Waldorf PPG Wave 3.V v1.2.x WiN MAC R2R, x86 plugins vsti x64 plugins vsti windows waldorf vsti vst3 plugins plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, Wave, Waldorf, VSTi, VST3, VST, PPG Wave, PPG, MAC, AU, AAX

PPG Wave 3.V v1.2x WiN MAC

Team R2R | 08.07.2018 | WiN: 25.46 MB | OSX: 140.26 MB

WiN32/64 – VSTi/VST3/AAX | MacOSX – AU/VST/VST3/AAX

Waldorf PPG Wave 3.V is the reincarnation of the legendary PPG Wave Synthesizer, which no doubt is considered one of the most respected high-end synthesizers of the 80s. Developed by Wolfgang Palm, this instrument is featured on countless records, and it inspired a whole generation of producers, composers and listeners. While back then it was your choice to spent your money either for a vehicle or the PPG, the new PPG Wave 3.V renders this breathtaking sonic character very affordable, comfortably to use for every VST or AU Host.

Waldorf PPG Wave 3.V v1.2.x WiN MAC R2R, x86 plugins vsti x64 plugins vsti windows waldorf vsti vst3 plugins plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, Wave, Waldorf, VSTi, VST3, VST, PPG Wave, PPG, MAC, AU, AAX

Features:
General

  • Up to 256 voices per instance (depending on available CPU power)
  • 8 part Multimode
  • 8 Stereo Outputs
  • Host automation of most parameters
  • MIDI Controller automation of most parameters
  • More than 100 new Wavetables created by Wolfgang Palm
  • Original Waveterm B Factory Sample Library
  • Original PPG Wave Factory Sounds

 

Per Voice

  • 2 Wavetable Oscillators
  • Sample Playback with 8 bit, 12 bit or up to 32 bit
  • Authentic Aliasing Emulation of the PPG Wave 2.2/2.3/2.V or no aliasing
  • 12dB / 24 dB Low Pass Filter
  • Authentic Filter Emulation of the PPG Wave 2.2/2.3
  • Overdrive behind Filter
  • 1 LFO
  • 3 Envelopes
  • Authentic Emulation of the modulation graininess (switchable with True PPG)

 

Per Part (up to 8 parts available)

  • Poly, Dual, Quad and Mono (8 voices) mode with 8 different semitone offsets to create chords or melodic lines
  • Arpeggiator with Up, Down, Alternate and Cascade (PPG special) mode
  • True PPG Mode switchable between PPG Wave 2.2, Wave 2.3 and Wave 2.V
  • 4-Band EQ
  • Overdrive with various types
  • Phaser with up to 12 stages
  • Chorus with up to 6 stages
  • Flanger
  • Stereo Delay
  • Reverb

 

Other Features

  • Sample loading via drag&drop or load file dialog
  • Multisample playback by using the 8 part Multimode
  • 8 adjustable Cutoff / Resonance deviations to simulate analog inexactness
  • Finer adjustments of several values in Fine Modulatione mode

 

INFO/DEMO/BUY: http://mage.si/VQk2
Waldorf PPG Wave 3.V v1.2.x WiN MAC-R2R
http://beelink.in/15944/Waldorf-PPG-Wave-3-V-v1.2x-WiN-MAC-R2R.html

Waldorf Largo v1.7.x AU VST VSTi VST3 AAX WiN MAC R2R, x86 x64 windows waldorf vsti vst3 plugins plugins vst macos plugins au for mac aax plugins, Waldorf Largo, Waldorf, VST, OSX, MAC OSX, MAC, Largo, AU

Waldorf Largo v1.7.x WiN MAC

TEAM R2R | July 08 2018 | WiN: 14.10 MB | MAC: 135 MB

AU VST VSTi VST3 AAX x86 x64

Many producers and synthesizer enthusiasts asked for a full-blown Waldorf Synthesizer for their virtual rack. We listened, and now we proudly present Largo. Largo is the first pure software synthesizer with Waldorf DNA. And again – it is the cutting edge sound that makes the big difference. No wonder, as Largo mirrors the technology used in Blofeld and Q hardware synthesizers. As for every Waldorf instrument, ergonomics are a core feature on screen as well. Your eyes will be pleased with a clearly structured, graphical user interface that supports your workflow intuitively. Largo offers three fat oscillators, two of them with sub oscillators. These oscillators include models of classic analog waveforms as well as a selection of waves from the PPG and Waldorf Wave stored in two Wavetables. All these run through two Waldorf multimode filters with steep cutoff, resonance up to self-oscillation and a drive stage to add even more punch and grainyness to the sound. Ultra-fast envelope generators and flexible LFOs as well as an easy to understand, yet extremely versatile modulation matrix make for a sound designer’s dream.

