QLab Pro 4.1.1 Pro Bundle macOS P2P, macos software audio, QLab, Pro, P2P, OSX, macOS, MAC OSX, MAC, Bundle

QLab Pro 4.1.1 macOS

P2P | June 27 2017 | 21.6 MB

QLab makes it simple to create rich multimedia designs for live performances and installations. From Broadway to the West End, in churches, museums, store fronts, concert halls, and theaters around the world, people use QLab to bring their audio and video to life.

Design Tools
– Unlimited Cue Lists with unlimited cues
– Unlimited Cue Carts with 1 to 64 buttons per cart
– Design in Edit Mode and run your performance in Show Mode
– Non-destructive design tools never modify your media files
– Undo any edits
– “Audition” cues locally without sending audio, video, or lighting output to the stage
– Cue templates and Workspace templates
– “Record cue sequence” tool, to capture timing and play it back again the same way later
– “Paste cue properties” tool, to selectively paste properties from one or more cues onto other cues in your workspace
– Text search of cue lists and cue carts
– Extensive AppleScript and OSC APIs
– A comprehensive Status Window to guide troubleshooting
– Powerful and painless remote editing via QLab Remote

Lighting
– Control unlimited Art-Net DMX universes.
– Create unlimited light instruments (like channels, but can be named anything, not just numbers).
– Create unlimited light groups to collect related instruments together, like “all”, “stage right”, “LEDs”, “floor”, or “floor front left”.
– Use both conventional dimmers and more complex lights with multiple parameters (includes support for percentage-based parameters, as well as both 8-bit and 16-bit direct DMX parameters.)
– QLab-style levels fading: it’s simple to build looks and effects that you can layer and reuse. A Light cue changes only the levels you set in the cue, and leaves the rest unchanged.
– Build sophisticated lighting designs by chaining Light cues together to build complex cue sequences out of simpler parts, then trigger the sequence with a single “GO” like a chain of dominoes.
– As with all cues in QLab, Light cues can be copied, pasted, reordered, paused, resumed, and stopped at any time
– All QLab fade curves are available for Light cues; including linear, s-curve, or totally custom shape fades.
– See and manipulate the current levels of all your lights using the Light Dashboard.
– If you need to sneak in live edits from the Dashboard, you can optionally tell QLab to apply the new values “over time” so they’ll fade in smoothly.
– Open the Audition Window to view the effects of light cues “blind” in the dashboard. Close the Audition Window, and the dashboard will instantly revert back to show the live state of your lights.
– Adjust your lights in the dashboard, then:
-Create a new cue with just the changes,
-Create a new cue with all instruments,
-Update the last-run light cue with the changes, or
– Trace back the edits to each cue that most recently modified each instrument.
– Map your favorite MIDI controller to light commands, for editing either the light dashboard or individual cues.
– For motorized MIDI hardware, QLab supports MIDI “feedback” from the light dashboard and individual light cues. (Aka “flying faders”.)
– Use QLab’s powerful light command language, with autocompletion, instrument or group parameter addressing, ranges, ad-hoc groups, and command history, to efficiently edit both the light dashboard and individual light cues.
– View light cues as sliders, tiles, or raw command text at any time.
– View the Light Dashboard as sliders or tiles.
– Edit lights via keyboard entry (on the command line) or with the mouse (via clicking and dragging.)
– Easily delete individual light commands from any cue, and of course undo any edits.
– In slider view, expand group commands into all the individual instruments currently in the group.
– In slider view, indicators show the current live value of each light in a cue.
– In slider view, select multiple commands to temporarily “gang” them, so you can adjust them up or down together.
– Quickly see when a group of instruments is set to all the same level or a mix of different levels.
– Batch-edit multiple light cues by selecting them and then simply editing any light command they all share. (Or adding a new command to all of them at once.)
– Use AppleScript, either externally or via Script cues, for advanced programming techniques like algorithmically generating a series of Light cues.
– Control both the Light Dashboard and individual Light cues via OSC messages.

