Echoes T7E v1.2.0 AU AAX VST x86 x64 WiN MAC R2R, x86 x64 windows plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, VST, Vintage, Tube, T7E, R2R, Modeled, Magnetic, MAC, Italian, Echoes, echo plugin, ECHO, AU, Analog, AAX

Echoes T7E v1.2.0 WiN MAC

Team R2R | Oct 16 2018 | WiN: 36 MB | OSX: 236 MB

Analog Modeled Italian Magnetic Echo Plugin. VST, AU and AAX.

Echoes T7E is a faithful recreation of a vintage tube magnetic echo made in Italy in the early ‘60s. This echo effect unit is based on a magnetic spinning drum with both record and playback heads arranged around a recording wire wound around the drum circumference. This solution provides better stability over the usual tape transport with reduced wow and flutter. Since the main “core” of this effect is based on the above mechanism, we modelled both the mechanics and the electronics. Echoes T7E also provides 3 different playback modes allowing you to set different spinning speed or ever synchronize it to your host tempo extending the original delay length from ~310ms up to ~1100ms.

ECHOES T7E SPECIFICATIONS
– Analog Modeled Vintage Tube Echo
– 3 Playback Modes: Classic, Varispeed and Sync
– 4 Playback Heads (equally spaced)
– EM81 “Magic Eye” Tube Level Indicator
– 3 Echo Modes: Echo, Repeat and Swell
– 12 Heads combinations
– Tone, Error and Volume controls for each head
– Magnetic Drum Age and Speed settings
– Internal hum noise (for increased realism and self oscillation)

v1.2.0:
– Version 1.2 fixes an issue with the feedback strength and adds a selectable Pan Law behavior for the heads panning.

INFO/DEMO/BUY: http://mage.si/YsDa
Echoes T7E v1.2.0 WiN MAC-R2R
http://beelink.in/34573/Echoes-T7E-v1.2.0-WiN-MAC-R2R.html

dearVR pro v1.2.0 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, Warehouse, VST3, VST, Virtual Reality, V.R, staircase, Reverb, Pro, outdoor, Fixed, dearVR, Church, Cellar, CE, booth, BINAURAL STEREO, Binaural, Bathroom, Arena, AAX, 3D binaural, 3D Audio, 2D Stereo

dearVR pro v1.2.0 WiN

TEAM V.R | 17.10.2018 | 85.3 MB

AAX VST VST3 x86 x64

Dear Reality’s state-of-the-art algorithms have been a mainstay of 3D audio production for years. Now, for the first time, their spatial processing treasure chest has been made available in an all-in-one plugin for your DAW: dearVR pro. Say goodbye to expensive middleware, unwieldy software bundles and complex routing schemes. All the tools you need to create stunning, immersive 3D audio for virtual reality (VR) and augmented reality (AR) video, films and games are included in dearVR pro’s powerful yet fast and intuitive interface.

Two modes of operation let you choose how to work. Simply drag your mouse around using the plugin’s graphical XYZ pad to position a track’s sound anywhere in a 3D soundstage—behind or in front of the listener, above or below their head, to the left or right, closer or farther away. Or use separate sliders for adjusting the sound’s elevation, azimuth and distance from the listener. dearVR pro provides 46 vivid virtual acoustic environments, featuring true to life 3D imaging and depth, in which to place an object’s sound and move it around in real time. Among the many selections to choose from are concert halls, car interiors, variously sized rooms, and a church, cellar, staircase, bathroom, booth, warehouse, arena, outdoor street and live stage. Each environment is instantly and independently recallable per plugin instance, letting you place each object’s sound in a different space.

FEATURES:
•State-of-the-art processing allows any multitrack session to be mixed in 3D, delivering a true to life immersive soundscape with binaural or Ambisonic playback
•No ancillary software or external routing is required—all processors are contained in a single plugin
•Position and move an object’s sound in real time in a virtual 3D environment using a graphical XYZ pad or separate sliders for adjusting the sound’s azimuth, elevation and distance to the listener
•Includes 46 vivid virtual acoustic environments to choose from, each independently recallable per plugin instance
•Controls for virtual environments adjust their size; damping; balance of early reflections and diffuse reverb; and distance of walls, ceiling and floor to listener
•Powerful Realtime Auralization mode continually changes the delay times and directions of arrival for early reflections as you move an object’s sound around in its virtual space
•Occlusion control realistically adjusts the sound of an object being blocked by another virtual object in line of sight to the listener
•Separate controls scale parameter ranges for azimuth and distance to maintain perfect sync between audio and corresponding virtual objects in motion
•Outputs audio in eight different formats: 2-channel binaural (for 3D playback using standard headphones); 4-channel first order, 9-channel second order and 16-channel third order Ambisonics •output in either AmbiX or Furse Malham (FuMA) format; and 2D stereo

