Amadeus

Amadeus Pro v2.5.0 macOS

TNT | 10 October 2018 | 18.80 MB

Amadeus Pro is a powerful multitrack audio editor supporting a variety of formats including MP3, AAC, Ogg Vorbis, Apple Lossless, AIFF, Wave and many others. Each track can have its volume adjusted independently from the others. Amadeus Pro fully supports multitrack WAVE files and allows you to render sound on up to 5 different loudspeakers simultaneously.

Amadeus PRO v2.5.0 macOS TNT, macos software apps, TNT, Pro, OSX, macOS, MAC OSX, MAC, Amadeus Pro, Amadeus

Multitrack Editor
Amadeus Pro is a fully featured multitrack editor. Each track can have its volume and panning adjusted independently from the others. Each track can be split into multiple audio clips that can easily be dragged independently of each other. Furthermore, Audio Units can be applied to individual tracks in real-time without requiring any destructive editing.

Batch Processing
There’s that whole collection of files that you wanted to convert to Mp3, but you first wanted to normalize them and make them fade in and out nicely. Several hours of work in perspective? Let Amadeus Pro do the work for you! The powerful batch processor allows you not only to convert large numbers of files between any of the supported formats, but you can also instruct Amadeus Pro to apply any sequence of sound effects.

Repair Centre
The handy repair centre allows you to find and to repair cracks with a simple click of the mouse. Furthermore, Amadeus Pro’s powerful denoising functions allow you to easily get rid of that annoying hiss on your old tape recordings or of that 50Hz hum picked up by a badly insulated microphone.

Amadeus Pro also features:
– Tracks can be split into multiple clips for easy placement
– Audio Units can be applied to tracks non-destructively in real-time
– Smart editing
– Scheduled recordings
– Easy editing of audio tracks in QuickTime movies
– Powerful batch processor
– Direct recording from internet streams
– A full range of real-time and offline sound analysis tools

INFO/DEMO/BUY: http://mage.si/SsGZ
Amadeus Pro v2.5.0 macOS
http://beelink.in/13958/Amadeus-Pro-v2.5.0-macOS.html

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