FreakQ 305 v1.0 AAX AU VST VST3 RTAS x86 x64 WiN MAC, x86 x64 windows vst3 plugins vst plugins plugins rtas macos plugins au for mac aax plugins, x86, x64, WiN, VST3, VST, Talula, RTAS, MAC, FreakQ, Freak, EQ, AU, AAX

FreakQ 305 v1.0 WiN MAC

Talula | 19 March 2018 | WiN: 196 MB | MAC: 150 MB

AAX AU VST VST3 RTAS x86 x64

FreakQ 305 is an analog inspired non-linear equalizer that embraces the power of your DAW while delivering the sheen and warmth of analog! This equalizer allows you to sculpt and shape your tones in unheard of ways to create something truly unique! Focusing on delivering the flavor of analog without the noise, FreakQ 305 does not model any specific piece of analog hardware. Rather, the focus is on bringing the familiar workflow and harmonic brilliance of analog EQ’s into your DAW while adding some unique features that make it one of a kind! As you increase or decrease the gain on an eq band, FreakQ 305 adds harmonics to the signal. This feature alone makes FreakQ 305 a very powerful tool on its own. However, using the “Scale” control can exaggerate the effects of FreakQ 305 quite dramatically!

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The Interface:
Filters
The filter section includes the FLTR, filter curve selection, and respective High and Low Cut filters.

FLTR
Turn on FLTR to activate the high cut and low cut filters.

 

FreQ

  • Two Continuously Variable High Cut and Low Cut filters.
  • The Low Cut Filter has a frequency range from 50 Hz to 450 Hz.
  • The High Cut Filter has a frequency range from 650 Hz to 22 kHz.

 

Filter Shape Selector

  • Choose between standard filters and resonant filters.
  • Use standard filters when trying to clean up your tracks without changing their character.
  • Use resonant filters when you wish to emphasize the frequencies near the filter for creative purposes.

 

EQ

  • FreakQ 305’s eq section includes 5 bands, each with the ability to boost or cut by 12db, allowing for a 24db range on each band. When a band is set to unity gain, audio passes through it without alteration. Boosting or cutting will introduce harmonics, adding vibrance and liveliness to your audio! The harmonics are a non-linear behavior of the gain controls for each band. Higher boosts or cuts will result in stronger harmonics, and more subtle EQ moves will result in softer harmonics.

 

Band 1

  • A low shelf filter with a frequency range from 80 Hz to 650 Hz.
  • Includes a filter selector, allowing you to choose between more subtle and more extreme filter shapes.

 

Bands 2-4

  • Asymmetrical bell filters, similar to those found in coveted analog eq’s. When the Scale control is set to its default value, boosts are narrower than cuts. This behavior can be intensified or reversed with the Scale control.
  • Includes a low Q and high Q selector, allowing you to choose the bandwidth of the filters.
  • Band 2’s frequency range is from 110 Hz to 850 Hz.
  • Band 3’s frequency range is from 500 Hz to 8 kHz.
  • Band 4’s frequency range is from 800 Hz to 18 kHz.

 

Band 5

  • A high shelf filter with a frequency range from 800 Hz to 15 kHz.
  • Includes a filter selector, allowing you to choose between more subtle and more extreme filter shapes.

 

EQ

  • Brings FreakQ 305’s EQ section in and out of bypass.
  • Does not bypass the FLTR section, allowing the filters to stay active while bypassing the EQ section. Use this when you wish to compare the eq moves you’ve made without impacting the amount of filtering you’ve dialed in.

 

Scale

  • A Wet/Dry control for the EQ section which does not impact the FLTR section, allowing you to retain your FLTR settings while dialing in the appropriate scale.
  • The Scale ranges from -2 to +2.
  • Set at +1, which is the default, FreakQ 305’s EQ bands will respond like a typical EQ.
  • Pushing above +1 will increase the intensity, up to +2 which doubles the gain settings of each band.
  • Pushing below +1 will blend in the dry signal, allowing you to use FreakQ 305 as a parallel EQ and exciter.
  • A Scale of 0 leaves none of the EQ section in the output of the plugin. This does not change the behavior of the FLTR section.
  • Negative values will reverse the gain of the filters, while retaining their asymmetric shapes.
  • Negative values operate in the same manner as positive values, in reverse.

 

Metering
The VU Meter displays the peak value of the output.

Master
A linear output control with a range from -inf to +12 db.

INFO/DEMO/BUY: http://mage.si/5KxE
FreakQ 305 v1.0 AAX AU VST VST3 RTAS x86 x64 WiN MAC
http://beelink.in/35894/FreakQ-305-v1.0-WiN-MAC.html

Learning Music Licensing TUTORiAL, audio tutorials, XQZT, Tutorial, Music, Licensing, Learning

Learning Music Licensing TUTORiAL

TEAM XQZT | 18 March 2018 | 318.94 MB

Licensing your music for use in video games, film, advertisements and other audio-visual contexts is one of the best ways for you to monetize your songwriting efforts. In this course, learn how to license your music. Instructor Jake Versluis helps to acquaint you with the basics of music licensing, explaining what licensing is, exactly, how income is generated in music licensing, and what you own when writing and recording. He also steps through how to strategically prepare and pitch your songs, work with quote requests and master use and sync licenses, broadcast your successes, and more.