INFO/DEMO/BUY: http://mage.si/G82A
dearVR pro v1.2.0 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/34308/dearVR-pro-v1.2.0-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

AutoGain PRO MK2 v2.0.5 R2 WiN MAC R2R, windows vst3 plugins plugins vst plugins rtas macos plugins au for mac, WiN, VST2, VST, Pro, MAC, HY2ROG3N, AutoGain, AU

AutoGain PRO MK2 v2.0.5 R2 WiN MAC

Team R2R | Oct 17 2018 | WiN: 2 MB | OSX: 1.1 MB

AAX, AU, VST2.4, VST3, RTAS

AutoGain Pro MK2 is a flexible volume processor with mid/side processing option. The plugin uses the same processing code of the AutoGain Pro but doubles the processing units providing two different detectors and two different processors. The AutoGain Pro MK2 can emulate the behavior of the original AutoGain when set in “classic” mode, but it can also work in stereo or mid/side mode. Each of the detectors can use one of the five different source between internal or external types, each of the processors can use detector one or detector two as it source.

Features:
– Two detectors and two processors
– Five different sources for each detector
– Internal and external sources for detectors
– gate from -60dB to 0dB for each detector
– independent attack and release for each detector and processor
– high pass and low pass filters on the detectors input
– detectors gain adjustable from -30dB to +30dB
– peak or RMS processing
– reverse gain operation for each processor
– “classic”, “stereo” and “mid/side” mode
– can write and read automation
– independent adjustment of minimum and maximum gain range up to 100dB
– relative gain range adjustment
– graphical display for each detector and processor
– Mac OS X (>=10.7) and Windows support
– 64bit compatibility both on Mac and Windows
– Audio Units VST2.4, VST3, AAX and RTAS format

Changelog:
– Fixed noise when using sample rate grater than 88.2K.
– Fixed crash when using “none” as the processor source.
– Improved gain display.

 

INFO/DEMO/BUY: http://mage.si/hY7N
AutoGain PRO MK2 v2.0.5 R2 WiN MAC-R2R
http://beelink.in/16956/AutoGain-PRO-MK2-v2.0.5-R2-WiN-MAC.html

Carbon Electra v1.5.0 AU VST VSTi WiN MAC R2R, x86 plugins vsti x64 plugins vsti windows vsti plugins vst macos plugins au for mac, WiN, VSTi, VST, P2P, MAC, Electra, Carbon, AU

Carbon Electra v1.5.0 WiN MAC

Team R2R | Oct 17 2018 | WiN: 8.6 MB | OSX: 9.4 MB

4 Oscillator subtractive synthesiser featuring informative displays, editable step sequencer, vocal filter, integrated distortion and analog control. Carbon Electra is a powerful and intuitive synth built by producers, for producers. It’s a four-oscillator subjective synth with a modern feature set. It has been developed as an advanced learning tool whilst also being a powerful and easy to program synth. Being based on vintage analogue routing and featuring flexible modulation options including an editable stepper and note performer. The graphical displays act as a comprehensive information tool aswell as an accurate guide to each parameter change. Best of all, it sounds incredible.

Key Features:

  • Powerful synth engine that is easy to learn and use with no hidden menus.
  • 4 Analog style sync-able oscillators with adjustable pulse width, frequency modulation and multiple wave types including pitch-able noise.
  • Informative physics based graphic displays with comprehensive info pane.
  • 6 filter types including powerful vocal filter with filter drive and saturation.
  • Simple, incredibly usable and useful FX section, like having a bunch of great guitar pedals.
  • Editable step sequencer that can be assigned to pitch, volume or cut off independently or simultaneously with various wave types and edit mode allowing node creation and line curves.
  • Over 600 factory presets covering sequences, chords, motions, bass, leads, keys, pads and effects.
  • Ability to run the amp section “too hot” into the built in optional limiter at the main output, creating a modern hyper-compressed sound.
  • Super flexible unison control ranging from subtle warmth to massive super saw or super square sound.
  • Multiple stereo width parameters allowing high precision control of the stereo field.