Waldorf Largo v1.7.x AU VST VSTi VST3 AAX WiN MAC R2R, x86 x64 windows waldorf vsti vst3 plugins plugins vst macos plugins au for mac aax plugins, Waldorf Largo, Waldorf, VST, OSX, MAC OSX, MAC, Largo, AU


The filters have always been a core part of any Waldorf instrument. With outstanding expertise in both analog and digital synthesis, our developers took utmost care in developing the filters. And you can hear a significant difference when working with a Waldorf filter – they just sound right! Use the comb filters for plucked, stringed or blown sounds. Band pass, high pass, low pass and notch filters are all available with 12 dB and 24 dB slope. All of them sound extremely accurate and add pure sonic quality to the sound of your music.

Largo contains a flexible arpeggiator with 16 freely programmable steps as known from the exclusive Q synthesizer line plus an array of high quality effects such as Chorus, Flanger, Phaser, Overdrive, Delay and Reverb.

The clearly arranged user interface helps you to create your own powerful synthesizer sounds in a breeze. Oscillators and filters are always in direct access while the submodules are only a mouse click away. It has the same exclusive voice architecture as the Q and Blofeld synthesizer line, fully integrated into the total recall system of your Digital Audio Workstation.

INFO/DEMO/BUY: http://mage.si/vJH0
Waldorf Largo v1.7.x AU VST VSTi VST3 AAX WiN MAC-R2R
http://beelink.in/24868/Waldorf-Largo-v1.7.x-WiN-MAC.html

DC8C Advanced Compressor v3.0.1 WiN MAC SYNTHiC4TE, x86 x64 windows vst3 plugins plugins vst macos software plugins au for mac aax plugins, WiN, SYNTHiC4TE, MAC, DC8C, Compressor, Advanced

DC8C v3.0.1 WiN MAC

SYNTHiC4TE | July 06 2018 | 115 MB

Advanced Compressor

DC8C is one of the most flexible compressors around.

While making a lot of different compression styles possible, it’s general nature may be described as: clear, smooth, open, distinct.The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost unevitable artefacts/distortion. This way you can achieve almost invisible compression for your most demanding mastering sessions, when you want to avoid coloration. If you aim for colour you can choose between two saturation models. From opto style, peak compression, RMS compression, Feedback, Feedforward compression (and everything inbetween) to negative ratios, zero latency brickwall limiting, from snappy transient treatment to smooth transient rounding – everything is possible.

Feature List
detector network and gain reduction smoothing for extra smooth operation

  • • choose between two different attack and two release curves
  • • clean mode (100% clean compression with no intermodulation, no distortion, no aliasing)
  • • up to 8x oversampling
  • • sidechain filter with high pass & low pass filter plus tilt control, which let’s you shift the frequency response
  • of the detector
  • • customize the program dependency of the compressor seperately for Attack and Release
  • • GR-smoothing control to dertermine, how sensitive the compressor reacts to changes in the computed gain
  • reduction, great to emulate opto style compression
  • • hold control for heavy pumping compression effects
  • • pre comp control to delay the start of the attack to leave transients completely alone or radically shape the attack
  • • calibration control not only to set the reference level for the meters but also for the whole signal path.
  • the higher the value, the softer the compression characteristics and the lower the saturation amount
  • • unique Feedback-Mix-Control, which lets you determine, how much of the compressor’s output is fed back into the detector.
  • This way it is possible to morph between Feedback and Feedforward Compression topologies
  • • zero latency limting mode
  • • true zero attack (0.0 ms)
  • • negative ratios possible
  • • parallel compression, peak-compression, RMS-compression
  • • easy mode which features 4 different compression styles
  • • lots of comprehensive presets to keep you started

 

DC8C now includes:
– A platform independent preset browser with easy copy/paste/save-as-default.
– AB-ing.
– GUI-resizing.
– Meter can now operate as a peak meter with peak hold indicator, on stereo tracks the peak meter shows both left and right channel information separately. – AGC (automatic gain reduction).
– Linear phase oversampling filters.
– Overhauled compression algorithms for smoother operation and more natural attack.
– and much more…

