M12 Filter v1.1.0.389 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, V.R, M12 Filter, M12, Filter, CE, AAX

M12-Filter v1.1.0.389 WiN

Team V.R | July 06 2018 | 86 MB

(Win32/64; AAX, VST3, VST)

If you want a filter with depth, character, and complexity; look no further.

M12-Filter is a full-featured recreation of the multi-mode filter found in Oberheim’s iconic Matrix-12, kitted out with awesome updates that make this plugin one of the most powerful, performable sound-shaping tools around. Combining intuitive, gorgeous-sounding modelled analog filter tone control with programmable modulation envelopes, a detailed mod matrix, and bonus random and mod osc parameters, M12-Filter is set to become your go-to choice for creative frequency control. Create anything from smooth sweeps to rhythmic motion, all the way to full-blown, randomized glitch meltdowns: this plugin can handle it all.

The most advanced, adaptable filter of its era
In 1984, audio and electronics legend Tom Oberheim developed a groundbreaking subtractive, analog polyphonic synthesizer; a brave move when the digital synth revolution was taking the industry by storm. Standing the test of time, his brainchild instrument is now considered a classic, and our emulated version takes pride of place in V Collection. One of the main reasons it turned heads in the 80s was its audacity, the sheer power of its signal routing options, and its multi-mode filter. The original synthesizer’s filter employed a single filter per voice, but provides no fewer than 15 different filter modes. This included Low Pass and three High Pass modes, two Band Pass modes, a Notch filter, and a Phase Shift mode. It also included another 4 modes, combining 1-Pole Low Pass filters with other modes. This unique selection of filter options is largely responsible for the immense power and scope of the fabled Matrix sound.

Main Features

  • Virtual recreation of the Matrix 12 multimode filter
    • 2 instances of the Matrix 12 filter within one plugin instance
    • 15 disctincts filter modes available per filter instance
    • Cutoff frequency, resonance, pan and out volume controls for each instance
    • Master cutoff control for controlling both instances’ cutoff at once
    • 4 audio routing configurations
    • Global dry / Wet and output filter controls
  • Random values genrator
    • Can be synchronized with DAW’s clock
  • 3 advanced multi-segments envelopes
    • 2 modes: loop or triggered by audio
    • Synchronized with DAW’s clock
    • Can be used as LFOs, step sequencer or envelopes
    • Predefined presets
  • Modulation oscillator
    • Audio range modulatotion source for parameters frequency modulation
    • 5 waveforms
  • Modulation matrix
    • Envelope, random generator and mod oscillator as sources
    • 8 assignable destinations slots with 22 reachable parameters
  • 40 presets from top sound designers
  • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    1GB free hard disk space
    OpenGL 2.0 compatible GPU


INFO/DEMO/BUY: http://mage.si/udf2
M12-Filter v1.1.0.389 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35753/M12-Filter-v1.1.0.389-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

Mini Filter v1.2.0.389 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, V.R, Mini Filter, CE, AAX

Mini-Filter v1.2.0.389 WiN

Team V.R | 07 Jul 2018 | 87.8MB

(Win32/64; AAX, VST3, VST)

Ever wanted to use one of the world’s most famous synth filters in your DAW?

The classic filter from our lovingly recreated Mini V software instrument is now in a dedicated plugin. Now you can add the familiar filter tone to warm or smooth out your audio, or to add sweetness to a sensitive recording. Not only that, but Mini-Filter also includes a powerful modulation section which consists of an envelope follower, an LFO, and a step sequencer. A patch manager is also built-in, along with a set of presets to inspire your creativity. An essential, expressive, and creative tool for any producer or performer.