Artists presets by : 
– Mike Huckaby // Kosheen // Freemasons // Carl Cox // DJ Pierre // D Product // Rob Lee // Dom Kane // Timo Garcia…and more!

System Requirements
– Carbon Electra is compatible with most major DAW platforms, and is available for both PC and Mac.

Mac:
– Audio Unit 32-bit and 64-bit.
– VST 2.4 32-bit and 64-bit.
– Requires OS X 10.6 or later. OS X 10.8 or higher is recommended.

Windows:
– VST 2.4 32-bit and 64-bit.
– Windows XP SP3, Windows 7, Windows 8.

New Features in Version 1.5:
– New sequencer function for step envelope: Includes an extended 28 semitone range and rests with support for pitch sweeps, legato glide and envelope re-trigger. Create analog style note recordings with a modern twist.
– All new classic analog style filter modes: Sallen-Key 12dB Low Pass Filter, 6dB Band Pass Filter and 6dB High Pass Filter and Soft OTA 24dB Low Pass Filter. New filter modes allow a wider range of tones from smooth crunchiness to screaming self-oscillation.
– True filter bypass: It is also now possible to bypass (disable) the filter for raw oscillator timbres.
– New Distortion mode: Provides brighter, harsher and in-your-face distortion without overdrive muddiness.
– Oscillator 1 FM modulation switch: Easily create classic FM sounds.
– Step Envelope Menu: Step Envelope context menu (right-click on Step Envelope text) with copy, paste and other features eases graph editing and makes it possible to easily copy data between presets.
– Over one hundred and fifty new presets: Exclusive to Carbon Electra 1.5 – new presets using all the new features and including ACID, SEQUENCE, LEAD AND FX banks.
– Mousewheel functionality implemented on MacOS

INFO/DEMO/BUY: http://mage.si/24h1
Carbon Electra v1.5.0 AU VST VSTi WiN MAC-R2R
http://beelink.in/24767/Carbon-Electra-v1.5.0-WiN-MAC-R2R.html

DYN500 v2.3.x WiN MAC LiNUX R2R, x86 x64 windows vst3 plugins plugins vst macos linux plugins and software plugins au for mac aax plugins, X11, WiN, R2R, OverTone DSP, OverTone, MAC, Linux, DYN500, DSP, Compressor, Channel, Analogue

DYN500 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.60 MB | MAC: 3.55 MB | LiNUX: 2.77 MB

AU/VST/VST3/AAX/x86/x64

A flexible, console grade channel compressor with analogue warmth and character. The DYN500 plug-in emulates all the desirable qualities of a professional analogue channel compressor, taming dynamics without restricting the natural character of a mix or performance. Styled as a virtual 500-series module, the DYN500 provides soft-knee compression coupled with a gentle tape-saturation overdrive for warmth and character at high signal levels. Just like the best analogue gear, the harder you hit it, the better it sounds. Designed as a ‘one in every channel’ compressor / dynamics plug-in, the DYN500 can be used in mono or stereo channels, delivering professional console grade processing, with efficient use of CPU and system resources. More efficient use of CPU resources allows more plug-in instances in a typical audio workstation project.

System Requirements – Windows PCs:

  • 32Bit Systems: Windows 7 or later and a VST compatible host application.
  • 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

 

System Requirements – Mac:

  • Requires Mac OS X v.10.8 – v.10.12
  • An AudioUnit, VST, VST3 or AAX compatible host.

 

System Requirements – Linux:

  • An X11 compatible Linux distribution.
  • A Linux VST2 compatible host.

 

 

INFO/DEMO/BUY: http://mage.si/3UmH
DYN500 v2.3.x WiN MAC LiNUX-R2R
http://beelink.in/10558/DYN500-v2.3.x-WiN-MAC-LiNUX-R2R.html

EQ500 Series v2.3.x WiN MAC LiNUX R2R, x86 x64 windows vst3 plugins plugins vst macos linux plugins and software plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Series, OverTone DSP, OverTone, MAC OSX, MAC, Linux, EQ500, EQ, Dynamics EQ, DSP, Digital EQ, AU, AAX

EQ500 Series v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.33 MB | MAC: 3 MB | LiNUX: 2.89 MB

AU/VST/VST3/AAX/x86/x64

A natural sounding, versatile, analogue filter modelled EQ, economical with CPU and system resources. Digital EQ no longer has to sound digital. The EQ500 plug-in emulates all the desirable qualities of a professional analogue channel equalizer, while the elegantly simple design makes adding texture and colour – or taming problem frequencies – both intuitive and instinctive. Styled as a virtual 500-series module, the EQ500 uses innovative analogue filter modelling to open up the response and accurately replicate the more natural sound of analogue designs, without additional latency or high CPU demand. More efficient use of CPU and system resources allows more plug-in instances in a typical audio workstation project.

