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Hypercolor Bass WAV

DiSCOVER | 26 December 2016 | 437 MB

Weapons of a mass fun from personal arsenal of Mad Decent, Atlantic Records and Hyperboloid’s artist – 813. 813 is a former firefighter, who became the brightest star in the Modern Future Bass Sound. More than 600 professional musical elements for your work, fun and “Hypercolor” sound, in which 813 is a legend! Samples from this pack are suitable for production of Future Bass, Jersey Club, Trap, Moombahton, Tropical Bass, RnB, Hip-Hop and also adds real Hypercolor to any other Genre! All samples from Loops, Vocals and Melodies are super quality, but the main thing are Fresh One Shots and Percussion elements! Enjoy!

Specifications:

  • 012 x Bass Loops
  • 021 x Melody Loops
  • 010 x Textures Loops
  • 010 x Vocal Loops
  • 191 x One-Shots Samples (55 x Claps, 50 x Kicks, 55 x Snares, 31 x Percussions)
  • 119 x Drum Loops (55 x Drums Loops, 10 x Hi-Hats Loops, 54 x Percussion Loops)
  • 030 x FX & Impacts & Swoosh
  • 050 x Gold & Fooley & Delicious
  • 443 Files In Total
  • Key And Tempo-Labelled
  • 44.1kHz 24-Bit High Quality
  • Compatible With All DAWs

 

INFO/DEMO/BUY: http://mage.si/c03m
Hypercolor Bass WAV
http://beelink.in/37010/Hypercolor-Bass-WAV.html

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Historical Firearms Bundle WAV

DiSCOVER | 11 SEPTEMBER 2013 | 4.54GB

HISTORICAL FIREARMS CONSTRUCTION KIT comes with an incredible sample rate of 192kHz/24bit. Delivered on 2 DVDs, this collection is packed with 8+ GB of high quality source recordings. 1.300+ single sound effects in 240+ files. HISTORICAL FIREARMS DESIGNED is your best choice for high quality sound effects of cannons, pistols, revolvers and rifles from the good old times. Whether you need some precise single shots or a group of up to 100 rifles. Scale it to your needs and let your audience reminisce the old days.

Historical Firearms – Designed Description: Create great epic battles from the civil war, the napoleonic wars or design the grand finale of a thrilling pistol duel. HISTORICAL FIREARMS DESIGNED is your best choice for high quality sound effects of cannons, pistols, revolvers and rifles from the good old times. Whether you need some precise single shots or a group of up to 100 rifles. Scale it to your needs and let your audience reminisce the old days. Each file contains four variations of a single sound. All sound effects were designed by using only the source files of the “HISTORICAL FIREARMS CONSTRUCTION KIT”. To improve your workflow even more, all files contain well-grounded Soundminer metadata to quickly and exactly find the sound you need.

 

Key Features:

  • • Library ships in 96kHz/24bit High Definition Audio
  • • 296 royalty free sound effects in 74 files
  • • 17 weapons, 3 different sized group shots
  • • Effective workflow: well-grounded Soundminer Metadata

Historical Firearms – Construction Kit Description: Your next project contains historical battlefields with thousands of infantry soldiers, some evil pistol-swinging pirates or some fine gentlemen demanding “satisfaction” in an old-fashioned duel? With this library, you get all our HISTORICAL FIREARMS source recordings in high quality. Shots of muzzle-loaders, muskets, carbines, pistols, cannons, breechloaders, etc. In addition to that, you will also find great handling sounds. Choose between 17 different weapons that were recorded on two locations in a multi-channel setup with 12 tracks.HISTORICAL FIREARMS CONSTRUCTION KIT comes with an incredible sample rate of 192kHz/24bit. Delivered on 2 DVDs, this collection is packed with 8+ GB of high quality source recordings. 1.300+ single sound effects in 240+ files. The high sample rate is giving you the best quality for heavy editing, pitching, and fx processing while keeping a top notch level of clarity and precision. To provide you with the fastest and easiest workflow possible all files contain extensive metadata.

