Fundamentals Complete Melodic Techno WAV MiDi, wav midi patterns samples audio, WAV, Techno, MIDI, Melodic Techno, Melodic, Fundamentals, Complete

Complete Melodic Techno WAV MiDi

FANTASTiC | Nov 27 2017 | 560 MB

We are ultra proud to present the first in the series of Melodic Techno!  Inspired by the current biggest names: Tale of Us, Mind Against, Whomi & Worakls and many more A must for any serious techno producer and any melodic producer out there!

Contents:
• 158 Melodic Loops , incl. Bass, Real Bass, Organic Music (piano, mallets, guitars strings etc) & Synths (All melodic content includes its midi)
• 50 Drum Loops
• 25 Fills
• 25 Fx
• 80 One Hits

INFO/DEMO/BUY: https://mage.si/QKgG
Fundamentals Complete Melodic Techno WAV MiDi
http://beelink.in/34607/Fundamentals-Complete-Melodic-Techno-WAV-MiDi.html

QLab Pro 4.1.5 Pro Bundle macOS TNT, macos software audio apps, TNT, QLab, Pro, OSX, macOS, MAC OSX, MAC, Bundle

QLab Pro 4.1.5 macOS

TNT | Nov 16 2017 | 20.4 MB

QLab makes it simple to create rich multimedia designs for live performances and installations. From Broadway to the West End, in churches, museums, store fronts, concert halls, and theaters around the world, people use QLab to bring their audio and video to life.

QLab Pro 4.1.5 Pro Bundle macOS TNT, macos software audio apps, TNT, QLab, Pro, OSX, macOS, MAC OSX, MAC, Bundle

Design Tools
– Unlimited Cue Lists with unlimited cues
– Unlimited Cue Carts with 1 to 64 buttons per cart
– Design in Edit Mode and run your performance in Show Mode
– Non-destructive design tools never modify your media files
– Undo any edits
– “Audition” cues locally without sending audio, video, or lighting output to the stage
– Cue templates and Workspace templates
– “Record cue sequence” tool, to capture timing and play it back again the same way later
– “Paste cue properties” tool, to selectively paste properties from one or more cues onto other cues in your workspace
– Text search of cue lists and cue carts
– Extensive AppleScript and OSC APIs
– A comprehensive Status Window to guide troubleshooting
– Powerful and painless remote editing via QLab Remote

Lighting
– Control unlimited Art-Net DMX universes.
– Create unlimited light instruments (like channels, but can be named anything, not just numbers).
– Create unlimited light groups to collect related instruments together, like “all”, “stage right”, “LEDs”, “floor”, or “floor front left”.
– Use both conventional dimmers and more complex lights with multiple parameters (includes support for percentage-based parameters, as well as both 8-bit and 16-bit direct DMX parameters.)
– QLab-style levels fading: it’s simple to build looks and effects that you can layer and reuse. A Light cue changes only the levels you set in the cue, and leaves the rest unchanged.
– Build sophisticated lighting designs by chaining Light cues together to build complex cue sequences out of simpler parts, then trigger the sequence with a single “GO” like a chain of dominoes.
– As with all cues in QLab, Light cues can be copied, pasted, reordered, paused, resumed, and stopped at any time
– All QLab fade curves are available for Light cues; including linear, s-curve, or totally custom shape fades.
– See and manipulate the current levels of all your lights using the Light Dashboard.
– If you need to sneak in live edits from the Dashboard, you can optionally tell QLab to apply the new values “over time” so they’ll fade in smoothly.
– Open the Audition Window to view the effects of light cues “blind” in the dashboard. Close the Audition Window, and the dashboard will instantly revert back to show the live state of your lights.
– Adjust your lights in the dashboard, then:
-Create a new cue with just the changes,
-Create a new cue with all instruments,
-Update the last-run light cue with the changes, or
– Trace back the edits to each cue that most recently modified each instrument.
– Map your favorite MIDI controller to light commands, for editing either the light dashboard or individual cues.
– For motorized MIDI hardware, QLab supports MIDI “feedback” from the light dashboard and individual light cues. (Aka “flying faders”.)
– Use QLab’s powerful light command language, with autocompletion, instrument or group parameter addressing, ranges, ad-hoc groups, and command history, to efficiently edit both the light dashboard and individual light cues.
– View light cues as sliders, tiles, or raw command text at any time.
– View the Light Dashboard as sliders or tiles.
– Edit lights via keyboard entry (on the command line) or with the mouse (via clicking and dragging.)
– Easily delete individual light commands from any cue, and of course undo any edits.
– In slider view, expand group commands into all the individual instruments currently in the group.
– In slider view, indicators show the current live value of each light in a cue.
– In slider view, select multiple commands to temporarily “gang” them, so you can adjust them up or down together.
– Quickly see when a group of instruments is set to all the same level or a mix of different levels.
– Batch-edit multiple light cues by selecting them and then simply editing any light command they all share. (Or adding a new command to all of them at once.)
– Use AppleScript, either externally or via Script cues, for advanced programming techniques like algorithmically generating a series of Light cues.
– Control both the Light Dashboard and individual Light cues via OSC messages.