System Requirements – Windows PCs:
– 32Bit Systems: Windows 7 or later and a VST compatible host application.
– 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

System Requirements – Mac:
– Requires Mac OS X v.10.8 – v.10.12
– An AudioUnit, VST, VST3 or AAX compatible host.

System Requirements – Linux:
– An X11 compatible Linux distribution.
– A Linux VST2 compatible host.

INFO/DEMO/BUY: http://mage.si/V46e
EQ500-Series v2.3.x WiN MAC LiNUX-R2R
http://beelink.in/16558/EQ500-Series-v2.3.x-WiN-MAC-LiNUX-R2R.html

FC70 Fairchild 670 Limiter v2.3.x WiN MAC LiNUX R2R, x86 x64 windows vst3 plugins plugins vst macos linux plugins and software plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Vintage Compressor, Vintage, R2R, Plug In, MAC, Linux, Limiter, FC70, Fairchild, Compressor, AU, AAX

FC70 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 3.10 MB | MAC: 8.26 MB | LiNUX: 10.6 MB

AU/VST/VST3/AAX/x86/x64

The effortless control and uniquely musical character of one of the best-known vintage compressor / limiters. Inspired by the legendary smooth, effortless dynamic control and uniquely musical character of the classic Fairchild 670 limiter, the FC70 tames dynamics without robbing the mix of power and detail. The FC70 uses state of the art processing to emulate a fully balanced transformer-coupled signal path, combined with an innovative delay-free feedback algorithm which accurately mirrors equivalent analogue behaviour. In addition, the sidechain includes fast attack and program dependent release settings, combined with Lateral / Vertical, Independent and Linked stereo channel modes.

System Requirements – Windows PCs:
– 32Bit Systems: Windows 7 or later and a VST compatible host application.
– 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

System Requirements – Mac:
– Requires Mac OS X v.10.8 – v.10.12
– An AudioUnit, VST, VST3 or AAX compatible host.

System Requirements – Linux:
– An X11 compatible Linux distribution.
– A Linux VST2 compatible host.

INFO/DEMO/BUY: http://mage.si/gJcX
FC70 Fairchild 670 Limiter v2.3.x WiN MAC LiNUX-R2R
http://beelink.in/23897/FC70-Limiter-v2.3.x-WiN-MAC-LiNUX-R2R.html

RVB500 v2.3.x WiN MAC LiNUX R2R, x86 x64 windows vst3 plugins plugins vst macos linux plugins and software plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Stereo Plate Reverb, Stereo, RVB500, Reverb, R2R, Plug In, Plate Reverb, Plate, OverTone, MAC, Linux, DSP, AU, AAX

RVB500 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.60 MB | MAC: 4.0 MB | LiNUX: 2.99 MB

AU/VST/VST3/AAX/x86/x64

A stereo plate reverb plug-in capable of a rich variety of effects, with intuitive controls and efficient use of CPU and system resources. The RVB500 plug-in algorithmically emulates a mechanical plate reverb, still regarded as a mainstay of many recording studios, for a diverse range of effects including drum enhancement or vocal ambience – while complementing more complex or resource intensive convolution models. Economical with system resources, the RVB500 is ideal for classic reverb effects while still leaving sufficient power available for the most complex audio workstation projects. Intuitive controls including a sub-sample resolution pre-delay, variable time and damping, coupled with virtual reverb plate transducer amplifiers for enhanced harmonic drive at high levels and a Wet-only switch, for use on a dedicated reverb buss, enable a wide variety of processing options.

System Requirements – Windows PCs:
– 32Bit Systems: Windows 7 or later and a VST compatible host application.
– 64Bit Systems: Windows 7 or later (64Bit) and a VST, VST3 or AAX compatible host application.

System Requirements – Mac:
– Requires Mac OS X v.10.8 – v.10.12
– An AudioUnit, VST, VST3 or AAX compatible host.

System Requirements – Linux:
– An X11 compatible Linux distribution.
– A Linux VST2 compatible host.

INFO/DEMO/BUY: http://mage.si/973G
RVB500 v2.3.x WiN MAC LiNUX-R2R
http://beelink.in/17354/RVB500-v2.3.x-WiN-MAC-LiNUX-R2R.html

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