 

Key Features:

  • • Library ships in 192kHz/24bit High Definition Audio
  • • 17 different weapons + group shots (volleys)
  • • 1300+ royalty free sound effects in 240+ files
  • • recorded on two locations in a 12-ch multichannel setup
  • • Effective workflow: well-grounded Soundminer Metadata

 

INFO/DEMO/BUY: http://mage.si/QdRG
Historical Firearms Bundle WAV
http://beelink.in/9368/Historical-Firearms-Bundle-WAV.html

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Vault KONTAKT

FANTASTiC | 11 July 2018 | 233 MB

THE ADVANCED 808 ENGINE.

Vault was designed to be your go to 808 instrument. The custom interface offers you all the important controls to achieve the best sounding possible. The 150 handcrafted patches equips you with a wide range of 808s, making it suitable for multiple genres. Whether you need distorted, saturated or clean subs, vault is a safe place to go to.

NOW WITH 2 BONUS SAMPLE PACKS!
To thank the support, vault comes with two additional sample packs, featuring 300 high quality bass drum and 808 samples. All samples are handcrafted and key-labeled. The packs won’t be released commercially, and this is the only way you can get them.

FEATURES & TECH SPECS:
– 150 HANDCRAFTED, FINE-TUNED 808 KONTAKT PATCHES
– 32 BIT/44.1 KHZ SAMPLES
– CUSTOM MADE USER INTERFACE
– FULL ADSR CONTROL
– PERFECTLY LOOPED SAMPLES FOR SUSTAINED NOTES
– GLIDE FUNCTION FOR PORTAMENTO EFFECT
– DRY/WET KNOB FOR PARALLEL PROCESSING
– SUPPORT TO IMPORT YOUR SAMPLES
– REQUIRES KONTAKT 5.6.5 OR HIGHER AND 376 MB FREE DISK SPACE
– 2 BONUS SAMPLE PACKS

INFO/DEMO/BUY: http://mage.si/cX8W
Vault KONTAKT
http://beelink.in/37009/Vault-KONTAKT.html

Waldorf Lector v1.1.x AU VSTi VST3 x86 x64 WiN MAC R2R, x86 plugins vsti x64 plugins vsti windows waldorf vsti plugins vst macos plugins au for mac, x86, x64, WiN, Waldorf Lector, Waldorf, VSTi, VST3, VST, R2R, MAC, AU

Waldorf Lector v1.1.x WiN MAC

Team R2R | 08.07.2018 | WiN: 21.17 MB | OSX: 52.18 MB

AU VST VSTi VST3 x86 x64

Robot voices, whispering strings, talking drum loops, rhythmic pads, the resonant ringing of bells, dripping water – the possibilities are all but infinite. With a quick tweak here and there, the Lector turns any incoming signal into novel sounds and effects. Tremendously versatile, the Lector puts in your hands a sonic toolset for a wide range of diverse applications. Just about anything goes, from distorting the human voice to adding subtle harmonies to lead vocals and getting creative with movie soundtracks.

The analysis filter bank splits the incoming audio signal into as many as 100 frequency bands, the intensity of which modulates the volume levels of an equal number of band-pass filters in the synthesis filter bank. The integrated 16-voice synthesizer or an external source provides the input signal for the synthesis filter bank. This lets you do fun things like apply a melody line or chord sequence to articulate vocals or speech.

When we set out to develop the Lector, we looked long and hard at what it takes to make a powerful vocoder tick. This why you will find on the ergonomic user interface some special features and unusual parameters that let you tweak even the most minute details. The fabled multimode filter with slope of 12dB or 24dB features prominently. You also get a whitening filter that bleaches the signal before it is colored by the vocoder. This comes in very handy when you’re processing choir and voice samples. A three-band equalizer serves to boost and cut whatever frequencies of the generated signal you wish to target.