Audio
– Support for up to 64 channels of audio output
– Support for up to 24-channel audio files
– Support for up to 24 channels of live audio input
– Audio waveform view
– Unlimited slices of your media files for looping and vamping
– Sample-accurate playback synchronization across multiple cues
– Audio panning and volume fading
– Customize output channel names
– Edit audio device routing
– Audio effects on any cue
– Audio effects on cue outputs
– Audio effects on device outputs
– Fade audio effects dynamically

Video
– Full-screen or custom geometry for Video cues
– Fade and animate videos
– 1000 layers of video
– Masking and edge-blending across multiple projectors
– Warping and keystone correction
– Basic video effects
– Live camera input with the Camera cue
– Syphon input & output
– Blackmagic input & output
– Text & titles with the Text cue

Show Control
– Send OSC or UDP messages using the Network cue
– Fade your OSC messages over time, in 1D or 2D
– Inject live values from your workspace into outgoing OSC messages
– Send all MIDI and MIDI Show Control messages with the MIDI cue
– Send MIDI messages by playing MIDI files with the MIDI File cue
– Run your own AppleScripts with the Script cue
– Generate LTC or MTC output with the Timecode cue
– Trigger cue lists from incoming LTC or MTC timecode
– Remote control via OSC and MIDI

What’s New

Version 4.1.5:

New

  • Additional compatibility when importing shows created in Go Button 3.1 and newer.
  • A “Reset Origin” button in the surface editor, shown when there is no video license installed.
  • Workspaces now respond to the new AppleScript commands: movePlayheadUp, movePlayheadDown, movePlayheadUpASequence, movePlayheadDownASequence
  • Group cues now respond to the new AppleScript commands: expand and collapse. (Which changes their displayed state in the cue list.)

Changed

  • Improved filtering for the Art-Net Lighting Interface preference to avoid confusing USB DMX devices with Art-Net devices.
  • Removed the option to hold down the shift key to insert new cues before instead of after selection. This feature interfered with existing workflows in a number of cases, and caused more trouble than it was worth.

Fixed

  • Don’t lose edits in certain inspector text views (Script, OSC, MIDI SysEx, etc) if switching focus to another application.
  • When viewing a cue list in a separate window, resizing the “number” or “target” column will now stick.
  • Some cases where the “move to next/previous cue sequence” commands would not do the right thing.
  • A bug that prevented being able to set the current playback time on a Text cue in the Active Cues List.
  • Don’t allow dragging a cue or a file on to a cue list or cue cart, thus potentially retargeting every cue in the list or cart.
  • Don’t show the “loaded” status icon if a cue is broken.
  • A bug in the OSC “/patchList” command that caused QLab Remote to show the audio slider “live” status on the wrong audio channels if an audio patch used customized Device Routing.
  • A bug that caused cues that should not respond to a given OSC command to return an invalid response when that command was sent to multiple cues at once.
  • An issue that caused Audio cues to drop samples when started using the Cart play button or the the Time & Loops inspector tab “Preview” button.
  • A bug where QLab would beachball when viewing a cart with many cues in it in a separate window.
  • A bug that would cause the inspector to show the wrong cue if you clicked with the mouse to change the selection while in show mode and then switched to edit mode. (Yes, it’s…sort of confusing. But now: fixed.)
  • Video surfaces with active Syphon output will now properly publish changes to the surface name.
  • Various additional bug fixes, some which prevent crashes.