06/27/18 version 3.0.1:
– FIX: attack and release labels on the GUI of SMOOTH, PUNCH and SNAP Easy modes to match their actual ranges
– FIX: latency reporting in the VST3 version in Studio One
– NEW: added option to the global settings to disable dynamic latency reporting
– USE CASE: some hosts do not adjust latency for offline rendering separately. So when you have your Realtime OS set to eg. 1x and the Offline OS to 2x some hosts might not adjust the changed latency correctly during rendering.
— Currently I’m only aware of Studio One is behaving like that when the VST3 version of a plugin is being used. So if you’re encountering issues like that, you can use this new option in the global settings.
— If dynamic latency reporting is disabled, DC8C always reports the maximum possible introduced latency (128 samples) regardless of the oversampling settings. To stay in sync differences between reported and actual latency are compensated by an internal delay.
– NEW: added option to the global settings to have equal OS settings for realtime and offline(render) processing
– USE CASE: If your hosts doesn’t adapt to latency changes when rendering, you can optionally apply equal OS factors for both realtime and offline processing to keep things in sync.
– The advantage to the aforementioned option is, that you still can use DC8C with 0 latency when no OS is being used instead of the fixed 128 samples. The downside is, that you can’t set a separate OS factor for offline processing, hence the realtime factor is being applied during render too.

INFO/DEMO/BUY: http://mage.si/RR7s
DC8C Advanced Compressor v3.0.1 WiN MAC-SYNTHiC4TE
http://beelink.in/36830/DC8C-Advanced-Compressor-v3.0.1-WiN-MAC.html

Waveform 9 v9.2.5 64Bit MAC, macos software, Waveform, MAC, BigfooD, 64Bit

Waveform 9 v9.2.5 MAC

The BigfooD | July 07 2018 | 121 MB

Unleash Your Creativity

Waveform is a rapidly evolving application specifically designed for the needs of modern music producers. Specializing in creative and inspirational workflows and avoiding features not explicitly needed allow the app to remain surprisingly fun and intuitive. While other apps try to appeal to broad user groups, for example film score, live sound, performance – we are laser focused on music production. The all new MIDI composition tools available in Waveform are designed to empower and inspire the creative process. Tools which demystify complex musical structures and allow non trained enthusiasts to explore composition. Synchronized pattern generators allow you to dive into chord progressions with matching bass lines, melodies and arpeggios. Real time chord players turn one finger keyboard players into musical maestros. Don’t let your instrumental abilities restrict your creative flow.

Waveform features an expanded modular mixer that can take advantage of multi screen setups. The customizable interface allows you to quickly switch from editing to mixing workflows and desired viewing. Waveform’s powerful ‘racks’ environment allow you to build limitless DSP chains and save/recall them as presets, whether it be your favorite DSP for a particular vocalist, or deep sound design patch. Embrace the power and flexibility of digital modular.

Collective is a powerful sampler and synthesizer capable of generating a wide variety of instrument sounds. Developed to accompany the new music composition tools, Collective allows you to immediately start creating diverse musical styles. Quickly select from over 600 presets and deep dive to surgically craft your unique sound. Pull from the included sample library or load your own, combine with synthesis or cherish the supreme quality of traditional samples. One instrument to rule them all.

Waveform is an unlimited app designed for modern music production. Developed to be creative and inspirational and with a minimal learning curve, our goal is to empower music enthusiasts. Unlike other apps, Waveform supports all major plugin and loop varieties and runs on all major desktop operating systems – now including Raspberry Pi. The beautiful user interface has been carefully crafted to guide the user through the deep capabilities of a digital audio workstation. Dive in and start creating today.

INFO/DEMO/BUY: http://mage.si/VLbk
Waveform 9 v9.2.5 64Bit MAC
http://beelink.in/36990/Waveform-9-v9.2.5-64Bit-MAC.html

Capo 3 v3.6.0 MAC OSX TNT, macos software apps, TNT, OSX, MAC OSX, MAC, Capo 3, Capo

Capo 3 v3.6.0 MAC OSX

TNT | 09 July 2018 | 35.12 MB

Capo 3 is a revolutionary tool that helps you learn the music in your iTunes library. By slowing your music, automatically detecting chords and quickly generating guitar tablature using the detailed spectrogram, Capo 3’s award-winning capabilities let you learn to play your songs faster than ever. Capo will change the way you learn to play music. The audio-to-note approach will soon seem so natural to you that you will no longer regard your favorite bands’ music as inaccessible to play yourself. You can learn to play any music you have as a recorded audio file, whether an mp3, m4a, wav, or aiff file. This is the future of learning to play music. It’s no wonder Capo won a prestigious Apple Design Award.

With Capo you can learn songs in an intuitive and flexible way. The automatic chord detection appears quickly when you load a song from iTunes, and then updates instantly as you change the key, place a capo on your instrument, or switch tunings.