Lector Features:

  • 3 to 100 band Vocoder
  • Adjustable range of Analysis Filter Bank
  • Adjustable offsets and LFO modulation of Synthesis Filter Bank
  • 3-band Equalizer with variable mid band
  • Individual Compressors for Speech and Carrier signal
  • Voiced / Unvoiced Detector
  • Overdrive (types Tube, Diode, Clip)
  • Stereo Chorus / Flanger, 2 to 6 stages
  • Stereo Delay, syncronizable
  • Reverb
  • Sidechain input (VST 3 and Audio Unit)
  • Carrier plug-in (VST 2)

 

16-voice Synthesizer (per voice):

  • Polyphonic, Monophonic or Free-Running
  • 2 Oscillators, waveforms sine, triangle, sawtooth, pulse with pulse width modulation, sample&hold, noise, single and multi sample playback FM Ring Modulation
  • Portamento / Glissando
  • 1 Filter, types Lowpass, Bandpass, Highpass, Notch (12dB and 24dB), Whitening
  • 1 LFO, synchronizable, waveforms sine, triangle, sawtooth, square, sample&hold, noise
  • 2 AR envelopes

 

INFO/DEMO/BUY: http://mage.si/1qkY
Waldorf Lector v1.1.x AU VSTi VST3 x86 x64 WiN MAC-R2R
http://beelink.in/15945/Waldorf-Lector-v1.1.x-WiN-MAC-R2R.html

Waldorf PPG Wave 3.V v1.2.x WiN MAC R2R, x86 plugins vsti x64 plugins vsti windows waldorf vsti vst3 plugins plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, Wave, Waldorf, VSTi, VST3, VST, PPG Wave, PPG, MAC, AU, AAX

PPG Wave 3.V v1.2x WiN MAC

Team R2R | 08.07.2018 | WiN: 25.46 MB | OSX: 140.26 MB

WiN32/64 – VSTi/VST3/AAX | MacOSX – AU/VST/VST3/AAX

Waldorf PPG Wave 3.V is the reincarnation of the legendary PPG Wave Synthesizer, which no doubt is considered one of the most respected high-end synthesizers of the 80s. Developed by Wolfgang Palm, this instrument is featured on countless records, and it inspired a whole generation of producers, composers and listeners. While back then it was your choice to spent your money either for a vehicle or the PPG, the new PPG Wave 3.V renders this breathtaking sonic character very affordable, comfortably to use for every VST or AU Host.

Waldorf PPG Wave 3.V v1.2.x WiN MAC R2R, x86 plugins vsti x64 plugins vsti windows waldorf vsti vst3 plugins plugins vst macos plugins au for mac aax plugins, x86, x64, WiN, Wave, Waldorf, VSTi, VST3, VST, PPG Wave, PPG, MAC, AU, AAX

Features:
General

  • Up to 256 voices per instance (depending on available CPU power)
  • 8 part Multimode
  • 8 Stereo Outputs
  • Host automation of most parameters
  • MIDI Controller automation of most parameters
  • More than 100 new Wavetables created by Wolfgang Palm
  • Original Waveterm B Factory Sample Library
  • Original PPG Wave Factory Sounds

 

Per Voice

  • 2 Wavetable Oscillators
  • Sample Playback with 8 bit, 12 bit or up to 32 bit
  • Authentic Aliasing Emulation of the PPG Wave 2.2/2.3/2.V or no aliasing
  • 12dB / 24 dB Low Pass Filter
  • Authentic Filter Emulation of the PPG Wave 2.2/2.3
  • Overdrive behind Filter
  • 1 LFO
  • 3 Envelopes
  • Authentic Emulation of the modulation graininess (switchable with True PPG)

 

Per Part (up to 8 parts available)