Requirements

  • Intel, 64-bit processor
  • OS X 10.10 or later

 

INFO/DEMO/BUY: https://mage.si/k5Eb
QLab Pro 4.1.5 macOS-TNT
http://beelink.in/25876/QLab-Pro-4.1.5-macOS-TNT.html

Amadeus PRO v2.4.3.1978 macOS TNT, macos software audio apps, TNT, Pro, OSX, macOS, MAC OSX, MAC, Amadeus Pro, Amadeus

Amadeus Pro v2.4.3 macOS

TNT | Nov 27 2017 | 18.7 MB

Amadeus Pro is a powerful multitrack audio editor supporting a variety of formats including MP3, AAC, Ogg Vorbis, Apple Lossless, AIFF, Wave and many others. Each track can have its volume adjusted independently from the others. Amadeus Pro fully supports multitrack WAVE files and allows you to render sound on up to 5 different loudspeakers simultaneously.

Amadeus PRO v2.4.3.1978 macOS TNT, macos software audio apps, TNT, Pro, OSX, macOS, MAC OSX, MAC, Amadeus Pro, Amadeus

Multitrack Editor
Amadeus Pro is a fully featured multitrack editor. Each track can have its volume and panning adjusted independently from the others. Each track can be split into multiple audio clips that can easily be dragged independently of each other. Furthermore, Audio Units can be applied to individual tracks in real-time without requiring any destructive editing.

Batch Processing
There’s that whole collection of files that you wanted to convert to Mp3, but you first wanted to normalize them and make them fade in and out nicely. Several hours of work in perspective? Let Amadeus Pro do the work for you! The powerful batch processor allows you not only to convert large numbers of files between any of the supported formats, but you can also instruct Amadeus Pro to apply any sequence of sound effects.

Repair Centre
The handy repair centre allows you to find and to repair cracks with a simple click of the mouse. Furthermore, Amadeus Pro’s powerful denoising functions allow you to easily get rid of that annoying hiss on your old tape recordings or of that 50Hz hum picked up by a badly insulated microphone.

Amadeus Pro also features:
– Tracks can be split into multiple clips for easy placement
– Audio Units can be applied to tracks non-destructively in real-time
– Smart editing
– Scheduled recordings
– Easy editing of audio tracks in QuickTime movies
– Powerful batch processor
– Direct recording from internet streams
– A full range of real-time and offline sound analysis tools

What’s New in Version 2.4.2
Bug fixes. Version 2.4 includes:
– Much faster display on computers supporting Metal on OS X 10.11 and up
– Touchbar support

INFO/DEMO/BUY: https://mage.si/SsGZ
Amadeus Pro v2.4.3 macOS
http://beelink.in/13958/Amadeus-Pro-v2.4.3-macOS.html

Blue Cats PatchWork v2.1.1 AAX VST RTAS VST3 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins plugins rtas blue cats aax plugins, x86, x64, Win, VST3, VST, V.R, RTAS, PatchWork, CE, Blue Cats, AAX

Blue Cats PatchWork v2.1.1 WiN

TEAM V.R | Nov 28 2017 | 52.2 MB

AAX VST RTAS VST3 x86 x64

“The virtual patchbay for audio plug-ins”

Blue Cat’s PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.

For each plug-in slot, latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also stores the position of the window for each plug-in so that the layout is restored with your session or saved with presets.

The plug-in is available as an audio effect or a virtual instrument so that it can be inserted on any type of track, with up to 8 audio channels.

Input and output level meters are also included to monitor the signal that is dispatched to inserted plug-ins.