But there’s more to what musicians can now see in the music they’re learning! Capo makes it easy to learn the details of a music performance using the visual representation of frequencies in an audio file called a “Spectrogram”. Swipe across notes as you listen to the recording to instantly generate guitar tablature. No more searching online for tabs for your favorite new song – or classic song!

And the spectrogram is not only for quick transcriptions. See every nuance in the performance – the note bends, slurs, and vibrato – to visually reinforce what you are hearing.

World-class musicians are praising Capo’s flexibility, speed, and reliability for learning and experimenting with music. Whether used as a problem solver in their day-to-day work of learning music for a gig or just to grow as a musician, Capo is inspiring some of today’s top musicians in the industry.

What’s New Version 3.6
*** New Features ***
* 7 New Languages! — This update adds localizations for French, Italian, German, Spanish, Japanese, Simplified Chinese, and Traditional Chinese. We hope to continue adding support for more languages in the future, so please contact us if you’d like to see your native language added to this list!
* (Simple) Piano Chords — Capo can now display chords using familiar keyboard diagrams. The notes in a chord are indicated in a way that makes it easy to build your own chord voicings.
* Improved Guitar Chord Display — Using a bolder font and modified fretboard styling, we made Capo’s chords a little easier to read. We also put in a great deal of work to make the chord display consistent across iOS and macOS versions of Capo.

*** Enhancements ***
* You can now navigate between chords using the left and right arrow keys when a chord is selected.
* Changes to the chord display are now animated

*** Bug Fixes ***
* Empty chord entries no longer appear in the results when editing chords.
* Empty chord boxes no longer appear when detecting and adding new chords.
* We spent some time cleaning up the keyboard event handling to fix a number of issues, such as playback commands interfering with text input, or the playback commands failing to work completely.
* Changes to note entry and audio playback volume are once again persisted to user preferences.

 

INFO/DEMO/BUY: http://mage.si/R89G
Capo 3 v3.6.0 MAC OSX-TNT
http://beelink.in/11515/Capo-3-v3.6.0-MAC-OSX-TNT.html

Clariphonic DSP mkII v1.1.1 AU VST x64 MAC OSX OPENSSH, x64 plugins vst macos plugins au for mac, x64, VST, OPENSSH, MKII, MAC OSX, DSP, Clariphonic, AU

Clariphonic DSP mkII v1.1.1 MAC

OPENSSH | 10.07.2018 | 7.9 MB

AU VST x64

After 3 years of using the original Clariphonic DSP, I’d compiled quite a list of improvements I wanted to make. So I made them all, and the result is the Clariphonic DSP mkII, modeled from the ground up by me using all new algorithms and filters. To my ears, the mkII sounds markedly smoother than the original, and it’s considerably more powerful in use. It has 3 modes: classic Stereo, Dual Mono so I can eq each side differently, or Mid-Side for advanced sweetening. I overhauled the GUI as well, it’s a little easier on the eye and a lot easier to use. Between the smoother sound, the 3 operational modes, and the enhanced interface, I’m more proud of this design than any I’ve done to date, and that’s coming from the guy who recently dropped the Tweaker.


WARNING!!!: Before doing anything, make sure you do a backup of your lib
– Replace original lib at /usr/lib/ with provided lib for your OS

To locate /usr/lib/ got to “Go” menu in Finder, once there click “Go to folder” and type it exactly as it reads.

INFO/DEMO/BUY: http://mage.si/kj9y
Clariphonic DSP mkII v1.1.1 AU VST x64 MAC OSX-OPENSSH
http://beelink.in/22034/Clariphonic-DSP-mkII-v1.1.1-AU-VST-x64-MAC-OSX.html

Mixing and Mastering in Studio One TUTORiAL, audio tutorials, TUTORiAL, Studio One, Mixing, Mastering, Fantastic

Mixing & Mastering in Studio One

FANTASTiC | 08 July 2018 | 2.9 GB

If you want to improve your song mixes in Studio One, this is the perfect course for you! , Learn how to Mix and Master them within Studio One. This is a complete course teaching you how to use all the tools and feature sets in Studio One to give you a great mixed, mastered and finalized song/s With easy-to-follow tutorials and a real-world example of a song from start to finish, you’ll enjoy learning while taking action.