Audio
– Support for up to 64 channels of audio output
– Support for up to 24-channel audio files
– Support for up to 24 channels of live audio input
– Audio waveform view
– Unlimited slices of your media files for looping and vamping
– Sample-accurate playback synchronization across multiple cues
– Audio panning and volume fading
– Customize output channel names
– Edit audio device routing
– Audio effects on any cue
– Audio effects on cue outputs
– Audio effects on device outputs
– Fade audio effects dynamically

Video
– Full-screen or custom geometry for Video cues
– Fade and animate videos
– 1000 layers of video
– Masking and edge-blending across multiple projectors
– Warping and keystone correction
– Basic video effects
– Live camera input with the Camera cue
– Syphon input & output
– Blackmagic input & output
– Text & titles with the Text cue

Show Control
– Send OSC or UDP messages using the Network cue
– Fade your OSC messages over time, in 1D or 2D
– Inject live values from your workspace into outgoing OSC messages
– Send all MIDI and MIDI Show Control messages with the MIDI cue
– Send MIDI messages by playing MIDI files with the MIDI File cue
– Run your own AppleScripts with the Script cue
– Generate LTC or MTC output with the Timecode cue
– Trigger cue lists from incoming LTC or MTC timecode
– Remote control via OSC and MIDI

Requirements: Intel, 64-bit processor OS X 10.10 or later

INFO/DEMO: http://redi.se/3brt
QLab Pro 4.1.1 macOS-P2P
http://beelink.in/25876/QLab-Pro-4.1.1-macOS-P2P.html

KONTAKT 5 v5.6.8 UNLOCKED MAC OSX, x64 plugins vsti vsti vst plugins native instruments audio software native instruments macos software audio plugins au for mac, VSTi, VST, Unlocked, Standalone, PlatenseSoul, MAC, Kontakt 5, AU, 64Bit

KONTAKT 5 v5.6.8 MAC

PlatenseSoul | 27.06.2017 | 64Bit | MAC: 541.22 MB + UPDATE: 219 MB

STANDALONE AU VST VSTi

THE INDUSTRY-STANDARD SAMPLER

Play and control a vast range of cutting-edge sample instruments, On-board library with 1,000+ instruments and 43+ GB of content, Ultra-deep sample editing and instrument building options

THE WORLD OF KONTAKT
KONTAKT is the world’s leading software sampler. Its sophisticated sound engine, wide array of effects, powerful modulation possibilities, and advanced scripting brings a universe of sound to life with unrivaled playability and realism. And with an ever-growing feature set, KONTAKT continues to be the sample engine behind the future of sound.

INFINITE SOUND
The KONTAKT Factory Library includes a versatile range of instruments right out of the box – a ready-to-use toolset of over 43 GB of high-quality samples and more than 1000 production-ready instruments, including synths, choirs, acoustic and orchestral instruments, drum machines, and much more.

KONTAKT’s cutting-edge features and advanced performance possibilities are the driving force behind Native Instruments’ growing list of premium sampled instruments. An open platform for development, KONTAKT powers a vast array of third-party instruments from the world’s top instrument builders.

EDIT AND BUILD
KONTAKT is a playground for anyone working creatively with samples. Arrange, edit, loop, slice, and time-stretch your samples using seven playback modes. Shape samples in ways subtle to extreme using 84 built-in effects. Animate any sound with endless modulation possibilities and take control of multiple sample groups with sophisticated routing options.

LIGHTING THE WAY
The KONTAKT interface mirrors the Light Guide on KOMPLETE KONTROL S-SERIES keyboards for one-to-one visual feedback when looking for key switches, setting up key splits, and more. It also helps instrument builders turn their original concept into an integrated software/hardware solution that works flawlessly out of the box.

 

INFO/DEMO: http://goo.gl/jzrVdA
KONTAKT 5 v5.6.8 UNLOCKED MAC OSX
http://beelink.in/25559/KONTAKT-5-v5.6.6-UNLOCKED-MAC-OSX.html

Komplete Kontrol v1.8.2 STANDALONE AU VST MAC, x86 x64 vst plugins ni vst plugins native instruments macos software audio plugins au for mac, VST, UPDATE, Standalone, PlatenseSoul, OSX, NI, MAC OSX, MAC, Kontrol, Komplete Kontrol, Komplete, AU

Komplete Kontrol v1.8.2 MAC

PlatenseSoul | 27.06.2017 | 314.30MB | UPDATE: 215.12 MB

STANDALONE/AU/VST 32/64

KOMPLETE KONTROL opens up the full potential of KOMPLETE. Feel the world’s most advanced software instruments come to life under your fingertips – more intuitive, expressive, and inspirational than ever before.

KOMPLETE BROWSER™
Browse and load sounds with the push of a button – KOMPLETE KONTROL manages the entire KOMPLETE universe in a single plug-in, thanks to the tag-based browsing system.