Main Features:

  • Configurable VST, VST3 or Audio Unit plug-ins rack: host up to 64 third party plug-ins or instruments in series or parallel.
  • Available as an effect, virtual instrument or standalone application.
  • Build your own effects chains: up to 8 “pre” and “post” plug-ins slots to chain plug-ins in series.
  • Parallel processing made easy: up to 8 parallel plug-ins chains, with phase flip, solo and gain controls.
  • Host up to 8 virtual instruments in parallel and mix them within the plug-in.
  • Global Dry/Wet control (“Mix”).
  • Parameters Mapping: map sub plug-ins parameters to automate them or use a control surface.
  • Flexible MIDI routing: connect sub plug-ins together or with the host application.
  • Flexible Audio routing: connect sub plug-ins i/o to any audio channel.
  • External side chain and multiple outputs support.
  • Link pre and post gains for automatic gain compensation.
  • Cut, Copy and paste plug-ins with their settings between slots.
  • Recall complex processing setups and plug-ins layouts with one click and share them between your DAWs.
  • Input and output levels monitoring.
  • Plug-ins Latency compensation.
  • Supports VST Shell plug-ins.
  • Integrated undo/redo.
  • Fully customizable user interface, with multiple sizes.

V2.11 (2017/11/09)
•Last loaded preset is now remembered in session and displayed in the presets menu.
•Plug-in state can now be reverted to the last loaded preset.
•VST3: factory presets are not exposed to the host application anymore – this fixes the problem of Cubase resetting the state of the instrument version upon session reload.

INFO/DEMO/BUY: https://mage.si/hq06
Blue Cats PatchWork v2.1.1 AAX VST RTAS VST3 WiN CE-V.R
http://beelink.in/32561/Blue-Cats-PatchWork-v2.1.1-AAX-VST-RTAS-VST3-WiN-CE-V.R.html

PCDJ DEX 3 v3.9.0.7 WiN F4CG, windows audio software dj, Win, PCDJ, F4CG, DEX 3, DEX

PCDJ DEX 3 v3.9.0.7 WiN

TEAM F4CG | Nov 27 2017 | 47.1 MB

PCDJ DEX 3 is professional DJ Software for MAC and Windows that allows you to seamlessly mix music, music videos and host karaoke shows. DEX 3 gives you full control over your media, allowing for more creative freedom while mixing than ever before. With our beat-grid based automatic beat mixing it’s easy to blend tracks, allowing you to focus on the other aspects of your mix. Since DEX 3 offers no-latency playback; loops, hot cues, and all playback features are ultra-responsive. Use DEX 2 with a keyboard or mouse, or use one of the 65+ supported DJ controllers for tactile hands-on control. So download DEX 3, import you tunes, and cue up your imagination – DEX 3 is the complete DJ mixing software solution.

PCDJ DEX 3 v3.9.0.7 WiN F4CG, windows audio software dj, Win, PCDJ, F4CG, DEX 3, DEX

Transport And DJ Mixer Controls
DEX 3 makes it easy to mix everything. The DEX user interface emulates the look and feel of CD Decks and includes mixer controls much like you find on physical DJ mixers. Use a traditional 2-Deck interface with or without video mixing controls, or layer in your mix with one of the included 4-Deck skins. BPM beat-sync, looping, key-lock, hot cue points, filters and effects all work flawlessly whether youíre mixing audio or blending music videos.

DEX 3 Advanced Media Browser
Advanced Media File Browser With Search, Playlists And Automix
DEX 3 includes an advanced media file browser for all your music, music videos and karaoke files. The included library filters allow you to view only the file type you want to work with, and the fast search feature displays results as you type. Create custom playlists or generate lists from directories on your hard drive. Album art and color coding makes it easy to find the song/s you’re looking for. Playlist playback automation is built right in; engage Automix or Shuffle Play if you need a break.

65+ COMPATIBLE DJ CONTROLLERS
DJ Controllers provide hands-on tactile control over PCDJ DEX, allowing for more creativity while mixing. Over 65 DJ controllers from popular DJ equipment manufacturers are natively supported, which means zero-configuration for you so you can get into the mix right away. When you press a button, twist a knob or scratch a platter on your DJ controller PCDJ will react immediately, without latency.

DJ Music And Music Videos For DJs
PCDJ has teamed up with two great record pool services for pro DJs. Our partners at the iDJPool have the hottest new music in 320kbps MP3, plus 2 years of back catalog available in all popular genres to subscribers.