Main Features

  • Virtual recreation of a 24dB/oct Low Pass Ladder filter:
    • Drive parameter
    • Cutoff Frequency and Emphasis
    • Dry/Wet setting
    • Output volume setting
  • Low Frequency Oscillator
    • Can be synchronized with DAW’s clock
    • 4 waveforms + Sample and Hold mode
    • Phase parameter
    • Can modulate the Cutoff, Emphasis and Cutoff modulation amount of the Sequencer
  • Step Sequencer
    • Can be synchronized with DAW’s clock
    • Up to 8 steps
    • Smooth parameter
    • Can modulate the Cutoff, Emphasis and the LFO rate
  • Envelope follower
    • Sensitivity parameter (vertical sensitivity)
    • Attack and Decay time parameters
    • Can modulate the Cutoff, Emphasis and the LFO rate
  • 30 presets from top sound designers
  • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    – 1GB free hard disk space
    – OpenGL 2.0 compatible GPU

INFO/DEMO/BUY: http://mage.si/aBTH
Mini-Filter v1.2.0.389 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35751/Mini-Filter-v1.2.0.389-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

SEM Filter v1.1.0.389 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, V.R, SEM Filter, SEM, Filter, CE, AAX

SEM-Filter v1.1.0.389 WiN

Team V.R | 07 Jul 2018 | 104.3MB

(Win32/64; AAX, VST3, VST)

Combining simplicity with pure tone-shaping power, SEM-Filter is a futuristic twist on a classic synth filter. Renowned for its pioneering technology in the 70s, we paid tribute not only to its sound but also the SEM’s reputation as a trailblazer. Using the meticulous modelling techniques, and by adding exciting new features, we have created a true modern classic audio filter. No longer confined to a synthesizer, you can now use the era-defining filter tone of Tom Oberheim’s cult synth module on any audio source you wish. Process acoustic instruments in your DAW, shape vocals, perform sweeps on your whole mix, create builds, rises, and drops, even use it to improve a soft-synths stock filter.

Main Features:

  • Virtual recreation of the classic 12dB/oct state variable SEM filter:
    • Mode, cutoff frequency and resonance controls
    • Dry/Wet setting
    • Filter output volume setting
  • Additionnal noise oscillator for feeding the filter with rich spectral content
  • Soft clipping circuit modeling
  • Attack / Hold / Decay envelope
  • Low Frequency oscillator
    • 5 waveforms + Sample and Hold mode
    • Can be synchronized with DAW’s clock
    • Smooth parameter
  • Gate sequencer
    • Program trigs / retrigs for the envelope and LFO to create rythmic content
    • Up to 16 steps
    • Can be synchronized with DAW’s clock
  • Modulation matrix
    • Envelope and LFO as sources
    • 8 destinations for extended sonic possibilities
  • 40 presets from top sound designers
  • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    1GB free hard disk space
    OpenGL 2.0 compatible GPU

INFO/DEMO/BUY: http://mage.si/qKZN
SEM-Filter v1.1.0.389 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35752/SEM-Filter-v1.1.0.389-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

Reference 4 Studio Edition v4.1.2.14 AAX RTAS VST x86 x64 WiN V.R, x86 x64 windows plugins vst plugins rtas aax plugins, x86, x64, WiN, VST, V.R, Studio, RTAS, Reference, Edition, AAX

Reference 4 Studio Edition v4.1.2.14 WiN

Team V.R | July 07 2018 | 22 MB

Finally you can work with confidence on the setup you have. Reference 4 removes unwanted coloration from your studio speakers and headphones, so you can trust that you hear your mix accurately. Reference 4 Studio Edition offers the full package of highly powerful software, providing consistent reference sound both in the studio and on the go. Measure your studio with a measurement mic, it takes around 10 minutes. Reference 4 then creates a calibration profile. For headphones select a pre-made profile, and you’re ready to go. Calibration can be run in DAW via plugin for lowest latency or via Systemwide for maximum versatility.