  • Poly, Dual, Quad and Mono (8 voices) mode with 8 different semitone offsets to create chords or melodic lines
  • Arpeggiator with Up, Down, Alternate and Cascade (PPG special) mode
  • True PPG Mode switchable between PPG Wave 2.2, Wave 2.3 and Wave 2.V
  • 4-Band EQ
  • Overdrive with various types
  • Phaser with up to 12 stages
  • Chorus with up to 6 stages
  • Flanger
  • Stereo Delay
  • Reverb

 

Other Features

  • Sample loading via drag&drop or load file dialog
  • Multisample playback by using the 8 part Multimode
  • 8 adjustable Cutoff / Resonance deviations to simulate analog inexactness
  • Finer adjustments of several values in Fine Modulatione mode

 

INFO/DEMO/BUY: http://mage.si/VQk2
Waldorf PPG Wave 3.V v1.2.x WiN MAC-R2R
http://beelink.in/15944/Waldorf-PPG-Wave-3-V-v1.2x-WiN-MAC-R2R.html

Waldorf Largo v1.7.x AU VST VSTi VST3 AAX WiN MAC R2R, x86 x64 windows waldorf vsti vst3 plugins plugins vst macos plugins au for mac aax plugins, Waldorf Largo, Waldorf, VST, OSX, MAC OSX, MAC, Largo, AU

Waldorf Largo v1.7.x WiN MAC

TEAM R2R | July 08 2018 | WiN: 14.10 MB | MAC: 135 MB

AU VST VSTi VST3 AAX x86 x64

Many producers and synthesizer enthusiasts asked for a full-blown Waldorf Synthesizer for their virtual rack. We listened, and now we proudly present Largo. Largo is the first pure software synthesizer with Waldorf DNA. And again – it is the cutting edge sound that makes the big difference. No wonder, as Largo mirrors the technology used in Blofeld and Q hardware synthesizers. As for every Waldorf instrument, ergonomics are a core feature on screen as well. Your eyes will be pleased with a clearly structured, graphical user interface that supports your workflow intuitively. Largo offers three fat oscillators, two of them with sub oscillators. These oscillators include models of classic analog waveforms as well as a selection of waves from the PPG and Waldorf Wave stored in two Wavetables. All these run through two Waldorf multimode filters with steep cutoff, resonance up to self-oscillation and a drive stage to add even more punch and grainyness to the sound. Ultra-fast envelope generators and flexible LFOs as well as an easy to understand, yet extremely versatile modulation matrix make for a sound designer’s dream.

Waldorf Largo v1.7.x AU VST VSTi VST3 AAX WiN MAC R2R, x86 x64 windows waldorf vsti vst3 plugins plugins vst macos plugins au for mac aax plugins, Waldorf Largo, Waldorf, VST, OSX, MAC OSX, MAC, Largo, AU


The filters have always been a core part of any Waldorf instrument. With outstanding expertise in both analog and digital synthesis, our developers took utmost care in developing the filters. And you can hear a significant difference when working with a Waldorf filter – they just sound right! Use the comb filters for plucked, stringed or blown sounds. Band pass, high pass, low pass and notch filters are all available with 12 dB and 24 dB slope. All of them sound extremely accurate and add pure sonic quality to the sound of your music.

Largo contains a flexible arpeggiator with 16 freely programmable steps as known from the exclusive Q synthesizer line plus an array of high quality effects such as Chorus, Flanger, Phaser, Overdrive, Delay and Reverb.

The clearly arranged user interface helps you to create your own powerful synthesizer sounds in a breeze. Oscillators and filters are always in direct access while the submodules are only a mouse click away. It has the same exclusive voice architecture as the Q and Blofeld synthesizer line, fully integrated into the total recall system of your Digital Audio Workstation.

INFO/DEMO/BUY: http://mage.si/vJH0
Waldorf Largo v1.7.x AU VST VSTi VST3 AAX WiN MAC-R2R
http://beelink.in/24868/Waldorf-Largo-v1.7.x-WiN-MAC.html

DC8C Advanced Compressor v3.0.1 WiN MAC SYNTHiC4TE, x86 x64 windows vst3 plugins plugins vst macos software plugins au for mac aax plugins, WiN, SYNTHiC4TE, MAC, DC8C, Compressor, Advanced

DC8C v3.0.1 WiN MAC

SYNTHiC4TE | July 06 2018 | 115 MB

Advanced Compressor

DC8C is one of the most flexible compressors around.