INFO/DEMO/BUY: https://mage.si/9yrd
PCDJ DEX 3 v3.9.0.7 WiN-F4CG
http://beelink.in/28866/PCDJ-DEX-3-v3.9.0.7-WiN-F4CG.html

Destructor v1.21 AAX RTAS VST3 VST x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins plugins rtas blue cats aax plugins, x86, x64, VST3, VST, V.R, RTAS, Destructor, AAX

Destructor v1.21 WiN

TEAM V.R | Nov 28 2017 | 48.4 MB

(Win32/64; AAX, RTAS, VST3, VST)

Destructor is a powerful distortion and amp sim modeling tool capable of simulating any kind of distortion: from harsh digital destruction to smooth compression or guitar amp simulation (works for clean tones too.), and most importantly, yours. It is delivered with hundreds of presets and predefined models, either inspired by existing gear (guitar & bass amps or cabinets, compressors, pedals, tape machines…) or created by our destructive minds. But the plug-in is not limited to these predefined models: all parameters of existing presets are fully editable, which gives you access to an unlimited number of distortion simulations – no need to purchase extra presets or amp models to build your custom tone. Based on a perceptual model rather than on electronic designs or impulse responses, the signal chain is reduced to its bare minimum, simplifying the process of tweaking the tone and making it fit into the mix.

Main Features:
– Powerful distortion and amp modeling tool.
– Simulate any kind of distortion: analog or digital, guitar and bass amps, saturation, clipping, compression, bit crushing…
– Works for “clean” sounds too.
– Get started with several hundreds of fully editable presets, inspired by real gear.
– More than 1600 visual styles to customize the user experience.
– Control the dynamics with the input gate and compressor.
– Control the tone with the pre and post filters.
– Exclusive shape dynamics control: adapt the tone to the dynamics of the signal.
– Use the internal or external side chain to trigger the distortion.
– Protect your ears with the output brickwall limiter.
– Comprehensive visual feedback: real time spectrum analysis, dynamic distortion curve display with embedded signal histograms.
– Load reference curves for tone matching.
– No latency.

V1.21 (2017/11/24)
•Fixed issue with dynamics source selection in the destruction module (worked only with preamp signal in version 1.2).

INFO/DEMO/BUY: https://mage.si/WVEH
Destructor v1.21 AAX RTAS VST3 VST x86 x64 WiN CE-V.R
http://beelink.in/30950/Destructor-v1.21-AAX-RTAS-VST3-VST-x86-x64-WiN-CE-V.R.html

QLab Pro 4.1.5 Pro Bundle macOS TNT, macos software audio apps, TNT, QLab, Pro, OSX, macOS, MAC OSX, MAC, Bundle

QLab Pro 4.1.5 macOS

TNT | Nov 16 2017 | 20.4 MB

QLab makes it simple to create rich multimedia designs for live performances and installations. From Broadway to the West End, in churches, museums, store fronts, concert halls, and theaters around the world, people use QLab to bring their audio and video to life.

QLab Pro 4.1.5 Pro Bundle macOS TNT, macos software audio apps, TNT, QLab, Pro, OSX, macOS, MAC OSX, MAC, Bundle

Design Tools
– Unlimited Cue Lists with unlimited cues
– Unlimited Cue Carts with 1 to 64 buttons per cart
– Design in Edit Mode and run your performance in Show Mode
– Non-destructive design tools never modify your media files
– Undo any edits
– “Audition” cues locally without sending audio, video, or lighting output to the stage
– Cue templates and Workspace templates
– “Record cue sequence” tool, to capture timing and play it back again the same way later
– “Paste cue properties” tool, to selectively paste properties from one or more cues onto other cues in your workspace
– Text search of cue lists and cue carts
– Extensive AppleScript and OSC APIs
– A comprehensive Status Window to guide troubleshooting
– Powerful and painless remote editing via QLab Remote