Reference 4 Studio Edition includes:
Speaker measurement software – find out where your monitors need help
DAW plugin – reference sound combined with zero latency for any musical endeavor
Systemwide – apply calibration to all outgoing audio


INFO/DEMO/BUY: http://mage.si/7Zpk
Reference 4 Studio Edition v4.1.2.14 WiN-V.R
http://beelink.in/35499/Reference-4-Studio-Edition-v4.1.2.14-WiN-V.R.html

Analog Lab 3 v3.2.0.1509 WiN Rev.2 CE V.R, x86 plugins vsti x64 plugins vsti vsti vst3 plugins software aax plugins, WiN, V.R, Rev, Lab, CE, Analog Lab, Analog

Analog Lab 3 v3.2.0.1519 Rev.2 WiN

Team V.R | 09 Jul 2018 | 491.46 MB

STANDALONE/AAX/VSTi/VST3/x86/x64

Analog Lab gives you streamlined access to 6500+ of the hottest presets from our award-winning V Collection. Featuring sounds from all 21 faithfully modeled vintage keyboards, combining awe-inspiring sound with exceptional ease of use and awesome features. In addition to studying the feedback from the music community, our developers worked hand-in-hand with professional ergonomists to optimize each aspect of this music production & performance dream instrument. It resulted in an intuitive interface, a beautifully organized category based browsing experience, and natural mapping of the sonic parameters, creating a self-contained sonic encyclopedia of legendary sounds.

Discover inspiration at every step on your musical journey.

Keeping it real
You’re all about the sound. So is Analog Lab.
Why settle for samples of classic instruments when you can have faithful reproductions of them? In Analog Lab, you’re surfing the best sounds from award-winning V Collection of 21 classic synths, organs and pianos—all of which are authentic physical models of the originals. There’s simply nothing more true to the organic sound quality of yesteryear available anywhere.

Bring the authentic warmth of analog to your music with Analog Lab.

All of your favorite go-to sounds at your fingertips
Analog Lab gives you the best of 21 instruments that made music history, all in one convenient place.
Analog synthesizers. Digital synthesizers. Acoustic pianos. Electric pianos. Organs. Strings machines. With the best of 21 vintage instrument reproductions on tap, Analog Lab lets you transcend time and style by arming you with everything from the most iconic sounds of the past to modern sound designs that are cutting edge today. Whether you’re composing, recording or performing, over 6500 sounds cover every song, genre, mood and ambience you can think of—no programming required. Use it standalone or with your favorite DAW.

Unleash the sonic power of keyboard history’s greatest hits for your musical adventures.
Find and recall your favorite sounds instantly
With Analog Lab’s sleek new browser, you can always find just the right sound.
Where’s that sound? Find it in a flash by clicking tags to filter Analog Lab extensive sound library by Types, Characteristics, Instruments and more. Need a fat, funky bass? Just click that combination of tags to get a short list from the across the entire library—or limited to just the virtual instruments you select. Click to designate your favorites for instant recall later. Use Playlists to line up just the sounds you need for gigs or sessions, then access or step through them with MIDI program change mapped to your preferred buttons or pedal.

Whether your writing, recording or gigging, Analog Lab’s elegant browser makes it a breeze to quickly mine the depths of this vast library for the sonic gold you’re looking for.

Main Features
•The original hardware/software hybrid synthesizer
•Updated with sounds from the V Collection 6
•Over 6500 sounds from some of the best sound designers in the industry
•Presets are carefully selected from our V Collection 6 (ARP 2600 V, B-3 V, CS-80 V, Farfisa V, Jup-8 V, Matrix-12 V, Mini V, Modular V, Prophet V, Prophet VS, SEM V, Solina V, Stage-73 V, •Synclavier V, Piano V2, Vox Continental V, Wurli V, Buchla Easel V, Clavinet V, DX7 V and CMI V)
•Updated browser to find your sound quickly: by Type (Bass, Pads, Leads…), by Characteristics (long, bright, dark…), etc.
•Multi mode for creating your own layers, splits and adding effects
•Automatic mapping of parameters for ART keyboards
•Parameters can be mapped easily to other MIDI controllers
•Standalone or plug-in operation (VST, VST3, AU, AAX)
•Full preset editing available for owners of the full versions of our synthesizers (Mini V, Modular V, CS-80V, Wurlitzer V, etc.)
•User interface configures automatically to match your Art controller