NATIVE MAP™
Don’t lose time mapping parameters to the keyboard. Native Map™ technology automatically maps all key parameters for each KOMPLETE Instrument to the touch-sensitive controller knobs. Everything you need to sculpt your sound – at your fingers and ready for your creativity.

LIGHT GUIDE™
The innovative Light Guide™ shows you key switches, zones and more in full color, depending on the instrument – key color corresponds to cell color in BATTERY 4, for example. The lights also provide performance feedback – see scales, chords, and arpeggios light up across the keyboard.

TRUE PERFORMER
Play chords with single keys or map the entire keyboard to musical scales. Create melodies at the touch of a button with the advanced arpeggiator – optimized for hands-on performance. And bend, warp and automate sounds like never before with the highly flexible touch strips.

INFO/DEMO: http://redi.se/hks
Komplete Kontrol v1.8.2 STANDALONE AU VST MAC OSX
http://beelink.in/17999/Komplete-Kontrol-v1.8.2-STANDALONE-AU-VST-MAC-OSX.html

Studio One 3 Professional v3.5.1 Include 16 Packs WiN MAC R2R, windows presonus audio software presets patches macos software audio samples audio, Win, Studio One, Studio One 3, R2R, Professional, Packs, MAC, Include Packs, Include

Studio One 3 Pro v3.5.1 WiN MAC

Team R2R | 28 Jun 2017 | OSX: 153.7 MB | WiN: 234.6 MB

Include Packs 16 Packs of Sounds and Loops and Reference Manual

Studio One® 3.3 is the latest version of Studio One and is a free download for registered Studio One 3 customers. This new version adds several of the most frequently user-requested enhancements including faster multi-track drum editing, MIDI editing improvements, new mixing features, and unprecedented integration with the new Notion™ 6 music notation and performance environment.

SOUND QUALITY

  • Audio Bend updated with élastiquePRO 3 time stretch and pitch manipulation for pristine audio, even with extreme tempo shifts.

RECORDING

  • Step Recording for easy beat and track programming, even of complex parts.

USER INTERFACE

  • Help when and where you need it through dynamic, context-sensitive documentation, Extended InfoView, and tool-tips.
  • Track List and Inspector buttons have been moved and no longer jump.
  • Dividers in mixer and Track Inspector now resize dynamically.
  • Playback cursor visual improvements (including red on record).
  • New Focus Frame highlights screen area with key command focus.

ARRANGEMENT

  • New Render Instrument Tracks function renders Note FX and Transpose/Velocity track parameters.
  • New All Notes Off (Panic) command in MIDI Monitor panel. Keyboard shortcut is assigned to “#”.
  • New option to apply Folder Channel track color to enclosed tracks and channels (Advanced/Editing/Tracks).

DEVICE SETUP

  • MIDI input filters are now available per MIDI input Ddevice (moved from global settings).

BROWSER

  • Drag folder to create a new tab.
  • Cmd+F always opens browser and search field (incl. Pool).
  • “Category” is now included in plug-in search.
  • Search results are automatically grouped by type.

EDITING

  • Delete Time also deletes markers/tempo/time-signature events.
  • Selecting Delete Time without selection opens Start/End time window.
  • New assignable key commands for Insert Silence in Loop and Delete Time in Loop have been added.

AUTOMATION

  • A dot on knobs indicates automated controls of plug-ins and instruments.

INSTRUMENTS AND PLUG-INS

  • Mono processing is now available for mono AU plug-ins.
  • VST2/VST3 plug-in sidechaining now supports I/O configuration changes.

 

Studio One 3 Professional v3.5.1 Include 16 Packs WiN MAC R2R, windows presonus audio software presets patches macos software audio samples audio, Win, Studio One, Studio One 3, R2R, Professional, Packs, MAC, Include Packs, Include

Include Packs & Manual:

  • Studio One 3 Reference Manual English v1.5.0.1-R2R
  • PreSonus Softube Saturation Knob v1.3.13 for.StudioOne-R2R
  • Ampire XT Metal Pack v1.0.0.7 for StudioOne-R2R
  • GB Essential Collection Soundset-R2R
  • SM Loops And Kits for StudioOne-R2R
  • Acoustic Drum Loops Pro for StudioOne-R2R
  • Acoustic Drum Loops Vol.2 for StudioOne-R2R
  • MVP Loops And Kits for StudioOne-R2R
  • Studio One Instruments Vol.1 for StudioOne-R2R
  • Studio One Instruments Vol.2 for StudioOne-R2R
  • Studio One Musicloops for StudioOne-R2R
  • Big Fish Audio Loops And Kits for StudioOne-R2R
  • Impact Drums for StudioOne-R2R
  • Presense XT Core for StudioOne-R2R
  • Electronic Audioloops for StudioOne-P2P
  • Nine Volt Audio Guitars for StudioOne-P2P
  • Vgnce-Sound for StudioOne-P2P
  • Prime Selection Loops And Sounds-R2R
  • Studio One 3 Soundset Builder v3.0.0.35191-R2R
  • PreSonus VU Meter v1.0.1.36804 for StudioOne-R2R
  • Channel Strip Collection for Studio One v1.0.2.36804-R2R

 

Version 3.5.1 Release Notes (June 27, 2017)
New features and improvements:
– Overall lower latency when playing virtual instruments
– Further CPU load balancing improvements
– Improved Quick Zoom behavior (alt+shift)
– Mixer Undo history logs parameter changes from external devices
– Visual bypass state for Mix Engine FX in console
– Bouncing Events now keeps routing

The following issues have been fixed:
– [Mix Engine FX] Softube Tape not working in 64-bit double-precision mode
– [Event FX] Editing tail value in event inspector by dragging mouse is broken
– Copy > Replace Arranger section from Scratch Pad back into song creates empty section
– Track names cut off when in “Show Automation” mode
– Inserts on duplicated tracks stop working
– Duplicate / Copy with “Layers follows events” copies wrong range from layers
– Copy and paste to wrong track if “Layers follows events” is active
– [Auto Punch] punch area not respected, results in merged Event
– [macOS] crash in window management
– [macOS] incomplete localization when multiple versions of Studio One are installed
– [macOS] Stillwell The Rocket compressor (Audio Units) not working
– [macOS] crash when using built-in audio device on 10.9.5
– Disable Solo from Arrangement not working for multi-out instruments
– Browser selection lost after searching
– Time offset when bouncing pitch-shifted audio with new algorithms
– Mixer Undo not working on Cue Mix sends
– Instrument channel direct assign to sidechain not recalled on song load
– Instrument Low Latency Monitoring not working with Vienna Instrument Pro
• Latency information for hardware monitoring is incorrect
– [Rotor] Drive not stored correctly
– [StudioLive Series III] DSP and plug-in sync issues
– [Fat Channel XT] Vintage EQ boosts hi and lo shelves on copy
– [Fat Channel XT] gain reduction incorrect
– Output Level Meter modes not synced
– Can’t select a plug-in from the Insert Menu with touch
– Can’t open controller lane (focus issue)
– [Project Page] crash when importing from DDP Image
– [Project Page] can’t update artist name
– [Project Page] Analyzer parameter changes don’t mark document as edited
– Level Meter doesn’t store/recall “LU/LUFS” and “EBU+18” settings
– Level meter display settings (+18 or LU/LUFS) should NOT reset Loudness values
– Replacing instrument results in wrong instrument UI displayed
– “Cursor follows edit position” broken in Arranger inspector list
– Midi file export with tempo change broken
– Fader automation causes noise on fade out
– Bounce of external instruments at bar one not possible

 

 

INFO/DEMO: http://redi.se/36c6
Studio One 3 Professional v3.5.1 Include 16 Packs WiN MAC-R2R
http://beelink.in/21994/Studio-One-3-Professional-v3.5.1-WiN-MAC-R2R.html

apQualizr v2.1.0 AU AAX VST VST3 x86 x64 WiN MAC UNiON, x86 x64 windows vst3 plugins vst plugins macos plugins au for mac aax plugins, x86, x64, Win, VST3, VST, UNION, multiband equalizer, Multiband, MAC, Equalizer, EQ, AU, apQualizr, AAX

apQualizr v2.1.0 WiN MAC

Team UNION | 28 Jun 2017 | OSX: 12.0 MB | WiN: 4.3 MB

AU AAX VST VST3 x86 x64

apQualizr2 is an audio plugin based on a multiband equalizer layered on top of a fre- quency analyzer with elements of a modular effects system. It features graphical editing of top quality low latency filters and modular modulation of various filter parameters. It can be used for all standard EQ applications and can produce many modulation and dynamics effects thanks to the dynamics and lfo modules included. apQualizr2’s filters are based on a unique method to match ideal frequency response curves over the entire frequency spectrum while maintaining minimal latency. Applicable filter types have adjustable steepness (adjustable number of poles) and can be individually switched to Mid-Side processing.