While making a lot of different compression styles possible, it’s general nature may be described as: clear, smooth, open, distinct.The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost unevitable artefacts/distortion. This way you can achieve almost invisible compression for your most demanding mastering sessions, when you want to avoid coloration. If you aim for colour you can choose between two saturation models. From opto style, peak compression, RMS compression, Feedback, Feedforward compression (and everything inbetween) to negative ratios, zero latency brickwall limiting, from snappy transient treatment to smooth transient rounding – everything is possible.

Feature List
detector network and gain reduction smoothing for extra smooth operation

  • • choose between two different attack and two release curves
  • • clean mode (100% clean compression with no intermodulation, no distortion, no aliasing)
  • • up to 8x oversampling
  • • sidechain filter with high pass & low pass filter plus tilt control, which let’s you shift the frequency response
  • of the detector
  • • customize the program dependency of the compressor seperately for Attack and Release
  • • GR-smoothing control to dertermine, how sensitive the compressor reacts to changes in the computed gain
  • reduction, great to emulate opto style compression
  • • hold control for heavy pumping compression effects
  • • pre comp control to delay the start of the attack to leave transients completely alone or radically shape the attack
  • • calibration control not only to set the reference level for the meters but also for the whole signal path.
  • the higher the value, the softer the compression characteristics and the lower the saturation amount
  • • unique Feedback-Mix-Control, which lets you determine, how much of the compressor’s output is fed back into the detector.
  • This way it is possible to morph between Feedback and Feedforward Compression topologies
  • • zero latency limting mode
  • • true zero attack (0.0 ms)
  • • negative ratios possible
  • • parallel compression, peak-compression, RMS-compression
  • • easy mode which features 4 different compression styles
  • • lots of comprehensive presets to keep you started

 

DC8C now includes:
– A platform independent preset browser with easy copy/paste/save-as-default.
– AB-ing.
– GUI-resizing.
– Meter can now operate as a peak meter with peak hold indicator, on stereo tracks the peak meter shows both left and right channel information separately. – AGC (automatic gain reduction).
– Linear phase oversampling filters.
– Overhauled compression algorithms for smoother operation and more natural attack.
– and much more…

06/27/18 version 3.0.1:
– FIX: attack and release labels on the GUI of SMOOTH, PUNCH and SNAP Easy modes to match their actual ranges
– FIX: latency reporting in the VST3 version in Studio One
– NEW: added option to the global settings to disable dynamic latency reporting
– USE CASE: some hosts do not adjust latency for offline rendering separately. So when you have your Realtime OS set to eg. 1x and the Offline OS to 2x some hosts might not adjust the changed latency correctly during rendering.
— Currently I’m only aware of Studio One is behaving like that when the VST3 version of a plugin is being used. So if you’re encountering issues like that, you can use this new option in the global settings.
— If dynamic latency reporting is disabled, DC8C always reports the maximum possible introduced latency (128 samples) regardless of the oversampling settings. To stay in sync differences between reported and actual latency are compensated by an internal delay.
– NEW: added option to the global settings to have equal OS settings for realtime and offline(render) processing
– USE CASE: If your hosts doesn’t adapt to latency changes when rendering, you can optionally apply equal OS factors for both realtime and offline processing to keep things in sync.
– The advantage to the aforementioned option is, that you still can use DC8C with 0 latency when no OS is being used instead of the fixed 128 samples. The downside is, that you can’t set a separate OS factor for offline processing, hence the realtime factor is being applied during render too.