INFO/DEMO/BUY: http://mage.si/q3uF
Analog Lab 3 v3.2.0.1509 WiN Rev.2 CE-V.R
http://beelink.in/35259/Analog-Lab-3-v3.2.0.1509-WiN-Rev.2-CE-V.R.html

SLM2 v1.1.0 AAX VST VST3 RTAS x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst plugins rtas aax plugins, x86, x64, WiN, VST3, VST, V.R, Stereo, Smart, SLM2, RTAS, Maximizer, Loudness, Limiter, CE, AAX

SLM2 v1.1.0 WiN

TEAM V.R | 11 July 2018 | 3.78 MB

(Win32/64; AAX*, RTAS, VST3, VST)

SLM2 is a smart stereo loudness maximizer including “analog spice” and 16x over-sampling. The goal of the design was to maximize the loudness of the audio signal while maintaining transparency. The SLM2 DSP analyses every sample of the incoming stereo signal within a defined time frame and calculates the optimal volume increase. This guarantees maximum possible transparency. The overall loudness can be further increased by the following, optional clipper stage. Signal aliasing can be reduced by enabling over-sampling.

Features:
– Highly transparent brick-wall-limiter
– Saturation of input signal
– Fully control of attack and release
– Switchable look ahead
– Additional drive/clip stage
– Stereo link
– Over-sampling, up to 16x
– Easy to use GUI
– Preset manager
– Large and accurate live meters
– Supports all sample rates

SLM2 is used in all limiting situation like track/bus and master limiting.

INFO/DEMO/BUY: http://mage.si/3fjW
SLM2 v1.1.0 AAX VST VST3 RTAS x86 x64 WiN CE-V.R
http://beelink.in/36997/SLM2-v1.1.0-AAX-VST-VST3-RTAS-x86-x64-WiN-CE-V.R.html

Hip Hop East Coast Champions WAV MiDi FLP DiSCOVER, wav presets patches patterns midi fl studio samples, WAV, MIDI, Hip Hop, FLP, East Coast, DISCOVER, Champions

Hip Hop East Coast Champions

DISCOVER | 02 FEBRUARY 2013 | 342 MB

WAV MiDi FLP

‘Hip Hop: East Coast Champions’ brings you ten Construction Kits in the style of New York hit-makers such as Rick Ross, 50 Cent, Ghostface Kiilah, Method Man, Jay Z, and many others. Complete with drums, synths, FX and more, these Royalty-Free elements are ready to be rearranged and edited to create all new smash hits. Everything you need to create authentic Hip Hop East Coast tracks is here, including synths, pads, electronic drums, FX and more.

Royalty-Free: All loops are Royalty-Free, meaning they can be used as part of a commercial release at no extra cost.

Features:

  • 24-Bit WAV, FL Studio & MIDI
  • All loops are Royalty-Free
  • Keys and tempos are included

 

INFO/DEMO/BUY: http://mage.si/5M17
Hip Hop East Coast Champions WAV MiDi FLP-DiSCOVER
http://beelink.in/4544/Hip-Hop-East-Coast-Champions-WAV-MiDi-FLP.html

Soultronics ACiD WAV MiDi, wav patterns midi samples acid, WAV, Soultronics, Soul, Old School, Neo Soul, MIDI, Funk, ACID

Soultronics ACiD WAV MiDi

DiSCOVER | 02 FEBRUARY 2013 | 95 MB

‘Soultronics’brings you back to that Old School style of music. This product is inspired by Funk, Soul and Neo Soul hit-makers Erykah Badu, Jill Scott, P Funk, Aretha Franklin, and many more. If you love Neo Soul, this product will give you that smooth edge. These five Construction Kits will bring out the soul in you. Sounds and samples are licensed as Royalty-Free for you to use in commercial productions or even for DJ/remix purposes.