Main Features

  • High quality minimal latency vari-slope filters modelled perfectly over the full frequency spectrum.
  • Graphical editing of filter parameters.
  • Unlimited number of filter bands.
  • Zoomable FFT-based frequency analyzer displayed beneath the filter curves.
  • Frequency band solo feature: hold Alt to solo frequencies in mouse proximity at any time.
  • Filter parameters can be modulated by a configurable network of modules.
  • Current module selection: LFO, Dynamics Detector, Signal Scope, Mix, Split.
  • Mid-Side / Left-Right processing per filter band.
  • Comb filter.
  • Output clipper with gain reduction graph.
  • Interactive piano ruler.

• Version 2.1.0
– Undo/Redo support.
– Knobs module added.
– Improved Installers to work around issues with AAX code signing.
– Filter and FFT display frequencies always extend to at least 55% of the sample rate.
– BUGFIX: Sometimes filters accidentally faded in during the first 250 ms of playback.
– BUGFIX: Various GUI pixel tweaks.
– BUGFIX: support for switching sample rates not working in some hosts.

INFO/DEMO: http://redi.se/328q
apQualizr v2.1.0 AU AAX VST VST3 x86 x64 WiN MAC-UNiON
http://beelink.in/33028/apQualizr-v2.1.0-AU-AAX-VST-VST3-x86-x64-WiN-MAC-UNiON.html

apTrigga3 v3.3.1 AAX AU VST VST3 WiN MAC R2R UNiON, windows vst3 plugins vst plugins macos plugins au for mac apulsoft aax plugins, Win, VST3, VST, UNION, Trigger, R2R, MAC, AU, apTrigga, AAX

apTrigga3 v3.3.1 WiN MAC

Team R2R | 20.06.2017 | WiN: 49.3 MB | OSX: 64.0 MB

TEAM UNION | 28/6/2017 | WiN: 48.3 MB | OSX: 63.3 MB

AAX AU VST VST3

Audio sample trigger plugin. Drag’n drop samples and trigger them with your audio. Spice up your drums loops and recordings.

Main Features

  • Plugin formats: AAX/AudioUnits/VST/VST3 for 32-bit and 64 bit hosts on Mac OS X and Windows
  • Trigger samples by analyzing the input signal.
  • ZERO samples trigger latency.
  • Trigger signal & event graph with dynamics settings on top.
  • Unlimited number of samples per preset that can be organized and grouped by drag & drop.
  • Input filter section with unlimited filter bands, frequency analyzer and filter graphs.
  • Samples can be recorded from the audio input.
  • The sample editor supports cropping and adjusting fade times.
  • Supports HiDPI (Retina) displays with HiDPI hosts.
  • The triggered samples can be modulated by level, by pitch and by 4-pole filters.
  • Built-in system-wide preset management with import and export of preset files with all samples included, compatible across platforms and hosts.

System Requirements

  • A Mac with an Intel CPU running OS X 10.6.8 or newer or a windows machine running Windows XP or newer. Supports 32-bit & 64-bit OS.
  • A host application that supports AAX, AudioUnits, VST or VST3 plugins running in 32-bit or 64-bit mode.
  • Windows: An application to display pdf files to read the included manual.

Changes v3.3.1:
– New “precise” trigger algorithm added, suited well to drum pads directly connected to audio inputs.
– Bright & Dark color schemes and support for user schemes.
– Added a band-pass filter type to the input filters.
– Various fixes related to undo.
– Improved filter performance.
– Fixed clicks caused by the output filter.

 

INFO/DEMO: http://redi.se/376c
apTrigga3 v3.3.1 AAX AU VST VST3 WiN MAC
http://beelink.in/22674/apTrigga3-v3.3.1-AAX-AU-VST-VST3-WiN-MAC.html

SH 101 Plug Out v1.0.9 VSTi WiN R2R, x86 plugins vsti x64 plugins vsti windows vsti vst3 plugins roland, Win, VSTi, SH 101, ROLAND, R2R, Plug Out

SH-101 Plug-Out v1.0.9 VSTi WiN

Team R2R | 23 Jun 2017 | 9.9 MB

Complete reproduction of the iconic SH-101

The Real 101: The SH-101 PLUG-OUT Software Synthesizer is a complete reproduction of the iconic SH-101 – right down to the fine details and odd quirks that make it one of the most popular classic synthesizers of all time. Based on Analog Circuit Behavior (ACB) technology, it not only reproduces the SH-101’s legendary sounds, but faithfully recreates the very behavior of its analog circuitry – all with a level of authenticity that could only come from the company that created the original.