INFO/DEMO/BUY: http://mage.si/RR7s
DC8C Advanced Compressor v3.0.1 WiN MAC-SYNTHiC4TE
http://beelink.in/36830/DC8C-Advanced-Compressor-v3.0.1-WiN-MAC.html

TridA Pre v1.1.0.388 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, V.R, TridA Pre, Preamp, Pre Amps, Pre Amp, CE, AAX

TridA-Pre v1.1.0.388 WiN

Team V.R | July 06 2018 | 54 MB

(Win32/64; AAX, VST3, VST)

Prized and rare musical EQ

For decades, the concept of pop music was synonymous with Trident Studios, the pioneering facility in the heart of London’s Soho district. Their client list reads like a who’s who of pop: The Beatles, Elton John, David Bowie, the Bee Gees, Genesis, Frank Zappa, Joe Cocker, Kiss, Lou Reed, Peter Gabriel, Marc Almond, Soft Cell, Queen, the Rolling Stones, Thin Lizzy, Tina Turner, T-Rex, and Yes. At the heart of the studio’s sound was the Trident A Range console. It became so well known for its gorgeous, musical EQ and the full, rich tone it imparted soon, studios around the world were placing orders for an A Range of their own. Although only 13 were ever made, they created a legacy that continues to this day.

 

Main Features

  • Virtual recreation of rare and prized classic preamp
    • 40 dB virtual continuous input gain
    • +/- 24 dB Output trim level
  • Complete switchable EQ section
    • Include bypass & phase Inversion switch
  • 3 Switchable Low Pass Filters
    • Cut frequency at 9kHz, 12kHz and 15kHz
    • -12 dB/oct slope
    • distinct filter cut combinations with unusual curves when 2 or 3 filters are combined
  • High Shelf Filter
    • +/- 15dB gain
    • 4 selectable frequencies : 8kHz, 10kHz, 12kHz, 15kHz
  • High Midrange Bell Filter
    • +/- 15dB gain
    • 4 selectable frequencies : 3kHz, 5kHz, 7kHz, 9kHz
  • Low Midrange Bell Filter
    • +/- 15dB gain
    • 4 selectable frequencies : 250Hz, 500Hz, 1kHz, 2kHz
  • Low Shelf Filter
    • +/- 15dB gain
    • 4 selectable frequencies : 50Hz, 80Hz, 100Hz, 150Hz
  • High Pass Filter
    • Cut frequency at 25Hz, 50Hz and 100Hz
    • -18dB/oct. Slope
    • distinct filter cut combinations with unusual curves when 2 or 3 filters are combined
  • 1 & 2 channels plugin versions
  • 3 stereo modes
    • Stereo Link
    • Dual Mono Channels
    • Mid/side (M/S) encoding-decoding for advanced stereo processing
    • Output Analog VU meter
      • 3 calibrations mode (-18dBFs, -12dBS, -8 dBFs)
      • Analog clipping LED indicator
    • Comprehensive set of presets
    • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    1GB free hard disk space
    OpenGL 2.0 compatible GPU

 


INFO/DEMO/BUY: http://mage.si/jyuq
TridA-Pre v1.1.0.388 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35755/TridA-Pre-v1.1.0.388-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

V76 Pre v1.1.0.388 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, Vintage Tube, Vintage, V76 Pre, V.R, Tube, Preamp, Pre Amps, Pre Amp, Finest, CE, AAX

V76-Pre v1.1.0.388 WiN

Team V.R | July 06 2018 | 49 MB

(Win32/64; AAX, VST3, VST)

Finest vintage tube preamp

From its broadcast origins to its use on some of the best-selling, most enduring records of all time, the V76 preamp has played a pivotal supporting role in the story of pop music. Loved by the engineers and technicians at Abbey Road, and incorporated into their iconic REDD mixing consoles, the V76 coveted for that “White Album” sound, every major studio in the world wanted a piece of the action, and tens of thousands of Telefunken preamps were created to meet the demand. These days, due to scarcity and cost, it’s practically impossible for most musicians and producers to pick up one of these legendary preamps. In the same way Arturia built its reputation on recreating legendary, rare synths and keyboards through advanced modelling, we decided to use our TAE® technology to give everyone the chance to experience that legendary V76 sound.