Details:

  • 5 Construction Kits
  • 24-Bit WAV
  • MIDI

 

INFO/DEMO/BUY: http://mage.si/5V0b
Soultronics ACiD WAV MiDi
http://beelink.in/4562/Soultronics-ACiD-WAV-MiDi.html

Rytmik Studio STANDALONE WiN, windows software, WiN, Studio, Standalone, Rytmik, Codex

Rytmik Studio STANDALONE WiN

Team Codex | July 08 2018 | 132 MB

Rytmik Studio is a music creation software based around a beautifully simple, yet wonderfully powerful concept. It’s flexible, instant and fun. Create a basic melody in a few steps, compose a great song in a few minutes, and show your musical flare with a whole range of instruments and effects.

Rytmik Studio STANDALONE WiN, windows software, WiN, Studio, Standalone, Rytmik, Codex

Minimum:
OS: Windows Vista/7/8/10
Processor: 2.4 GHz Intel Core2Duo or better
Memory: 2 GB RAM

INFO/DEMO/BUY: http://mage.si/v0um
Rytmik Studio STANDALONE WiN
http://beelink.in/36978/Rytmik-Studio-STANDALONE-WiN.html

QLab Pro 4.2.5 Pro Bundle macOS TNT, macos software apps, TNT, QLab, Pro, OSX, macOS, MAC OSX, MAC, Bundle

QLab Pro 4.2.5 macOS

TNT | 08 July 2018 | 12.91 MB

QLab makes it simple to create rich multimedia designs for live performances and installations. From Broadway to the West End, in churches, museums, store fronts, concert halls, and theaters around the world, people use QLab to bring their audio and video to life.

QLab Pro 4.2.5 Pro Bundle macOS TNT, macos software apps, TNT, QLab, Pro, OSX, macOS, MAC OSX, MAC, Bundle

Design Tools
– Unlimited Cue Lists with unlimited cues
– Unlimited Cue Carts with 1 to 64 buttons per cart
– Design in Edit Mode and run your performance in Show Mode
– Non-destructive design tools never modify your media files
– Undo any edits
– “Audition” cues locally without sending audio, video, or lighting output to the stage
– Cue templates and Workspace templates
– “Record cue sequence” tool, to capture timing and play it back again the same way later
– “Paste cue properties” tool, to selectively paste properties from one or more cues onto other cues in your workspace
– Text search of cue lists and cue carts
– Extensive AppleScript and OSC APIs
– A comprehensive Status Window to guide troubleshooting
– Powerful and painless remote editing via QLab Remote

Lighting
– Control unlimited Art-Net DMX universes.
– Create unlimited light instruments (like channels, but can be named anything, not just numbers).
– Create unlimited light groups to collect related instruments together, like “all”, “stage right”, “LEDs”, “floor”, or “floor front left”.
– Use both conventional dimmers and more complex lights with multiple parameters (includes support for percentage-based parameters, as well as both 8-bit and 16-bit direct DMX parameters.)
– QLab-style levels fading: it’s simple to build looks and effects that you can layer and reuse. A Light cue changes only the levels you set in the cue, and leaves the rest unchanged.
– Build sophisticated lighting designs by chaining Light cues together to build complex cue sequences out of simpler parts, then trigger the sequence with a single “GO” like a chain of dominoes.
– As with all cues in QLab, Light cues can be copied, pasted, reordered, paused, resumed, and stopped at any time
– All QLab fade curves are available for Light cues; including linear, s-curve, or totally custom shape fades.
– See and manipulate the current levels of all your lights using the Light Dashboard.
– If you need to sneak in live edits from the Dashboard, you can optionally tell QLab to apply the new values “over time” so they’ll fade in smoothly.
– Open the Audition Window to view the effects of light cues “blind” in the dashboard. Close the Audition Window, and the dashboard will instantly revert back to show the live state of your lights.
– Adjust your lights in the dashboard, then:
-Create a new cue with just the changes,
-Create a new cue with all instruments,
-Update the last-run light cue with the changes, or
– Trace back the edits to each cue that most recently modified each instrument.
– Map your favorite MIDI controller to light commands, for editing either the light dashboard or individual cues.
– For motorized MIDI hardware, QLab supports MIDI “feedback” from the light dashboard and individual light cues. (Aka “flying faders”.)
– Use QLab’s powerful light command language, with autocompletion, instrument or group parameter addressing, ranges, ad-hoc groups, and command history, to efficiently edit both the light dashboard and individual light cues.
– View light cues as sliders, tiles, or raw command text at any time.
– View the Light Dashboard as sliders or tiles.
– Edit lights via keyboard entry (on the command line) or with the mouse (via clicking and dragging.)
– Easily delete individual light commands from any cue, and of course undo any edits.
– In slider view, expand group commands into all the individual instruments currently in the group.
– In slider view, indicators show the current live value of each light in a cue.
– In slider view, select multiple commands to temporarily “gang” them, so you can adjust them up or down together.
– Quickly see when a group of instruments is set to all the same level or a mix of different levels.
– Batch-edit multiple light cues by selecting them and then simply editing any light command they all share. (Or adding a new command to all of them at once.)
– Use AppleScript, either externally or via Script cues, for advanced programming techniques like algorithmically generating a series of Light cues.
– Control both the Light Dashboard and individual Light cues via OSC messages.