Capturing the Original
The now legendary SH-101 was a monophonic synthesizer launched by Roland in 1982. In contrast to the many complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO > one-VCF > one-VCA > one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Thirty years later, the SH-101’s hallmark sounds continue to be sought after by electronic artists the world over.

– Total authenticity through face-to-face consultation with the original designers and relentless research beyond the original schematics
– Meticulously recreated oscillator and filter behavior – hallmarks of the SH-101 sound
– Authentic behaviors including the unique interaction between low pass filter and envelope controls
– Faithfully reproduces the unstable fluctuations that resulted from quirks in the SH-101’s circuitry
– Classic SH-101 synth sounds – bass, lead, noise, and sound effects.
– Software layout features standard gray model, as well as red and blue models originally sold as limited editions.

SH Evolved
Go beyond the original hardware with enhanced tone shaping options and seamless DAW integration via AU and VSTi plugin interfaces. Full PLUG-OUT support means you can use SYSTEM-1 as a dedicated controller and even use the SH-101 without a computer. The freedom of hardware. The flexibility of software. The sound of a legend.

– Two envelope sections allow different settings for VCF and VCA while maintaining the option of classic SH-101 envelope behavior.
– Reverb, chorus, delay and crusher effects that were not included in the original.
– Run as many instances as your computer can handle.
– Use SYSTEM-1 as a dedicated USB keyboard controller with lighted knobs and sliders that show only available parameters.
– PLUG-OUT with SYSTEM-1 lets you take an authentic SH-101 wherever you go, from mobile production to live performance.
– Transfer sounds between SYSTEM-1 and SH-101 with PLUG-OUT
– Supports Macintosh and Windows, and AU and VSTi formats.

INFO/DEMO: https://goo.gl/3Olh8c
SH-101 Plug-Out v1.0.9 VSTi WiN-R2R
http://beelink.in/30046/SH-101-Plug-Out-v1.0.9-VSTi-WiN-R2R.html

Roland D 50 v1.0.1 VSTi VST3 x64 WiN R2R, x64 plugins vsti windows vsti vst3 plugins roland, x64, Win, VSTi, VST3, Roland D 50, ROLAND, R2R, D 50

Roland D-50 v1.0.1 WiN

TEAM R2R | 23.06.2017 | 24.24 MB

PLATFORM : WiN64 – VSTi/VST3

Based on Roland’s DCB technology, the Roland D-50 brings the definitive synth sound of the 80’s to your tracks in a fresh new way!

FEATURES
Released thirty years ago in 1987, the Roland D-50 Linear Arithmetic (LA) Synthesizer is easily one of the most influential keyboards ever made. The D-50 helped to define the sound of the late 80’s with its instantly recognizable mix of sampled attacks and synthesized sustaining waveforms (that’s LA!) plus chorus, reverb, and EQ. It’s the basis of classic tracks in a wide range of genres including Synth Pop, New Wave, New Jack and R&B, plus countless film scores.
With the new Roland D-50 DCB Software Synthesizer, Roland Cloud subscribers can have the iconic sound of LA in a powerful plugin, which perfectly recreates this legendary synth down to the subtlest of nuances!

Perfect recreation of D-50 from the company that made the original
– Digital Circuit Behavior (DCB) faithfully captures every detail
– Authentic user interface with all original controls and parameters (including those found on the sought-after Roland PG-1000 hardware programmer!)
– All the original presets plus fresh new sounds
– 32-bit and 64-bit VST2, VST3 and AU support

Vintage Digital
When most people think of vintage synthesizers, they think of analog beasts with lots of knobs and sliders. The 80’s ushered in something new: sleek keyboards with digital engines that brought musicians and producers a totally new palette of sounds not previously possible with analog.