Lighting
– Control unlimited Art-Net DMX universes.
– Create unlimited light instruments (like channels, but can be named anything, not just numbers).
– Create unlimited light groups to collect related instruments together, like “all”, “stage right”, “LEDs”, “floor”, or “floor front left”.
– Use both conventional dimmers and more complex lights with multiple parameters (includes support for percentage-based parameters, as well as both 8-bit and 16-bit direct DMX parameters.)
– QLab-style levels fading: it’s simple to build looks and effects that you can layer and reuse. A Light cue changes only the levels you set in the cue, and leaves the rest unchanged.
– Build sophisticated lighting designs by chaining Light cues together to build complex cue sequences out of simpler parts, then trigger the sequence with a single “GO” like a chain of dominoes.
– As with all cues in QLab, Light cues can be copied, pasted, reordered, paused, resumed, and stopped at any time
– All QLab fade curves are available for Light cues; including linear, s-curve, or totally custom shape fades.
– See and manipulate the current levels of all your lights using the Light Dashboard.
– If you need to sneak in live edits from the Dashboard, you can optionally tell QLab to apply the new values “over time” so they’ll fade in smoothly.
– Open the Audition Window to view the effects of light cues “blind” in the dashboard. Close the Audition Window, and the dashboard will instantly revert back to show the live state of your lights.
– Adjust your lights in the dashboard, then:
-Create a new cue with just the changes,
-Create a new cue with all instruments,
-Update the last-run light cue with the changes, or
– Trace back the edits to each cue that most recently modified each instrument.
– Map your favorite MIDI controller to light commands, for editing either the light dashboard or individual cues.
– For motorized MIDI hardware, QLab supports MIDI “feedback” from the light dashboard and individual light cues. (Aka “flying faders”.)
– Use QLab’s powerful light command language, with autocompletion, instrument or group parameter addressing, ranges, ad-hoc groups, and command history, to efficiently edit both the light dashboard and individual light cues.
– View light cues as sliders, tiles, or raw command text at any time.
– View the Light Dashboard as sliders or tiles.
– Edit lights via keyboard entry (on the command line) or with the mouse (via clicking and dragging.)
– Easily delete individual light commands from any cue, and of course undo any edits.
– In slider view, expand group commands into all the individual instruments currently in the group.
– In slider view, indicators show the current live value of each light in a cue.
– In slider view, select multiple commands to temporarily “gang” them, so you can adjust them up or down together.
– Quickly see when a group of instruments is set to all the same level or a mix of different levels.
– Batch-edit multiple light cues by selecting them and then simply editing any light command they all share. (Or adding a new command to all of them at once.)
– Use AppleScript, either externally or via Script cues, for advanced programming techniques like algorithmically generating a series of Light cues.
– Control both the Light Dashboard and individual Light cues via OSC messages.

Audio
– Support for up to 64 channels of audio output
– Support for up to 24-channel audio files
– Support for up to 24 channels of live audio input
– Audio waveform view
– Unlimited slices of your media files for looping and vamping
– Sample-accurate playback synchronization across multiple cues
– Audio panning and volume fading
– Customize output channel names
– Edit audio device routing
– Audio effects on any cue
– Audio effects on cue outputs
– Audio effects on device outputs
– Fade audio effects dynamically

Video
– Full-screen or custom geometry for Video cues
– Fade and animate videos
– 1000 layers of video
– Masking and edge-blending across multiple projectors
– Warping and keystone correction
– Basic video effects
– Live camera input with the Camera cue
– Syphon input & output
– Blackmagic input & output
– Text & titles with the Text cue

Show Control
– Send OSC or UDP messages using the Network cue
– Fade your OSC messages over time, in 1D or 2D
– Inject live values from your workspace into outgoing OSC messages
– Send all MIDI and MIDI Show Control messages with the MIDI cue
– Send MIDI messages by playing MIDI files with the MIDI File cue
– Run your own AppleScripts with the Script cue
– Generate LTC or MTC output with the Timecode cue
– Trigger cue lists from incoming LTC or MTC timecode
– Remote control via OSC and MIDI

What’s New

Version 4.1.5:

New

  • Additional compatibility when importing shows created in Go Button 3.1 and newer.
  • A “Reset Origin” button in the surface editor, shown when there is no video license installed.
  • Workspaces now respond to the new AppleScript commands: movePlayheadUp, movePlayheadDown, movePlayheadUpASequence, movePlayheadDownASequence
  • Group cues now respond to the new AppleScript commands: expand and collapse. (Which changes their displayed state in the cue list.)