Topics include:
•Licensing players and gatekeepers
•How income is generated in music licensing
•What does one own when writing and recording?
•Researching buyers
•How to present yourself
•Pitching your songs
•Proper song edits, coding, and resolution
•Quote requests

INFO/DEMO/BUY: http://mage.si/h5k0
Learning Music Licensing TUTORiAL
http://beelink.in/35884/Learning-Music-Licensing-TUTORiAL.html

The Place of Music in 21st Century Education TUTORiAL, audio tutorials, Tutorial, Place, P2P, Music, Education, Century, 21st Century, 21st

The Place of Music in 21st Century Education

P2P | 19 March 2018 | 2.72 GB

What do children need from education now, and in the future? How is technology best used in teaching and learning? How can innovative approaches to education be reconciled with established, traditional ones? What does student-centred learning really mean? This five module course is not just for classroom or ensemble music educators. It’s suitable for anyone interested in creativity-infused education, in contemporary education issues, and in the integration and use of digital technology. It’s designed to challenge old paradigms, to inspire innovative and creative pedagogical philosophies, and to develop your ability to critically respond to the latest research.

We’ll visit schools with vastly different approaches to learning and teaching, and meet inspiring teachers and principals. We’ll venture inside the classroom to closely observe how technology is integrated with music education – or how it’s decidedly not!

We’ll talk to international leaders and experts about innovative and traditional approaches to music education, and I’ll provide insights from my own practice as well as from some of my students.

I’ll be provoking you to think critically and creatively, to develop your own ideas and theories around students’ educational needs and the impact of digital technologies, now and into the future.

INFO/DEMO/BUY: http://mage.si/2Yr3
Place of Music in 21st Century Education TUTORiAL
http://beelink.in/35887/The-Place-of-Music-in-21st-Century-Education-TUTORiAL.html

Understanding the Music Business TUTORiAL, audio tutorials, Understanding, Tutorial, Music Business, Music, Business

Understanding the Music Business

P2P | 19 March 2018 | 1.54 GB

This course will examine the music industry in the United States, with the unique perspective gained by Vanderbilt University’s location in Nashville, TN. Nashville is a major center of music in the Uni ted States, and the music created here has a global reach, particularly in the country, rock, pop, singer-songwriter, and Americana genres. However, students will learn that the basic principles of recording, marketing, copyright, licensing, and live performance are the same, regardless of musical style or genre.The music business is one of the most rapidly changing industries in the US today. It is also an industry filled with contradiction, and media headlines and anecdotal stories often add to the confusion.

Here are just a few statements paraphrased from recent news stories:
•The music business has collapsed
•Demand for music is expanding at the greatest rate in history
•Historic recording studios are closing at an alarming rate
•More people are making recordings than ever before
•Musicians usually lose money touring
•Musicians usually make money touring
•Major artist pulls songs off streaming services because they don’t pay fairly
•Major artist makes a fortune from streaming services
•People won’t buy records anymore
•Vinyl record sales are soaring

 

INFO/DEMO/BUY: http://mage.si/kkcP
Understanding the Music Business TUTORiAL
http://beelink.in/35888/Understanding-the-Music-Business-TUTORiAL.html

Pro Tools Signal Flow Explained TUTORiAL, audio tutorials, Tutorial, Signal Flow, Signal, Pro tools, Matrix, Flow, Explained

Pro Tools Signal Flow Explained TUTORiAL

Team MATRiX | March 19 2014 | 474.44 MB

If you’re new to Pro Tools, or want to further your knowledge on the art of routing and signal flow, this title is a must see. Kenny Gioia breaks down everything you need to know about both basic and advanced signal flow and routing in Pro Tools, making your workflow faster and more creative. Kenny starts with the basics of signal flow using diagrams and pictures so you can easily understand the concepts. Next, Kenny reveals the sometimes puzzling I/O Set Up Window and explains each section in detail as well as how to route, name and organize your inputs, outputs, busses, inserts and more.

Track Types is next on the menu and Kenny serves up complete understanding of all the different track types and their uses. Setting up to record is then looked at so you’ll know exactly how to name tracks, prepare inputs, enable tracks to record, setting the right level to avoid clipping and overloads, all the different record modes and how / when to use them, as well as the different monitoring modes.

Kenny now goes deeper showing you all things MIDI, such as MIDI Setup, Input Devices and MIDI Thru, MIDI input Filters, Wait For Note Recording, Click Tracks, MIDI Merge, Real-Time Properties for non-destructive editing, Input Quantize, using Multiple MIDI Tracks, Punching MIDI, and Loop Recording MIDI.

If that wasn’t enough, Kenny goes even further with awesome videos on Mixing techniques utilizing Hardware Inputs, FX Sends & Returns (both Hardware & Software), FX Sharing, Parallel Compression, Master Faders, Submixing, Headphone Mixes and much, much more. Kenny wraps up this detailed series with advanced Insert & Sends videos, Pre and Post Headphone Mixes, Printing Stems and Sidechain Compression techniques.

If you really want to master the ins and outs of Pro Tools, there is no better way than to watch this series… Get “Pro Tools Signal Flow Explained” today.

 

Highlights

  • 48 Tutorials / 3hr 9min Total Runtime
  • For all beginner to intermediate Pro Tools 10 & 11 users
  • Tutorials written multi-platinum selling producer / engineer Kenny Gioia
  • Simple to use video control interface for Mac & PC
  • Watch Online, Download, Stream to iPad, iPhone & iPod

 

INFO/DEMO/BUY: http://mage.si/7Djj
Pro Tools Signal Flow Explained TUTORiAL
http://beelink.in/13664/Pro-Tools-Signal-Flow-Explained-TUTORiAL-MATRiX.html

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