INFO/DEMO: https://goo.gl/LEpkc3
Roland D-50 v1.0.1 VSTi VST3 x64 WiN-R2R
http://beelink.in/32979/Roland-D-50-v1.0.1-VSTi-VST3-x64-WiN-R2R.html

SH 2 Plug Out v1.0.8 VSTi VST3 x64 WiN R2R, x64 plugins vsti windows vsti vst3 plugins roland, Win, VSTi, SH 2, ROLAND, R2R, Plug Out

SH-2 Plug-Out v1.0.8 VSTi WiN

Team R2R | 23 Jun 2017 | 9.6 MB

Complete replica of the classic SH-2 synthesizer

The SH-2 PLUG-OUT Software Synthesizer is a total reproduction of the classic SH-2 synthesizer from 1979. Renowned for its raw vintage tone, the SH-2’s dual VCO plus sub oscillator configuration dishes out devastatingly fat basses, edgy leads and wild effects. Designed for SYSTEM-1 as well as Mac or PC hosts, the new SH-2 uses Analog Circuit Behavior technology to faithfully recreate the warm, rich sound of the original with a level of authenticity that can only come from Roland.

Party like its 1979
In the late 1970s, synthesizers were undergoing a significant transition with the development of polyphony and tone memory. As the world’s synthesizer manufacturers raced to develop these new technologies, Roland launched a seemingly basic monophonic synthesizer – the now classic SH-2.

Although it was released around the same time as Roland’s JUPITER-4, a pioneer of polyphonic synthesizers, the SH-2’s functionality was rather conservative compared to that of the JUPITER-4. But its uniquely designed configuration – which consisted of two VCOs and a sub-oscillator that essentially gave it three VCOs – was capable of extremely fat and warm analog synth tones. To this day, many synth aficionados feel it produces the most earth-shaking, bone-rattling synth bass sounds of all time.

Back to the future
The SH-2 PLUG-OUT Software Synthesizer is an incredibly precise recreation that leverages Roland’s decades-old expertise and deep knowledge of the original analog units. Like other products in the AIRA series, this new SH-2 uses Analog Circuit Behavior (ACB) technology to faithfully capture the fine details of the SH-2’s sound, right down to the behavior and interaction of the individual analog circuits.

Everything has been reproduced exactly, from the VCF which is capable of self-oscillation to the attack and long decay characteristics of the steep envelope. The unique harmonic makeup and pitch wavering are present as are the complex interactions between parameters that result from the original analog circuit design. Even behaviors that occur only in analog circuitry are accurately reproduced, like the subtle effect on tonality when the user tweaks parameters unrelated to the actual tone being produced.

There are even some new features that were not available on the original. This new SH-2 has a VCO range that is expandable to 64′, two envelopes, reverb, delay and crusher effects, Autobend with support for reverse actions, and a tempo-syncable arpeggiator.

INFO/DEMO: https://goo.gl/kzxdUH
SH-2 Plug-Out v1.0.8 VSTi WiN-R2R
http://beelink.in/32907/SH-2-Plug-Out-v1.0.8-VSTi-WiN-R2R.html

Sound Canvas VA v1.1.0 VSTi WiN READ NFO R2R, x86 plugins vsti x64 plugins vsti windows vsti roland, Win, VSTi, VA, Sound Canvas, Sound, ROLAND, R2R, Canvas

Sound Canvas VA v1.1.0 VSTi WiN

Team R2R | 23 Jun 2017 | 23.9 MB

First introduced in 1991, the Roland Sound Canvas series has long been the de-facto standard in GS sound modules. With the Sound Canvas VA, you can now use this classic sound source with your DAW music productions as a VSTi or AU plug-in. It comes with over 1,600 high-quality sounds, plus 64 different insert effects, global effects like reverb and EQ, and extensive sound editing capabilities. Also included are sound maps to perfectly play MIDI music files created on the SC-88 Pro and other hardware Sound Canvas sound modules. Combining classic sounds with current technology, the Sound Canvas VA is the modern evolution of a long-running benchmark.

Features:

  • GS-compatible virtual instrument plug-in with support for Windows and Mac
  • Includes 1,600 high-quality sounds and 63 drum kits that cover nearly every musical genre
  • Each plug-in instance supports 16 parts and up to 64 notes of polyphony
  • Tone Editor and Effect Editor functions enable you to fine-tune sounds in great detail
  • Supports host DAW automation for a variety of parameters

INFO/DEMO: https://goo.gl/Ci72nO
Sound Canvas VA v1.1.0 VSTi WiN-R2R
http://beelink.in/25195/Sound-Canvas-VA-v1.1.0-VSTi-WiN-R2R.html

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