Audio
– Support for up to 64 channels of audio output
– Support for up to 24-channel audio files
– Support for up to 24 channels of live audio input
– Audio waveform view
– Unlimited slices of your media files for looping and vamping
– Sample-accurate playback synchronization across multiple cues
– Audio panning and volume fading
– Customize output channel names
– Edit audio device routing
– Audio effects on any cue
– Audio effects on cue outputs
– Audio effects on device outputs
– Fade audio effects dynamically

Video
– Full-screen or custom geometry for Video cues
– Fade and animate videos
– 1000 layers of video
– Masking and edge-blending across multiple projectors
– Warping and keystone correction
– Basic video effects
– Live camera input with the Camera cue
– Syphon input & output
– Blackmagic input & output
– Text & titles with the Text cue

Show Control
– Send OSC or UDP messages using the Network cue
– Fade your OSC messages over time, in 1D or 2D
– Inject live values from your workspace into outgoing OSC messages
– Send all MIDI and MIDI Show Control messages with the MIDI cue
– Send MIDI messages by playing MIDI files with the MIDI File cue
– Run your own AppleScripts with the Script cue
– Generate LTC or MTC output with the Timecode cue
– Trigger cue lists from incoming LTC or MTC timecode
– Remote control via OSC and MIDI

QLab 4.2.5 Release Notes July 5, 2018
– FIXED: The video surface grid will now display on the first attempt to show it, rather than the second.
– FIXED: Issues with the audio matrix UI introduced by changes made for accessibility. (This reverts some accessibility enhancements to the audio matrix, which we’ll reimplement again in a different way.)
– FIXED: A bug that could cause the mouse cursor to permanently disappear when dragging in a volume level field.
– FIXED: A bug that prevented being able to edit MIDI Trigger byte value text when the field contained non-integer text, e.g. “any” or “>100”.
– FIXED: A bug with how Fade cues displayed the post wait time in the list of active cues.
– FIXED: A Quartz Composer composition lacking the required input and output properties will no longer lead to a crash.
– FIXED: The help label in the Network cue now localizes the fractional number to match your locale.
– CHANGED: When capturing a message to create a MIDI trigger, the cue inspector now ignores MIDI pitch wheel messages.
– ADDED: The column widths in the Light Dashboard and Light cue Levels Inspector are now saved and restored.

 

Requirements:

  • Intel, 64-bit processor
  • OS X 10.10 or later

 

INFO/DEMO/BUY: http://mage.si/k5Eb
QLab Pro 4.2.5 macOS-TNT
http://beelink.in/25876/QLab-Pro-4.2.5-macOS-TNT.html

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