Changed

  • Improved filtering for the Art-Net Lighting Interface preference to avoid confusing USB DMX devices with Art-Net devices.
  • Removed the option to hold down the shift key to insert new cues before instead of after selection. This feature interfered with existing workflows in a number of cases, and caused more trouble than it was worth.

Fixed

  • Don’t lose edits in certain inspector text views (Script, OSC, MIDI SysEx, etc) if switching focus to another application.
  • When viewing a cue list in a separate window, resizing the “number” or “target” column will now stick.
  • Some cases where the “move to next/previous cue sequence” commands would not do the right thing.
  • A bug that prevented being able to set the current playback time on a Text cue in the Active Cues List.
  • Don’t allow dragging a cue or a file on to a cue list or cue cart, thus potentially retargeting every cue in the list or cart.
  • Don’t show the “loaded” status icon if a cue is broken.
  • A bug in the OSC “/patchList” command that caused QLab Remote to show the audio slider “live” status on the wrong audio channels if an audio patch used customized Device Routing.
  • A bug that caused cues that should not respond to a given OSC command to return an invalid response when that command was sent to multiple cues at once.
  • An issue that caused Audio cues to drop samples when started using the Cart play button or the the Time & Loops inspector tab “Preview” button.
  • A bug where QLab would beachball when viewing a cart with many cues in it in a separate window.
  • A bug that would cause the inspector to show the wrong cue if you clicked with the mouse to change the selection while in show mode and then switched to edit mode. (Yes, it’s…sort of confusing. But now: fixed.)
  • Video surfaces with active Syphon output will now properly publish changes to the surface name.
  • Various additional bug fixes, some which prevent crashes.

Requirements

  • Intel, 64-bit processor
  • OS X 10.10 or later

 

INFO/DEMO/BUY: https://mage.si/k5Eb
QLab Pro 4.1.5 macOS-TNT
http://beelink.in/25876/QLab-Pro-4.1.5-macOS-TNT.html

Amadeus PRO v2.4.3.1978 macOS TNT, macos software audio apps, TNT, Pro, OSX, macOS, MAC OSX, MAC, Amadeus Pro, Amadeus

Amadeus Pro v2.4.3 macOS

TNT | Nov 27 2017 | 18.7 MB

Amadeus Pro is a powerful multitrack audio editor supporting a variety of formats including MP3, AAC, Ogg Vorbis, Apple Lossless, AIFF, Wave and many others. Each track can have its volume adjusted independently from the others. Amadeus Pro fully supports multitrack WAVE files and allows you to render sound on up to 5 different loudspeakers simultaneously.

Amadeus PRO v2.4.3.1978 macOS TNT, macos software audio apps, TNT, Pro, OSX, macOS, MAC OSX, MAC, Amadeus Pro, Amadeus

Multitrack Editor
Amadeus Pro is a fully featured multitrack editor. Each track can have its volume and panning adjusted independently from the others. Each track can be split into multiple audio clips that can easily be dragged independently of each other. Furthermore, Audio Units can be applied to individual tracks in real-time without requiring any destructive editing.

Batch Processing
There’s that whole collection of files that you wanted to convert to Mp3, but you first wanted to normalize them and make them fade in and out nicely. Several hours of work in perspective? Let Amadeus Pro do the work for you! The powerful batch processor allows you not only to convert large numbers of files between any of the supported formats, but you can also instruct Amadeus Pro to apply any sequence of sound effects.

Repair Centre
The handy repair centre allows you to find and to repair cracks with a simple click of the mouse. Furthermore, Amadeus Pro’s powerful denoising functions allow you to easily get rid of that annoying hiss on your old tape recordings or of that 50Hz hum picked up by a badly insulated microphone.