Main Features

  • Virtual recreation of vintage German valve preamp
    • 73 dB virtual continuous input gain
    • +/- 24 dB Output trim level
  • Germanium EQ & filter section emulation
    • Include bypass & phase Inversion switch
  • High Tone Filter
    • High Shelf band
    • +/- 10dB gain
    • 5kHz fixed frequency
  • Low Tone Filter
    • Low Shelf band
    • +/- 10dB gain
    • 100Hz fixed frequency
  • High Pass Filter
    • Cut frequency at 80Hz, 300Hz and 80+300Hz for steeper slope
  • 1 & 2 channels plugin versions
  • 3 stereo modes
    • Stereo Link
    • Dual Mono Channels
    • Mid/side (M/S) encoding-decoding for advanced stereo processing
  • Vintage glowing output meter
    • 3 sensibility mode (-18dBFs, -12dBS, -8 dBFs)
    • Analog clipping indicated by bright red color
  • Comprehensive set of presets
  • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    1GB free hard disk space
    OpenGL 2.0 compatible GPU


INFO/DEMO/BUY: http://mage.si/VMLp
V76-Pre v1.1.0.388 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35754/V76-Pre-v1.1.0.388-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

1973 Pre v1.1.0.388 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 plugins vst aax plugins, x86, x64, WiN, VST3, VST, Vintage, V.R, Preamps, Preamp, Pre Amps, Pre Amp, Pre, CE, AAX, 70s, 1973 Pre, 1973

1973-Pre v1.1.0.388 WiN

Team V.R | 07 Jul 2018 | 111 MB

(Win32/64; AAX, VST3, VST)

British iconic sound of the 70’s

The subtle nuance and tonal flavor added by a vintage preamp can have an amazing overall effect on the music you create. For years, top producers have coveted the sound of the venerable 1073 preamp. Now – through the power of Arturia’s advanced TAE modelling – you too can have a taste of that harmonically rich, classic tone in your DAW. Devised by visionary electronics engineer and pro audio legend Rupert Neve, the preamp became a staple of the world’s top studios, and added its unique tonal flavor to countless hits. It was a revolution in 1970, pioneering the use of reliable high-efficiency transistors to replace the temperamental vacuum tube technology of the time. The sound of the preamp became an instant hit with record producers, sound engineers, and artists the world over, cementing its place in music history.

Main Features

  • Virtual recreation of famed classic British preamp
    • 60 dB virtual continuous input gain
    • 2 type of output transformers
    • +/- 24 dB Output trim level
  • Complete switchable EQ section
    • Include bypass & phase Inversion switch
  • High Shelf Filter
    • +/- 18dB gain
    • Fixed frequency of 12kHz
  • Midrange Bell Filter
    • +/- 18 dB gain
    • Continuous frequency range from 360Hz to 7.2kHz
  • Low Shelf Filter
    • +/- 18dB gain
    • Continuous frequency range from 35Hz to 220Hz
  • High Pass Filter
    • -18dB/oct. Slope
    • Continuous frequency range from 50Hz to 300Hz
  • 1 & 2 channels plugin versions
  • 3 stereo modes
    • Stereo Link
    • Dual Mono Channels
    • Mid/side (M/S) encoding-decoding for advanced stereo processing
  • Output Analog VU meter
    • 3 calibrations mode (-18dBFs, -12dBS, -8 dBFs)
    • Analog clipping LED indicator
  • Comprehensive set of presets
  • State-of-the-art TAE® analog modeling

Platform specifications

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
    1GB free hard disk space
    OpenGL 2.0 compatible GPU


INFO/DEMO/BUY: http://mage.si/uoL4
1973-Pre v1.1.0.388 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/35756/1973-Pre-v1.1.0.388-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

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