WHAT WILL YOU LEARN?
•Getting a Song ready to be mixed and mastered
•Adjusting the levels and panning of the tracks
•Understanding how EQ’s and Compressors work in a mix
•Using the effects to help make your tracks sit better in the mix
•Enhancing your tracks with audio processing effects
•Creating Mastering Projects with your Songs
•Learning how the spectral meters help with your mastering
•Using Mastering Effects like: EQ, Multiband Compression, and Limiting
•Exporting and Finalizing your Song/s

WHY MIX AND MASTER IN STUDIO ONE?
– Studio One is a fully featured package.
– It has great editing and mixing tools.
– It is super easy to navigate and use.
– The songs and mastering projects integrate seamlessly.
– Includes spectral meters to help you get the best mix and master.

INFO/DEMO/BUY: http://mage.si/qUUE
Mixing and Mastering in Studio One TUTORiAL
http://beelink.in/36981/Mixing-and-Mastering-in-Studio-One-TUTORiAL.html

How To Use Cubase 9.5 Beginner Level 2 TUTORiAL SYNTHiC4TE, audio tutorials, Use, TUTORiAL, SYNTHiC4TE, Level, How To use, How To, How, Cubase 9.5, Cubase 9, Cubase, Beginner

How To Use Cubase 9.5 Level 2

SYNTHiC4TE | July 08 2018 | 2.84 GB

..:: Beginner Level 2 ::..

Over the next 13 videos, we welcome back Cubase sensei Protoculture, as he takes you to the next level on this masterclass journey. If you are a complete beginner or even a seasoned pro, this course has something for everyone. How To Use Cubase 9.5 Level 2, continues on from where Level 1 finished off. It is quite literary NEXT LEVEL! With loads of useful knowledge for producers starting out, we begin by checking out how to route busses and use send/return fx, take a closer look at dynamic processing, compression and sidechain compression before moving on to stereo widening, offline processing, and render in place. Protoculture then checks out a few useful stock plugins along with VCA faders and then wraps up by moving the project so it can be mastered efficiently and utilising Cubase’s powerful Frequency EQ before exporting.

You will be armed with all the knowledge at the end of this course to start on your production journey, so go forth and create!


INFO/DEMO/BUY: http://mage.si/GSxi
How To Use Cubase 9.5 Beginner Level 2 TUTORiAL-SYNTHiC4TE
http://beelink.in/36987/How-To-Use-Cubase-9.5-Beginner-Level-2.html

Tech Tips Vol.36 TUTORiAL SYNTHiC4TE, audio tutorials, TUTORiAL, Tips, Tech, SYNTHiC4TE

Tech Tips Vol.36 TUTORiAL

SYNTHiC4TE | July 08 2018 | 1.18 GB

Welcome to Tech Tips Volume 36 with our good friend, and sound design fanatic Bluffmunkey. Over these 10 videos, Bluffmunkey looks at some of the more overlooked plugins in Ableton 10 and sheds some inspirational light on how to use them in your own productions. From being able to always play along with your tracks in key and utilising Ableton’s in-built synth and spectrum analyser, to creating unearthly sounds and distorting or crushing incoming audio so it becomes something else entirely, these tips will help relieve any creative blocks you encounter on your journey to make your own unique sound. Super useful to anyone currently using Ableton, and eye-opening for those who are thinking of a change. Get on it!


INFO/DEMO/BUY: http://mage.si/CT4y
Tech Tips Vol.36 TUTORiAL-SYNTHiC4TE
http://beelink.in/36988/Tech-Tips-Vol.36-TUTORiAL-SYNTHiC4TE.html

Working with a DJ Events and Weddings TUTORiAL, audio tutorials, WORKING, Weddings, TUTORiAL, Fantastic, Events, DJ

Working with a DJ Events & Weddings

FANTASTiC | 09 July 2018 | 520 MB

The music, sound, and speaking can have a huge impact on the flow of an event or wedding. Done well, the right cues and music can build emotion, keep things moving, and get a dance party started. Done poorly, your guests will notice awkward pauses, feel interrupted, or opt out of dancing. How do you ensure your event sound is top notch? Hire and thoroughly communicate with your DJ. In the course, I bring in expert event and wedding DJ Michael Ober to teach us the best methods for working with a DJ. We will chat about where to find a DJ.. Then we will dive into all the communications that should happen before, during, and after your event, so you can trust your DJ will hit the right cues, pronounce everyone’s name correctly, and select music enforces your theme and gets guests dancing.

By the end of this course, we hope you will feel confident in booking a DJ that is right for your event or wedding. With a bit of pre-event communication, your epic dance party will be well within reach. Time to party!

INFO/DEMO/BUY: http://mage.si/63Ok
Working with a DJ Events and Weddings TUTORiAL
http://beelink.in/36992/Working-with-a-DJ-Events-and-Weddings-TUTORiAL.html

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