Amadeus Pro also features:
– Tracks can be split into multiple clips for easy placement
– Audio Units can be applied to tracks non-destructively in real-time
– Smart editing
– Scheduled recordings
– Easy editing of audio tracks in QuickTime movies
– Powerful batch processor
– Direct recording from internet streams
– A full range of real-time and offline sound analysis tools

What’s New in Version 2.4.2
Bug fixes. Version 2.4 includes:
– Much faster display on computers supporting Metal on OS X 10.11 and up
– Touchbar support

INFO/DEMO/BUY: https://mage.si/SsGZ
Amadeus Pro v2.4.3 macOS
http://beelink.in/13958/Amadeus-Pro-v2.4.3-macOS.html

Ultimate EDM and Festival Drops WAV MiDi SYLENTH1, wav audio tutorials sylenth1 presets patches midi patterns samples audio, WAV, Ultimate, Sylenth1, MIDI, Festival, Fantastic, EDM, Drops

Ultimate EDM & Festival Drops

FANTASTiC | Nov 27 2017 | 556 MB

WAV MiDi SYLENTH1

Ultimate EDM & Festival Drops contains 6 ridiculously heavy Songstarters consisting of all the components you need to create full tracks from start to finish. We include all melodic parts as MIDI files and every synth preset giving you full control.  In addition we have also included bass and synth loop presets so you can re-create the sound with the all important channel strip settings which are such a major part of the sound. To assist the producer long-term we provide 3 Prod-Cast video tutorials showing you how to improve their skills not only within the EDM genre but also as a producer.  As usual our packs contain a video with music production productivity.

Download contains:
•6 x Construction Kits
•556 x Total Audio Files
•82 x Total MIDI Files
•100 x Drum Loops
•20 x Presets (Sylenth1)
•40 x Bass Loops (20 Side-Chained)
•40 x Synth Loops (20 Side-Chained)
•20 x Claps
•20 x Hats
•20 x Kicks
•20 x Percs
•20 x Snares
•10 x Bass Hits
•10 x FX
•3 x Prod-Cast Video Tutorials
•1 x Studio Productivity Video
•1 x Art of Pitching Video
•1 x Production Booklety
•44.1 kHz, 24-bit WAV, MIDI and Sylenth1 Formats


INFO/DEMO/BUY: https://mage.si/sO7M
Ultimate EDM and Festival Drops WAV MiDi SYLENTH1
http://beelink.in/34606/Ultimate-EDM-and-Festival-Drops-WAV-MiDi-SYLENTH1.html

Producing Tech House TUTORiAL SYNTHiC4TE, audio tutorials, Tutorial, Tech House, SYNTHiC4TE, Producing

Producing Tech House TUTORiAL

SYNTHiC4TE | Nov 26 2017 | 1.53 GB

Electronic music Producer extraordinaire shows you the secrets to making a realistic Tech House track from scratch. Using Logic and various 3rd party plug-ins, but applicable to any DAW, Larry reveals the steps to take to make a true Tech House production including all the staple sounds and arrangement conventions. Larry starts with an introduction welcoming you and talks about the genre and what exactly you’ll be producing together. He then starts with the all-important Kick sound, crafting it using Kick 2 and various processors to make a bangin’ 909 kick.

Next, Larry continues and gets the Claps and Hats going, followed by extra drum hits, evolving the rhythms, and then focuses on creating a huge and dynamic Bass sound and part.

Larry now jumps on some mix duties, showing you how to EQ and Compress the various elements to create a cohesive drum part and groove. Reverb is then looked at and you’ll see how to tastefully apply it, creating space and width for your parts.

Jumping back to production, Larry walks you through adding the classic Chord sound of the genre, followed by Chopped Vocals, and adding some rolls and transitions. Next, you’ll see how Larry finishes the arrangement and then applies Parallel Compression. Wrapping it up, Larry gives the overall production some Mastering love to make it competitive in volume, while still keeping some of its life and dynamics.

See the individual tutorial descriptions for more info. If you’re interested in producing Tech House, or just want to see another angle on making the genre, this is the series to watch. Checkout “Producing Tech House” today!

INFO/DEMO/BUY: https://mage.si/Y7jQ
Producing Tech House TUTORiAL-SYNTHiC4TE
http://beelink.in/34597/Producing-Tech-House-TUTORiAL-SYNTHiC4TE.html

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